Bizet: Carmen Suite / L'Arlésienne Suite / Jeux d'enfants / Offenbach: Gaîté Parisienne / Dukas: L'Apprenti Sorcier / Chabrier / Saint-Saëns

~ Release by Bizet, Offenbach, Dukas, Chabrier, Saint‐Saëns; Munch, Martinon, Ansermet, Solti (see all versions of this release, 1 available)

Tracklist

1▼CD
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1Carmen Suite for orchestra No. 1: Les Toréadors - Prélude, Act 1
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! ») (in 1967-01)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
is based on:
Carmen : Prélude
part of:
Carmen Suite no. 1
Georges Bizet4:27
2Carmen Suite for orchestra No. 1: Prélude, Acte 4 (Aragonaise)
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
Carmen Suite no. 1: II. Aragonaise. Allegro vivo (based on Carmen: Entr’acte between Acts III and IV) (in 1967-01)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV)
part of:
Carmen Suite no. 1
Georges Bizet2:15
3Carmen Suite for orchestra No. 1: Prélude, Acte 3 (Intermezzo)
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III) (in 1967-01)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
part of:
Carmen Suite no. 1
Georges Bizet2:25
4Carmen Suite for orchestra No. 1: Prélude, Acte 2 (Les Dragons d'Alcala)
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
Carmen Suite no. 1: V. Les Dragons d’Alcala. Allegro moderato (based on Carmen: Entr’acte between Acts I and II) (in 1967-01)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte I. Entr’acte (intermission between Acts I & II)
part of:
Carmen Suite no. 1
Georges Bizet1:39
5Carmen Suite for orchestra No. 2: Habanera
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
Carmen Suite no. 2: II. Habanera (in 1967-01)
composer:
Georges Bizet (French composer)
arranger:
Ernest Guiraud (French composer)
is based on:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
part of:
Carmen Suite no. 2
Georges Bizet2:05
6Carmen Suite for orchestra No. 2: La Garde montante
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
Carmen Suite no. 2: V. La Garde montante (in 1967-01)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte I. No. 3 Marche et chœur des gamins : « Avec la garde montante » (Chœur des gamins, Zuniga)
part of:
Carmen Suite no. 2
Georges Bizet3:39
7Carmen Suite for orchestra No. 2: Danse bohème
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
Carmen Suite no. 2: VI. Danse bohème (in 1967-01)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen)
part of:
Carmen Suite no. 2
Georges Bizet4:52
8L' Arlésienne, suite for orchestra No. 1: Prélude
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
L’Arlésienne Suite no. 1: I. Prélude, Allegro deciso – Andante molto (for orchestra) (in 1967-01)
composer:
Georges Bizet (French composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet8:25
9L' Arlésienne, suite for orchestra No. 1: Minuetto
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
L’Arlésienne Suite no. 1: II. Minuet, Allegro giocoso (for orchestra) (in 1967-01)
composer:
Georges Bizet (French composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet3:28
10L' Arlésienne, suite for orchestra No. 1: Adagietto
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
L’Arlésienne Suite no. 1: III. Adagietto (for orchestra) (in 1967-01)
composer:
Georges Bizet (French composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet4:03
11L' Arlésienne, suite for orchestra No. 1: Carillon
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
L’Arlésienne Suite no. 1: IV. Carillon, Allegro moderato (for orchestra) (in 1967-01)
composer:
Georges Bizet (French composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet5:07
12L' Arlésienne, suite for orchestra No. 2: Farandole
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
L’Arlésienne Suite no. 2: IV. Farandole (for orchestra) (in 1967-01)
composer:
Georges Bizet (French composer) (in 1872)
arranger:
Ernest Guiraud (French composer)
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet3:47
13Petite Suite, five pieces for orchestra (orchestrated by Bizet after Jeux d'enfants Nos. 6, 3, 2, 11, 12): Marche
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1960)
conductor:
Jean Martinon (French conductor and composer) (in 1960)
recording of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22: I. Marche. Trompette et tambour (in 1960)
orchestrator and composer:
Georges Bizet (French composer) (in 1871)
orchestration of:
Jeux d’enfants, op. 22 : VI. Trompette et Tambour
part of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22
Georges Bizet2:12
14Petite Suite, five pieces for orchestra (orchestrated by Bizet after Jeux d'enfants Nos. 6, 3, 2, 11, 12): Berceuse
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1960)
conductor:
Jean Martinon (French conductor and composer) (in 1960)
recording of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22: II. Berceuse. La Poupée (in 1960)
orchestrator and composer:
Georges Bizet (French composer) (in 1871)
orchestration of:
Jeux d’enfants, op. 22 : III. La Poupée
part of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22
Georges Bizet3:05
15Petite Suite, five pieces for orchestra (orchestrated by Bizet after Jeux d'enfants Nos. 6, 3, 2, 11, 12): Impromptu
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1960)
conductor:
Jean Martinon (French conductor and composer) (in 1960)
recording of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22: III. Impromptu. La Toupie (in 1960)
orchestrator and composer:
Georges Bizet (French composer) (in 1871)
orchestration of:
Jeux d’enfants, op. 22 : II. La Toupie
part of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22
Georges Bizet1:03
16Petite Suite, five pieces for orchestra (orchestrated by Bizet after Jeux d'enfants Nos. 6, 3, 2, 11, 12): Duo
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1960)
conductor:
Jean Martinon (French conductor and composer) (in 1960)
recording of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22: IV. Duo. Petit mari, petite femme (in 1960)
orchestrator and composer:
Georges Bizet (French composer) (in 1871)
orchestration of:
Jeux d’enfants, op. 22 : XI. Petit Mari, petite Femme
part of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22
Georges Bizet3:07
17Petite Suite, five pieces for orchestra (orchestrated by Bizet after Jeux d'enfants Nos. 6, 3, 2, 11, 12): Galop
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1960)
conductor:
Jean Martinon (French conductor and composer) (in 1960)
recording of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22 (in 1960)
orchestrator and composer:
Georges Bizet (French composer) (in 1871)
premiered at:
1er Concert National (1873-03-02)
part of:
Winton Dean Catalogue (Bizet WD #s) (number: WD 39) and Hugh Macdonald Catalogue (Bizet GB #s) (number: GB 119)
orchestration of:
Jeux d'enfants, op. 22 (for piano four hands)
Georges Bizet1:47
18Le Rouet d'Omphale, symphonic poem in A major, Op. 31
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1960)
conductor:
Jean Martinon (French conductor and composer) (in 1960)
recording of:
Le Rouet d'Omphale, op. 31 (Omphale's Spinning Wheel, Op. 31) (in 1960)
composer:
Camille Saint‐Saëns (composer) (in 1871)
part of:
Works of Camille Saint-Saëns by opus number (number: op. 31)
Camille Saint‐Saëns8:10
19Danse macabre, symphonic poem in G minor, Op. 40
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1960)
conductor:
Jean Martinon (French conductor and composer) (in 1960)
recording of:
Danse macabre, op. 40 (symphonic poem for orchestra) (in 1960)
composer:
Camille Saint‐Saëns (composer) (in 1874)
part of:
Classic 100: Music of France (2012) (number: 16) and Works of Camille Saint-Saëns by opus number (number: op. 40)
is based on:
Danse macabre (song for voice and piano)
quotes music from:
Dies Irae (plainchant)
Camille Saint‐Saëns7:10
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