Oratorio de Noël

~ Release by J.S. Bach - Akademie Kammerchor - Orchestre symphonique de Vienne, Ferdinand Grossmann (see all versions of this release, 1 available)

Tracklist

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1▼12" Vinyl: PL 7713-1
#TitleArtistRatingLength
XTV 5-1Oratorio de Noël: I. - Premier jour de Noël, N° 1
recorded in:
Wien (Vienna), Austria (in 1952)
choir vocals:
Wiener Akademie Kammerchor (in 1952) and Wiener Kammerchor (Vienna Chamber Choir, choir) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (in 1952)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 5-2Oratorio de Noël: I. - Premier jour de Noël, N° 2
recorded in:
Wien (Vienna), Austria (in 1952)
tenor vocals [Evangelist]:
Erich Majkut (tenor) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, II. Recitativo „Es begab sich aber zu der Zeit“ (Evangelista) (in 1952)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 5-3Oratorio de Noël: I. - Premier jour de Noël, N° 3
recorded in:
Wien (Vienna), Austria (in 1952)
alto vocals:
Dagmar Herrmann-Braun (Austrian contralto) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, III. Recitativo (Alto) „Nun wird mein liebster Bräutigam“ (in 1952)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 5-4Oratorio de Noël: I. - Premier jour de Noël, N° 4
recorded in:
Wien (Vienna), Austria (in 1952)
alto vocals:
Dagmar Herrmann-Braun (Austrian contralto) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (in 1952)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 5-5Oratorio de Noël: I. - Premier jour de Noël, N° 5
recorded in:
Wien (Vienna), Austria (in 1952)
choir vocals:
Wiener Akademie Kammerchor (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, V. Choral „Wie soll ich dich empfangen“ (in 1952)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Wie soll ich dich empfangen
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 5-6Oratorio de Noël: I. - Premier jour de Noël, N° 6
recorded in:
Wien (Vienna), Austria (in 1952)
tenor vocals [Evangelist]:
Erich Majkut (tenor) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VI. Recitativo „Und sie gebar ihren ersten Sohn“ (Evangelista) (in 1952)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 5-7Oratorio de Noël: I. - Premier jour de Noël, N° 7
recorded in:
Wien (Vienna), Austria (in 1952)
bass vocals:
Walter Berry (bass‐baritone) (in 1952)
soprano vocals:
Elisabeth Roon (soprano)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VII. Choral (Soprano) con Recitativo (Basso) „Er ist auf Erden kommen arm“ (in 1952)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 5-8Oratorio de Noël: I. - Premier jour de Noël, N° 8
recorded in:
Wien (Vienna), Austria (in 1952)
bass vocals:
Walter Berry (bass‐baritone) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) „Großer Herr, o starker König“ (in 1952)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 5-9Oratorio de Noël: I. - Premier jour de Noël, N° 9
recorded in:
Wien (Vienna), Austria (in 1952)
choir vocals:
Wiener Akademie Kammerchor (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IX. Choral „Ach mein herzliebes Jesulein“ (in 1952)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 10-1Oratorio de Noël: VI. - Fête de l’Épiphanie, N° 54
recorded in:
Wien (Vienna), Austria (in 1952)
choir vocals:
Wiener Akademie Kammerchor (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIV. Coro „Herr, wenn die stolzen Feinde schnauben“ (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 10-2Oratorio de Noël: VI. - Fête de l’Épiphanie, N° 55
recorded in:
Wien (Vienna), Austria (in 1952)
tenor vocals [Evangelist]:
Erich Majkut (tenor) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LV. Recitativo „Da berief Herodes die Weisen heimlich“ (Evangelista) (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 10-3Oratorio de Noël: VI. - Fête de l’Épiphanie, N° 56
recorded in:
Wien (Vienna), Austria (in 1952)
soprano vocals:
Elisabeth Roon (soprano) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVI. Recitativo (Soprano) „Du Falscher, suche nur den Herrn zu fällen“ (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 10-4Oratorio de Noël: VI. - Fête de l’Épiphanie, N° 57
recorded in:
Wien (Vienna), Austria (in 1952)
soprano vocals:
Elisabeth Roon (soprano) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVII. Aria (Soprano) „Nur ein Wink von seinen Händen“ (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 10-5Oratorio de Noël: VI. - Fête de l’Épiphanie, N° 58
recorded in:
Wien (Vienna), Austria (in 1952)
tenor vocals [Evangelist]:
Erich Majkut (tenor) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVIII. Recitativo „Als sie nun den König gehöret hatten“ (Evangelista) (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 10-6Oratorio de Noël: VI. - Fête de l’Épiphanie, N° 59
recorded in:
Wien (Vienna), Austria (in 1952)
choir vocals:
Wiener Akademie Kammerchor (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIX. Choral „Ich steh an deiner Krippen hier“ (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 263)
is based on:
Nun freut euch, lieben Christen g’mein (more 'sostenuto' version)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 10-7Oratorio de Noël: VI. - Fête de l’Épiphanie, N° 60
recorded in:
Wien (Vienna), Austria (in 1952)
tenor vocals and tenor vocals [Evangelist]:
Erich Majkut (tenor) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LX. Recitativo „Und Gott befahl ihnen im Traum“ (Evangelista) (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXI. Recitativo (Tenore) „So geht! Genug, mein Schatz geht nicht von hier“ (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 10-8Oratorio de Noël: VI. - Fête de l’Épiphanie, N° 61
recorded in:
Wien (Vienna), Austria (in 1952)
tenor vocals and tenor vocals [Evangelist]:
Erich Majkut (tenor) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LX. Recitativo „Und Gott befahl ihnen im Traum“ (Evangelista) (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXI. Recitativo (Tenore) „So geht! Genug, mein Schatz geht nicht von hier“ (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 10-9Oratorio de Noël: VI. - Fête de l’Épiphanie, N° 62
recorded in:
Wien (Vienna), Austria (in 1952)
tenor vocals:
Erich Majkut (tenor) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXII. Aria (Tenore) „Nun mögt ihr stolzen Feinde schrecken“ (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 10-10Oratorio de Noël: VI. - Fête de l’Épiphanie, N° 63
recorded in:
Wien (Vienna), Austria (in 1952)
alto vocals:
Dagmar Hermann (Austrian contralto) (in 1952)
bass vocals:
Walter Berry (bass‐baritone) (in 1952)
soprano vocals:
Elisabeth Roon (soprano) (in 1952)
tenor vocals:
Erich Majkut (tenor) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIII. Recitativo (Soprano, Alto, Tenore, Basso) „Was will der Höllen Schrecken nun“ (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 10-11Oratorio de Noël: VI. - Fête de l’Épiphanie, N° 64
recorded in:
Wien (Vienna), Austria (in 1952)
choir vocals:
Wiener Akademie Kammerchor (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIV. Choral „Nun seid ihr wohl gerochen“ (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 165)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
2▼12" Vinyl: PL 7713-2
#TitleArtistRatingLength
XTV 6-1Oratorio de Noël: II. - Deuxième jour de Noël, N° 10
recorded in:
Wien (Vienna), Austria (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (in 1952)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 6-2Oratorio de Noël: II. - Deuxième jour de Noël, N° 11
recorded in:
Wien (Vienna), Austria (in 1952)
tenor vocals [Evangelist]:
Erich Majkut (tenor) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XI. Recitativo „Und es waren Hirten in derselben Gegend“ (Evangelista) (in 1952)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 6-3Oratorio de Noël: II. - Deuxième jour de Noël, N° 12
recorded in:
Wien (Vienna), Austria (in 1952)
choir vocals:
Wiener Akademie Kammerchor (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XII. Choral „Brich an, o schönes Morgenlicht“ (in 1952)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Johann von Rist (in 1641)
part of:
Breitkopf 389 Choralgesänge (number: 80)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 6-4Oratorio de Noël: II. - Deuxième jour de Noël, N° 13
recorded in:
Wien (Vienna), Austria (in 1952)
tenor vocals [Evangelist]:
Erich Majkut (tenor) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIII. Recitativo „Und der Engel sprach zu ihnen“ (Evangelista, Angelus) (in 1952)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 6-5Oratorio de Noël: II. - Deuxième jour de Noël, N° 14
recorded in:
Wien (Vienna), Austria (in 1952)
bass vocals:
Walter Berry (bass‐baritone) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIV. Recitativo (Basso) „Was Gott dem Abraham verheißen“ (in 1952)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 6-6Oratorio de Noël: II. - Deuxième jour de Noël, N° 15
recorded in:
Wien (Vienna), Austria (in 1952)
tenor vocals:
Erich Majkut (tenor) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) „Frohe Hirten, eilt, ach eilet“ (in 1952)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 6-7Oratorio de Noël: II. - Deuxième jour de Noël, N° 16
recorded in:
Wien (Vienna), Austria (in 1952)
tenor vocals [Evangelist]:
Erich Majkut (tenor) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVI. Recitativo „Und das habt zum Zeichen“ (Evangelista) (in 1952)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 6-8Oratorio de Noël: II. - Deuxième jour de Noël, N° 17
recorded in:
Wien (Vienna), Austria (in 1952)
choir vocals:
Wiener Akademie Kammerchor (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVII. Choral „Schaut hin, dort liegt im finstern Stall“ (in 1952)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 323)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 6-9Oratorio de Noël: II. - Deuxième jour de Noël, N° 18
recorded in:
Wien (Vienna), Austria (in 1952)
bass vocals:
Walter Berry (bass‐baritone) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVIII. Recitativo (Basso) „So geht denn hin“ (in 1952)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 6-10Oratorio de Noël: II. - Deuxième jour de Noël, N° 19
recorded in:
Wien (Vienna), Austria (in 1952)
alto vocals:
Dagmar Hermann-Braun (Austrian contralto) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIX. Aria (Alto) „Schlafe, mein Liebster“ (in 1952)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 6-11Oratorio de Noël: II. - Deuxième jour de Noël, N° 20
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 6-12Oratorio de Noël: II. - Deuxième jour de Noël, N° 21
recorded in:
Wien (Vienna), Austria (in 1952)
choir vocals:
Wiener Akademie Kammerchor (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXI. Coro „Ehre sei Gott in der Höhe“ (in 1952)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 6-13Oratorio de Noël: II. - Deuxième jour de Noël, N° 22
recorded in:
Wien (Vienna), Austria (in 1952)
bass vocals:
Walter Berry (bass‐baritone) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXII. Recitativo (Basso) „So recht, ihr Engel“ (in 1952)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 6-14Oratorio de Noël: II. - Deuxième jour de Noël, N° 23
recorded in:
Wien (Vienna), Austria (in 1952)
choir vocals:
Wiener Akademie Kammerchor (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXIII. Choral „Wir singen dir in deinem Heer“ (in 1952)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 9-1Oratorio de Noël: V. - Le dimanche après la fête de la circoncision du Christ, N° 43
recorded in:
Wien (Vienna), Austria (in 1952)
choir vocals:
Wiener Akademie Kammerchor (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIII. Coro „Ehre sei dir, Gott, gesungen“ (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 9-2Oratorio de Noël: V. - Le dimanche après la fête de la circoncision du Christ, N° 44
recorded in:
Wien (Vienna), Austria (in 1952)
tenor vocals [Evangelist]:
Erich Majkut (tenor) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIV. Recitativo „Da Jesus geboren war zu Bethlehem“ (Evangelista) (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 9-3Oratorio de Noël: V. - Le dimanche après la fête de la circoncision du Christ, N° 45
recorded in:
Wien (Vienna), Austria (in 1952)
alto vocals:
Dagmar Hermann (Austrian contralto) (in 1952)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
partial recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLV. Coro e Recitativo (Alto) „Wo ist der neugeborne König“ (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 9-4Oratorio de Noël: V. - Le dimanche après la fête de la circoncision du Christ, N° 46
recorded in:
Wien (Vienna), Austria (in 1952)
choir vocals:
Wiener Akademie Kammerchor (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVI. Choral „Dein Glanz all Finsternis verzehrt“ (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Georg Weissel (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 214)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 9-5Oratorio de Noël: V. - Le dimanche après la fête de la circoncision du Christ, N° 47
recorded in:
Wien (Vienna), Austria (in 1952)
bass vocals:
Walter Berry (bass‐baritone) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVII. Aria (Basso) „Erleucht auch meine finstre Sinnen“ (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": VII. Aria (Sopran) "Durch die von Eifer entflammeten Waffen"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 9-6Oratorio de Noël: V. - Le dimanche après la fête de la circoncision du Christ, N° 48
recorded in:
Wien (Vienna), Austria (in 1952)
tenor vocals [Evangelist]:
Erich Majkut (tenor) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVIII. Recitativo „Da das der König Herodes hörte“ (Evangelista) (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 9-7Oratorio de Noël: V. - Le dimanche après la fête de la circoncision du Christ, N° 49
Orchestre symphonique de Vienne, direction : Ferdinand Grossmann?:??
XTV 9-8Oratorio de Noël: V. - Le dimanche après la fête de la circoncision du Christ, N° 50
recorded in:
Wien (Vienna), Austria (in 1952)
tenor vocals [Evangelist]:
Erich Majkut (tenor) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, L. Recitativo „Und ließ versammeln alle Hohepriester“ (Evangelista) (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre symphonique de Vienne, direction : Ferdinand Grossmann?:??
XTV 9-9Oratorio de Noël: V. - Le dimanche après la fête de la circoncision du Christ, N° 51
recorded in:
Wien (Vienna), Austria (in 1952)
alto vocals:
Dagmar Herrmann-Braun (Austrian contralto) (in 1952)
soprano vocals:
Elisabeth Roon (soprano) (in 1952)
tenor vocals:
Erich Majkut (tenor) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LI. Aria Terzetto (Soprano, Alto, Tenore) „Ach, wenn wird die Zeit erscheinen“ (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre symphonique de Vienne, direction : Ferdinand Grossmann?:??
XTV 9-10Oratorio de Noël: V. - Le dimanche après la fête de la circoncision du Christ, N° 52
recorded in:
Wien (Vienna), Austria (in 1952)
alto vocals:
Dagmar Herrmann-Braun (Austrian contralto) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LII. Recitativo (Alto) „Mein Liebster herrschet schon“ (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre symphonique de Vienne, direction : Ferdinand Grossmann?:??
XTV 9-11Oratorio de Noël: V. - Le dimanche après la fête de la circoncision du Christ, N° 53
recorded in:
Wien (Vienna), Austria (in 1952)
choir vocals:
Wiener Akademie Kammerchor (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LIII. Choral „Zwar ist solche Herzensstube“ (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 114)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre symphonique de Vienne, direction : Ferdinand Grossmann?:??
3▼12" Vinyl: PL 7713-3
#TitleArtistRatingLength
XTV 7-1Oratorio de Noël: III. - Troisième jour de Noël, N° 24
recorded in:
Wien (Vienna), Austria (in 1952)
choir vocals:
Wiener Akademie Kammerchor (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro „Herrscher des Himmels, erhöre das Lallen“ (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 7-2Oratorio de Noël: III. - Troisième jour de Noël, N° 25
recorded in:
Wien (Vienna), Austria (in 1952)
tenor vocals [Evangelist]:
Erich Majkut (tenor) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXV. Recitativo „Und da die Engel“ (Evangelista) (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 7-3Oratorio de Noël: III. - Troisième jour de Noël, N° 26
recorded in:
Wien (Vienna), Austria (in 1952)
choir vocals:
Wiener Akademie Kammerchor (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVI. Coro „Lasset uns nun gehen“ (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 7-4Oratorio de Noël: III. - Troisième jour de Noël, N° 27
recorded in:
Wien (Vienna), Austria (in 1952)
bass vocals:
Walter Berry (bass‐baritone) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVII. Recitativo (Basso) „Er hat sein Volk getröst“ (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 7-5Oratorio de Noël: III. - Troisième jour de Noël, N° 28
recorded in:
Wien (Vienna), Austria (in 1952)
choir vocals:
Wiener Akademie Kammerchor (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVIII. Choral „Dies hat er alles uns getan“ (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 110)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 7-6Oratorio de Noël: III. - Troisième jour de Noël, N° 29
recorded in:
Wien (Vienna), Austria (in 1952)
bass vocals:
Walter Berry (bass‐baritone) (in 1952)
soprano vocals:
Elisabeth Roon (soprano) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIX. Aria duetto (Soprano, Basso) „Herr, dein Mitleid“ (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 7-7Oratorio de Noël: III. - Troisième jour de Noël, N° 30
recorded in:
Wien (Vienna), Austria (in 1952)
tenor vocals [Evangelist]:
Erich Majkut (tenor) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXX. Recitativo „Und sie kamen eilend“ (Evangelista) (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 7-8Oratorio de Noël: III. - Troisième jour de Noël, N° 31
recorded in:
Wien (Vienna), Austria (in 1952)
alto vocals:
Dagmar Hermann (Austrian contralto) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXI. Aria (Alto) „Schließe, mein Herze“ (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 7-9Oratorio de Noël: III. - Troisième jour de Noël, N° 32
recorded in:
Wien (Vienna), Austria (in 1952)
alto vocals:
Dagmar Hermann (Austrian contralto) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXII. Recitativo (Alto) „Ja, ja, mein Herz soll es bewahren“ (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 7-10Oratorio de Noël: III. - Troisième jour de Noël, N° 33
recorded in:
Wien (Vienna), Austria (in 1952)
choir vocals:
Wiener Akademie Kammerchor (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIII. Choral „Ich will dich mit Fleiß bewahren“ (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 335)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 7-11Oratorio de Noël: III. - Troisième jour de Noël, N° 34
recorded in:
Wien (Vienna), Austria (in 1952)
tenor vocals [Evangelist]:
Erich Majkut (tenor) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIV. Recitativo „Und die Hirten kehrten wieder um“ (Evangelista) (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 7-12Oratorio de Noël: III. - Troisième jour de Noël, N° 35
recorded in:
Wien (Vienna), Austria (in 1952)
choir vocals:
Wiener Akademie Kammerchor (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro „Herrscher des Himmels, erhöre das Lallen“ (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXV. Choral "Seid froh dieweil" (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 381)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 8-1Oratorio de Noël: IV. - Fête de la circoncision du Christ, N° 36
recorded in:
Wien (Vienna), Austria (in 1952)
choir vocals:
Wiener Akademie Kammerchor (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVI. Coro „Fallt mit Danken, fallt mit Loben“ (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 8-2Oratorio de Noël: IV. - Fête de la circoncision du Christ, N° 37
recorded in:
Wien (Vienna), Austria (in 1952)
tenor vocals [Evangelist]:
Erich Majkut (tenor) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVII. Recitativo „Und da acht Tage um waren“ (Evangelista) (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 8-3Oratorio de Noël: IV. - Fête de la circoncision du Christ, N° 38
recorded in:
Wien (Vienna), Austria (in 1952)
choir vocals:
Wiener Akademie Kammerchor (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVIII. Choral „Dies hat er alles uns getan“ (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 110)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 8-4Oratorio de Noël: IV. - Fête de la circoncision du Christ, N° 39
recorded in:
Wien (Vienna), Austria (in 1952)
soprano vocals:
Elisabeth Roon (soprano) (in 1952)
soprano vocals [Echo]:
Laurence Dutoit (Austrian soprano) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXIX. (Soprano) „Flößt, mein Heiland, flößt dein Namen“ (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 8-5Oratorio de Noël: IV. - Fête de la circoncision du Christ, N° 40
recorded in:
Wien (Vienna), Austria (in 1952)
bass vocals:
Walter Berry (bass‐baritone) (in 1952)
soprano vocals:
Elisabeth Roon (soprano) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XL. Recitativo (Basso) con Chorale (Soprano) „Wohlan, dein Name soll allein“ (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 8-6Oratorio de Noël: IV. - Fête de la circoncision du Christ, N° 41
recorded in:
Wien (Vienna), Austria (in 1952)
tenor vocals:
Erich Majkut (tenor) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLI. Aria (Tenore) „Ich will nur dir zu Ehren leben“ (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 8-7Oratorio de Noël: IV. - Fête de la circoncision du Christ, N° 42
recorded in:
Wien (Vienna), Austria (in 1952)
choir vocals:
Wiener Akademie Kammerchor (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLII. Choral „Jesus richte mein Beginnen“ (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??