La Mer

~ Release by Claude Debussy (see all versions of this release, 5 available)

Tracklist

1▼CD
#TitleRatingLength
1Prélude à l'après-midi d'un faune
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), Orchestre philharmonique de l’ORTF and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
10:16
2La Mer: From Dawn to Midday on the Sea
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), Orchestre philharmonique de l’ORTF, ORF-Symphonic Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Milan Horvat (Croatian conductor, 1919-2014), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym) and Alfred Scholz
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: I. “De l’aube à midi sur la mer”
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
9:02
3La Mer: Play of the Waves
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), Orchestre philharmonique de l’ORTF, ORF-Symphonic Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Milan Horvat (Croatian conductor, 1919-2014), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym) and Alfred Scholz
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: II. “Jeux de vagues”
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
6:30
4La Mer: Dialogue between Wind and Waves
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), Orchestre Radio Symphonique, ORF-Symphonic Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Milan Horvat (Croatian conductor, 1919-2014), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym) and Alfred Scholz
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: III. “Dialogue du vent et de la mer”
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
8:11
5Clair de Lune from Suite Bergamasque
piano:
Dieter Goldmann (pianist, Alfred Scholz related)
recording of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
part of:
Classic 100: Piano (2004) (number: 3)
part of:
Suite bergamasque, L. 75, CD 82 (for piano)
5:26
6Jardins sous la Pluie from Estampes
piano:
Dieter Goldmann (pianist, Alfred Scholz related)
recording of:
Estampes, L. 100: III. Jardins sous la pluie. Net et vif (for piano)
composer:
Claude Debussy (French composer) (in 1903-07)
is based on:
Images oubliées, L. 87, CD 94 : III. Quelques aspects de ‘Nous n’irons plus au bois’ parce qu’il fait un temps insupportable (for piano)
part of:
Estampes, L. 100, CD 108 (for piano)
4:13
7Childrens Corner: Doctor Gradus ad Parnassum
piano:
Jurica Maurai (probably a Scholz pseudonym) and Jurica Murai
recording of:
Children’s Corner, L. 113: I. Doctor Gradus ad Parnassum (original piano version)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
2:08
8Childrens Corner: Jimbo's Lullaby
piano:
Jurica Maurai (probably a Scholz pseudonym) and Jurica Murai
recording of:
Children’s Corner, L. 113: II. Jimbo’s Lullaby (original piano version)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
3:08
9Childrens Corner: Serenade for a Doll
piano:
Jurica Maurai (probably a Scholz pseudonym) and Jurica Murai
recording of:
Children’s Corner, L. 113: III. Serenade for the Doll (original piano version)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
2:16
10Childrens Corner: The Snow is Dancing
piano:
Jurica Maurai (probably a Scholz pseudonym) and Jurica Murai
recording of:
Children’s Corner, L. 113: IV. The Snow is Dancing (original piano version)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
2:48
11Childrens Corner: The Little Shepherd
piano:
Jurica Maurai (probably a Scholz pseudonym) and Jurica Murai
recording of:
Children’s Corner, L. 113: V. The Little Shepherd (original piano version)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
2:24
12Childrens Corner: Golliwog's Cakewalk
piano:
Jurica Maurai (probably a Scholz pseudonym) and Jurica Murai
recording of:
Children’s Corner, L. 113: VI. Golliwogg’s Cake‐Walk (original piano version)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
3:00
13Arabesque no. 1 in E major
piano:
Jurica Maurai (probably a Scholz pseudonym) and Jurica Murai
recording of:
Deux arabesques, L. 66, CD 74 : No. 1. Andantino con moto (for piano)
composer:
Claude Debussy (French composer) (from 1890 until 1891)
part of:
Deux arabesques, L. 66, CD 74 (for piano)
3:58

Credits

Release

part of:Masters of the Millennium (Weton-Wesgram Series) (number: 11) (order: 12)
Discogs:https://www.discogs.com/release/3354246 [info]
Allmusic:https://www.allmusic.com/album/release/mr0002857809 [info]