The Classic 100: Baroque & Before

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD: Volume I CD1
#	Title	Artist	Rating	Length
1	Messiah, HWV56 - highlights: No. 1 Sinfony orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part I, no. 1. Symphony composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		3:08
2	Messiah, HWV56 - highlights: No. 2 (Tenor) Comfort ye tenor vocals [tenor]: Paul McMahon (Australian tenor) orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part I, no. 2. Recitativo “Comfort Ye” (Tenor) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		3:13
3	Messiah, HWV56 - highlights: No. 3 (Tenor) Ev'ry valley tenor vocals [tenor]: Paul McMahon (Australian tenor) orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		3:23
4	Messiah, HWV56 - highlights: No. 4 (Chorus) And the glory of the Lord choir vocals: Cantillation orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		2:20
5	Messiah, HWV56 - highlights: No. 5 (Bass) Thus saith the Lord bass vocals [bass]: Teddy Tahu Rhodes (baritone) orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		1:25
6	Messiah, HWV56 - highlights: No. 6 (Countertenor) But who may abide countertenor vocals [countertenor]: Christopher Field (countertenor) orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part I, no. 6. Air “But who may abide” composer: George Frideric Handel (German‐British baroque composer) version of: Messiah, HWV 56: Alternative Arias: Air. “But who may abide the day of His coming?” (1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		4:37
7	Messiah, HWV56 - highlights: No. 12 (Chorus) For unto us a child is born choir vocals: Cantillation orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		3:36
8	Messiah, HWV56 - highlights: No. 14a (Soprano) There were shepherds soprano vocals [soprano]: Sara Macliver (soprano) orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		0:21
9	Messiah, HWV56 - highlights: No. 14b (Soprano) And lo, the angel of the Lord soprano vocals [soprano]: Sara Macliver (soprano) orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		0:21
10	Messiah, HWV56 - highlights: No. 15 (Soprano) And the angel said to them soprano vocals [soprano]: Sara Macliver (soprano) orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano) composer: George Frideric Handel (German‐British baroque composer) part of: Messiah, HWV 56: Part I	George Frideric Handel		0:41
11	Messiah, HWV56 - highlights: No. 16 (Soprano) And suddenly there was with the angel soprano vocals [soprano]: Sara Macliver (soprano) orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano) composer: George Frideric Handel (German‐British baroque composer) part of: Messiah, HWV 56: Part I	George Frideric Handel		0:17
12	Messiah, HWV56 - highlights: No. 17 (Chorus) Glory To God choir vocals: Cantillation orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		1:56
13	Messiah, HWV56 - highlights: No. 18 (Soprano) Rejoice greatly soprano vocals [soprano]: Sara Macliver (soprano) orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part I, no. 18: Air “Rejoice greatly, O daughter of Zion” (Soprano) composer: George Frideric Handel (German‐British baroque composer) (in 1741) version of: Messiah, HWV 56: Alternative Arias: Air. “Rejoice greatly, O daughter of Zion” (1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		4:38
14	Messiah, HWV56 - highlights: No. 19 (Alto) Then shall the eyes of the blind alto vocals [alto]: Alexandra Sherman orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part I, no. 19. Recitativo “Then shall the eyes of the blind” (Contralto) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		0:26
15	Messiah, HWV56 - highlights: No. 20 (Alto, Soprano) He shall feed His flock alto vocals [alto]: Alexandra Sherman soprano vocals [soprano]: Sara Macliver (soprano) orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto) composer: George Frideric Handel (German‐British baroque composer) part of: Messiah, HWV 56: Part I	George Frideric Handel		5:56
16	Messiah, HWV56 - highlights: No. 23 (Alto) He was despised alto vocals [alto]: Alexandra Sherman orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		4:48
17	Messiah, HWV56 - highlights: No. 24 (Chorus) Surely He hath borne our griefs choir vocals: Cantillation orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part II, no. 24. Chorus “Surely he hath borne our griefs” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		1:36
18	Messiah, HWV56 - highlights: No. 40 (Bass) Why do the nations bass vocals [bass]: Teddy Tahu Rhodes (baritone) orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		2:24
19	Messiah, HWV56 - highlights: No. 41 (Chorus) Let us break their bonds asunder choir vocals: Cantillation orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part II, no. 41. Chorus “Let us Break Their Bonds Asunder” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		1:31
20	Messiah, HWV56 - highlights: No. 44 (Chorus) Hallelujah! choir vocals: Cantillation countertenor vocals [countertenor]: Christopher Field (countertenor) conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” composer: George Frideric Handel (German‐British baroque composer) (in 1741) librettist: Charles Jennens part of: Messiah, HWV 56: Part II	George Frideric Handel		3:35
21	Messiah, HWV56 - highlights: No. 45 (Soprano) I know that my Redeemer liveth soprano vocals [soprano]: Sara Macliver (soprano) orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part III	George Frideric Handel		6:34
22	Messiah, HWV56 - highlights: No. 47 (Bass) Behold, I tell you a mystery bass vocals [bass]: Teddy Tahu Rhodes (baritone) orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part III, no. 47. Recitativo “Behold, I tell you a mystery” (Bass) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part III	George Frideric Handel		0:46
23	Messiah, HWV56 - highlights: No. 48 (Bass) The trumpet shall sound bass vocals [bass]: Teddy Tahu Rhodes (baritone) orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part III	George Frideric Handel		8:37
24	Messiah, HWV56 - highlights: No. 53 (Chorus) Worthy is the Lamb choir vocals: Cantillation orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part III	George Frideric Handel		3:25
25	Messiah, HWV56 - highlights: No. 52 (Chorus) Amen choir vocals: Cantillation orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part III	George Frideric Handel		3:58

2▼CD: Volume I CD2
#	Title	Artist	Rating	Length
1	The Four Seasons (Le quattro stagioni): Spring (La Primavera): Violin Concerto in E major, Op. 8 No. 1, RV269: I. Allegro violin: Elizabeth Wallfisch (violinist) orchestra: Australian Brandenburg Orchestra conductor: Paul Dyer (conductor) recording of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (“The Four Seasons”: Concerto in E Major, op. 8 no. 1, RV. 269, “Spring”: 1. Allegro) composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)	Antonio Vivaldi		3:23
2	The Four Seasons (Le quattro stagioni): Spring (La Primavera): Violin Concerto in E major, Op. 8 No. 1, RV269: II. Largo violin [baroque violin]: Elizabeth Wallfisch (violinist) (from 1996-08-20 until 1996-08-26) orchestra: Australian Brandenburg Orchestra (from 1996-08-20 until 1996-08-26) conductor: Paul Dyer (conductor) (from 1996-08-20 until 1996-08-26) recorded at: Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney, New South Wales, Australia (from 1996-08-20 until 1996-08-26) recording of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo (from 1996-08-20 until 1996-08-26) composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)	Antonio Vivaldi		2:05
3	The Four Seasons (Le quattro stagioni): Spring (La Primavera): Violin Concerto in E major, Op. 8 No. 1, RV269: III. Allegro violin: Elizabeth Wallfisch (violinist) orchestra: Australian Brandenburg Orchestra conductor: Paul Dyer (conductor) recording of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)	Antonio Vivaldi		3:44
4	The Four Seasons (Le quattro stagioni): Summer (L'Estate): Violin Concerto in G minor, Op. 8 No. 2, RV315: I. Allegro non molto - Allegro violin: Elizabeth Wallfisch (violinist) orchestra: Australian Brandenburg Orchestra conductor: Paul Dyer (conductor) recording of: Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: I. Allegro non molto composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)	Antonio Vivaldi		4:18
5	The Four Seasons (Le quattro stagioni): Summer (L'Estate): Violin Concerto in G minor, Op. 8 No. 2, RV315: II. Adagio violin: Elizabeth Wallfisch (violinist) orchestra: Australian Brandenburg Orchestra conductor: Paul Dyer (conductor) recording of: Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: II. Adagio e piano – Presto e forte composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)	Antonio Vivaldi		1:29
6	The Four Seasons (Le quattro stagioni): Summer (L'Estate): Violin Concerto in G minor, Op. 8 No. 2, RV315: III. Presto violin: Elizabeth Wallfisch (violinist) orchestra: Australian Brandenburg Orchestra conductor: Paul Dyer (conductor) recording of: Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)	Antonio Vivaldi		2:42
7	The Four Seasons (Le quattro stagioni): Autumn (L'Autunno): Violin Concerto in F major, Op. 8 No. 3, RV293: I. Allegro violin: Elizabeth Wallfisch (violinist) orchestra: Australian Brandenburg Orchestra conductor: Paul Dyer (conductor) recording of: Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: I. Allegro composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)	Antonio Vivaldi		5:09
8	The Four Seasons (Le quattro stagioni): Autumn (L'Autunno): Violin Concerto in F major, Op. 8 No. 3, RV293: II. Adagio violin: Elizabeth Wallfisch (violinist) orchestra: Australian Brandenburg Orchestra conductor: Paul Dyer (conductor) recording of: Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: II. Adagio molto composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)	Antonio Vivaldi		2:33
9	The Four Seasons (Le quattro stagioni): Autumn (L'Autunno): Violin Concerto in F major, Op. 8 No. 3, RV293: III. Allegro violin: Elizabeth Wallfisch (violinist) orchestra: Australian Brandenburg Orchestra conductor: Paul Dyer (conductor) recording of: Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: III. Allegro composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)	Antonio Vivaldi		3:17
10	The Four Seasons (Le quattro stagioni): Winter (L'Inverno): Violin Concerto in F minor, Op. 8 No. 4, RV297: I. Allegro non molto violin: Elizabeth Wallfisch (violinist) orchestra: Australian Brandenburg Orchestra conductor: Paul Dyer (conductor) recording of: Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)	Antonio Vivaldi		3:22
11	The Four Seasons (Le quattro stagioni): Winter (L'Inverno): Violin Concerto in F minor, Op. 8 No. 4, RV297: II. Largo violin: Elizabeth Wallfisch (violinist) orchestra: Australian Brandenburg Orchestra conductor: Paul Dyer (conductor) recording of: Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)	Antonio Vivaldi		1:25
12	The Four Seasons (Le quattro stagioni): Winter (L'Inverno): Violin Concerto in F minor, Op. 8 No. 4, RV297: III. Allegro violin: Elizabeth Wallfisch (violinist) orchestra: Australian Brandenburg Orchestra conductor: Paul Dyer (conductor) recording of: Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: III. Allegro composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)	Antonio Vivaldi		3:01
13	Miserere alto vocals: Jenny Duck-Chong (alto/mezzo-soprano) (on 2001-11-21) bass vocals: Richard Anderson (operatic bass) (on 2001-11-21) choir vocals: Cantillation (on 2001-11-21) soprano vocals: Belinda Montgomery (soprano) (on 2001-11-21) and Jane Sheldon (Australian-American soprano) (on 2001-11-21) conductor: Antony Walker (Australian conductor) (on 2001-11-21) recorded at: Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney, New South Wales, Australia (on 2001-11-21) recording of: Miserere mei, Deus (on 2001-11-21) composer: Gregorio Allegri (composer) quotes lyrics from: Miserere mei (words from Psalm 51)	Gregorio Allegri		12:31
14	Water Music Suite No.1 In F major, HWV348: I. Ouverture orchestra: Tasmanian Symphony Orchestra conductor: Graham Abbott recording of: Water Music, Suite no. 1 in F major, HWV 348: I. Overture. Largo - Allegro composer: George Frideric Handel (German‐British baroque composer) (in 1717) part of: Water Music Suite no. 1 in F major, HWV 348	George Frideric Handel		3:28
15	Water Music Suite No.1 In F major, HWV348: II. Adagio e staccato orchestra: Tasmanian Symphony Orchestra conductor: Graham Abbott recording of: Water Music, Suite no. 1 in F major, HWV 348: II. Adagio e staccato composer: George Frideric Handel (German‐British baroque composer) (in 1717) part of: Water Music Suite no. 1 in F major, HWV 348	George Frideric Handel		2:19
16	Water Music Suite No.1 In F major, HWV348: III. [Allegro] orchestra: Tasmanian Symphony Orchestra conductor: Graham Abbott recording of: Water Music, Suite no. 1 in F major, HWV 348: IIIa. [Allegro] (no tempo marking) composer: George Frideric Handel (German‐British baroque composer) (in 1717) part of: Water Music, Suite no. 1 in F major, HWV 348: III. Allegro - Andante - Allegro da capo	George Frideric Handel		2:31
17	Water Music Suite No.1 In F major, HWV348: IV. Andante orchestra: Tasmanian Symphony Orchestra conductor: Graham Abbott recording of: Water Music, Suite no. 1 in F major, HWV 348: IV. Minuet (no tempo marking) composer: George Frideric Handel (German‐British baroque composer) (in 1717) part of: Water Music Suite no. 1 in F major, HWV 348	George Frideric Handel		2:23
18	Water Music Suite No.1 In F major, HWV348: III. [Allegro] Da capo orchestra: Tasmanian Symphony Orchestra conductor: Graham Abbott recording of: Water Music, Suite no. 1 in F major, HWV 348: IIIc. Allegro da capo composer: George Frideric Handel (German‐British baroque composer) (in 1717) part of: Water Music, Suite no. 1 in F major, HWV 348: III. Allegro - Andante - Allegro da capo	George Frideric Handel		2:33
19	Water Music Suite No.1 In F major, HWV348: V. [Allegro] orchestra: Tasmanian Symphony Orchestra conductor: Graham Abbott recording of: Water Music, Suite no. 1 in F major, HWV 348: V. Air. Presto composer: George Frideric Handel (German‐British baroque composer) (in 1717) part of: Water Music Suite no. 1 in F major, HWV 348	George Frideric Handel		3:04
20	Water Music Suite No.1 In F major, HWV348: VI. Air orchestra: Tasmanian Symphony Orchestra conductor: Graham Abbott recording of: Water Music, Suite no. 1 in F major, HWV 348: VI. Minuet composer: George Frideric Handel (German‐British baroque composer) (in 1717) part of: Water Music Suite no. 1 in F major, HWV 348	George Frideric Handel		2:46
21	Water Music Suite No.1 In F major, HWV348: VII. Minuet orchestra: Tasmanian Symphony Orchestra conductor: Graham Abbott recording of: Water Music, Suite no. 1 in F major, HWV 348: VII. Bourrée. Presto composer: George Frideric Handel (German‐British baroque composer) (in 1717) part of: Water Music Suite no. 1 in F major, HWV 348	George Frideric Handel		2:43
22	Water Music Suite No.1 In F major, HWV348: VII. Bourrée orchestra: Tasmanian Symphony Orchestra conductor: Graham Abbott recording of: Water Music, Suite no. 1 in F major, HWV 348: VII. Bourrée. Presto composer: George Frideric Handel (German‐British baroque composer) (in 1717) part of: Water Music Suite no. 1 in F major, HWV 348	George Frideric Handel		0:45
23	Water Music Suite No.1 In F major, HWV348: IX. Hornpipe orchestra: Tasmanian Symphony Orchestra conductor: Graham Abbott recording of: Water Music, Suite no. 1 in F major, HWV 348: IX. [Allegro moderato] (no tempo marking, sometimes marked Andante) composer: George Frideric Handel (German‐British baroque composer) (in 1717) part of: Water Music Suite no. 1 in F major, HWV 348	George Frideric Handel		0:53
24	Water Music Suite No.1 In F major, HWV348: X. [Air] orchestra: Tasmanian Symphony Orchestra conductor: Graham Abbott recording of: Water Music, Suite no. 1 in F major, HWV 348: X. Allegro (variant) composer: George Frideric Handel (German‐British baroque composer) (in 1717) part of: Water Music Suite no. 1 in F major, HWV 348	George Frideric Handel		3:55

3▼CD: Volume I CD3
#	Title	Artist	Rating	Length
1	St. Matthew Passion, BWV244: 'Wir setzen uns mit Tränen nieder' (We Sit Down, Weeping) recording engineer: Klaus Behrens (engineer) sound engineer and balance engineer: Ulrich Vette (engineer) executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler (balance engineer) instruments and orchestra: English Baroque Soloists (The English Baroque Soloists) (in 1988-04) choir vocals: London Oratory Junior Choir (in 1988-04) and The Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04) conductor: John Eliot Gardiner (in 1988-04) chorus master: Patrick Russill (in 1988-04) recorded at: Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04) recording of: Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (in 1988-04) composer: Johann Sebastian Bach (German Baroque period composer & musician) librettist: Picander part of: Matthäus-Passion, BWV 244: Teil II	Johann Sebastian Bach		5:11
2	Canon and Gigue in D major: I. Canon orchestra: Adelaide Symphony Orchestra conductor: David Stanhope (Australian composer, conductor and virtuoso pianist) recording of: Canon and Gigue in D major, T. 337 (arr. Max Seiffert) composer: Johann Pachelbel (composer) arranger: Max Seiffert arrangement of: Canon and Gigue in D major, P. 37, T. 337	Johann Pachelbel		4:53
3	Dido and Aeneas, Z626: Thy Hand, Belinda…When I Am Laid in Earth (Dido's Lament) mezzo-soprano vocals [mezzo-soprano]: Fiona Campbell (Australian mezzo-soprano) orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) composer: Henry Purcell (Baroque composer) (in 1689) librettist: Nahum Tate part of: Dido and Aeneas, Z. 626: Act III	Henry Purcell		5:02
4	Zadok The Priest - Coronation Anthem, HWV258 conductor: Harry Christophers (conductor) performer: The Sixteen (UK choir) recording of: The Four Coronation Anthems: “Zadok the Priest”, HWV 258 (catch-all for arrangements) composer: George Frideric Handel (German‐British baroque composer) arrangement of: The Four Coronation Anthems: “Zadok the Priest”, HWV 258	George Frideric Handel		5:48
5	Music for the Royal Fireworks, HWV351: IV. La Réjouissance (Rejoicing) orchestra: Tasmanian Symphony Orchestra conductor: Graham Abbott recording of: Music for the Royal Fireworks, HWV 351: IV. La Réjouissance composer: George Frideric Handel (German‐British baroque composer) (in 1749) part of: Music for the Royal Fireworks, HWV 351	George Frideric Handel		2:08
6	Spem in Alium II Never Hoped in Any but Thee) choir vocals: Cantillation conductor: Antony Walker (Australian conductor) recording of: Spem in alium composer: Thomas Tallis (composer)	Thomas Tallis		9:39
7	Concerto for Two Violins in D minor, BWV1043: I. Vivace recording engineer and producer: Virginia Read (engineer/editor/producer) (in 2005-10) violin: Helena Rathbone (violinist) (from 2005-10-20 until 2005-10-24) and Richard Tognetti (violinist & conductor) (from 2005-10-20 until 2005-10-24) orchestra: Australian Chamber Orchestra (Australian orchestra founded in 1975) (from 2005-10-20 until 2005-10-24) conductor: Richard Tognetti (violinist & conductor) recorded at: Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney, New South Wales, Australia (from 2005-10-20 until 2005-10-24) recording of: Concerto for 2 Violins in D minor, BWV 1043: I. Vivace (from 2005-10-20 until 2005-10-24) composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731) part of: Concerto for 2 Violins in D minor, BWV 1043	Johann Sebastian Bach		3:24
8	Goldberg Variations, BWV988: I: Aria And Variation I harpsichord: Jacqueline Ogeil (harpsichordist) recording of: Goldberg-Variationen, BWV 988: Aria (FIRST movement) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Notebook for Anna Magdalena Bach (1725) (number: 26) part of: Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988) recording of: Goldberg-Variationen, BWV 988: Variatio 1. a 1 Clav. composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Notebook for Anna Magdalena Bach (1725) (number: 26) part of: Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)	Johann Sebastian Bach		6:11
9	Gloria in D major, Rv589: I. Gloria in excelsis Deo (Glory to God in the Highest) choir vocals: Sydney Philharmonia Motet Choir (Sydney Philharmonia Chamber Singers, renamed Sydney Philharmonia Chamber Singers) orchestra: Sydney Philharmonia Orchestra conductor: Antony Walker (Australian conductor) recording of: Gloria in D major, RV 589: I. Gloria in excelsis Deo composer: Antonio Vivaldi (Italian baroque composer and violinist) part of: Gloria in D major, RV 589	Antonio Vivaldi		2:25
10	Cello Suite No. 1 in G major, BWV1007: I. Prelude cello: Michael Goldschlager (cellist) (in 2010) recording of: Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude) (in 2010) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)	Johann Sebastian Bach		2:50
11	Stabat Mater: I. Stabat mater dolorosa (The mother stood in sorrow) mezzo-soprano vocals: Sally-Anne Russell (Australian mezzo-soprano vocalist) soprano vocals: Sara Macliver (soprano) orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa composer: Giovanni Battista Pergolesi (composer) part of: Stabat Mater for soprano, alto, strings and basso continuo	Giovanni Battista Pergolesi		4:27
12	Brandenburg Concerto No. 3 in G major, BWV1048: I. [Allegro) orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048) part of: Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)	Johann Sebastian Bach		5:33
13	Cantata BWV147: 'Herz und Mund und Tat und Leben' (Heart and Mouth and Deeds and Living) choir vocals: Cantillation orchestra: Orchestra of the Antipodes conductor: Brett Weymark (music director/chorusmaster of Sydney Philharmonia Choirs) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, I. Coro „Herz und Mund und Tat und Leben“ premiered in: Leipzig, Sachsen (Saxony), Germany (on 1723-07-02) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1723) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“	Johann Sebastian Bach		2:28
14	Mass in B Minor, BWV232: Et incarnatus est (And Was Made Incarnate) engineer: Mike Hatch (engineer/editor) producer: Mark Brown (operatic bass, early music singer, conductor, and producer) choir vocals: The Sixteen (UK choir) orchestra: The Symphony of Harmony and Invention conductor: Harry Christophers (conductor) performer: The Sixteen (UK choir) recorded at: St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (in 1994-04) composed in: Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach		3:28
15	Concerto Grosso in G minor, Op. 6 No. 8 'Christmas Concerto': IV. Pastorale (Largo) orchestra: Tasmanian Symphony Orchestra conductor: David Stanhope (Australian composer, conductor and virtuoso pianist) recording of: Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: VI. Pastorale (Largo) composer: Arcangelo Corelli (Italian baroque composer and violinist) part of: Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)	Arcangelo Corelli		3:16
16	Vespers of the Blessed Virgin: Laudate pueri Dominum (Praise the Lord, All You His Servants) bass vocals [bass]: William Gaunt (bass vocalist) and Stuart Young (Bass) soprano vocals [soprano]: Grace Davidson (soprano) and Kirsty Hopkins tenor vocals [tenor]: Matthew Long (tenor) and Nicholas Mulroy vocals: Choir of the Enlightenment orchestra: Orchestra of the Age of Enlightenment conductor: Robert Howarth recording of: Vespro della Beata Vergine, SV 206: IV. Psalmus II "Laudate pueri Dominum" composer: Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player) part of: Vespro della Beata Vergine, SV 206 (for chorus & instruments)	Claudio Monteverdi		6:08
17	Toccata and Fugue in D minor, BWV565: I. Toccata organ: Michael Dudman (Australian organist) recording of: Toccata und Fuge d-Moll, BWV 565: I. Toccata composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Classic 100: Piano (2025) (number: 30) part of: Toccata und Fuge d-Moll, BWV 565	Johann Sebastian Bach		2:47

4▼CD: Volume 1 CD4
#	Title	Artist	Rating	Length
1	Brandenburg Concerto No. 5 in D major, BWV1050: I. Allegro (excerpt) harpsichord: Erin Helyard orchestra: Orchestra of the Antipodes conductor: Erin Helyard partial recording of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro composer: Johann Sebastian Bach (German Baroque period composer & musician) version of: Concerto D-Dur, BWV 1050a: I. Allegro part of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)	Johann Sebastian Bach		6:07
2	Solomon, HWV67: The Arrival of the Queen of Sheba orchestra: Australian Brandenburg Orchestra conductor: Paul Dyer (conductor) recording of: Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” composer: George Frideric Handel (German‐British baroque composer) (in 1748) publisher: Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft and Public Domain (refers to works that are in the public domain) part of: Solomon, HWV 67: Act III	George Frideric Handel		3:10
3	Brandenburg Concerto No. 1 in F major, BWV1046: I. [Allegro] orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: I. composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)	Johann Sebastian Bach		3:57
4	The Well-Tempered Clavier, Book I: Prelude in C major, BWV846 harpsichord: Erin Helyard recording of: The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1722) part of: Notebook for Anna Magdalena Bach (1725) (number: 29) part of: The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846 revision of: Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)	Johann Sebastian Bach		2:06
5	Greensleeves guitar: Gareth Koch recording of: Greensleeves (generic entry for traditional and unknown arrangements) lyricist and composer: [traditional] (special purpose artist)	Anonymous		2:26
6	Come, Ye Sons of Art, Away (Birthday Ode for Queen Mary), Z323: Sound the Trumpet countertenor vocals [countertenor]: Christophe Dumaux (countertenor) and Andreas Scholl (countertenor) orchestra: Accademia Bizantina conductor: Stefano Montanari (violinist and conductor) recording of: Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: III. Sound the Trumpet composer: Henry Purcell (Baroque composer) (in 1694) librettist: Nahum Tate part of: Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323	Henry Purcell		3:03
7	Serse (Xerxes), HWV40: Ombra mai fù (Never Was Shade So Lovely) tenor vocals [tenor]: David Hobson (tenor, composer) orchestra: Sinfonia Australis conductor: Antony Walker (Australian conductor) recording of: Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse) composer: George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09) librettist: [anonymous] (special purpose artist) part of: Serse, HWV 40: Atto I	George Frideric Handel		2:47
8	Brandenburg Concerto No. 4 in G major, BWV1049: I. Allegro orchestra: Orchestra of the Antipodes conductor: Anna McDonald (Australian violinist and conductor) and Antony Walker (Australian conductor) recording of: Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: I. Allegro composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)	Johann Sebastian Bach		6:56
9	Flow My Tears lute: Tommie Andersson viola da gamba: Daniel Yeadon (cello and viol player) tenor vocals [tenor]: Paul McMahon (Australian tenor) recording of: Lachrimae Pavane (Flow My Tears) composer: John Dowland (composer and lutenist)	John Dowland		5:08
10	Christmas Oratorio, BWV248: Jauchzet, frohlocket (Rejoice, exult) choir vocals: The Sixteen (UK choir) orchestra: Orchestra of The Sixteen conductor: Harry Christophers (conductor) performer: The Sixteen (UK choir) recorded at: Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom recording of: Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (in 1993-01) premiered in: Leipzig, Sachsen (Saxony), Germany (on 1734-12-25) composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!" part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		7:55
11	Rinaldo, HWV7: Lascia ch'io pianga (Let Me Lament) soprano vocals [soprano]: Yvonne Kenny (Australian soprano) orchestra: Australian Brandenburg Orchestra conductor: Paul Dyer (conductor) recording of: Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena) composer: George Frideric Handel (German‐British baroque composer) (in 1711) librettist: Giacomo Rossi part of: Rinaldo, HWV 7a: Atto II	George Frideric Handel		4:25
12	St John Passion, BWV245 (1724 Version): Ruht wohl (Rest In Peace) choir vocals: Choir of the AAM orchestra: Academy of Ancient Music conductor: Richard Egarr (conductor) recording of: Johannes-Passion, BWV 245: Teil II. No. 39 Chorus "Ruht wohl, ihr heiligen Gebeine" composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Johannes-Passion, BWV 245 (St. John Passion, BWV 245)	Johann Sebastian Bach		6:33
13	Brandenburg Concerto No. 2 in F major, BWV1047: I. [Allegro] orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)	Johann Sebastian Bach		5:02
14	Brandenburg Concerto No. 6 in B-flat major, BWV1051: I. [Allegro] orchestra: Orchestra of the Antipodes conductor: Erin Helyard and Antony Walker (Australian conductor) recording of: Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: I. composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 (Brandenburg Concerto No. 6 in B flat major, BWV 1051)	Johann Sebastian Bach		5:56
15	The Prince of Denmark's March (Trumpet Voluntary) orchestra: West Australian Symphony Orchestra conductor: Benjamin Northey (Australian conductor) recording of: The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”) composer: Jeremiah Clarke (English baroque composer and organist) (in 1700)	Jeremiah Clarke		2:31
16	Concerto for Two Guitars in G major, RV532 (originally for two mandolins): I. Allegro guitar: Leonard Grigoryan (Australian classical guitarist) and Slava Grigoryan (Australian classical guitarist) orchestra: Tasmanian Symphony Orchestra conductor: Benjamin Northey (Australian conductor) recording of: Concerto for Two Mandolins and Strings in G major, RV 532: I. Allegro (orch. Bream) orchestrator: Julian Bream lute arranger: Julian Bream orchestration of: Concerto in G major for Two Mandolins, Strings and Continuo, RV 532: I. Allegro	Antonio Vivaldi		4:16
17	Giulio Cesare in Egitto (Julius Caesar in Egypt), HWV17 Piangerò la sorte mia (I Will Lament My Fate) soprano vocals [soprano]: Yvonne Kenny (Australian soprano) orchestra: Australian Brandenburg Orchestra conductor: Paul Dyer (conductor) recording of: Giulio Cesare in Egitto, HWV 17: Atto III, Scena III, 35. Aria “Piangerò la sorte mia” (Cleopatra) composer: George Frideric Handel (German‐British baroque composer) (in 1724) librettist: Nicola Francesco Haym part of: Giulio Cesare in Egitto, HWV 17: Atto III	George Frideric Handel		5:38

5▼CD: Volume II CD1
#	Title	Artist	Rating	Length
1	L'incoronazione di Poppea The Coronation Of Poppea: Pur ti miro (I Gaze Upon You) mezzo-soprano vocals [mezzo-soprano]: Sally-Anne Russell (Australian mezzo-soprano vocalist) soprano vocals [soprano]: Sara Macliver (soprano) orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: L’incoronazione di Poppea: Atto III. “Pur ti miro” (Poppea, Nerone) composer: Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player) part of: L'Incoronazione di Poppea: Atto III.	Claudio Monteverdi		4:35
2	Cantata BWV140 'Wachet auf, ruft uns die Stimme' (A Voice Is Calling Awake!): Zion hört die Wächter singen (Zion Hears the Watchmen Singing) choir vocals: Cantillation orchestra: Orchestra of the Antipodes conductor: Brett Weymark (music director/chorusmaster of Sydney Philharmonia Choirs) recording of: Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": IV. Choral (Tenor) “Zion hört die Wächter singen” premiered in: Leipzig, Sachsen (Saxony), Germany (on 1731-11-25) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1731) is based on: Wachet auf, ruft uns die Stimme part of: Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"	Johann Sebastian Bach		4:01
3	Cantata BWV208 'Was mir behagt, ist nur die muntre Jagd' (What I Like Is a Lively Hunt): Schafe können sicher weiden (Sheep May Safely Graze) soprano vocals and soprano vocals [soprano]: Sara Macliver (soprano) orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recorded at: Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney, New South Wales, Australia recording of: Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden” (from 2003-10-09 until 2003-12-10) premiered in: Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02) composed in: Weimar, Thüringen (Thuringia), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1713) librettist: Salomon Franck part of: Classic 100: Piano (2025) (number: 38) part of: Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”	Johann Sebastian Bach		4:37
4	Orchestral Suite No. 3 In D Major, BWV1068: II. Air 'Air on the G String' cello: Sue-Ellen Paulsen (cellist) double bass: Michael Fortescue (Double bass player) viola: Janet Rutherford (Viola player) violin: Peter Edwards (Australian violinist) and Barbara Jane Gilby (violinist) conductor: Geoffrey Lancaster (pianist / conductor) recording of: Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1730) part of: Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)	Johann Sebastian Bach		4:07
5	L'orfeo (Orpheus): Toccata…Dal mio Permesso amato - excerpt (From My Beloved River Permessus) soprano vocals [soprano]: Sara Macliver (soprano) orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: L’Orfeo: Prologo, Dal mio Permesso (La Musica) composer: Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player) librettist: Alessandro Striggio (The Younger, c. 1573-1630) part of: L’Orfeo: Prologo	Claudio Monteverdi		6:29
6	Dixit Dominus, HWV232: I. Dixit Dominus domino meo (The Lord Said to My Lord) conductor: Harry Christophers (conductor) performer: The Sixteen (UK choir) recording of: Dixit Dominus in G minor, HWV 232: I. Chorus "Dixit Dominus" composer: George Frideric Handel (German‐British baroque composer) part of: Dixit Dominus in G minor, HWV 232	George Frideric Handel		5:20
7	Veni, veni Emmanuel (O Come, O Come Emmanuel) choir vocals: Cantillation treble vocals [tenor]: Paul McMahon (Australian tenor) conductor: Brett Weymark (music director/chorusmaster of Sydney Philharmonia Choirs) recording of: Veni, veni, Emmanuel composer: [anonymous] (special purpose artist) is based on: Bone Jesu dulcis cunctis is based on: Veni, veni, Emmanuel (text)	Anonymous Plainchant		4:55
8	Sonnerie de Ste-Geneviève du Mont-de-Paris (The Bells Of St Genevieve) harpsichord: Erin Helyard lute: Simon Martyn-Ellis (Lutenist) viola da gamba: Anthea Cottee (cellist) violin: Matthew Greco recording of: Sonnerie de Ste. Geneviève du Mont-de-Paris composer: Marin Marais (French composer) (in 1723)	Marin Marais		8:57
9	Oboe Concerto in D minor, Op. 9 No. 2: II. Adagio engineer: Allan Maclean (engineer/editor) (from 2002-07-17 until 2002-07-20) oboe: Diana Doherty (oboist) (from 2002-07-17 until 2002-07-20) orchestra: Sinfonia Australis Ensemble (from 2002-07-17 until 2002-07-20) conductor: Mark Summerbell (conductor) (from 2002-07-17 until 2002-07-20) recorded at: Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney, New South Wales, Australia (from 2002-07-17 until 2002-07-20) recording of: Concerto for Oboe in D minor, op. 9 no. 2: II. Adagio (from 2002-07-17 until 2002-07-20) composer: Tomaso Giovanni Albinoni (Italian Baroque composer) part of: Concerto for Oboe in D minor, op. 9 no. 2	Tomaso Albinoni		4:46
10	Semele, HWV58: Where'er You Walk tenor vocals [tenor]: Angus Wood (Tenor) orchestra: Sirius Ensemble conductor: Antony Walker (Australian conductor) recording of: Semele, HWV 58: Act II, no. 45. “Where’er You Walk” (Jupiter) composer: George Frideric Handel (German‐British baroque composer) (in 1743) librettist: William Congreve part of: Semele, HWV 58: Act II	George Frideric Handel		4:35
11	Funeral Music for Queen Mary: March - Canzona - March performer: Graham Ashton Brass Ensemble	Henry Purcell		5:47
12	Magnificat in D major, BWV243: I. Magnificat anima mea Dominum (My Soul Magnifies the Lord) choir vocals: Sydney Philharmonia Motet Choir (Sydney Philharmonia Chamber Singers, renamed Sydney Philharmonia Chamber Singers) and Sydney Philharmonia Symphonic Chorus orchestra: Sydney Philharmonia conductor: Antony Walker (Australian conductor) recording of: Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" premiered in: Leipzig, Sachsen (Saxony), Germany (on 1733-07-02) composed in: Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Magnificat D-Dur, BWV 243	Johann Sebastian Bach		3:05
13	The Coventry Carol vocals: The King’s Singers recording of: Coventry Carol (David Willcocks arrangement) lyricist and composer: [traditional] (special purpose artist) arranger: Sir David Willcocks (UK composer, organist, choral conductor) arrangement of: Coventry Carol	[anonymous]		2:47
14	Ave verum corpus bass vocals [bass]: Richard Anderson (operatic bass) choir vocals: Cantillation mezzo-soprano vocals [mezzo-soprano]: Jenny Duck-Chong (alto/mezzo-soprano) soprano vocals [soprano]: Belinda Montgomery (soprano) tenor vocals [tenor]: Paul McMahon (Australian tenor) conductor: Brett Weymark (music director/chorusmaster of Sydney Philharmonia Choirs) recording of: Ave verum corpus, T 92 (à 4, Gradualia I (1605)) composer: William Byrd (English composer) publisher: Oxford University Press part of: William Byrd: A Research and Information Guide, 3rd ed. (Turbet [T]) (number: T 92) part of: Gradualia ac cantiones sacrae, Liber 1 (1605)	William Byrd		4:41
15	Cantata BWV78 'Jesu, der du meine Seele' (Jesus Who Rescued My Soul): Wir eilen mit schwachen, doch emsigen Schritten (We Hasten with Weak, but Eager Steps) cello: Daniel Yeadon (cello and viol player) organ: Neal Peres Da Costa (Australian harpsichordist, fortepianist and organist) alto vocals and mezzo-soprano vocals [mezzo-soprano]: Sally-Anne Russell (Australian mezzo-soprano vocalist) soprano vocals and soprano vocals [soprano]: Sara Macliver (soprano) orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recorded at: Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney, New South Wales, Australia recording of: Kantate, BWV 78 "Jesu, der du meine Seele": II. Aria (Duetto Sopran, Alt) "Wir eilen mit schwachen, doch emsigen Schritten" (from 2003-10-09 until 2003-12-10) lyricist: Johann von Rist composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1724) part of: Kantate, BWV 78 "Jesu, der du meine Seele"	Johann Sebastian Bach		5:03

6▶CD: Volume II CD2

7▶CD: Volume II CD3

8▶CD: Volume II CD4

Credits

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executive producer:	Toby Chadd (Producer) Robert Patterson (producer)
editor:	Natalie Shea (alto / producer)
mastering:	Virginia Read (engineer/editor/producer)
design:	Imagecorp Pty Ltd

discography entry:	http://musictrust.com.au/the-classic-100-baroque-and-before/ [info]

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includes:	The Classic 100: Baroque & Before; Volume 1

part of:	Classic 100 (number: 2014) (order: 11)

The Classic 100: Baroque & Before

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