The Classic 100: Baroque & Before

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD: Volume I CD1

2▶CD: Volume I CD2

3▶CD: Volume I CD3

4▶CD: Volume 1 CD4

5▶CD: Volume II CD1

6▼CD: Volume II CD2
#	Title	Artist	Rating	Length
1	Violin Partita No. 2 In D minor, BWV1004: V. Ciaconna violin: Richard Tognetti (violinist & conductor) recording of: Violin Partita no. 2 in D minor, BWV 1004: V. Chaconne composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1717 until 1723) part of: Violin Partita no. 2 in D minor, BWV 1004	Johann Sebastian Bach		13:42
2	O Ecclesia (O Church, My Beloved) chamber organ: Jonathan Bradley (pianist / organist) choir vocals: Brandenburg Choir conductor: Paul Dyer (conductor)	Hildegard von Bingen		7:30
3	The Fairy Queen, Z629: If Love's a Sweet Passion choir vocals: Cantillation soprano vocals [soprano]: Sara Macliver (soprano) orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: The Fairy Queen, Z. 629: Part III "The sweet passion": "If love's a sweet passion" composer: Henry Purcell (Baroque composer) (in 1692) part of: The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)	Henry Purcell		5:33
4	Te Deum, H146: Prelude orchestra: West Australian Symphony Orchestra conductor: Benjamin Northey (Australian conductor) recording of: Te Deum, H. 146: Prélude composer: Marc‐Antoine Charpentier (composer) publisher: Copyright Control (not for release label use! this is only for copyrights and publishing relationships) part of: Te Deum, H. 146	Marc‐Antoine Charpentier		1:54
5	Kyrie eleison soprano vocals [soprano]: Esther Labourdette (Soprano) conductor: Benjamin Bagby performer: Sequentia (early music ensemble) recording of: Kyrie Eleison (English version by LN Thomas) composer: Hildegard von Bingen (German medieval saint) translator: Lisa Neufeld Thomas part of: Wonder, Love, and Praise (number: 841)	Hildegard von Bingen		3:17
6	Terpsichore: Ballet des sorciers - Ballet des princesses - Ballet conductor: Philip Pickett (musician) performer: New London Consort	Michael Praetorius		3:25
7	Cantata BWV82 'Ich habe genug' (I Have Enough): I. Ich habe genug, ich habe den Heiland (I Have Enough, I Have Held the Saviour in My Arms) oboe: Kirsten Barry bass-baritone vocals [bass-baritone]: Teddy Tahu Rhodes (baritone) orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland” composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1727) part of: Kantate, BWV 82 “Ich habe genung” (for bass)	Johann Sebastian Bach		7:25
8	The Art of Fugue, BWV1080: Contrapunctus 9 a 4, alla Duodecima executive producer: Dr. Andreas Holschneider producer and balance engineer: Wolfgang Mitlehner cello: Phoebe Carrai (American cellist) (in 1984-06) viola: Karlheinz Steeb (in 1984-06) violin [violin I]: Reinhard Goebel (violinist and conductor) (in 1984-06) violin [violin II]: Hajo Bäß (viola player) (in 1984-06) orchestra: Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06) conductor: Reinhard Goebel (violinist and conductor) (in 1984-06) recorded at: Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06) recording of: Die Kunst der Fuge, BWV 1080: IX. Contrapunctus 9 a 4 alla Duodecima (in 1984-06) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/9) part of: Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080) part of: Die Kunst der Fuge, BWV 1080.1 (1742 autograph)	Johann Sebastian Bach		2:30
9	Magnificat, Wq.215: I. Magnificat anima mea Dominum choir vocals: Choir of King’s College, Cambridge orchestra: Academy of St Martin in the Fields conductor: Philip Ledger recording of: Magnificat, Wq. 215, H. 772: I. Magnificat (Coro) composer: Carl Philipp Emanuel Bach (German classical composer) part of: Magnificat, Wq. 215, H. 772	Carl Philipp Emanuel Bach		3:06
10	Magnificat (Primo) alto vocals [alto]: Simon Berridge (tenor) and Julian Stocker (lay vicar & tenor) bass vocals [bass]: Robert Macdonald (lay vicar & bass-baritone) and Stuart Young (Bass) soprano vocals [soprano]: Grace Davidson (soprano) and Elin Manahan Thomas (soprano) tenor vocals [tenor]: Jeremy Budd treble vocals [tenor]: Mark Dobell (lay vicar & tenor) conductor: Harry Christophers (conductor) performer: The Sixteen (UK choir)	Claudio Monteverdi		11:54
11	Missa Papae Marcelli: Kyrie choir vocals: The Tallis Scholars conductor: Peter Phillips (British conductor) recording of: Missa Papae Marcelli: I. Kyrie composer: Giovanni Pierluigi da Palestrina (composer) part of: Missa Papae Marcelli	Giovanni Pierluigi da Palestrina		3:57
12	Trumpet Tune and Air, Z678 'The Cebell' organ: Peter Hurford (organist) performer: Michael Laird Brass Ensemble recording of: Trumpet Tune and Air composer: Henry Purcell (Baroque composer)	Henry Purcell		2:40
13	Judas Maccabaeus, HWV63: Mourn, Ye Afflicted Children choir vocals: Cantillation orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Judas Maccabaeus, HWV 63: Act I, no. 2: Chorus "Mourn, ye afflicted children" (Chorus) composer: George Frideric Handel (German‐British baroque composer) (in 1746) librettist: Thomas Morell part of: Judas Maccabaeus, HWV 63: Act I	George Frideric Handel		5:19
14	Bist du bei mir (With You at My Side), BWV508 bass-baritone vocals [bass-baritone]: Teddy Tahu Rhodes (baritone) orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach) lyricist: [unknown] (Special Purpose Artist – Do not add releases here, if possible.) composer: Gottfried Heinrich Stölzel (composer) previously attributed to: Johann Sebastian Bach (German Baroque period composer & musician) part of: Notebook for Anna Magdalena Bach (1725) (number: 25) and Bach-Werke-Verzeichnis (number: BWV 508)	Johann Sebastian Bach		2:36

7▶CD: Volume II CD3

8▶CD: Volume II CD4

Credits

Release

executive producer:	Toby Chadd (Producer) Robert Patterson (producer)
editor:	Natalie Shea (alto / producer)
mastering:	Virginia Read (engineer/editor/producer)
design:	Imagecorp Pty Ltd

discography entry:	http://musictrust.com.au/the-classic-100-baroque-and-before/ [info]

Release group

includes:	The Classic 100: Baroque & Before; Volume 1

part of:	Classic 100 (number: 2014) (order: 11)

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Release information

Barcode:: 0028948208081
Format:: 8×CD
Length:: 10:04:58

Additional details

Type:: Album + Compilation
Packaging:: Jewel Case
Status:: Official
Language:: English
Script:: Latin
Data quality:: Normal

Labels

ABC Classics
482 0808

Release events

Australia
2014

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Last updated on 2018-10-08 01:00 UTC