Greatest Hits of the 70’s (8 CD Box)

~ Release by Various Artists (see all versions of this release, 3 available)

Tracklist

| |
1▼CD
#TitleArtistRatingLength
1It’s a Heartache
producer:
Dave Mackay (producer), David Mackay (Australian producer, arranger, musical director), Ronnie Scott (a British pop music promoter, group manager and songwriter) and Steve Wolfe (producer, songwriter and guitar player)
acoustic guitar and background vocals:
Steve Wolfe (producer, songwriter and guitar player)
bass:
Kevin Dunne
drums (drum set) and percussion:
Micky Gibbins (drummer for Badfinger)
vocals:
Bonnie Tyler
phonographic copyright (℗) by:
Castle Copyrights Ltd. (in 1977), RCA Ltd. (UK arm of RCA) (in 1977), Sanctuary Copyrights Ltd. (in 1977), Soundbarrier Ltd. (production company) (in 1977, in 1978) and Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1995)
produced for:
Soundbarrier Ltd. (production company)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 24)
recording of:
It’s a Heartache
writer:
Ronnie Scott (a British pop music promoter, group manager and songwriter) and Steve Wolfe (producer, songwriter and guitar player)
publisher:
BMG Music Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Lojo Music, Scott/Wolfe Songs Ltd., Universal Music Publishing International Ltd., Mighty Music (publisher) (in 1977) and RAK Publishing (in 1977)
Bonnie Tyler3.83:29
2Back Home
recording engineer:
Albert Kos (engineer/editor) (in 1970-07)
producer:
Fred Haayen
drums (drum set) and percussion:
Cesar Zuiderwijk (Dutch drummer, member of Golden Earring) (in 1970-07)
electric bass guitar, keyboard, mellotron and piano:
Rinus Gerritsen (bass player) (in 1970-07)
electric guitar:
Barry Hay (in 1970-07) and George Kooymans (in 1970-07)
lead vocals:
Barry Hay (in 1970-07)
vocals:
George Kooymans (in 1970-07)
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1970) and Red Bullet Productions B.V. (in 1970)
produced for:
Red Bullet Productions
recorded at:
Phonogram Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1970-07)
recording of:
Back Home (in 1970-07)
lyricist and composer:
George Kooymans
writer:
Barry Hay and George Kooymans
publisher:
Dayglow Music, Inc. and New Dayglow B.V.
Golden Earring3.53:52
3Ready Steady Go
engineer:
Alan Winstanley (English record producer)
producer:
Martin Rushent
bass guitar:
Tony James (UK bassist/guitarist)
drums (drum set):
Mark Laff
guitar:
Bob Derwood Andrews
lead vocals:
Billy Idol (English rock singer‐songwriter)
edit of:
Ready Steady Go (Phil Wainman version) by Generation X (English post‐punk band aka “Gen X”)
recording of:
Ready Steady Go
lyricist and composer:
Billy Idol (English rock singer‐songwriter) and Tony James (UK bassist/guitarist)
publisher:
Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Publishing Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Generation X52:58
4No More Heroes
engineer:
Alan Winstanley (English record producer)
producer:
Martin Rushent
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977)
recorded at:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1977-07)
recording of:
No More Heroes (in 1977-07)
writer:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) and Dave Greenfield
publisher:
Complete Music Ltd.
The Stranglers4.653:29
5Ever Fallen in Love (With Someone You Shouldn’t’ve)
engineer:
Doug Bennett (producer, engineer) and Martin Rushent
producer and mixer:
Martin Rushent
arranger:
Buzzcocks (English punk band)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at and mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 276)
recording of:
Ever Fallen in Love (With Someone You Shouldn’t’ve)
lyricist and composer:
Pete Shelley (Buzzcocks lead singer) (in 1977-11)
publisher:
Complete Music Ltd.
Buzzcocks4.42:42
6My Sharona
bass:
Prescott Niles (in 1979-04)
drums (drum set):
Bruce Gary (in 1979-04)
guitar [lead guitar]:
Berton Averre (in 1979-04)
guitar [rhythm guitar] and lead vocals:
Doug Fieger (in The Knack) (in 1979-04)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2002) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979)
recording of:
My Sharona (in 1979-04)
writer:
Berton Averre and Douglas Fieger (in The Knack)
publisher:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia and Wise Brothers Music LLC
The Knack4.24:01
7Tomorrow Night
recording of:
Tomorrow Night
lyricist and composer:
Vincent Crane
publisher:
Westminster Music Ltd.
Atomic Rooster3:58
8Showdown
engineer:
Denny Bridges and John Middleton (engineer)
producer:
Jeff Lynne
bass and background vocals:
Michael d’Albuquerque (in 1973-04)
cello:
Mike Edwards (English Cellist that was a member of ELO) (in 1973-04) and Colin Walker (English Cellist that was a member of ELO) (in 1973-04)
drums (drum set) and percussion:
Bev Bevan (English rock drummer) (in 1973-04)
guitar and lead vocals:
Jeff Lynne (in 1973-04)
Moog and piano:
Richard Tandy (keyboardist for Electric Light Orchestra) (in 1973-04)
violin:
Wilfred Gibson (UK violinist) (in 1973-04)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973, in 2005, in 2011), Jet Records (in 1973), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (in 1973-04)
recording of:
Showdown (in 1973-04)
written in:
Birmingham, West Midlands, England, United Kingdom
lyricist and composer:
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., EMI U Catalog Inc. (publisher; do NOT use as release label), Jet Music Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Electric Light Orchestra4.54:11
9Hello Suzie
recording of:
Hello Suzie
composer:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
publisher:
Westminster Music Ltd.
The Move4:56
10Up Against the Wall
engineer:
Bill Price (UK producer/engineer)
producer:
Chris Thomas (UK record producer / remixer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recording of:
Up Against the Wall
writer:
Roy Butterfield and Tom Robinson (British singer-songwriter, bassist and radio presenter)
Tom Robinson Band53:35
11Man From Manhattan
producer:
Freddie Mercury
guitar:
Brian May (Queen guitarist)
piano and background vocals:
Freddie Mercury
recording of:
The Man From Manhattan
lyricist and composer:
Eddie Howell
Eddie Howell3:21
12Silver Lady
phonographic copyright (℗) by:
David Soul (in 1977)
recording of:
Silver Lady (in 1977)
writer:
Tony Macaulay and Geoff Stephens
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Macaulay Music Ltd., Polygram International Music Publishing Ltd. and PolyGram Music Publishing
David Soul53:42
13Baby Jump
recording of:
Baby Jump
lyricist and composer:
Ray Dorset
Mungo Jerry4:00
14On My Radio
recording of:
On My Radio
lyricist and composer:
Neol Davies (British musician and founder of The Selecter)
publisher:
Fairwood Music Ltd.
The Selecter4.23:07
15A Message to You Rudy
producer:
Elvis Costello
guest trombone:
Rico Rodriguez (Jamaican trombonist)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 132)
cover recording of:
A Message to You, Rudy
lyricist and composer:
Dandy Livingstone
recording of:
A Message to You, Rudy
lyricist and composer:
Dandy Livingstone
The Specials feat. Rico42:56
16Don’t Look Back (You’ve Gotta Walk)
cover recording of:
Don’t Look Back
writer:
Smokey Robinson and Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music (appears also as: Jobete Msc.) and Jobete Music Co., Inc.
Peter Tosh3:44
17The Second Time Around
recording of:
The Second Time Around
writer:
William Shelby and Leon Sylvers
publisher:
Rondor Music (Ldn) Ltd., Rosy Music (ASCAP-affiliated) and Spectrum VII
Shalamar3:42
18El Bimbo
recording of:
El Bimbo
composer:
Claude Morgan (1970s French producer) (in 1974-06)
Bimbo Jet2:31
2▼CD
#TitleArtistRatingLength
1Spanish Stroll
bass:
Rubén Sigüenza
guitar:
Willy DeVille and Louis X. Erlanger
membranophone:
Thomas R. "Manfred" Allen, Jr.
piano:
Bobby Leonards
lead vocals:
Willy DeVille
phonographic copyright (℗) by:
USM (for ℗ & © use only; Universal Strategic Marketing, a division of Universal Music B.V.) (in 2015)
recording of:
Spanish Stroll
lyricist and composer:
Willy DeVille
Mink DeVille53:37
2Dyna-mite
producer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
recording of:
Dyna-Mite
lyricist and composer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
Mud52:58
3Magic
producer:
Alan Parsons (of The Alan Parsons Project)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974, in 1975, in 2003)
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 41)
recording of:
Magic
writer:
Billy Lyall and David Paton (of Pilot)
publisher:
Beechwood Music Corp., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Robbins Music Corp. Ltd.
Pilot4.753:04
4Dancing on a Saturday Night
producer:
Barry Blue (singer, producer, and songwriter)
phonographic copyright (℗) by:
Crimson Copyrights Ltd. (in 1973) and Demon Music Group (in 1973)
recording of:
Dancin’ (On a Saturday Night)
writer:
Barry Blue (singer, producer, and songwriter) and Lynsey de Paul
publisher:
ATV Music Ltd., Sony/ATV Music Publishing (UK) Ltd. and Sony/ATV Music Publishing Australia Pty Ltd.
Barry Blue3:07
5You to Me Are Everything
producer:
Ken Gold
phonographic copyright (℗) by:
Pye Records (in 1976) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1976)
recording of:
You to Me Are Everything
writer:
Michael Denne and Ken Gold
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Screen Gems–EMI Music Ltd.
The Real Thing3.653:23
6And the Beat Goes On
recording of:
And the Beat Goes On
writer:
William Shelby, Stephen Shockley and Leon Sylvers
publisher:
Notting Hill Music (UK) Ltd. and Sony/ATV Music Publishing (UK) Ltd.
The Whispers3.353:24
7Rapper’s Delight
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 101), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 248) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 427)
recording of:
Rapper’s Delight (on 1979-08-02)
writer:
Bernard Edwards (American bassist and record producer), Guy O'Brien (US rapper Guy Anthony O’Brien), Henry Jackson, Michael Wright, Sylvia Robinson and Nile Rodgers
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
is based on:
Good Times
The Sugarhill Gang4.54:51
8Whodunit
recording of:
Whodunit
writer:
Freddie Perren and Keni St. Lewis
Tavares3.53:36
9Greased Lightning
producer:
Louis St. Louis (American songwriter, music arranger and singer)
mixer:
David J. Holman
saxophone:
Ray Pizzi
additional vocals:
Jeff Conaway (actor)
lead vocals:
John Travolta (American actor and singer)
horn arranger and strings arranger:
Michael Melvoin
arranger:
John Farrar, Michael Gibson (trombone) and Louis St. Louis (American songwriter, music arranger and singer)
phonographic copyright (℗) by:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (from 1978 to present) and RSO Records (US company that owned the RSO label, not the label itself.) (in 1978)
recording of:
Greased Lightnin’ (Grease, 1971 musical)
writer:
Warren Casey and Jim Jacobs
publisher:
Edwin H. Morris & Company (a division of MPL Communications Inc.) (from 1978 to present)
part of:
Grease (1971 musical)
John Travolta4.653:16
10Roll Over Beethoven
cover recording of:
Roll Over Beethoven
lyricist and composer:
Chuck Berry (in 1956-01)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dualtone Words and Songs, Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-publisher:
Fujipacific Music, Inc. and Rock ’n’ Roll Music
Electric Light Orchestra6:44
11Kung Fu Fighting
arranger:
Gerry Shury
recording of:
Kung Fu Fighting
lyricist and composer:
Carl Douglas
publisher:
Carren Music (publisher) and 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
is based on:
[Oriental Riff]
Carl Douglas4.23:17
12Dreams Are Ten a Penny
recording of:
Dreams Are Ten a Penny
writer:
John Carter (songwriter & producer, b. 1942) and Gillian Shakespeare (songwriter)
publisher:
Image Music (Australian) and Peermusic Ltd. (BMI)
Kincade2:36
13Freedom Come, Freedom Go
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recording of:
Freedom Come, Freedom Go
writer:
Roger Cook (US‐based British singer, songwriter and producer) (in 1971), Roger Greenaway (in 1971), Albert Hammond (in 1971) and Mike Hazlewood (in 1971)
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) and PolyGram Music Publishing
The Fortunes3:16
14Donna
engineer and mixer:
Eric Stewart
producer:
10cc
acoustic guitar, bass, electric guitar, resonator guitar [dobro] and tambourine:
Graham Gouldman (in 1972-05)
drums (drum set) and percussion:
Kevin Godley (in 1972-05)
Moog, acoustic guitar, electric guitar, electric piano, grand piano, mellotron and percussion:
Lol Creme (in 1972-05)
Moog, electric guitar and slide guitar:
Eric Stewart (in 1972-05)
vocals:
Lol Creme (in 1972-05), Kevin Godley (in 1972-05), Graham Gouldman (in 1972-05) and Eric Stewart (in 1972-05)
phonographic copyright (℗) by:
Strawberry Productions (copyright holder for 10cc) (in 1973) and Jonathan King Enterprises Ltd. (in 2007)
recorded at:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, United Kingdom (in 1972-05)
recording of:
Donna (in 1972-05)
writer:
Lol Creme and Kevin Godley
publisher:
St. Anne’s Music Ltd. (in 1973)
10cc3.852:55
15Sugar Candy Kisses
phonographic copyright (℗) by:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1975)
recording of:
Sugar Candy Kisses
writer:
Wayne Bickerton and Tony Waddington
publisher:
Music for Africa (South Africa)
Mac & Katie Kissoon3:18
16Beach Baby
phonographic copyright (℗) by:
Peermusic Ltd. (BMI) (in 1974)
recording of:
Beach Baby
writer:
John Carter (songwriter & producer, b. 1942) and Gillian Shakespeare (songwriter)
publisher:
Image Music (Australian) and Peermusic Pty. Ltd. (Australia)
First Class4.54:54
17Brother Louie
producer:
Mickie Most (English record producer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973)
recording of:
Brother Louie
writer:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) and Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
EMI Music Publishing (PRS‐affiliated), Finchley Music and RAK Publishing Ltd.
Hot Chocolate54:58
18Be Good to Yourself
cover recording of:
Be Good to Yourself
lyricist and composer:
Andy Fraser (English bassist, member of Free)
Frankie Miller2:59
3▼CD
#TitleArtistRatingLength
1Child in Time
engineer:
Andy Knight (UK engineer)
producer:
Deep Purple
drums (drum set):
Ian Paice (from 1969-10 until 1970-04)
electric bass guitar:
Roger Glover (from 1969-10 until 1970-04)
electric guitar:
Ritchie Blackmore (from 1969-10 until 1970-04)
Hammond organ:
Jon Lord (from 1969-10 until 1970-04)
lead vocals:
Ian Gillan (from 1969-10 until 1970-04)
phonographic copyright (℗) by:
HEC Enterprises Ltd. (in 1995)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (from 1969-10 until 1970-04)
part of:
SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (number: 3), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (number: 6), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (number: 5), SWR1 Hitparade 2006 (Baden-Württemberg) (number: 6), SWR1 Hitparade 2007 (Baden-Württemberg) (number: 4), SWR1 Hitparade 2008 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2009 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2010 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2011 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2012 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2013 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2014 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2015 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2016 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2017 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2018 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2019 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2020 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2021 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2022 (Baden-Württemberg) (number: 3) and SWR1 Hitparade 2023 (Baden-Württemberg) (number: 3)
recording of:
Child in Time (from 1969-10 until 1970-04)
writer:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Publishing (do not use as a release label!), EMI Music Publishing France, HEC Music, Henrees Music co., EMI Music Publishing Japan C.F. division (until 2021-06-30), EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
is based on:
Bombay Calling
Deep Purple4.5510:15
2Dance With the Devil
producer:
Mickie Most (English record producer)
recording of:
Dance With the Devil
composer:
Phil Dennys and Michael Hayes
publisher:
RAK Publishing Ltd.
Cozy Powell23:24
3Long Cool Woman in a Black Dress
engineer:
John Punter
producer:
The Hollies and Ron Richards
phonographic copyright (℗) by:
The Hollies Ltd. (in 1971) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1971-07-16, from 1971-07-27 until 1971-07-30)
recording of:
Long Cool Woman in a Black Dress (from 1971-07-16 until 1971-07-30)
writer:
Allan Clarke (of The Hollies), Roger Cook (US‐based British singer, songwriter and producer) and Roger Greenaway
The Hollies4.23:16
4Radar Love
recording engineer:
Pieter Nieboer
executive producer:
Fred Haayen
producer:
Golden Earring
mixer:
Damon Lyon-Shaw
acoustic guitar and electric guitar:
George Kooymans
drums (drum set) and percussion:
Cesar Zuiderwijk (Dutch drummer, member of Golden Earring)
electric bass guitar and keyboard:
Rinus Gerritsen (bass player)
slide guitar:
Eelco Gelling
vocals:
Barry Hay and George Kooymans
arranger:
Golden Earring
phonographic copyright (℗) by:
Dutch Record Company (in 1973), Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1973), Red Bullet Productions B.V. (in 1973), Track Records Ltd. (in 1973) and Geffen Records (in 1974)
produced for:
Red Bullet Productions
recorded at:
Phonogram Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
mixed at:
IBC Studios in London (Greater London), England, United Kingdom
recording of:
Radar Love
lyricist:
Barry Hay
composer:
George Kooymans
publisher:
Dayglow Music (publisher), Larry Shayne Music, Inc., Louvigny-Marquee Music Ltd., New Dayglow Music, Snamyook Music (publisher associated with George Kooymans) and Sony/ATV Music Publishing
Golden Earring4.36:23
5Silver Machine
producer:
Doctor Technichal (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) and Hawkwind
additional bass guitar and additional guitar:
Guy Pratt (on 1972-02-13)
bass guitar and lead vocals:
Lemmy Kilmister (“Lemmy” from Motörhead) (on 1972-02-13)
drums (drum set):
Simon King (drummer) (on 1972-02-13)
flute and saxophone:
Nik Turner (on 1972-02-13)
guitar:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) (on 1972-02-13)
synthesizer:
Dik Mik Davies (on 1972-02-13) and Del Dettmar (on 1972-02-13)
vocals:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) (on 1972-02-13), Robert Calvert (on 1972-02-13) and Nik Turner (on 1972-02-13)
remixer:
The Scourge of the Earth
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
recorded at:
Roundhouse in Camden Town, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1972-02-13)
mixed at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
edit of:
Silver Machine (12″ mix) by Hawkwind infected by The Scourge of the Earth
live recording of:
Silver Machine (on 1972-02-13)
lyricist:
Robert Calvert
composer:
Sylvia MacManus (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
publisher:
EMI United Partnership Ltd. and United Partnership Ltd.
Hawkwind3.654:38
6Milk and Alcohol
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recording of:
Milk and Alcohol (in 1978-09)
writer:
Nick Lowe (UK singer/songwriter/instrumentalist/producer) and Gypie Mayo
publisher:
Plangent Visions Music Ltd. and Rock Music Co., Ltd.
Dr. Feelgood4.22:37
7Motor Bikin’
engineer:
Douglas Hopkins (engineer)
producer:
Mickie Most (English record producer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recording of:
Motor Bikin’
lyricist and composer:
Chris Spedding
Chris Spedding3.352:37
82-4-6-8 Motorway
producer:
Vic Maile
bass:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (on 1977-09-14)
drums (drum set):
Dolphin Taylor (on 1977-09-14)
guitar:
Danny Kustow (on 1977-09-14)
organ and piano:
Mark Ambler (on 1977-09-14)
vocals:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (on 1977-09-14)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977)
recorded at:
Berwick Street Studios in Westminster, London (Greater London), England, United Kingdom (on 1977-09-14)
recording of:
2‐4‐6‐8 Motorway (on 1977-09-14)
lyricist and composer:
Tom Robinson (British singer-songwriter, bassist and radio presenter)
publisher:
Konkwest Music Limited
Tom Robinson Band43:17
9Rubber Bullets
engineer and mixer:
Eric Stewart
producer:
10cc
acoustic guitar, bass, electric guitar, resonator guitar [dobro] and tambourine:
Graham Gouldman (in 1972)
drums (drum set) and percussion:
Kevin Godley (in 1972)
Moog, acoustic guitar, electric guitar, electric piano, grand piano, mellotron and percussion:
Lol Creme (in 1972)
Moog, electric guitar and slide guitar:
Eric Stewart (in 1972)
vocals:
Lol Creme (in 1972), Kevin Godley (in 1972), Graham Gouldman (in 1972) and Eric Stewart (in 1972)
phonographic copyright (℗) by:
Strawberry Productions (copyright holder for 10cc) (in 1973) and Jonathan King Enterprises Ltd. (in 2007)
recorded at:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, United Kingdom (in 1972)
recording of:
Rubber Bullets (in 1972)
writer:
Lol Creme, Kevin Godley and Graham Gouldman
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and St. Anne’s Music Ltd. (in 1973)
10cc4.655:17
10Nutbush City Limits
producer:
Ike Turner
lead vocals:
Tina Turner
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1973) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Nutbush City Limits
lyricist and composer:
Tina Turner
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music and Valley Spring Music Corp.
Ike & Tina Turner3.752:58
11Your Generation
producer:
Phil Wainman
bass guitar:
Tony James (UK bassist/guitarist)
drums (drum set):
Mark Laff
guitar:
Bob Derwood Andrews
lead vocals:
Billy Idol (English rock singer‐songwriter)
recording of:
Your Generation
lyricist and composer:
Billy Idol (English rock singer‐songwriter) and Tony James (UK bassist/guitarist)
Generation X53:15
12Isn’t It Time
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1977)
recording of:
Isn’t It Time
writer:
Jack Conrad and Ray Kennedy (singer, songwriter, and record producer based in L.A.)
publisher:
EMI Music (do not use as release label! this is a music publisher), Jacon Music, Seven Summits Music, Sony/ATV Melody, Sony/ATV Music Publishing Australia Pty Ltd. and X‐Ray Music
The Babys44:01
13Peaches
engineer:
Alan Winstanley (English record producer)
producer:
Martin Rushent
assistant mixer:
Benny King (engineer)
mixer:
Doug Bennett (producer, engineer)
bass guitar:
Jean‐Jacques Burnel (from 1976-12-20 until 1977-01-28)
drums (drum set):
Jet Black (UK drummer Brian Duffy, member of The Stranglers) (from 1976-12-20 until 1977-01-28)
guitar and lead vocals:
Hugh Cornwell (English rock musician) (from 1976-12-20 until 1977-01-28)
keyboard:
Dave Greenfield (from 1976-12-20 until 1977-01-28)
publisher:
EMI April Music Inc.
recorded at:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1976-12-20 until 1977-01-28)
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
produced at:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1977-01 until 1977-02)
recording of:
Peaches (from 1976-12-20 until 1977-01-28)
writer:
Brian Duffy (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) and Dave Greenfield
publisher:
Albion Music Ltd., April Music Ltd., Complete Music, Complete Music Ltd., Musik-Edition Discoton and Universal Music Publishing MGB Ltd.
The Stranglers4.154:06
14Sylvia
recording engineer:
George Chkiantz (in 1972-07)
producer:
Mike Vernon
bass guitar:
Bert Ruiter (in 1972-07)
drums (drum set):
Pierre van der Linden (in 1972-07)
guitar:
Jan Akkerman (in 1972-07)
keyboard:
Thijs van Leer (in 1972-07)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (in 1972-07)
recording of:
Sylvia (in 1972-07)
composer:
Thijs van Leer
publisher:
Radio Tele Music (publisher; do NOT use as release label)
Focus3.653:27
15This Perfect Day
recording of:
This Perfect Day
lyricist and composer:
Chris Bailey (Irish punk vocalist, member of The Saints) and Ed Kuepper
strings arranger:
Steve Hitchcock
The Saints3.52:11
16Cotton Fields
cover recording of:
Cotton Fields
lyricist and composer:
Huddie William Ledbetter
The Beach Boys3:01
17Here Comes the Sun
cover recording of:
Here Comes the Sun
lyricist and composer:
George Harrison (The Beatles)
publisher:
Harrisongs Ltd. and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
part of:
Reprise
Steve Harley & Cockney Rebel3.652:59
18He’s Gonna Step on You Again
recording of:
He’s Gonna Step on You Again
lyricist:
Shaun Ryder
writer:
Christos Demitriou and John Kongos
publisher:
Essex Music of Australia Pty. Ltd.
John Kongos4:16
4▼CD
#TitleArtistRatingLength
1The Air That I Breathe
engineer:
Mike Jarratt (Recording, mixing and lacquer cutting engineer) and Alan Parsons (of The Alan Parsons Project)
producer:
The Hollies and Ron Richards
vocals:
Allan Clarke (of The Hollies) (from 1973-11-15 until 1973-11-22), Tony Hicks (from 1973-11-15 until 1973-11-22) and Terry Sylvester (from 1973-11-15 until 1973-11-22)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973), The Hollies Ltd. (in 1973, in 1974, in 2008) and Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-11-15 until 1973-11-22)
cover recording of:
The Air That I Breathe (from 1973-11-15 until 1973-11-22)
writer:
Albert Hammond and Mike Hazlewood
publisher:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Hollies4.54:05
2Don’t Throw It All Away
Gary Benson3:21
3When You’re in Love With a Beautiful Woman
producer:
Ron Haffkine
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979)
recording of:
When You’re in Love With a Beautiful Woman
lyricist and composer:
Even Stevens (singer / songwriter)
publisher:
ATV Music, Debdave Music, Edition Intro Gebr Meisel GmbH, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Screen Gems–EMI Music Ltd. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Dr. Hook42:53
4Please Don’t Go
producer:
Harry Wayne Casey and Richard Finch
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recording of:
Please Don’t Go
writer:
Harry Wayne Casey and Richard Finch
publisher:
EMI Music Publishing (do not use as a release label!), EMI Songs and EMI Songs Ltd.
KC and the Sunshine Band43:50
5Loving You
producer:
Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer) and Stevie Wonder
bass guitar:
Reggie McBride
congas:
Kwasi "Rocki" Dzidzornu
cymbal, drums (drum set), harmonica and piano:
El Toro Negro
drums (drum set) [drum kit]:
Ollie E. Brown (US drummer, session musician & record producer) and El Toro Negro
guitar:
Marlo Henderson and Michael Sembello
background vocals:
Shirley Brewer, Lani Groves, Deniece Williams (US soul/funk vocalist/songwriter) and Yvonne Wright
vocals:
Minnie Riperton
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1993)
recording of:
Lovin’ You
writer:
Minnie Riperton and Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
publisher:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-publisher:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton3.653:23
6Tired of Toein’ the Line
recording of:
Tired of Toein’ the Line
writer:
Rocky Burnette and Ronald Donavon Coleman
publisher:
Cheshire Music Inc., NFC, Onward Music Ltd. and キュー・ミュージック・ジャパン (Q Music Japan)
Rocky Burnette4.53:42
7Dancing in the City
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978) and Harvest (UK based sub‐label of EMI, re‐activated in 2013 under Capitol Music Group in Hollywood, CA) (in 1978)
recording of:
Dancing in the City (in 1978)
writer:
Kit Hain and Julian Marshall
publisher:
EMI Music Publishing (do not use as a release label!), Gallo Music Publishers, Hornall Brothers Music Ltd. (limited company) and Rondor Music (London) Ltd.
Marshall Hain3:38
8Norma Jean Wants to Be a Movie Star
recording of:
Norma Jean Wants to Be a Movie Star
lyricist and composer:
J.C. Cunningham (American songwriter)
Cunningham23:38
9If You Can’t Give Me Love
producer:
Mike Chapman (Australian producer and songwriter)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978, in 1980) and RAK Records Ltd. (in 1978)
produced for:
Chinnichap (production company and publisher)
recording of:
If You Can’t Give Me Love (in 1980)
lyricist and composer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Music Publishing Ltd., Chinnichap (production company and publisher), Chinnichap Ltd. (production company), RAK Publishing Ltd. and Universal Music–MGB Songs
Suzi Quatro4.53:52
10Hot Child in the City
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1976, in 1978), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 22)
recording of:
Hot Child in the City
writer:
Nick Gilder and Jim McCulloch (Canadian guitarist for Sweeney Todd/Nick Gilder)
publisher:
Beechwood Music Canada and Beechwood Music Corp.
Nick Gilder53:08
11The Wall Street Shuffle
producer:
10cc
acoustic guitar, bass guitar, electric guitar and percussion and bass guitar, guitar and percussion:
Graham Gouldman (in 1974)
drums (drum set) and percussion:
Kevin Godley (in 1974)
electric guitar and guitar and guitar, keyboard and percussion:
Lol Creme (in 1974)
electric piano, grand piano, guitar, mellotron and organ, guitar and keyboard and lead vocals:
Eric Stewart (in 1974)
vocals:
Lol Creme (in 1974), Kevin Godley (in 1974), Graham Gouldman (in 1974) and Eric Stewart (in 1974)
phonographic copyright (℗) by:
Jonathan King Enterprises (in 2007)
recorded at:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, United Kingdom (in 1974)
recording of:
The Wall Street Shuffle (in 1974)
writer:
Graham Gouldman and Eric Stewart
10cc3.73:52
12Popcorn
phonographic copyright (℗) by:
Musicor (American record label) (in 1972)
cover recording of:
Popcorn (in 1972)
composer:
Gershon Kingsley
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
recording of:
Popcorn
composer:
Gershon Kingsley
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Hot Butter4.352:33
13Paloma Blanca
recording of:
Paloma blanca
lyricist and composer:
Hans Bouwens
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Holland B.V., Musik Unserer Zeit (publisher; do NOT use as release label), RMI (publisher) and EMI Music Holland B.V. (record company currently known as EMI Music Netherlands B.V. don't use as release label) (in 1975)
George Baker Selection32:48
14Lay Your Love on Me
producer:
Mickie Most (English record producer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978), RAK Records (copyrights holder) (in 1978) and RAK (in 1979)
recording of:
Lay Your Love on Me
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Music and Universal Music Publishing MGB Australia
Racey3:13
15Mexico
recording of:
Mexico
lyricist and composer:
Jimmy Driftwood and Les Humphries
publisher:
Edition Opry Rose and Goldy-Musikverlag Hans Sikorski GmbH
version of:
The Battle of New Orleans
Les Humphries Singers4:05
16Darlin’
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978)
cover recording of:
Darlin’
lyricist and composer:
Oscar Stewart Blandamer
publisher:
Sony/ATV Music Publishing Australia Pty Ltd.
Frankie Miller3:07
17If I Had Words
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
part of:
TV Cream: Real 100 Best Singles Ever (number: 45)
cover recording of:
If I Had Words
composer:
Camille Saint‐Saëns (composer)
arranger:
Jonathan Hodge
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!)
is based on:
Symphony no. 3 in C minor “avec orgue”, op. 78: II. Allegro moderato — Presto — Maestoso — Allegro
Scott Fitzgerald & Yvonne Keeley23:51
18Don’t Let It Die
recording of:
Don’t Let It Die
lyricist, writer and composer:
Hurricane Smith (UK producer/engineer, performed as Hurricane Smith)
Hurricane Smith2:36
5▼CD
#TitleArtistRatingLength
1Hocus Pocus
recording engineer:
Jerry Boys (from 1971-04-13 until 1971-05-14)
performer:
Focus (Dutch progressive rock group) (from 1971-04-13 until 1971-05-14)
recording of:
Hocus Pocus (from 1971-04-13 until 1971-05-14)
composer:
Jan Akkerman and Thijs van Leer
Focus4.756:40
2Tears of a Clown
producer:
Bob Sargeant
cover recording of:
The Tears of a Clown
lyricist:
Smokey Robinson
composer:
Henry Cosby, Smokey Robinson and Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music Ltd and Jobette Music (UK) Ltd.
The Beat32:43
3Something Better Change
engineer:
Alan Winstanley (English record producer)
producer:
Martin Rushent
recorded at:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1977-07)
recording of:
Something Better Change (in 1977-07)
lyricist and composer:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) and Dave Greenfield
publisher:
Albion Music Ltd., Complete Music Ltd. and Irving Music, Inc.
The Stranglers33:36
4Little Girl
producer:
T. Keating
bass:
John Thomas
guitar:
Rick Mansworth and Pete Fresh (aka Pete Fresh)
membranophone:
Paul Sordid
vocals:
Rick Mansworth and Paul Sordid
cover recording of:
Little Girl (Syndicate of Sound)
lyricist and composer:
Don Baskin and Bob Gonzalez
The Banned52:19
5Valley of the Dolls
recording of:
Valley of the Dolls
writer:
Billy Idol (English rock singer‐songwriter) and Tony James (UK bassist/guitarist)
Generation X3:33
6Straw Dogs
recording of:
Straw Dogs
lyricist:
Gordon Ogilvie (Irish journalist)
composer:
Stiff Little Fingers
Stiff Little Fingers3:31
7Judy Teen
recording of:
Judy Teen
lyricist and composer:
Steve Harley
Steve Harley & Cockney Rebel53:42
8Tell Me Your Plans
The Shirts3:06
97 Teen
recording of:
7Teen
writer:
Martin Sheller (member of The Regents) and Damian Pew
publisher:
Tooti Frooti Ltd. (publisher) (in 1980)
The Regents3:23
10Homicide
engineer:
Alan Winstanley (English record producer)
producer:
Martin Rushent
recording of:
Homicide (999)
writer:
Nick Cash (UK punk vocalist/guitarist for 999) and Guy Days
publisher:
R.L. August Music Co.
99953:43
11Brontosaurus
engineer:
Roger Wake (engineer)
producer:
Jeff Lynne and Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
bass:
Rick Price (the Move and Electric Light Orchestra bassist) (in 1970)
drums (drum set) and percussion:
Bev Bevan (English rock drummer) (in 1970)
guitar:
Jeff Lynne (in 1970) and Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (in 1970)
piano:
Jeff Lynne (in 1970)
lead vocals:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (in 1970)
phonographic copyright (℗) by:
Cube (London)
recorded at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom (in 1970)
recording of:
Brontosaurus (in 1970)
writer:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
publisher:
Onward Music Ltd. (in 1970) and TRO-Essex Music, Inc. (in 1970)
The Move3.654:25
12Don’t Take No for an Answer
recording of:
Don’t Take No for an Answer
lyricist and composer:
Tom Robinson (British singer-songwriter, bassist and radio presenter)
Tom Robinson Band4:36
13A Walk in the Park
producer:
Jeremy Paul (British producer, engineer & remixer Jeremy Paul Solomons)
recording of:
A Walk in the Park
lyricist and composer:
Nicholas Charles Bailey
Nick Straker Band3:47
14I Go to Pieces
cover recording of:
I Go to Pieces
lyricist and composer:
Del Shannon
publisher:
Belinda Music, BMG Bumblebee (A BMI-affiliated publishing entity of BMG Rights Management), Mole Hole Music and Unichappell Music, Inc.
Cotton, Lloyd & Christian2:54
15Don’t Give Up on Us
vocals:
David Soul
phonographic copyright (℗) by:
David Soul (in 1976)
phonographic copyright (℗) by:
David Soul (in 1976), Private Stock Records, Ltd. (not for release label use, for company relationships only) (in 1976) and Private Stock (in 1977)
recording of:
Don’t Give Up on Us (in 1976)
lyricist and composer:
Tony Macaulay
publisher:
Macaulay Music Ltd., PolyGram Music Publishing Ltd. and Universal Music Publishing International Ltd.
David Soul33:37
16Girls
producer:
Al Goodman (US 70s R&B singer/producer) and Harry Ray
recording of:
Girls
writer:
Venus Dodson (Jazz singer), Al Goodman (US 70s R&B singer/producer) and Harry Ray
Moments and Whatnauts23:10
17Boogie on Up
Rokotto45:39
18Ain’t Gonna Bump No More (With No Big Fat Woman)
producer:
Buddy Killen
phonographic copyright (℗) by:
Dial (60s/70s Nashville) (in 1977)
recording of:
Ain’t Gonna Bump No More (With No Big Fat Woman)
writer:
Buddy Killen and Bennie Lee McGinty
Joe Tex3:31
6▶CD
7▶CD
8▶CD

Credits

Release group

part of:Greatest Hits of the (Label: Disky) (number: 70) (order: 3)
Discogs:https://www.discogs.com/master/478965 [info]