The New Complete Edition

~ Release by W.A. Mozart (see all versions of this release, 27 available)

Tracklist

1CD: Chamber
2CD: Chamber
3CD: Chamber
4CD: Chamber
5CD: Chamber
6CD: Chamber
7CD: Chamber
8CD: Chamber
9CD: Chamber
10CD: Chamber
11CD: Chamber
12CD: Chamber
13CD: Chamber
14CD: Chamber
15CD: Chamber
16CD: Chamber
17CD: Chamber
18CD: Chamber
19CD: Chamber
20CD: Chamber
21CD: Chamber
22CD: Chamber
23CD: Chamber
24CD: Chamber
25CD: Chamber
26CD: Chamber
27CD: Chamber
28CD: Chamber
29CD: Chamber
30CD: Chamber
31CD: Chamber
32CD: Chamber
33CD: Chamber
34CD: Chamber
35CD: Chamber
36CD: Chamber
37CD: Chamber
38CD: Chamber
39CD: Chamber
40CD: Chamber
41CD: Chamber
42CD: Chamber
43CD: Chamber
44CD: Chamber
45CD: Chamber
46CD: Chamber
47CD: Chamber
48CD: Chamber
49CD: Chamber
50CD: Orchestral
51CD: Orchestral
52CD: Orchestral
53CD: Orchestral
54CD: Orchestral
55CD: Orchestral
56CD: Orchestral
57CD: Orchestral
58CD: Orchestral
59CD: Orchestral
60CD: Orchestral
61CD: Orchestral
62CD: Orchestral
63CD: Orchestral
64CD: Orchestral
65CD: Orchestral
66CD: Orchestral
67CD: Orchestral
68CD: Orchestral
69CD: Orchestral
70CD: Orchestral
71CD: Orchestral
72CD: Orchestral
73CD: Orchestral
74CD: Orchestral
75CD: Orchestral
76CD: Orchestral
77CD: Orchestral
78CD: Orchestral
79CD: Orchestral
80CD: Orchestral
81CD: Orchestral
82CD: Orchestral
83CD: Orchestral
84CD: Orchestral
85CD: Orchestral
86CD: Orchestral
87CD: Orchestral
88CD: Orchestral
89CD: Orchestral
90CD: Orchestral
91CD: Orchestral
92CD: Orchestral
93CD: Orchestral
94CD: Orchestral
95CD: Orchestral
96CD: Orchestral
97CD: Orchestral
98CD: Orchestral
99CD: Orchestral
100CD: Orchestral
101CD: Orchestral
102CD: Theatre
103CD: Theatre
104CD: Theatre
105CD: Theatre
106CD: Theatre
107CD: Theatre
108CD: Theatre
109CD: Theatre
110CD: Theatre
111CD: Theatre
112CD: Theatre
113CD: Theatre
114CD: Theatre
115CD: Theatre
116CD: Theatre
117CD: Theatre
118CD: Theatre
119CD: Theatre
120CD: Theatre
121CD: Theatre
122CD: Theatre
123CD: Theatre
124CD: Theatre
125CD: Theatre
126CD: Theatre
127CD: Theatre
128CD: Theatre
129CD: Theatre
130CD: Theatre
131CD: Theatre
132CD: Theatre
133CD: Theatre
134CD: Theatre
135CD: Theatre
136CD: Theatre
137CD: Theatre
138CD: Theatre
139CD: Theatre
140CD: Theatre
141CD: Theatre
142CD: Theatre
143CD: Theatre
144CD: Theatre
145CD: Theatre
146CD: Theatre
147CD: Theatre
148CD: Theatre
149CD: Theatre
150CD: Theatre
151CD: Theatre
152CD: Theatre
153CD: Sacred
154CD: Sacred
155CD: Sacred
156CD: Sacred
157CD: Sacred
158CD: Sacred
159CD: Sacred
160CD: Sacred
161CD: Sacred
162CD: Sacred
163CD: Sacred
164CD: Sacred
165CD: Sacred
166CD: Sacred
167CD: Sacred
168CD: Sacred
169CD: Sacred
170CD: Sacred
171CD: Private
172CD: Private
173CD: Private
174CD: Fragments
175CD: Fragments
176CD: Completions
177CD: Completions
178CD: Completions
179CD: Arrangements
180CD: Arrangements
181CD: Arrangements
182CD: Arrangements
183CD: Arrangements
184CD: Arrangements
#TitleArtistRatingLength
1Messiah, HWV 56: Part I. Overture: Grave - Allegro moderato
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil I, Nr. 1. Overture (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 1. Symphony
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
George Frideric Handel54:07
2Messiah, HWV 56: Part I. Recitative acc. "Tröstet Zion, spricht euer Gott"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil I, Nr. 2a. Recitativo strumentato: “Tröstet Zion!” (tenor) (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 2. Recitativo “Comfort Ye” (Tenor)
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
George Frideric Handel53:35
3Messiah, HWV 56: Part I. Aria: "Alle Tale macht hoch und erhaben"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil I, Nr. 2b. Aria: “Alle Tale macht hoch und erhaben” (tenor) (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor)
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
George Frideric Handel53:38
4Messiah, HWV 56: Part I. Chorus: "Denn die Herrlichkeit Gottes, des Herrn"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil I, Nr. 3. Coro: “Denn die Herrlichkeit Gottes des Herrn” (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord”
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
George Frideric Handel53:13
5Messiah, HWV 56: Part I. Recitative acc.: "So spricht der Herr, Gott Zebaoth"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil I, Nr. 4a. Recitativo strumentato: “So spricht der Herrn” (bass) (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass)
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
George Frideric Handel51:35
6Messiah, HWV 56: Part I. Aria: "Doch wer mag ertragen den Tag seiner Ankunft"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil I, Nr. 4b. Aria: “Doch wer mag ertragen den Tag seiner Ankunft” (bass) (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 6. Air “But who may abide”
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
George Frideric Handel54:22
7Messiah, HWV 56: Part I. Chorus: "Und er wird reinigen die Kinder Levi"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil I, Nr. 5a. Coro: “Und er wird reinigen die Kinder Levi” (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 7. Chorus “And he shall purify”
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
George Frideric Handel52:41
8Messiah, HWV 56: Part I. Recitative: "Denn sieh! Eine Jungfrau wird schwanger"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil I, Nr. 5b. Recitativo: “Denn sieh! Eine Jungfray wird schwanger” (soprano II) (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (Alto)
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
George Frideric Handel50:31
9Messiah, HWV 56: Part I. Aria: "O du, die Wonne verkündet in Zion"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil I, Nr. 6a. Aria: “O du, die Wonne verkündet in Zion” (soprano II) (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 9. Air “O Thou that tellest good tidings to Zion” (Alto, Chorus)
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
George Frideric Handel54:19
10Messiah, HWV 56: Part I. Chorus: "O du, die Wonne verkündet in Zion"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil I, Nr. 6b. Coro: “O du, die Wonne verkündet in Zion” (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
George Frideric Handel51:45
11Messiah, HWV 56: Part I. Recitative acc.: "Blick auf! Nacht bedecket..."
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil I, Nr. 7a. Recitativo strumentato: “Blick auf! Nacht bedecket das Erdreich” (bass) (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 10. Recitative “For behold, darkness shall cover the earth” (Bass)
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
George Frideric Handel52:29
12Messiah, HWV 56: Part I. Aria: "Das Volk, das im Dunkeln wandelt"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil I, Nr. 7b. Aria: “Das Volk, das im Dunkeln wandelt” (bass) (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 11. Air “The people that walked in darkness” (Bass)
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
George Frideric Handel53:30
13Messiah, HWV 56: Part I. Chorus: "Uns ist zum Heil ein Kind geboren"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil I, Nr. 8. Coro: “Uns ist zum Heil ein Kind geboren” (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born”
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
George Frideric Handel54:18
14Messiah, HWV 56: Part I. Pifa: Larghetto e sempre piano
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil I, Nr. 9a. Pifa (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa)
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
George Frideric Handel53:13
15Messiah, HWV 56: Part I. Recitative: "Es waren Hirten beisammen" - "Und sieh!" - "Und der Engel sprach" - "Und alsobald war da"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil I, Nr. 9b. Recitativo: “Es waren Hirten beisammen auf dem Felde” (soprano II) (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano)
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
recording of:
Der Messias, K. 572: Teil I, Nr. 10a. Recitativo strumentato: “Und sieh! Der Engel des Herrn trat zu ihnen” (soprano II)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano)
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
recording of:
Der Messias, K. 572: Teil I, Nr. 10b. Recitativo: “Und der Engel sprach zu ihnen” (soprano II)
orchestrator and arranger:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
recording of:
Der Messias, K. 572: Teil I, Nr. 11. Recitativo strumentato: “Und alsobald war da bei dem Engel” (soprano II)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano)
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
George Frideric Handel51:56
16Messiah, HWV 56: Part I. Chorus: "Ehre sei Gott in der Höhe"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil I, Nr. 12. Coro: “Ehre sei Gott in der Höhe!” (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest”
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
George Frideric Handel51:48
17Messiah, HWV 56: Part I. Aria: "Erwach zu Liedern der Wonne"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil I, Nr. 13a. Aria: “Erwach' zu Liedern der Wonne” (tenor) (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 18: Air “Rejoice greatly, O daughter of Zion” (Soprano)
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
George Frideric Handel54:27
18Messiah, HWV 56: Part I. Recitative: "Dann tut das Auge des Blinden sich auf"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil I, Nr. 13b. Recitativo “Dann tut das Auge des Blinden sich auf” (soprano I) (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 19. Recitativo “Then shall the eyes of the blind” (Contralto)
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
George Frideric Handel50:29
19Messiah, HWV 56: Part I. Aria: "Er weidet seine Herde"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil I, Nr. 14. Aria: “Er weidet seine Herde” (soprano I) (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto)
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
George Frideric Handel55:28
20Messiah, HWV 56: Part I. Chorus: "Sein Joch ist sanft"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil I, Nr. 15. Coro: “Sein Joch ist sanft” (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 21. Chorus “His yoke is easy”
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
George Frideric Handel52:39
21Messiah, HWV 56: Part II. Chorus: "Kommt her, und seht das Lamm"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil II, Nr. 16. Coro: “Kommt her und seht das Lamm!” (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 22. Chorus “Behold the Lamb of God”
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
George Frideric Handel53:34
22Messiah, HWV 56: Part II. Aria: "Er ward verschmähet"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil II, Nr. 17. Aria: “Er ward verschmähet” (soprano II) (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
George Frideric Handel513:22
185CD: Arrangements
186CD: Arrangements
187CD: Arrangements
188CD: Self-Arrangements
189CD: Self-Arrangements
190CD: Self-Arrangements
191CD: Self-Arrangements
192CD: Self-Arrangements
193CD: Self-Arrangements
194CD: Doubtful Works
195CD: Doubtful Works
196CD: Doubtful Works
197CD: Doubtful Works
198CD: Doubtful Works
199CD: Doubtful Works
200CD: Doubtful Works