The New Complete Edition

~ Release by W.A. Mozart (see all versions of this release, 27 available)

Tracklist

1▶CD: Chamber
2▶CD: Chamber
3▶CD: Chamber
4▶CD: Chamber
5▶CD: Chamber
6▶CD: Chamber
7▶CD: Chamber
8▶CD: Chamber
9▶CD: Chamber
10▶CD: Chamber
11▶CD: Chamber
12▶CD: Chamber
13▶CD: Chamber
14▶CD: Chamber
15▶CD: Chamber
16▶CD: Chamber
17▶CD: Chamber
18▶CD: Chamber
19▶CD: Chamber
20▶CD: Chamber
21▶CD: Chamber
22▶CD: Chamber
23▶CD: Chamber
24▶CD: Chamber
25▶CD: Chamber
26▶CD: Chamber
27▶CD: Chamber
28▶CD: Chamber
29▶CD: Chamber
30▶CD: Chamber
31▶CD: Chamber
32▶CD: Chamber
33▶CD: Chamber
34▶CD: Chamber
35▶CD: Chamber
36▶CD: Chamber
37▶CD: Chamber
38▶CD: Chamber
39▶CD: Chamber
40▶CD: Chamber
41▶CD: Chamber
42▶CD: Chamber
43▶CD: Chamber
44▶CD: Chamber
45▶CD: Chamber
46▶CD: Chamber
47▶CD: Chamber
48▶CD: Chamber
49▶CD: Chamber
50▶CD: Orchestral
51▶CD: Orchestral
52▶CD: Orchestral
53▶CD: Orchestral
54▶CD: Orchestral
55▶CD: Orchestral
56▶CD: Orchestral
57▶CD: Orchestral
58▶CD: Orchestral
59▶CD: Orchestral
60▶CD: Orchestral
61▶CD: Orchestral
62▶CD: Orchestral
63▶CD: Orchestral
64▶CD: Orchestral
65▶CD: Orchestral
66▶CD: Orchestral
67▶CD: Orchestral
68▶CD: Orchestral
69▶CD: Orchestral
70▶CD: Orchestral
71▶CD: Orchestral
72▶CD: Orchestral
73▶CD: Orchestral
74▶CD: Orchestral
75▶CD: Orchestral
76▶CD: Orchestral
77▶CD: Orchestral
78▶CD: Orchestral
79▶CD: Orchestral
80▶CD: Orchestral
81▶CD: Orchestral
82▶CD: Orchestral
83▶CD: Orchestral
84▶CD: Orchestral
85▶CD: Orchestral
86▶CD: Orchestral
87▶CD: Orchestral
88▶CD: Orchestral
89▶CD: Orchestral
90▶CD: Orchestral
91▶CD: Orchestral
92▶CD: Orchestral
93▶CD: Orchestral
94▶CD: Orchestral
95▶CD: Orchestral
96▶CD: Orchestral
97▶CD: Orchestral
98▶CD: Orchestral
99▶CD: Orchestral
100▶CD: Orchestral
101▶CD: Orchestral
102▶CD: Theatre
103▶CD: Theatre
104▶CD: Theatre
105▶CD: Theatre
106▶CD: Theatre
107▶CD: Theatre
108▶CD: Theatre
109▶CD: Theatre
110▶CD: Theatre
111▶CD: Theatre
112▶CD: Theatre
113▶CD: Theatre
114▶CD: Theatre
115▶CD: Theatre
116▶CD: Theatre
117▶CD: Theatre
118▶CD: Theatre
119▶CD: Theatre
120▶CD: Theatre
121▶CD: Theatre
122▶CD: Theatre
123▶CD: Theatre
124▶CD: Theatre
125▶CD: Theatre
126▶CD: Theatre
127▶CD: Theatre
128▶CD: Theatre
129▶CD: Theatre
130▶CD: Theatre
131▶CD: Theatre
132▶CD: Theatre
133▶CD: Theatre
134▶CD: Theatre
135▶CD: Theatre
136▶CD: Theatre
137▶CD: Theatre
138▶CD: Theatre
139▶CD: Theatre
140▶CD: Theatre
141▶CD: Theatre
142▶CD: Theatre
143▶CD: Theatre
144▶CD: Theatre
145▶CD: Theatre
146▶CD: Theatre
147▶CD: Theatre
148▶CD: Theatre
149▼CD: Theatre
#TitleArtistRatingLength
1Idomeneo, K. 366: "Non temer, amato bene", K. 490
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
violin:
Wolfgang Schneiderhan (violinist) (in 1952-09)
soprano vocals:
Irmgard Seefried (soprano) (in 1952-09)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (in 1952-09)
conductor:
Ferdinand Leitner (conductor) (in 1952-09)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1954)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1952-09)
recording of:
Recitative and Aria for Tenor & Orchestra in B‐flat major, K. 490: “Non più, tutto ascoltai” … “Non temer, amato bene” (in 1952-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
publisher:
Breitkopf & Härtel (in 1881)
part of:
Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 490), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 490) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 490)
Wolfgang Amadeus Mozart6:45
2Die Entführung aus dem Serail, K. 384: "Hier soll ich dich denn sehen"
tenor vocals [Belmonte]:
Fritz Wunderlich (operatic tenor) (in 1965-12)
orchestra:
Bavarian State Opera Orchestra (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1965-12)
conductor:
Eugen Jochum (conductor) (in 1965-12)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (in 1965-12)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene I. No. 1 Arie "Hier soll ich dich denn sehen" (Belmonte) (in 1965-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart2:43
3Die Entführung aus dem Serail, K. 384: "Wenn der Freude Tränen fließen"
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1965-12)
orchestra:
Bavarian State Opera Orchestra (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1965-12)
conductor:
Eugen Jochum (conductor) (in 1965-12)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (in 1965-12)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 15 Arie "Wenn der Freude Tränen fließen" (Belmonte) (in 1965-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart4:19
4Le nozze di Figaro, K. 492: "Se vuol ballare, signor Contino"
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
bass vocals [Figaro]:
Hermann Prey (baritone) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer) (in 1968-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena II. (no. 3) Cavatina “Se vuol ballare, signor Contino” (Figaro) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart2:39
5Le nozze di Figaro, K. 492: "Non so più cosa son, cosa faccio"
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
mezzo-soprano vocals [Cherubino]:
Tatiana Troyanos (mezzo-soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer) (in 1968-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena V. (no. 6) Aria “Non so più cosa son, cosa faccio” (Cherubino) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:18
6Le nozze di Figaro, K. 492: "Porgi amor"
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
soprano vocals and soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer) (in 1968-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart4:22
7Le nozze di Figaro, K. 492: "Venite... inginocchiatevi"
harpsichord:
John Constable (pianist) (in 1971-04)
soprano vocals:
Mirella Freni (soprano) (in 1971-04)
orchestra:
BBC Symphony Orchestra (in 1971-04)
conductor:
Sir Colin Davis (English conductor) (in 1971-04)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971-04)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 13) Aria “Venite… inginocchiatevi…” (Susanna) (in 1971-04)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart3:20
8Le nozze di Figaro, K. 492: "Che soave zeffiretto"
engineer:
Michael Farrow
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Carter Burwell (American score composer) and Wolfgang Lohse
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (soprano) (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
orchestrator:
Carter Burwell (American score composer)
balance engineer:
Günter Hermanns (producer/engineer) (in 1968-03)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) and Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Sull’aria… che soave zeffiretto” (La Contessa, Susanna) (Canzonetta sull’aria) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart3:35
9Don Giovanni, K. 527: "Là ci darem la mano"
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
soprano vocals [Zerlina]:
Hilde Güden (soprano) (in 1955-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Josef Krips (conductor/violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
edit of:
Don Giovanni: Atto I. “Là ci darem la mano” by Cesare Siepi (operatic bass), Hilde Gueden (soprano), Lisa della Casa (soprano), Wiener Philharmoniker (Vienna Philharmonic), Josef Krips (conductor/violinist)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:01
10Don Giovanni, K. 527: "Dalla sua pace"
recorded in:
Austria (in 1954-05)
tenor vocals:
Léopold Simoneau (tenor) (from 1954-05-20 until 1954-05-22)
tenor vocals [Don Ottavio]:
Léopold Simoneau (tenor) (in 1954-05)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (in 1954-05, from 1954-05-20 until 1954-05-22)
conductor:
Bernhard Paumgartner (in 1954-05, from 1954-05-20 until 1954-05-22)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (from 1954-05-20 until 1954-05-22)
recording of:
Don Giovanni: Atto I. Anhang. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a] (from 1954-05-20 until 1954-05-22)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 540a)
part of:
Don Giovanni: Atto I
recording of:
Don Giovanni: Atto I. Anhang. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a] (in 1954-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 540a)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:39
11Don Giovanni, K. 527: "Riposate, vezzose ragazze"
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
bass vocals [Leporello]:
Fernando Corena (operatic bass) (in 1955-06)
bass vocals [Masetto]:
Walter Berry (bass‐baritone) (in 1955-06)
soprano vocals [Donna Anna]:
Suzanne Danco (soprano / mezzo-soprano) (in 1955-06)
soprano vocals [Donna Elvira]:
Lisa della Casa (soprano) (in 1955-06)
soprano vocals [Zerlina]:
Hilde Gueden (soprano) (in 1955-06)
tenor vocals [Don Ottavio]:
Anton Dermota (tenor) (in 1955-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Josef Krips (conductor/violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. “Riposate, vezzose ragazze” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart9:19
12Don Giovanni, K. 527: "Il mio tesoro intanto"
producer:
James Mallinson (producer)
tenor vocals [Don Ottavio]:
Stuart Burrows (tenor) (in 1973-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1973-02)
conductor:
Sir John Pritchard (conductor) (in 1973-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1973-02)
recording of:
Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio) (in 1973-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:10
13Don Giovanni, K. 527: "Mi tradi quell'alma ingrata"
producer:
Ray Minshull (record producer)
soprano vocals [Donna Elvira]:
Leontyne Price (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Erich Leinsdorf (conductor)
balance engineer:
Gordon Parry (engineer) (in 1959-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria
recording of:
Don Giovanni: Atto II. Anhang. No. 21b Aria “Mi tradi quell’alma ingrata” (Donna Elvira) [540c/2] (in 1959-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Recitative and Aria, K. 540c
Wolfgang Amadeus Mozart3:39
14Così fan tutte, K. 588: "La mia Dorabella"
producer:
Wolfgang Lohse
baritone vocals [Don Alfonso]:
Dietrich Fischer‐Dieskau (baritone) (in 1962-12)
baritone vocals [Guglielmo]:
Hermann Prey (baritone) (in 1962-12)
tenor vocals [Ferrando]:
Ernst Haefliger (tenor) (in 1962-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1962-12)
conductor:
Eugen Jochum (conductor) (in 1962-12)
balance engineer:
Günter Hermanns (producer/engineer) (in 1962-12)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1962-12)
recording of:
Così fan tutte: Atto I. No. 1 Terzetto “La mia Dorabella capace non è” (Ferrando, Guglielmo, Don Alfonso) (in 1962-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:45
15Così fan tutte, K. 588: "Fuor la spada"
producer:
Wolfgang Lohse
baritone vocals [Don Alfonso]:
Dietrich Fischer‐Dieskau (baritone) (in 1962-12)
baritone vocals [Guglielmo]:
Hermann Prey (baritone) (in 1962-12)
tenor vocals [Ferrando]:
Ernst Haefliger (tenor) (in 1962-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1962-12)
conductor:
Eugen Jochum (conductor) (in 1962-12)
balance engineer:
Günter Hermanns (producer/engineer) (in 1962-12)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1962-12)
recording of:
Così fan tutte: Atto I. Recitativo “Fuor la spada” (Ferrando, Guglielmo, Don Alfonso) (in 1962-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:16
16Così fan tutte, K. 588: "E la fede delle femminine"
producer:
Wolfgang Lohse
baritone vocals [Don Alfonso]:
Dietrich Fischer‐Dieskau (baritone) (in 1962-12)
baritone vocals [Guglielmo]:
Hermann Prey (baritone) (in 1962-12)
tenor vocals [Ferrando]:
Ernst Haefliger (tenor) (in 1962-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1962-12)
conductor:
Eugen Jochum (conductor) (in 1962-12)
balance engineer:
Günter Hermanns (producer/engineer) (in 1962-12)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1962-12)
recording of:
Così fan tutte: Atto I. No. 2 Terzetto “È la fede delle femmine” (Ferrando, Guglielmo, Don Alfonso) (in 1962-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:15
17Così fan tutte, K. 588: "Scioccerie di poeti"
producer:
Wolfgang Lohse
baritone vocals [Don Alfonso]:
Dietrich Fischer‐Dieskau (baritone) (in 1962-12)
baritone vocals [Guglielmo]:
Hermann Prey (baritone) (in 1962-12)
tenor vocals [Ferrando]:
Ernst Haefliger (tenor) (in 1962-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1962-12)
conductor:
Eugen Jochum (conductor) (in 1962-12)
balance engineer:
Günter Hermanns (producer/engineer) (in 1962-12)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1962-12)
recording of:
Così fan tutte: Atto I. Recitativo “Scioccherie di poeti!” (Ferrando, Guglielmo, Don Alfonso) (in 1962-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:27
18Così fan tutte, K. 588: "Una bella serenata"
producer:
Wolfgang Lohse
baritone vocals [Don Alfonso]:
Dietrich Fischer‐Dieskau (baritone) (in 1962-12)
baritone vocals [Guglielmo]:
Hermann Prey (baritone) (in 1962-12)
tenor vocals [Ferrando]:
Ernst Haefliger (tenor) (in 1962-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1962-12)
conductor:
Eugen Jochum (conductor) (in 1962-12)
balance engineer:
Günter Hermanns (producer/engineer) (in 1962-12)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1962-12)
recording of:
Così fan tutte: Atto I. No. 3 Terzetto “Una bella serenata” (Ferrando, Guglielmo, Don Alfonso) (in 1962-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:15
19Così fan tutte, K. 588: "Un'aura amorosa"
recorded in:
Austria (in 1954-05)
tenor vocals:
Léopold Simoneau (tenor) (from 1954-05-20 until 1954-05-22)
tenor vocals [Ferrando]:
Léopold Simoneau (tenor) (in 1954-05)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (in 1954-05, from 1954-05-20 until 1954-05-22)
conductor:
Bernhard Paumgartner (in 1954-05, from 1954-05-20 until 1954-05-22)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (from 1954-05-20 until 1954-05-22)
recording of:
Così fan tutte: Atto I. No. 17. Aria “Un’aura amorosa” (Ferrando) (from 1954-05-20 until 1954-05-22)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
recording of:
Così fan tutte: Atto I. No. 17. Aria “Un’aura amorosa” (Ferrando) (in 1954-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart4:52
20Die Zauberflöte, K. 620: "Dies Bildnis ist bezaubernd schön"
producer:
Wolfgang Lohse
tenor vocals [Tamino]:
Fritz Wunderlich (operatic tenor) (from 1965-10-31 until 1965-11-03)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1965-10-31 until 1965-11-03)
conductor:
Karl Böhm (Austrian conductor) (from 1965-10-31 until 1965-11-03)
performer:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (from 1965-10-31 until 1965-11-03) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1965-10-31 until 1965-11-03)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (from 1965-10-31 until 1965-11-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart4:40
21Die Zauberflöte, K. 620: "Bei Männern, welche Liebe fühlen"
recording engineer:
Gordon Parry (engineer) (in 1971-10)
producer:
Christopher Raeburn (producer)
baritone vocals and baritone vocals [Papageno]:
Tom Krause (bass-baritone) (in 1971-10)
soprano vocals and soprano vocals [Pamina]:
Lucia Popp (soprano) (in 1971-10)
orchestra:
Vienna Haydn Orchestra (in 1971-10)
conductor:
István Kertész (conductor) (in 1971-10)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1971-10)
recording of:
Die Zauberflöte: Akt I. No. 7 Duett „Bei Männern, welche Liebe fühlen” (Pamina, Papageno) (in 1971-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:05
22Die Zauberflöte, K. 620: "Der Hölle Rache kocht in meinem Herzen"
producer:
Wolfgang Lohse
soprano vocals [Die Königin der Nacht]:
Rita Streich (soprano) (in 1955-06)
orchestra:
RIAS-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Alfred Steinke (in 1955-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1955)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:04
23Die Zauberflöte, K. 620: "Ein Mädchen oder Weibchen"
producer:
Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1955-06)
orchestra:
RIAS-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:52
150▶CD: Theatre
151▶CD: Theatre
152▶CD: Theatre
153▶CD: Sacred
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171▶CD: Private
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174▶CD: Fragments
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176▶CD: Completions
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179▶CD: Arrangements
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188▶CD: Self-Arrangements
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192▶CD: Self-Arrangements
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194▶CD: Doubtful Works
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196▶CD: Doubtful Works
197▶CD: Doubtful Works
198▶CD: Doubtful Works
199▶CD: Doubtful Works
200▶CD: Doubtful Works