The Complete Deutsche Grammophon Recordings

~ Release by Claudio Abbado, Berliner Philharmoniker (see all versions of this release, 4 available)

Annotation

The 60-CD collection of the complete recordings made for Deutsche Grammophon by Claudio Abbado and the Berliner Philharmoniker.

Annotation last modified on 2020-12-03 09:52 UTC.

Tracklist

1▶CD: Beethoven: Symphonies nos. 1 & 3 “Eroica”
2▶CD: Beethoven: Symphonies nos. 2 & 4
3▶CD: Beethoven: Symphonies nos. 5 & 6 “Pastoral”
4▶CD: Beethoven: Symphonies nos. 7 & 8
5▶CD: Beethoven: Symphony no. 9 “Choral”
6▶CD: Beethoven: Piano Concertos nos. 1 & 2
7▶CD: Beethoven: Piano Concertos nos. 3 & 4
8▶CD: Beethoven: Piano Concerto no. 5
9▶CD: Beethoven: Music to “Egmont” / “Ah! perfido” / Overture to “Leonore III” / Fantasia, op. 80
10▶CD: Beethoven: Music to “The Consecration of the House” / “Leonore Prohaska” / “Egmont” Entr'acte I & II
11▶CD: Brahms: Symphony no. 1 / Gesang der Parzen
12▶CD: Brahms: Alto Rhapsody / Symphony no. 2
13▶CD: Brahms: Tragic Overture / Schicksalslied / Symphony no. 3
14▶CD: Brahms: Haydn Variations / Nänie / Symphony no. 4
15▶CD: Brahms: Symphony no. 2 / Academic Festival Overture
16▶CD: Brahms: Serenades nos. 1 & 2
17▶CD: Brahms: Piano Concerto no. 1 (Brendel)
18▶CD: Brahms: Piano Concerto no. 2 (Brendel)
19▶CD: Brahms: Piano Concerto no. 1 (Pollini)
20▶CD: Brahms: Piano Concerto no. 2 (Pollini)
21▶CD: Brahms: Violin Concerto / Academic Festival Overture (Mintz)
22▶CD: Brahms: Violin Concerto (Mullova)
23▶CD: Brahms: Violin Concerto / Concerto for Violin, Cello and Orchestra (Shaham / Wang)
24▶CD: Brahms: Ein deutsches Requiem
25▶CD: Debussy: Prélude à l'après-midi d'un faune / Trois Nocturnes / Pelléas et Melisande - Concert Suite
26▶CD: Dvořák: Concert Overture “Othello” / Symphony no. 9 “From the New World”
27▶CD: Hindemith: Symphony “Mathis der Maler” / Nobilissima visione / Symphonische Metamorphosen nach Themen von Carl Maria von Weber
28▶CD: Janáček: Zápisník zmizelého / Sinfonietta
29▶CD: Kurtág: Grabstein für Stephan / Stele / Stockhausen: Gruppen
30▶CD: Mahler: Symphony no. 1
31▶CD: Mahler: Symphony no. 3 (Part I)
32▶CD: Mahler: Symphony no. 3 (Part II)
33▶CD: Mahler: Symphony no. 4 / Berg: Sieben frühe Lieder
34▶CD: Mahler: Symphony no. 5
35▶CD: Mahler: Symphony no. 6
36▶CD: Mahler: Symphony no. 7
37▶CD: Mahler: Symphony no. 8 (Part I)
38▶CD: Mahler: Symphony no. 8 (Part II)
39▶CD: Mahler: Symphony no. 9
40▶CD: Mahler: Lieder nach Gedichten aus Des Knaben Wunderhorn
41▶CD: Mozart: Requiem / Betracht dies Herz und frage mich / Laudate dominum
42▶CD: Mozart: Arias, Motets and Scenes / Strauss: Orchestral Songs
43▶CD: Mussorgsky: Night on Bald Mountain / Pictures at an Exhibition / Choral Works
44▶CD: Prokofiev: Romeo and Juliet (excerpts)
45▶CD: Prokofiev: Piano Concertos nos. 1 & 3 (Kissin)
46▶CD: Prokofiev: Piano Concerto no. 3 / Ravel: Piano Concerto (Argerich)
47▶CD: Rachmaninov: Piano Concertos nos. 2 & 3 (Zilberstein)
48▶CD: Schumann / Schoenberg: Piano Concertos (Pollini)
49▶CD: Strauss: Orchestral Songs / Vier letzte Lieder (Mattila)
50▶CD: Tchaikovsky: Piano Concerto no. 1 (Argerich)
51▶CD: Tchaikovsky: The Tempest / Slavonic March / Overtures
52▶CD: Verdi: Overtures and Preludes
53▶CD: Verdi: Falstaff (Acts I & II, Part I)
54▶CD: Falstaff (Act II, Part II & Act III)
55▶CD: Verdi: Arias (Alagna)
56▶CD: Wagner: Tannhäuser / Parsifal / Tristan und Isolde (Orchestral Music)
57▶CD: Wagner: Holländer / Meistersinger / Tannhäuser / Parsifal / Walküre (Terfel)
58▶CD: Wagner Gala 1993
59▼CD: Berlin Gala 1997: A Salute to Carmen
#TitleArtistRatingLength
1Carmen: Prélude
recording engineer:
Wolf‐Dieter Karwatky (on 1997-12-31)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ingmar Haas (engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1997-12-31)
conductor:
Claudio Abbado (conductor) (on 1997-12-31)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (on 1997-12-31)
live recording of:
Carmen : Prélude (on 1997-12-31)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen (Italian lyrics)
part of:
Carmen (German translation, Julius Hopp)
part of:
Carmen (english lyrics, David Parry)
part of:
Carmen, WD 31 (opera by Georges Bizet)
Georges Bizet2:10
2Carmen: Havanaise (Habanera): « L'amour est un oiseau rebelle » (Carmen, chorus)
recording engineer:
Wolf‐Dieter Karwatky (on 1997-12-31)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ingmar Haas (engineer)
choir vocals:
Donostiako Orfeoia (Spanish choir) (on 1997-12-31)
mezzo-soprano vocals [Carmen]:
Anne Sofie von Otter (mezzo-soprano) (on 1997-12-31)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1997-12-31)
conductor:
Claudio Abbado (conductor) (on 1997-12-31)
chorus master:
José Antonio Sainz Alfaro (on 1997-12-31)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (on 1997-12-31)
live recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (on 1997-12-31)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:30
3Carmen: Couplet (Air du Toréador): « Votre toast... je peux vous le rendre » (Escamillo, chorus, Frasquita, Mercédès, Carmen)
recording engineer:
Wolf‐Dieter Karwatky (on 1997-12-31)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ingmar Haas (engineer)
baritone vocals [Escamillo]:
Bryn Terfel (bass‐baritone opera singer) (on 1997-12-31)
choir vocals:
Donostiako Orfeoia (Spanish choir) (on 1997-12-31)
mezzo-soprano vocals [Carmen]:
Anne Sofie von Otter (mezzo-soprano) (on 1997-12-31)
mezzo-soprano vocals [Mercédès]:
Stella Doufexis (mezzo-soprano) (on 1997-12-31)
soprano vocals [Frasquita]:
Véronique Gens (soprano) (on 1997-12-31)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1997-12-31)
conductor:
Claudio Abbado (conductor) (on 1997-12-31)
chorus master:
José Antonio Sainz Alfaro (on 1997-12-31)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (on 1997-12-31)
live recording of:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”) (on 1997-12-31)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet5:07
4Carmen: Chanson (Gypsy Song): « Les tringles des sistres tintaient » (Carmen, Mercédès, Frasquita)
recording engineer:
Wolf‐Dieter Karwatky (on 1997-12-31)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ingmar Haas (engineer)
mezzo-soprano vocals [Carmen]:
Anne Sofie von Otter (mezzo-soprano) (on 1997-12-31)
mezzo-soprano vocals [Mercédès]:
Stella Doufexis (mezzo-soprano) (on 1997-12-31)
soprano vocals [Frasquita]:
Véronique Gens (soprano) (on 1997-12-31)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1997-12-31)
conductor:
Claudio Abbado (conductor) (on 1997-12-31)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (on 1997-12-31)
live recording of:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen) (on 1997-12-31)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet4:45
5Carmen: Air de la Fleur (Flower Song): « La fleur que tu m'avais jetée » (Don José)
recording engineer:
Wolf‐Dieter Karwatky (on 1997-12-31)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ingmar Haas (engineer)
tenor vocals [Don José]:
Roberto Alagna (tenor) (on 1997-12-31)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1997-12-31)
conductor:
Claudio Abbado (conductor) (on 1997-12-31)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (on 1997-12-31)
live recording of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song) (on 1997-12-31)
composer:
Georges Bizet (French composer) (in 1875)
librettist:
Ludovic Halévy (French librettist) (in 1875) and Henri Meilhac (in 1875)
part of:
Carmen : Acte II
Georges Bizet4:13
6Carmen: Chœur: « Les voici ! Voici la quadrille » (chorus)
recording engineer:
Wolf‐Dieter Karwatky (on 1997-12-31)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ingmar Haas (engineer)
choir vocals:
Donostiako Orfeoia (Spanish choir) (on 1997-12-31) and Südtiroler Kinderchor (on 1997-12-31)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1997-12-31)
conductor:
Claudio Abbado (conductor) (on 1997-12-31)
chorus master:
Gretel Brugger (Chorus Master) (on 1997-12-31) and José Antonio Sainz Alfaro (on 1997-12-31)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (on 1997-12-31)
live recording of:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès) (on 1997-12-31)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte IV
Georges Bizet4:11
7Rapsodie espagnole, M. 54: Prélude à la nuit
recording engineer:
Wolf‐Dieter Karwatky (on 1997-12-31)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ingmar Haas (engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1997-12-31)
conductor:
Claudio Abbado (conductor) (on 1997-12-31)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (on 1997-12-31)
live recording of:
Rapsodie espagnole: I. Prélude à la nuit. Très modéré (orchestrated by Ravel) (on 1997-12-31)
orchestrator:
Maurice Ravel (French composer)
composer:
Maurice Ravel (French composer) (from 1907 until 1908)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
orchestration of:
Rapsodie espagnole: I. Prélude à la nuit. Très modéré (for piano duo)
part of:
Rapsodie espagnole (orchestrated by Ravel)
Maurice Ravel4:32
8Rapsodie espagnole, M. 54: Malagueña
recording engineer:
Wolf‐Dieter Karwatky (on 1997-12-31)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ingmar Haas (engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1997-12-31)
conductor:
Claudio Abbado (conductor) (on 1997-12-31)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (on 1997-12-31)
live recording of:
Rapsodie espagnole: II. Malagueña. Assez vif (orchestrated by Ravel) (on 1997-12-31)
orchestrator:
Maurice Ravel (French composer)
composer:
Maurice Ravel (French composer) (from 1907 until 1908)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
orchestration of:
Rapsodie espagnole: II. Malagueña. Assez vif (for piano duo)
part of:
Rapsodie espagnole (orchestrated by Ravel)
Maurice Ravel2:11
9Rapsodie espagnole, M. 54: Habanera
recording engineer:
Wolf‐Dieter Karwatky (on 1997-12-31)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ingmar Haas (engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1997-12-31)
conductor:
Claudio Abbado (conductor) (on 1997-12-31)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (on 1997-12-31)
live recording of:
Rapsodie espagnole: III. Habanera. Assez lent et d'un rythme las (orchestrated by Ravel) (on 1997-12-31)
orchestrator:
Maurice Ravel (French composer)
composer:
Maurice Ravel (French composer) (from 1907 until 1908)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
orchestration of:
Rapsodie espagnole: III. Habanera. Assez lent et d'un rythme las (for piano duo)
part of:
Rapsodie espagnole (orchestrated by Ravel)
Maurice Ravel2:39
10Rapsodie espagnole, M. 54: Feria
recording engineer:
Wolf‐Dieter Karwatky (on 1997-12-31)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ingmar Haas (engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1997-12-31)
conductor:
Claudio Abbado (conductor) (on 1997-12-31)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (on 1997-12-31)
live recording of:
Rapsodie espagnole: IV. Feria. Assez animé (orchestrated by Ravel) (on 1997-12-31)
orchestrator:
Maurice Ravel (French composer)
composer:
Maurice Ravel (French composer) (from 1907 until 1908)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
orchestration of:
Rapsodie espagnole: IV. Feria. Assez animé (for piano duo)
part of:
Rapsodie espagnole (orchestrated by Ravel)
Maurice Ravel6:31
11Concert Fantasy on “Carmen”, op. 25
recording engineer:
Wolf‐Dieter Karwatky (on 1997-12-31)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ingmar Haas (engineer)
violin:
Gil Shaham (violinist) (on 1997-12-31)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1997-12-31)
conductor:
Claudio Abbado (conductor) (on 1997-12-31)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (on 1997-12-31)
live recording of:
Carmen Fantasy, op. 25 (for violin and orchestra) (on 1997-12-31)
composer:
Pablo de Sarasate (violinist and composer) (in 1883)
part of:
Works of Pablo de Sarasate by opus number (number: op. 25)
is based on:
Carmen, WD 31 (opera by Georges Bizet)
Pablo de Sarasate11:16
12Rhapsody on a Theme of Paganini, op. 43
recording engineer:
Wolf‐Dieter Karwatky (on 1997-12-31)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ingmar Haas (engineer)
piano:
Mikhail Pletnev (pianist & conductor) (on 1997-12-31)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1997-12-31)
conductor:
Claudio Abbado (conductor) (on 1997-12-31)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (on 1997-12-31)
live recording of:
Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra) (on 1997-12-31)
composer:
Sergei Rachmaninoff (Russian composer) (from 1934-07-03 until 1934-08-18)
premiered at:
[concert] (1934-11-07)
publisher:
Boosey & Hawkes Music Publishers, Ltd (in 1934)
premiered at:
Modell Performing Arts Center at the Lyric in Baltimore, Maryland, United States (on 1934-11-07)
part of:
Classic 100: Piano (2025) (number: 9) and Works of Sergei Rachmaninoff by opus number (number: op. 43)
is based on:
24 Caprices for Solo Violin, op. 1, MS 25: No. 24 in A minor: Tema con variazioni. Quasi presto
quotes music from:
Dies Irae (plainchant)
Sergei Rachmaninov23:23
13Hungarian Dance no. 5 in G minor
recording engineer:
Wolf‐Dieter Karwatky (on 1997-12-31)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ingmar Haas (engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1997-12-31)
conductor:
Claudio Abbado (conductor) (on 1997-12-31)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (on 1997-12-31)
live recording of:
Hungarian Dances for orchestra, WoO 1, Book 1, No. 5 in G minor: Allegro - Vivace (Hungarian Dance No. 5, orch. Schmeling) (on 1997-12-31)
orchestrator:
Martin Schmeling
composer:
Johannes Brahms (German composer)
publisher:
Breitkopf & Härtel
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace
part of:
Hungarian Dances for orchestra (Schmeling orchestration)
Johannes Brahms2:57
60▶CD: Berlin Gala 1998