The Complete Deutsche Grammophon Recordings

~ Release by Claudio Abbado, Berliner Philharmoniker (see all versions of this release, 4 available)

Annotation

The 60-CD collection of the complete recordings made for Deutsche Grammophon by Claudio Abbado and the Berliner Philharmoniker.

Annotation last modified on 2020-12-03 09:52 UTC.

Tracklist

1CD: Beethoven: Symphonies nos. 1 & 3 “Eroica”
2CD: Beethoven: Symphonies nos. 2 & 4
3CD: Beethoven: Symphonies nos. 5 & 6 “Pastoral”
4CD: Beethoven: Symphonies nos. 7 & 8
5CD: Beethoven: Symphony no. 9 “Choral”
6CD: Beethoven: Piano Concertos nos. 1 & 2
7CD: Beethoven: Piano Concertos nos. 3 & 4
8CD: Beethoven: Piano Concerto no. 5
9CD: Beethoven: Music to “Egmont” / “Ah! perfido” / Overture to “Leonore III” / Fantasia, op. 80
10CD: Beethoven: Music to “The Consecration of the House” / “Leonore Prohaska” / “Egmont” Entr'acte I & II
11CD: Brahms: Symphony no. 1 / Gesang der Parzen
12CD: Brahms: Alto Rhapsody / Symphony no. 2
13CD: Brahms: Tragic Overture / Schicksalslied / Symphony no. 3
14CD: Brahms: Haydn Variations / Nänie / Symphony no. 4
15CD: Brahms: Symphony no. 2 / Academic Festival Overture
16CD: Brahms: Serenades nos. 1 & 2
17CD: Brahms: Piano Concerto no. 1 (Brendel)
18CD: Brahms: Piano Concerto no. 2 (Brendel)
19CD: Brahms: Piano Concerto no. 1 (Pollini)
20CD: Brahms: Piano Concerto no. 2 (Pollini)
21CD: Brahms: Violin Concerto / Academic Festival Overture (Mintz)
22CD: Brahms: Violin Concerto (Mullova)
23CD: Brahms: Violin Concerto / Concerto for Violin, Cello and Orchestra (Shaham / Wang)
24CD: Brahms: Ein deutsches Requiem
25CD: Debussy: Prélude à l'après-midi d'un faune / Trois Nocturnes / Pelléas et Melisande - Concert Suite
26CD: Dvořák: Concert Overture “Othello” / Symphony no. 9 “From the New World”
27CD: Hindemith: Symphony “Mathis der Maler” / Nobilissima visione / Symphonische Metamorphosen nach Themen von Carl Maria von Weber
28CD: Janáček: Zápisník zmizelého / Sinfonietta
29CD: Kurtág: Grabstein für Stephan / Stele / Stockhausen: Gruppen
30CD: Mahler: Symphony no. 1
31CD: Mahler: Symphony no. 3 (Part I)
32CD: Mahler: Symphony no. 3 (Part II)
33CD: Mahler: Symphony no. 4 / Berg: Sieben frühe Lieder
34CD: Mahler: Symphony no. 5
35CD: Mahler: Symphony no. 6
36CD: Mahler: Symphony no. 7
37CD: Mahler: Symphony no. 8 (Part I)
38CD: Mahler: Symphony no. 8 (Part II)
39CD: Mahler: Symphony no. 9
40CD: Mahler: Lieder nach Gedichten aus Des Knaben Wunderhorn
41CD: Mozart: Requiem / Betracht dies Herz und frage mich / Laudate dominum
42CD: Mozart: Arias, Motets and Scenes / Strauss: Orchestral Songs
43CD: Mussorgsky: Night on Bald Mountain / Pictures at an Exhibition / Choral Works
44CD: Prokofiev: Romeo and Juliet (excerpts)
45CD: Prokofiev: Piano Concertos nos. 1 & 3 (Kissin)
46CD: Prokofiev: Piano Concerto no. 3 / Ravel: Piano Concerto (Argerich)
47CD: Rachmaninov: Piano Concertos nos. 2 & 3 (Zilberstein)
48CD: Schumann / Schoenberg: Piano Concertos (Pollini)
49CD: Strauss: Orchestral Songs / Vier letzte Lieder (Mattila)
50CD: Tchaikovsky: Piano Concerto no. 1 (Argerich)
51CD: Tchaikovsky: The Tempest / Slavonic March / Overtures
52CD: Verdi: Overtures and Preludes
53CD: Verdi: Falstaff (Acts I & II, Part I)
54CD: Falstaff (Act II, Part II & Act III)
55CD: Verdi: Arias (Alagna)
#TitleArtistRatingLength
1Luisa Miller: Atto II. “Oh! Fede negar potessi” (Rodolfo)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Rodolfo]:
Roberto Alagna (tenor) (in 1997-02, in 1997-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1997-02, in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-02, in 1997-09)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1997-02, in 1997-09)
partial recording of:
Luisa Miller: Atto II. “Oh! fede negar potessi” / “Quando le sere al placido” (Rodolfo) (in 1997-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Luisa Miller: Atto II. “L'intrigo”
partial recording of:
Luisa Miller: Atto II. “Oh! fede negar potessi” / “Quando le sere al placido” (Rodolfo) (in 1997-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Luisa Miller: Atto II. “L'intrigo”
Giuseppe Verdi1:39
2Luisa Miller: Atto II. “Quando le sere al placido” (Rodolfo)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Rodolfo]:
Roberto Alagna (tenor) (in 1997-02, in 1997-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1997-02, in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-02, in 1997-09)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1997-02, in 1997-09)
partial recording of:
Luisa Miller: Atto II. “Oh! fede negar potessi” / “Quando le sere al placido” (Rodolfo) (in 1997-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Luisa Miller: Atto II. “L'intrigo”
partial recording of:
Luisa Miller: Atto II. “Oh! fede negar potessi” / “Quando le sere al placido” (Rodolfo) (in 1997-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Luisa Miller: Atto II. “L'intrigo”
Giuseppe Verdi4:10
3I Lombardi alla prima crociata: Atto II. “La mia letizia infondere” (Oronte)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Oronte]:
Roberto Alagna (tenor) (in 1997-02, in 1997-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1997-02, in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-02, in 1997-09)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1997-02, in 1997-09)
recording of:
I Lombardi: Atto II. N°7 “La mia letizia infondere vorrei” (Oronte, Sofia) (in 1997-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto II (L'uomo della caverna)
recording of:
I Lombardi: Atto II. N°7 “La mia letizia infondere vorrei” (Oronte, Sofia) (in 1997-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto II (L'uomo della caverna)
Giuseppe Verdi2:22
4Aida: Atto I. “Se quel guerrier io fossi” (Radamès)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Radamès]:
Roberto Alagna (tenor) (in 1997-02, in 1997-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1997-02, in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-02, in 1997-09)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1997-02, in 1997-09)
partial recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (in 1997-02)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
partial recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (in 1997-09)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi0:55
5Aida: Atto I. “Celeste Aida” (Radamès)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Radamès]:
Roberto Alagna (tenor) (in 1997-02, in 1997-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1997-02, in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-02, in 1997-09)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1997-02, in 1997-09)
partial recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (in 1997-02)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
partial recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (in 1997-09)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi3:32
6Ernani: Atto I. “Mercé, diletti amici” (Ernani)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Ernani]:
Roberto Alagna (tenor) (in 1997-02, in 1997-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1997-02, in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-02, in 1997-09)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1997-02, in 1997-09)
partial recording of:
Ernani: Atto I. (no. 3b) Recitativo & Cavatina “Mercè, dilette amici … Come rugiada al cespite” (Ernani) (in 1997-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Ernani: Atto I (Il bandito)
partial recording of:
Ernani: Atto I. (no. 3b) Recitativo & Cavatina “Mercè, dilette amici … Come rugiada al cespite” (Ernani) (in 1997-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Ernani: Atto I (Il bandito)
Giuseppe Verdi1:03
7Ernani: Atto I. “Come rugiada al cespite” (Ernani)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Ernani]:
Roberto Alagna (tenor) (in 1997-02, in 1997-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1997-02, in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-02, in 1997-09)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1997-02, in 1997-09)
partial recording of:
Ernani: Atto I. (no. 3b) Recitativo & Cavatina “Mercè, dilette amici … Come rugiada al cespite” (Ernani) (in 1997-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Ernani: Atto I (Il bandito)
partial recording of:
Ernani: Atto I. (no. 3b) Recitativo & Cavatina “Mercè, dilette amici … Come rugiada al cespite” (Ernani) (in 1997-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Ernani: Atto I (Il bandito)
Giuseppe Verdi2:31
8Ernani: Atto I. “Dell'esilio nel dolore ... O tu che l'alma adora” (Ernani, chorus)
producer:
David Groves (classical music producer at EMI)
choir vocals:
London Voices (in 1997-02, in 1997-09)
tenor vocals [Ernani]:
Roberto Alagna (tenor) (in 1997-02, in 1997-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1997-02, in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-02, in 1997-09)
chorus master:
Terry Edwards (British choir director) (in 1997-02, in 1997-09)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1997-02, in 1997-09)
recording of:
Ernani: Atto I. (no. 3d) “Dell’esilio nel dolore … O tu che l’alma adora” (Ernani, Coro) (in 1997-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Ernani: Atto I (Il bandito)
recording of:
Ernani: Atto I. (no. 3d) “Dell’esilio nel dolore … O tu che l’alma adora” (Ernani, Coro) (in 1997-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Ernani: Atto I (Il bandito)
Giuseppe Verdi3:11
9Un ballo in maschera: Atto III. “Forse la soglia attinse” (Riccardo)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Riccardo]:
Roberto Alagna (tenor) (in 1997-02, in 1997-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1997-02, in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-02, in 1997-09)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1997-02, in 1997-09)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21a. Scena “Forse la soglia attinse” (Riccardo) (in 1997-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21a. Scena “Forse la soglia attinse” (Riccardo) (in 1997-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi2:31
10Un ballo in maschera: Atto III. “Ma se m'è forza perderti” (Riccardo)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Riccardo]:
Roberto Alagna (tenor) (in 1997-02, in 1997-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1997-02, in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-02, in 1997-09)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1997-02, in 1997-09)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21b. Romanza “Ma se m'è forza perderti” (Riccardo) (in 1997-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21b. Romanza “Ma se m'è forza perderti” (Riccardo) (in 1997-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi3:03
11Otello: Atto III. “Dio, mi potevi scagliar” (Otello)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Gaston] and tenor vocals [Otello]:
Roberto Alagna (tenor) (in 1997-02, in 1997-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1997-02, in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-02, in 1997-09)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1997-02, in 1997-09)
partial recording of:
Otello: Atto III. “Dio! Mi potevi scagliar” … “Ah! dannazione!” (Otello, Iago) (in 1997-02)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto III
partial recording of:
Otello: Atto III. “Dio! Mi potevi scagliar” … “Ah! dannazione!” (Otello, Iago) (in 1997-09)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto III
Giuseppe Verdi2:21
12Otello: Atto IV. “Ma, o pianto, o duol!” (Otello)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Otello]:
Roberto Alagna (tenor) (in 1997-02, in 1997-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1997-02, in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-02, in 1997-09)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1997-02, in 1997-09)
partial recording of:
Otello: Atto III. “Dio! Mi potevi scagliar” … “Ah! dannazione!” (Otello, Iago) (in 1997-02)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto III
partial recording of:
Otello: Atto III. “Dio! Mi potevi scagliar” … “Ah! dannazione!” (Otello, Iago) (in 1997-09)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto III
Giuseppe Verdi2:36
13Otello: Atto IV. “Niun mi tema” (Otello, Cassio, Lodovico, Montano)
producer:
David Groves (classical music producer at EMI)
bass vocals [Cassio]:
Noel Mann (bass vocalist) (in 1997-02, in 1997-09)
bass vocals [Lodovico]:
Richard Fallas (in 1997-02, in 1997-09)
tenor vocals [Montano]:
Andrew Busher (tenor) (in 1997-02, in 1997-09)
tenor vocals [Otello]:
Roberto Alagna (tenor) (in 1997-02, in 1997-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1997-02, in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-02, in 1997-09)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1997-02, in 1997-09)
recording of:
Otello: Atto IV. “Niun mi tema s'anco armato mi vede” (Otello, Cassio, Lodovico, Montano) (in 1997-02)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
recording of:
Otello: Atto IV. “Niun mi tema s'anco armato mi vede” (Otello, Cassio, Lodovico, Montano) (in 1997-09)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
Giuseppe Verdi6:13
14La forza del destino: Atto III. Introduzione
producer:
David Groves (classical music producer at EMI)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1997-02, in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-02, in 1997-09)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1997-02, in 1997-09)
recording of:
La forza del destino: Sinfonia (in 1997-02)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
La forza del destino
recording of:
La forza del destino: Sinfonia (in 1997-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
La forza del destino
Giuseppe Verdi3:59
15La forza del destino: Atto III. “La vita è inferno” (Alvaro)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Alvaro]:
Roberto Alagna (tenor) (in 1997-02, in 1997-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1997-02, in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-02, in 1997-09)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1997-02, in 1997-09)
recording of:
La forza del destino: Atto III, scena 1. “La vita è inferno all'infelice" (Alvaro) (in 1997-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto III
recording of:
La forza del destino: Atto III, scena 1. “La vita è inferno all'infelice" (Alvaro) (in 1997-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto III
Giuseppe Verdi2:59
16La forza del destino: Atto III. “O tu che in seno agli angeli” (Alvaro)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Alvaro]:
Roberto Alagna (tenor) (in 1997-02, in 1997-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1997-02, in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-02, in 1997-09)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1997-02, in 1997-09)
recording of:
La forza del destino: Atto III, scena 1. “O tu che in seno agli angeli” (Alvaro) (in 1997-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto III
recording of:
La forza del destino: Atto III, scena 1. “O tu che in seno agli angeli” (Alvaro) (in 1997-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto III
Giuseppe Verdi3:49
17Macbeth: Atto IV. “O figli” (Macduff)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Macduff]:
Roberto Alagna (tenor) (in 1997-02, in 1997-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1997-02, in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-02, in 1997-09)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1997-02, in 1997-09)
recording of:
Macbeth: Atto IV. N°13a Scena "O figli, o figli miei!" (Macduff) (in 1997-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Macbeth: Atto IV
recording of:
Macbeth: Atto IV. N°13a Scena "O figli, o figli miei!" (Macduff) (in 1997-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Macbeth: Atto IV
Giuseppe Verdi1:14
18Macbeth: Atto IV. “Ah, la paterna mano” (Macduff)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Macduff]:
Roberto Alagna (tenor) (in 1997-02, in 1997-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1997-02, in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-02, in 1997-09)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1997-02, in 1997-09)
recording of:
Macbeth: Atto IV. N°13b Aria "Ah, la paterna mano" (Macduff) (in 1997-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Macbeth: Atto IV
recording of:
Macbeth: Atto IV. N°13b Aria "Ah, la paterna mano" (Macduff) (in 1997-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Macbeth: Atto IV
Giuseppe Verdi2:53
19Jérusalem: Acte II. « L'Émir auprès de lui m'appelle » (Gaston)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Gaston]:
Roberto Alagna (tenor) (in 1997-02, in 1997-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1997-02, in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-02, in 1997-09)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1997-02, in 1997-09)
recording of:
Jérusalem : Acte II, scène 2. « L'émir auprès de lui m'appelle » (Gaston) (in 1997-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Alphonse Royer and Gustave Vaëz
part of:
Jérusalem : Acte II.
recording of:
Jérusalem : Acte II, scène 2. « L'émir auprès de lui m'appelle » (Gaston) (in 1997-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Alphonse Royer and Gustave Vaëz
part of:
Jérusalem : Acte II.
Giuseppe Verdi2:53
20Jérusalem: Acte II. « Je veux encore entendre ta voix » (Gaston)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Gaston]:
Roberto Alagna (tenor) (in 1997-02, in 1997-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1997-02, in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-02, in 1997-09)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1997-02, in 1997-09)
recording of:
Jérusalem : Acte II, scène 2. « Je veux encore entendre ta voix » (Gaston) (in 1997-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Alphonse Royer and Gustave Vaëz
part of:
Jérusalem : Acte II.
recording of:
Jérusalem : Acte II, scène 2. « Je veux encore entendre ta voix » (Gaston) (in 1997-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Alphonse Royer and Gustave Vaëz
part of:
Jérusalem : Acte II.
Giuseppe Verdi3:27
21Il trovatore: Atto III. “Ah sì, ben mio” (Manrico)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Manrico]:
Roberto Alagna (tenor) (in 1997-02, in 1997-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1997-02, in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-02, in 1997-09)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1997-02, in 1997-09)
recording of:
Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico) (in 1997-02)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
recording of:
Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico) (in 1997-09)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:19
22Il trovatore: Atto III. “Di quella pira” (Manrico, Leonora, chorus)
producer:
David Groves (classical music producer at EMI)
choir vocals:
London Voices
soprano vocals [Leonora]:
Angela Gheorghiu (Romanian soprano) (in 1997-02, in 1997-09)
tenor vocals [Manrico]:
Roberto Alagna (tenor) (in 1997-02, in 1997-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1997-02, in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-02, in 1997-09)
chorus master:
Terry Edwards (British choir director)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1997-02, in 1997-09)
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men) (in 1997-02)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men) (in 1997-09)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:27
56CD: Wagner: Tannhäuser / Parsifal / Tristan und Isolde (Orchestral Music)
57CD: Wagner: Holländer / Meistersinger / Tannhäuser / Parsifal / Walküre (Terfel)
58CD: Wagner Gala 1993
59CD: Berlin Gala 1997: A Salute to Carmen
60CD: Berlin Gala 1998