Mozart 111

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 1 available)

Tracklist

1▶CD: Symphonies 25, 26 & 29 - Pinnock
2▶CD: Symphonies 28, 31, 33 & 34 - Levine
3▶CD: Symphonies 32, 35 & 36 - Karajan
4▶CD: Symphonies 38 & 39 - Pinnock
5▶CD: Symphonies 40 & 41 - Minkowski
6▶CD: Piano Concertos 6, 17 & 21 - Anda
7▶CD: Piano Concerto 27 - Concerto for 2 Pianos - Gilels
8▶CD: Piano Concertos 19 & 23 - Pollini
9▶CD: Piano Concertos 20 & 24 - Bilson
10▶CD: Piano Concertos 14 & 26 - Pires
11▶CD: Violin Concertos 3-5 - Perlman
12▶CD: Sinfonia concertante - Perlman - Zukerman
13▶CD: Clarinet & Horn Concertos - Neidich - Jolley
14▶CD: Wind Concertos - Purvis - Wolfgang - Morelli
15▶CD: Flute & Harp Concertos - Palma - Allen
16▶CD: Serenade K 361 "Gran Partita" - Orpheus
17▶CD: Wind Serenades K 375 & K 388 - Orpheus
18▶CD: Divertimento K 334 - Serenata K 239 - Karajan
19▶CD: "Haffner" Serenade - Böhm
20▶CD: "Posthorn" Serenade - Eine kleine Nachtmusik - Levine
21▶CD: "Haydn" Quartets - Hagen (1)
22▶CD: "Haydn" Quartets - Hagen (2)
23▶CD: "Haydn" Quartets - Hagen (3)
24▶CD: String Quintet K 515 - Divertimento K 563 - Amadeus
25▶CD: String Quintets K 516 & K 593 - Amadeus
26▶CD: Quartets & Quintets with Winds - Amadeus
27▶CD: Piano & wind Chamber Music - .Levine - Wien-Berlin
28▶CD: Piano Quartets - Fauré Quartett
29▶CD: Violin Sonatas K 301, 304, 378, 379 - Dumay - Pires
30▶CD: Violin Sonatas K 454, 481, 526 - Perlman - Barenboim
31▶CD: Piano Sonatas K 310, 332, 545 - Pires
32▶CD: Piano Sonatas K 281, 330, 333 - Horowitz
33▶CD: Piano Sonatas K 331, 457 - Gulda
34▶CD: Piano Duets - Eschenbach - Frantz
35▶CD: "Coronation" Mass - Pinnock
36▶CD: C minor Mass - Bernstein
37▶CD: Requiem - Abbado
38▶CD: Concerto Arias - Janowitz
39▶CD: Idomeneo - Gardiner (1)
40▶CD: Idomeneo - Gardiner (2)
41▶CD: Idomeneo - Gardiner (3)
42▶CD: Die Entführung aus dem Serail - Böhm (1)
43▶CD: Die Entführung aus dem Serail - Böhm (2)
44▶CD: Le nozze di Figaro - Harnoncourt (1)
45▶CD: Le nozze di Figaro - Harnoncourt (2)
46▶CD: Le nozze di Figaro - Harnoncourt (3)
47▼CD: Don Giovanni - Abbado (1)
#TitleRatingLength
1Don Giovanni, K 527: Overture
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Ouvertura (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Il dissoluto punito, ossia il Don Giovanni, K. 527
5:54
2Don Giovanni, K 527: Act I: (a) "Notte e giorno faticar" ...
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
bass vocals [Il commendatore]:
Matti Salminen (operatic bass) (from 1997-01 until 1997-02)
bass vocals [Leporello, servo di Don Giovanni]:
Bryn Terfel (bass‐baritone opera singer) (from 1997-01 until 1997-02)
soprano vocals [Donna Anna, sua figlia, promessa sposa di Don Ottavio]:
Carmela Remigio (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 1 Introduzione “Notte e giorno faticar” (Leporello) / “Non sperar se non m’uccidi” – “Lasciala indegno” – “Ah soccorso” (Donna Anna, Don Giovanni, Leporello, Commendatore) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
5:26
3Don Giovanni, K 527: Act I: (b) "Leporello, ove sei?" ...
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
bass vocals [Leporello, servo di Don Giovanni]:
Bryn Terfel (bass‐baritone opera singer) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. Recitativo “Leporello, ove sei?” (Don Giovanni, Leporello) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
0:36
4Don Giovanni, K 527: Act I: (c) "Ah! del padre in periglio" ...
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
soprano vocals [Donna Anna, sua figlia, promessa sposa di Don Ottavio]:
Carmela Remigio (soprano) (from 1997-01 until 1997-02)
tenor vocals [Don Ottavio]:
Uwe Heilmann (tenor) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 2 Recitativo accompagnato “Ma qual mai s’offre, oh Dei” (Donna Anna, Don Ottavio) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
recording of:
Don Giovanni: Atto I. Recitativo “Ah del padre in periglio” (Donna Anna, Don Ottavio) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
2:42
5Don Giovanni, K 527: Act I: (d) "Fuggi, crudele, fuggi!" ...
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
soprano vocals [Donna Anna, sua figlia, promessa sposa di Don Ottavio]:
Carmela Remigio (soprano) (from 1997-01 until 1997-02)
tenor vocals [Don Ottavio]:
Uwe Heilmann (tenor) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 2 Duetto “Fuggi, crudele, fuggi!” (Donna Anna, Don Ottavio) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
3:57
6Don Giovanni, K 527: Act I: (e) "Orsu, spicciati, presto" ...
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
bass vocals [Leporello, servo di Don Giovanni]:
Bryn Terfel (bass‐baritone opera singer) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. Recitativo “Orsù, spicciati presto” (Don Giovanni, Leporello) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
1:40
7Don Giovanni, K 527: Act I: (f) "Ah! chi mi dice mai" ...
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
bass vocals [Leporello, servo di Don Giovanni]:
Bryn Terfel (bass‐baritone opera singer) (from 1997-01 until 1997-02)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Soile Isokoski (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 3 Aria “Ah chi mi dice mai” (Donna Elvira) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
3:36
8Don Giovanni, K 527: Act I: (g) "Chi e la?" - "Stelle! che vedo" ...
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
bass vocals [Leporello, servo di Don Giovanni]:
Bryn Terfel (bass‐baritone opera singer) (from 1997-01 until 1997-02)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Soile Isokoski (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. Recitativo “Chi è là? Stelle! che vedo” (Donna Elvira, Don Giovanni, Leporello) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
2:58
9Don Giovanni, K 527: Act I: (h) "Madamina, il catalogo e questo" ...
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
bass vocals [Leporello, servo di Don Giovanni]:
Bryn Terfel (bass‐baritone opera singer) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 4 Aria “Madamina, il catalogo è questo” (Leporello) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
5:37
10Don Giovanni, K 527: Act I: (i) "In questa forma, dunque" ...
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Soile Isokoski (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. Recitativo “In questa forma dunque” (Donna Elvira) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
0:33
11Don Giovanni, K 527: Act I: (j) "Giovinette che fate all'amore" ...
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
bass vocals [Masetto, contadino]:
Ildebrando d’Arcangelo (operatic bass) (from 1997-01 until 1997-02)
soprano vocals [Zeerlina, amante di Masetto]:
Patrizia Pace (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 5 Coro “Giovinette, che fate all’amore” (Zerlina, Coro) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
1:29
12Don Giovanni, K 527: Act I: (k) "Manco male e partita" ...
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
bass vocals [Leporello, servo di Don Giovanni]:
Bryn Terfel (bass‐baritone opera singer) (from 1997-01 until 1997-02)
bass vocals [Masetto, contadino]:
Ildebrando d’Arcangelo (operatic bass) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. Recitativo “Manco male, è partita” (Don Giovanni, Leporello, Zerlina) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
2:17
13Don Giovanni, K 527: Act I: (l) "Ho capito, signor si" ...
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
bass vocals [Masetto, contadino]:
Ildebrando d’Arcangelo (operatic bass) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 6 Aria “Ho capito, signor, sì!” (Masetto) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
1:35
14Don Giovanni, K 527: Act I: (m) "Alfin siam liberati" ...
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
soprano vocals [Zeerlina, amante di Masetto]:
Patrizia Pace (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. Recitativo “Alfin siam liberati” (Don Giovanni, Zerlina) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
2:02
15Don Giovanni, K 527: Act I: (n) "La ci darem la mano" ...
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
soprano vocals [Zeerlina, amante di Masetto]:
Patrizia Pace (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
2:55
16Don Giovanni, K 527: Act I: (o) "Fermati, scellarato" ...
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Soile Isokoski (soprano) (from 1997-01 until 1997-02)
soprano vocals [Zeerlina, amante di Masetto]:
Patrizia Pace (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. Recitativo “Fermati scellerato” (Donna Elvira, Zerlina, Don Giovanni) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
0:44
17Don Giovanni, K 527: Act I: (p) "Ah, fuggi il traditor" ...
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Soile Isokoski (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 8 Aria “Ah! Fuggi il traditor!” (Donna Elvira) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
1:10
18Don Giovanni, K 527: Act I: (q) "Mi par ch'oggi il demonio si diverta" ...
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
soprano vocals [Donna Anna, sua figlia, promessa sposa di Don Ottavio]:
Carmela Remigio (soprano) (from 1997-01 until 1997-02)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Soile Isokoski (soprano) (from 1997-01 until 1997-02)
tenor vocals [Don Ottavio]:
Uwe Heilmann (tenor) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. Recitativo "Mi par ch' oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
1:13
19Don Giovanni, K 527: Act I: (r) "Non ti fidar, o misera" ...
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
soprano vocals [Donna Anna, sua figlia, promessa sposa di Don Ottavio]:
Carmela Remigio (soprano) (from 1997-01 until 1997-02)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Soile Isokoski (soprano) (from 1997-01 until 1997-02)
tenor vocals [Don Ottavio]:
Uwe Heilmann (tenor) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 9 Quartetto "Non ti fidar, oh misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
3:59
20Don Giovanni, K 527: Act I: (s) "Povera sventurata! ...
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. Recitativo "Povera sventurata!" (Don Giovanni) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
0:23
21Don Giovanni, K 527: Act I: (t) "Don Ottavio, son morta!" ...
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
soprano vocals [Donna Anna, sua figlia, promessa sposa di Don Ottavio]:
Carmela Remigio (soprano) (from 1997-01 until 1997-02)
tenor vocals [Don Ottavio]:
Uwe Heilmann (tenor) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 10 Recitativo accompagnato "Don Ottavio, son morta!" (Donna Anna, Don Ottavio) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
3:06
22Don Giovanni, K 527: Act I: (u) "Or sai chi l'onore" ...
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
soprano vocals [Donna Anna, sua figlia, promessa sposa di Don Ottavio]:
Carmela Remigio (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 10 Aria “Or sai chi l’onore” (Donna Anna) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
2:38
23Don Giovanni, K 527: Act I: (v) "Come mai creder deggio" ...
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
tenor vocals [Don Ottavio]:
Uwe Heilmann (tenor) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. Recitativo “Come mai creder deggio” (Don Ottavio) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
0:36
24Don Giovanni, K 527: Act I: (w) "Dalla sua pace" ...
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
tenor vocals [Don Ottavio]:
Uwe Heilmann (tenor) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. Anhang. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a] (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 540a)
part of:
Don Giovanni: Atto I
4:22
48▶CD: Don Giovanni - Abbado (2)
49▶CD: Don Giovanni - Abbado (3)
50▶CD: Così fan tutte - Levine (1)
51▶CD: Così fan tutte - Levine (2)
52▶CD: Così fan tutte - Levine (3)
53▶CD: Die Zauberflöte - Böhm (1)
54▶CD: Die Zauberflöte - Böhm (2)
55▶CD: A Little Light Music - Orpheus

Credits

Release group

includes:Die Entführung aus dem Serail (1973 studio cast) by Mozart (Wolfgang Amadeus Mozart, classical composer); Arleen Augér (soprano), Reri Grist (American soprano), Peter Schreier (German tenor and conductor), Harald Neukirch (tenor), Kurt Moll (operatic bass), Rundfunkchor Leipzig, Staatskapelle Dresden (Dresden Symphonic Orchestra), Karl Böhm (Austrian conductor)
Symphonies nos. 25 26 29 by Mozart (Wolfgang Amadeus Mozart, classical composer); The English Concert, Trevor Pinnock (conductor / harpsichord)