Mozart 111

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 1 available)

Tracklist

1▶CD: Symphonies 25, 26 & 29 - Pinnock
2▶CD: Symphonies 28, 31, 33 & 34 - Levine
3▶CD: Symphonies 32, 35 & 36 - Karajan
4▶CD: Symphonies 38 & 39 - Pinnock
5▶CD: Symphonies 40 & 41 - Minkowski
6▶CD: Piano Concertos 6, 17 & 21 - Anda
7▶CD: Piano Concerto 27 - Concerto for 2 Pianos - Gilels
8▶CD: Piano Concertos 19 & 23 - Pollini
9▶CD: Piano Concertos 20 & 24 - Bilson
10▶CD: Piano Concertos 14 & 26 - Pires
11▶CD: Violin Concertos 3-5 - Perlman
12▶CD: Sinfonia concertante - Perlman - Zukerman
13▶CD: Clarinet & Horn Concertos - Neidich - Jolley
14▶CD: Wind Concertos - Purvis - Wolfgang - Morelli
15▶CD: Flute & Harp Concertos - Palma - Allen
16▶CD: Serenade K 361 "Gran Partita" - Orpheus
17▶CD: Wind Serenades K 375 & K 388 - Orpheus
18▶CD: Divertimento K 334 - Serenata K 239 - Karajan
19▶CD: "Haffner" Serenade - Böhm
20▶CD: "Posthorn" Serenade - Eine kleine Nachtmusik - Levine
21▶CD: "Haydn" Quartets - Hagen (1)
22▶CD: "Haydn" Quartets - Hagen (2)
23▶CD: "Haydn" Quartets - Hagen (3)
24▶CD: String Quintet K 515 - Divertimento K 563 - Amadeus
25▶CD: String Quintets K 516 & K 593 - Amadeus
26▶CD: Quartets & Quintets with Winds - Amadeus
27▶CD: Piano & wind Chamber Music - .Levine - Wien-Berlin
28▶CD: Piano Quartets - Fauré Quartett
29▶CD: Violin Sonatas K 301, 304, 378, 379 - Dumay - Pires
30▶CD: Violin Sonatas K 454, 481, 526 - Perlman - Barenboim
31▶CD: Piano Sonatas K 310, 332, 545 - Pires
32▶CD: Piano Sonatas K 281, 330, 333 - Horowitz
33▶CD: Piano Sonatas K 331, 457 - Gulda
34▶CD: Piano Duets - Eschenbach - Frantz
35▶CD: "Coronation" Mass - Pinnock
36▶CD: C minor Mass - Bernstein
37▶CD: Requiem - Abbado
38▶CD: Concerto Arias - Janowitz
39▶CD: Idomeneo - Gardiner (1)
40▶CD: Idomeneo - Gardiner (2)
41▶CD: Idomeneo - Gardiner (3)
42▶CD: Die Entführung aus dem Serail - Böhm (1)
43▶CD: Die Entführung aus dem Serail - Böhm (2)
44▶CD: Le nozze di Figaro - Harnoncourt (1)
45▶CD: Le nozze di Figaro - Harnoncourt (2)
46▶CD: Le nozze di Figaro - Harnoncourt (3)
47▶CD: Don Giovanni - Abbado (1)
48▶CD: Don Giovanni - Abbado (2)
49▶CD: Don Giovanni - Abbado (3)
50▶CD: Così fan tutte - Levine (1)
51▶CD: Così fan tutte - Levine (2)
52▶CD: Così fan tutte - Levine (3)
53▶CD: Die Zauberflöte - Böhm (1)
54▼CD: Die Zauberflöte - Böhm (2)
#TitleRatingLength
1Die Zauberflöte, K 620: Act II: (a) Marsch der Priester
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
arrangement of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (catch-all for arrangements)
part of:
Die Zauberflöte, K. 620: Akt II
1:26
2Die Zauberflöte, K 620: Act II: (b) "Ihr eingeweihten Diener" ...
producer:
Wolfgang Lohse
spoken vocals [Dritter Priester]:
Manfred Röhrl (operatic bass) (in 1964-06)
spoken vocals [Erster Priester]:
Hubert Hilten (tenor) (in 1964-06)
spoken vocals [Sarastro]:
Franz Crass (operatic bass) (in 1964-06)
spoken vocals [Zweiter Priester]:
Martin Vantin (tenor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. Dialog „Ihr, in dem Weisheitstempel eingeweihten Diener” (Sarastro, Sprecher, Priester) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
2:19
3Die Zauberflöte, K 620: Act II: (c) "O Isis und Osiris" ...
producer:
Wolfgang Lohse
bass vocals [Sarastro]:
Franz Crass (operatic bass) (in 1964-06)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
chorus master:
Günther Arndt (choral conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
2:55
4Die Zauberflöte, K 620: Act II: (d) "Eine schreckliche Nacht" ...
producer:
Wolfgang Lohse
spoken vocals [Erster Priester]:
Hubert Hilten (tenor) (in 1964-06)
spoken vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1964-06)
spoken vocals [Tamino]:
Fritz Wunderlich (operatic tenor) (in 1964-06)
spoken vocals [Zweiter Priester]:
Martin Vantin (tenor) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. Dialog „Eine schreckliche Nacht!” … „Papageno! Wo denkst du, daß wir uns befinden?” (Tamino, Papageno, Sprecher, Zweiter Sprecher) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
1:57
5Die Zauberflöte, K 620: Act II: (e) "Bewahret euch vor Weibertücken" ...
producer:
Wolfgang Lohse
bass vocals [Dritter Priester]:
Manfred Röhrl (operatic bass) (in 1964-06)
tenor vocals [Zweiter Priester]:
Martin Vantin (tenor) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 11 Duett „Bewahret euch vor Weibertücken” (zwei Priester) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
0:55
6Die Zauberflöte, K 620: Act II: (f) "He, Lichter her!" ...
producer:
Wolfgang Lohse
spoken vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1964-06)
spoken vocals [Tamino]:
Fritz Wunderlich (operatic tenor) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. Dialog „He, Lichter her!” (Papageno, Tamino) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
0:13
7Die Zauberflöte, K 620: Act II: (g) "Wie? Wie? Wie?" ...
producer:
Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1964-06)
mezzo-soprano vocals [Dritte Dame der Königin]:
Sieglinde Wagner (contralto) (in 1964-06)
mezzo-soprano vocals [Zweite Dame der Königin]:
Cvetka Ahlin (Slovenian opera singer and mezzo-sopranist) (in 1964-06)
soprano vocals [Erste Dame der Königin]:
Hildegard Hillebrecht (soprano) (in 1964-06)
tenor vocals [Tamino]:
Fritz Wunderlich (operatic tenor) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 12 Quintett „Wie? Wie? Wie? Ihr an diesem Schreckensort?” (Drei Damen, Papageno, Tamino, Priester) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
3:37
8Die Zauberflöte, K 620: Act II: (h) "Tamino! Dein standhaft männliches Betragen" ...
producer:
Wolfgang Lohse
spoken vocals [Erster Priester]:
Hubert Hilten (tenor) (in 1964-06)
spoken vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1964-06)
spoken vocals [Zweiter Priester]:
Martin Vantin (tenor) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. Dialog „Heil dir, Jüngling! Dein standhaft männliches Betragen” (Sprecher, 2. Priester, Papageno, Tamino) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
0:27
9Die Zauberflöte, K 620: Act II: (i) "Alles fühlt der Liebe Freuden" ...
producer:
Wolfgang Lohse
tenor vocals [Monostatos]:
Friedrich Lenz (tenor) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 13 Arie „Alles fühlt der Liebe Freuden” (Monostatos) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
1:18
10Die Zauberflöte, K 620: Act II: (j) "Mutter!" ...
producer:
Wolfgang Lohse
spoken vocals [Königin der Nacht]:
Roberta Peters (soprano) (in 1964-06)
spoken vocals [Monostatos]:
Friedrich Lenz (tenor) (in 1964-06)
spoken vocals [Pamina]:
Evelyn Lear (soprano) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. Dialog „Zurück! O weh!” (Die Königin der Nacht, Pamina, Monostatos) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
0:22
11Die Zauberflöte, K 620: Act II: (k) "Der Hölle Rache" ...
producer:
Wolfgang Lohse
soprano vocals [Königin der Nacht]:
Roberta Peters (soprano) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
2:56
12Die Zauberflöte, K 620: Act II: (l) "Morden soll ich?" ...
producer:
Wolfgang Lohse
spoken vocals [Monostatos]:
Friedrich Lenz (tenor) (in 1964-06)
spoken vocals [Pamina]:
Evelyn Lear (soprano) (in 1964-06)
spoken vocals [Sarastro]:
Franz Crass (operatic bass) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. Dialog „Morden soll ich?” (Pamina, Monostatos, Sarastro) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
0:48
13Die Zauberflöte, K 620: Act II: (m) "In diesen heil'gen Hallen" ...
producer:
Wolfgang Lohse
bass vocals [Sarastro]:
Franz Crass (operatic bass) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil'gen Hallen” (Sarastro) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
4:04
14Die Zauberflöte, K 620: Act II: (n) "Hier seid ihr beide euch allein überlassen" ...
producer:
Wolfgang Lohse
spoken vocals [Erster Priester]:
Hubert Hilten (tenor) (in 1964-06)
spoken vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1964-06)
spoken vocals [Tamino]:
Fritz Wunderlich (operatic tenor) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. Dialog „Hier seid ihr euch beide allein überlassen” (Sprecher, 2. Priester, Papageno, Tamino, Altes Weib) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
1:47
15Die Zauberflöte, K 620: Act II: (o) "Seid uns zum zweitenmal willkommen" ...
producer:
Wolfgang Lohse
mezzo-soprano vocals [Dritte Dame der Königin]:
Sieglinde Wagner (contralto) (in 1964-06)
mezzo-soprano vocals [Zweite Dame der Königin]:
Cvetka Ahlin (Slovenian opera singer and mezzo-sopranist) (in 1964-06)
soprano vocals [Erste Dame der Königin]:
Hildegard Hillebrecht (soprano) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 16 Trio „Seid uns zum zweiten Mal willkommen” (Drei Knaben) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
1:48
16Die Zauberflöte, K 620: Act II: (p) "Tamino, wollen wir nicht speisen?" ...
producer:
Wolfgang Lohse
spoken vocals [Pamina]:
Evelyn Lear (soprano) (in 1964-06)
spoken vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1964-06)
spoken vocals [Tamino]:
Fritz Wunderlich (operatic tenor) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. Dialog „Tamino, wollen wir nicht speisen?” (Papageno, Pamina, Tamino) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
1:08
17Die Zauberflöte, K 620: Act II: (q) "Ach, ich fühl's, es ist verschwunden" ...
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
soprano vocals [Pamina]:
Evelyn Lear (soprano) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl's, es ist verschwunden“ (Pamina) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
4:30
18Die Zauberflöte, K 620: Act II: (r) "O Isis und Osiris" ...
producer:
Wolfgang Lohse
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 18 Chor der Priester „O Isis und Osiris, welche Wonne!” (Priester) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
3:07
19Die Zauberflöte, K 620: Act II: (s) "Tamino, deine Haltung war bisher sehr männlich" ...
producer:
Wolfgang Lohse
spoken vocals [Pamina]:
Evelyn Lear (soprano) (in 1964-06)
spoken vocals [Sarastro]:
Franz Crass (operatic bass) (in 1964-06)
spoken vocals [Tamino]:
Fritz Wunderlich (operatic tenor) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. Dialog „Prinz, dein Betragen war bis hieher männlich und gelassen” (Sarastro, Pamina, Tamino) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
0:32
20Die Zauberflöte, K 620: Act II: (t) "Soll ich dich, Teurer, nicht mehr sehn?" ...
producer:
Wolfgang Lohse
bass vocals [Sarastro]:
Franz Crass (operatic bass) (in 1964-06)
soprano vocals [Pamina]:
Evelyn Lear (soprano) (in 1964-06)
tenor vocals [Tamino]:
Fritz Wunderlich (operatic tenor) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 19 Trio „Soll ich dich, Teurer, nicht mehr sehn?” (Pamina, Sarastro, Tamino) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
3:02
21Die Zauberflöte, K 620: Act II: (u) "Tamino! Tamino!" ...
producer:
Wolfgang Lohse
spoken vocals [Erster Priester]:
Hubert Hilten (tenor) (in 1964-06)
spoken vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. Dialog "Tamino! Tamino! Willst Du mich denn gänzlich verlassen?" (Papageno, Stimmen, Zweiter Sprecher) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
1:09
22Die Zauberflöte, K 620: Act II: (v) "Ein Mädchen oder Weibchen" ...
producer:
Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
3:54
23Die Zauberflöte, K 620: Act II: (w) "Da bin ich schon, mein Engel" ...
producer:
Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1964-06)
spoken vocals [Erster Priester]:
Hubert Hilten (tenor) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. Dialog „Da bin ich schon, mein Engel!” (Altes Weib, Papageno, Zweiter Sprecher) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
1:00
24Die Zauberflöte, K 620: Act II: (x) "Bald prangt, den Morgen zu verkünden" ...
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
contralto vocals [Dritter Knabe]:
Raili Kostia (mezzo-soprano) (in 1964-06)
mezzo-soprano vocals [Dritte Dame der Königin]:
Sieglinde Wagner (contralto) (in 1964-06)
mezzo-soprano vocals [Zweite Dame der Königin]:
Cvetka Ahlin (Slovenian opera singer and mezzo-sopranist) (in 1964-06)
soprano vocals [Erste Dame der Königin]:
Hildegard Hillebrecht (soprano) (in 1964-06)
soprano vocals [Erster Knabe]:
Rosl Schwaiger (soprano) (in 1964-06)
soprano vocals [Pamina]:
Evelyn Lear (soprano) (in 1964-06)
soprano vocals [Zweiter Knabe]:
Antonia Fahberg (soprano) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 21 Finale „Bald prangt, den Morgen zu verkünden” … „Du also bist mein Bräutigam” (Drei Knaben, Pamina) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
6:22
25Die Zauberflöte, K 620: Act II: (y) "Der, welcher wandert diese Straße" ...
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
bass vocals [Zweiter geharnischter Mann]:
Martti Talvela (operatic bass) (from 1965-10-31 until 1965-11-03)
soprano vocals [Pamina]:
Evelyn Lear (soprano) (from 1965-10-31 until 1965-11-03)
tenor vocals [Erster geharnischter Mann]:
James King (tenor) (from 1965-10-31 until 1965-11-03)
tenor vocals [Tamino]:
Fritz Wunderlich (operatic tenor) (from 1965-10-31 until 1965-11-03)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1965-10-31 until 1965-11-03)
conductor:
Karl Böhm (Austrian conductor) (from 1965-10-31 until 1965-11-03)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06), Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (from 1965-10-31 until 1965-11-03) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1965-10-31 until 1965-11-03)
recording of:
Die Zauberflöte: Akt II. „Der, welcher wandelt diese Straße voll Beschwerden” (Zwei Geharnischte, Tamino, Pamina) (from 1965-10-31 until 1965-11-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
5:25
26Die Zauberflöte, K 620: Act II: (z) "Tamino mein! O welch ein Glück!" ...
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
bass vocals [Zweiter geharnischter Mann]:
Martti Talvela (operatic bass) (from 1964-06-18 until 1964-06-25)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1964-06, from 1964-06-18 until 1964-06-25)
soprano vocals [Pamina]:
Evelyn Lear (soprano) (in 1964-06, from 1964-06-18 until 1964-06-25)
tenor vocals [Erster geharnischter Mann]:
James King (tenor) (from 1964-06-18 until 1964-06-25)
tenor vocals [Tamino]:
Fritz Wunderlich (operatic tenor) (in 1964-06, from 1964-06-18 until 1964-06-25)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06, from 1964-06-18 until 1964-06-25)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06, from 1964-06-18 until 1964-06-25)
chorus master:
Günther Arndt (choral conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06), Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1964-06-18 until 1964-06-25) and Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (from 1965-10-31 until 1965-11-03)
recording of:
Die Zauberflöte: Akt II. „Tamino mein! O welch Glück!” (Pamina, Tamino) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. Marsch durch Feuer und Wasser „Wir wandelten durch Feuersgluten” (Pamina, Tamino, Coro) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
7:03
27Die Zauberflöte, K 620: Act II: (aa) "Papagena! Weibchen! Täubchen!" ..
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1964-06)
contralto vocals [Dritter Knabe]:
Raili Kostia (mezzo-soprano) (in 1964-06)
soprano vocals [Erster Knabe]:
Rosl Schwaiger (soprano) (in 1964-06)
soprano vocals [Papagena]:
Lisa Otto (soprano) (in 1964-06)
soprano vocals [Zweiter Knabe]:
Antonia Fahberg (soprano) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. „Papagena! Weibchen! Täubchen!” … „Klinget, Glöckchen, klinget!” (Papageno, Drei Knaben, Papagena) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
8:09
28Die Zauberflöte, K 620: Act II: (ab) "Nur stille, stille, stille, stille!" ..
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
mezzo-soprano vocals [Dritte Dame der Königin] and soprano vocals [Dritte Dame der Königin]:
Sieglinde Wagner (contralto) (in 1964-06)
mezzo-soprano vocals [Zweite Dame der Königin]:
Cvetka Ahlin (Slovenian opera singer and mezzo-sopranist) (in 1964-06)
soprano vocals [Erste Dame der Königin]:
Hildegard Hillebrecht (soprano) (in 1964-06)
soprano vocals [Königin der Nacht]:
Roberta Peters (soprano) (in 1964-06)
tenor vocals [Monostatos]:
Friedrich Lenz (tenor) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. „Nur stille, stille, stille!” (Monostatos, Königin, Damen) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
2:16
29Die Zauberflöte, K 620: Act II: (ac) "Die Strahlen der Sonne" ...
producer:
Wolfgang Lohse
bass vocals [Sarastro]:
Franz Crass (operatic bass) (in 1964-06)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
chorus master:
Günther Arndt (choral conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. „Die Strahlen der Sonne vertreiben die Nacht” (Sarastro) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
3:11
55▶CD: A Little Light Music - Orpheus

Credits

Release group

includes:Die Entführung aus dem Serail (1973 studio cast) by Mozart (Wolfgang Amadeus Mozart, classical composer); Arleen Augér (soprano), Reri Grist (American soprano), Peter Schreier (German tenor and conductor), Harald Neukirch (tenor), Kurt Moll (operatic bass), Rundfunkchor Leipzig, Staatskapelle Dresden (Dresden Symphonic Orchestra), Karl Böhm (Austrian conductor)
Symphonies nos. 25 26 29 by Mozart (Wolfgang Amadeus Mozart, classical composer); The English Concert, Trevor Pinnock (conductor / harpsichord)