Atlantic Records: The Time Capsule

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD: 1948-1959
#TitleArtistRatingLength
1Lowe Groovin’
Joe Morris Orchestra2:47
2Drinkin’ Wine Spo‐Dee‐Oh‐Dee
recorded in:
New York, New York, United States (on 1949-02-14)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Herb Abrahmson
double bass [bass]:
Gene Ramey (on 1949-02-14)
drums (drum set) [drums]:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1949-02-14)
guitar:
Brownie McGhee (on 1949-02-14) and Stick McGhee (on 1949-02-14)
piano:
Wilbert "Big Chief" Ellis (on 1949-02-14)
lead vocals:
Stick McGhee (on 1949-02-14)
performer:
Stick McGhee and His Buddies (on 1949-02-14)
recording of:
Drinkin’ Wine, Spo‐Dee‐O‐Dee (on 1949-02-14)
writer:
Stick McGhee and J. Mayo ‘Ink’ Williams
Stick McGhee & His Buddies3:15
3Teardrops From My Eyes
recorded in:
New York, New York, United States (in 1950-09)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Herb Abrahmson
tenor saxophone:
Budd Johnson (in 1950-09)
vocals:
Ruth Brown (in 1950-09)
orchestra:
Budd Johnson Orchestra (in 1950-09)
recording of:
Teardrops From My Eyes (in 1950-09)
lyricist and composer:
Rudolph Toombs
publisher:
Rightsong Music Inc. and Simon House
Ruth Brown2:53
4One Mint Julep
producer:
Ahmet Ertegun (US American Songwriter, producer) and Herb Abrahmson
drums (drum set) [drums]:
Connie Kay (on 1951-12-19)
piano:
Harry Van Walls (R&B pianist) (on 1951-12-19)
tenor saxophone:
Willis Jackson (tenor saxophonist) (on 1951-12-19)
vocals:
The Clovers (US rhythm and blues/doo-wop vocal group) (on 1951-12-19)
recorded at:
Atlantic Studios (234 West 56th St., New York, 1947-1956) in Manhattan, New York, New York, United States (on 1951-12-19)
recording of:
One Mint Julep (on 1951-12-19)
lyricist and composer:
Rudolph Toombs
publisher:
Regent Music (BMI) and Unichappell Music
The Clovers2:29
5Mama, He Treats Your Daughter Mean
recorded in:
New York, New York, United States (on 1952-12-19)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Herb Abrahmson
drums (drum set) [drums]:
Connie Kay (on 1952-12-19)
guitar:
Mickey Baker (on 1952-12-19)
tambourine:
Hal Jackson (broadcaster) (on 1952-12-19)
tenor saxophone:
Willis Jackson (tenor saxophonist) (on 1952-12-19)
trumpet:
Taft Jordan (on 1952-12-19)
vocals:
Ruth Brown (on 1952-12-19)
recording of:
(Mama) He Treats Your Daughter Mean (on 1952-12-19)
writer:
Herb Lance (Herbert J. Lance) (in 1952), Charlie Singleton (Jazz saxophone player) (in 1952) and John Wallace (bass player for Harry Chapin) (in 1952)
Ruth Brown2:54
6Money Honey
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
guitar:
Walter Adams (guitarist for The Drifters) (on 1953-08-09)
baritone vocals:
Gerhart Thrasher (on 1953-08-09)
bass vocals:
Willie Ferbie (on 1953-08-09)
lead vocals:
Clyde McPhatter (on 1953-08-09)
tenor vocals:
Bill Pinkney (on 1953-08-09) and Andrew Thrasher (on 1953-08-09)
recorded at:
Atlantic Recording Studio (234 West 56th St., New York, 1947-1956) in Manhattan, New York, New York, United States (on 1953-08-09)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 252)
recording of:
Money Honey (on 1953-08-09)
lyricist and composer:
Jesse Stone
publisher:
Carlin Music Corporation, First Digital Music, Walden Music, Inc., Walden, Inc., WB Music Corp. (1929–2019) and ZFC Music
Clyde McPhatter & The Drifters42:58
7Tipitina
recorded in and engineered in:
New Orleans, Louisiana, United States (in 1953-11)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (in 1953-11)
bass:
Edgar Blanchard (in 1953-11)
drums (drum set):
Earl Palmer (in 1953-11)
piano:
Professor Longhair (in 1953-11)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (in 1953-11)
vocals:
Professor Longhair (in 1953-11)
recording of:
Tipitina (in 1953-11)
lyricist and composer:
Henry Roeland Byrd
publisher:
Professor Longhair Music
Professor Longhair2:39
8Shake, Rattle & Roll
recorded in:
New York, New York, United States (on 1954-02-15)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
baritone saxophone:
Haywood Henry (US jazz saxophonist) (on 1954-02-15)
double bass [bass]:
Lloyd Trotman (US jazz bassist) (on 1954-02-15)
drums (drum set) [drums]:
Connie Kay (on 1954-02-15)
guitar:
Mickey Baker (on 1954-02-15)
piano:
Jesse Stone (on 1954-02-15)
tenor saxophone:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (on 1954-02-15)
trombone:
Wilbur DeParis (on 1954-02-15)
vocals:
Big Joe Turner (on 1954-02-15)
arranger:
Jesse Stone
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 2001)
cover recording of:
Shake, Rattle and Roll (on 1954-02-15)
additional lyricist:
Daryl Bosteels
writer:
Charles Calhoun and Jesse Stone
publisher:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music and Unichappell Music, Inc.
recording of:
Shake, Rattle and Roll
additional lyricist:
Daryl Bosteels
writer:
Charles Calhoun and Jesse Stone
publisher:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music and Unichappell Music, Inc.
Big Joe Turner53:00
9Sh-Boom
recorded in:
New York, New York, United States (on 1954-03-15)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
tenor saxophone:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (on 1954-03-15)
vocals:
The Chords (50s US doo-wop group "Sh-Boom") (on 1954-03-15)
arranger:
Howard Biggs
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 215)
recording of:
Sh‐Boom (on 1954-03-15)
writer:
William Edwards (The Chords), Carl Feaster, Claude Feaster, James Keyes and Floyd McRae
premiered by:
The Chords (50s US doo-wop group "Sh-Boom")
The Chords32:26
10I Got a Woman
recorded in:
Atlanta, Georgia, United States (on 1954-11-18)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
baritone saxophone:
David “Fathead” Newman (American jazz saxophonist) (on 1954-11-18)
bass:
Jimmy Bell (jazz bassist) (on 1954-11-18)
drums (drum set):
Glenn Brooks (on 1954-11-18)
guitar:
Wesley Jackson (US R&B guitarist) (on 1954-11-18)
piano:
Ray Charles (soul musician, singer and songwriter) (on 1954-11-18)
solo tenor saxophone:
Donald Wilkerson (US jazz/R&B saxophonist) (on 1954-11-18)
trumpet:
Joe Bridgewater (on 1954-11-18) and Charles "Clanky" Whitley (on 1954-11-18)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1954-11-18)
arranger:
Ray Charles (soul musician, singer and songwriter)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
I Got a Woman (on 1954-11-18)
writer:
Ray Charles (soul musician, singer and songwriter) and Renald Richard
publisher:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ray Charles42:52
11Since I Met You Babe
Ivory Joe Hunter2:44
12Jim Dandy
recorded in:
New York, New York, United States (on 1955-12-21)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
other instruments:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
background vocals:
The Gliders (UK rock trio) (on 1955-12-21)
lead vocals:
LaVern Baker (US rhythm & blues singer) (on 1955-12-21)
vocals:
LaVern Baker (US rhythm & blues singer)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 344)
recording of:
Jim Dandy (on 1955-12-21)
lyricist and composer:
Lincoln Chase (songwriter)
publisher:
Embassy Music Corporation and Unichappell Music, Inc.
LaVern Baker & The Gliders4.52:13
13C.C. Rider
recorded in:
New York, New York, United States (on 1957-01-31)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
double bass [bass]:
Lloyd Trotman (US jazz bassist) (on 1957-01-31)
drums (drum set) [drums]:
Panama Francis (US swing jazz drummer) (on 1957-01-31)
guitar:
Al Caiola (on 1957-01-31) and Roy Gaines (on 1957-01-31)
marimba:
Phil Kraus (on 1957-01-31)
piano:
James Harris (piano) (on 1957-01-31)
tenor saxophone:
Gene Barge (on 1957-01-31) and Sam Taylor (US jazz/blues saxophonist 1916-1990) (on 1957-01-31)
background vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1957-01-31)
vocals:
Chuck Willis (on 1957-01-31)
conductor:
Jesse Stone (on 1957-01-31)
arranger:
Jesse Stone
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 12) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
C. C. Rider (Chuck Willis version) (on 1957-01-31)
lyricist and composer:
Chuck Willis
publisher:
Chuck Willis Music Co., Tideland Music Publishing Corporation and Unichappell Music, Inc.
version of:
See See Rider Blues
Chuck Willis42:30
14Mr. Lee
recorded in:
New York, New York, United States (on 1957-02-28)
producer:
Ahmet Ertegun (US American Songwriter, producer)
double bass [bass]:
Milt Hinton (on 1957-02-28)
drums (drum set) [drums]:
Joe Marshall (jazz drummer) (on 1957-02-28)
guitar:
Al Caiola (on 1957-02-28) and Allen Hanlon (jazz guitarist) (on 1957-02-28)
piano:
Ray Ellis (US producer, arranger and conductor) (on 1957-02-28)
tenor saxophone:
Jesse Powell (US jazz saxophonist) (on 1957-02-28)
vocals:
The Bobbettes (on 1957-02-28)
conductor:
Reggie Obrecht (on 1957-02-28)
arranger:
Reggie Obrecht
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 36)
recording of:
Mr. Lee (on 1957-02-28)
writer:
Reather Dixon, Emma Ruth Pought, Helen Gathers, Jannie Pought and Laura Webb
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Bobbettes42:16
15The Golden Striker
The Modern Jazz Quartet3:39
16Yakety Yak
acoustic guitar:
Allen Hanlon (jazz guitarist) (on 1958-03-17)
double bass [bass]:
Wendell Marshall (on 1958-03-17)
drums (drum set):
Joe Marshall (jazz drummer) (on 1958-03-17)
electric guitar:
Adolph Jacobs (on 1958-03-17)
guitar:
George Barnes (on 1958-03-17)
piano:
Mike Stoller (on 1958-03-17)
tenor saxophone:
King Curtis (saxophonist) (on 1958-03-17)
vocals:
Carl Gardner (on 1958-03-17), Cornell Gunter (on 1958-03-17), Billy Guy (on 1958-03-17) and Will “Dub” Jones (US R&B/doo wop vocalist) (on 1958-03-17)
arranger:
Mike Stoller
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1958-03-17)
recording of:
Yakety Yak (on 1958-03-17)
lyricist:
Jerry Leiber
writer:
Jerry Leiber and Mike Stoller
composer:
Mike Stoller
publisher:
Sony/ATV Songs LLC
part of:
Twins (1988)
The Coasters3.651:52
17Splish Splash
producer:
Herb Abramson and Ahmet Ertegun (US American Songwriter, producer)
recording of:
Splish Splash
writer:
Bobby Darin and Jean Murray
publisher:
Alley Music Corp., EMI Unart Catalog Inc., Good Music Ltd. and Oirt Music Inc.
Bobby Darin32:13
18Charlie Brown
recording of:
Charlie Brown
writer:
Jerry Leiber and Mike Stoller
publisher:
Sony/ATV Songs LLC
The Coasters2:32
19Wednesday Night Prayer Meeting
recording engineer:
Tom Dowd (on 1959-02-04)
producer:
Nesuhi Ertegun
alto saxophone:
John Handy (US jazz alto saxophonist, born 1933) (on 1959-02-04) and Jackie McLean (jazz saxophonist) (on 1959-02-04)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1959-02-04)
double bass:
Charles Mingus (on 1959-02-04)
drums (drum set):
Dannie Richmond (drummer) (on 1959-02-04)
piano:
Horace Parlan (American-Danish jazz pianist) (on 1959-02-04)
tenor saxophone:
Booker Ervin (tenor saxophonist) (on 1959-02-04)
trombone:
Willie Dennis (on 1959-02-04) and Jimmy Knepper (trombonist) (on 1959-02-04)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-02-04)
recording of:
Wednesday Night Prayer Meeting (on 1959-02-04)
composer:
Charles Mingus
Charles Mingus5:42
20There Goes My Baby
producer:
Leiber and Stoller (songwriting team)
guitar:
Reggie Kimber (on 1959-03-06)
baritone vocals:
Dock Green (on 1959-03-06)
bass vocals:
Elsbeary Hobbs (on 1959-03-06)
lead vocals:
Ben E. King (on 1959-03-06)
tenor vocals:
Charlie Thomas (The Drifters) (on 1959-03-06)
conductor:
Stan Applebaum (US composer, arranger and conductor) (on 1959-03-06)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
recorded at:
Coastal Recording in New York, New York, United States (on 1959-03-06)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 2) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 193)
recording of:
There Goes My Baby (on 1959-03-06)
lyricist and composer:
Benjamin Nelson, Lover Patterson and George Treadwell
publisher:
Jerome Leiber Music, Purple Starfish Music, Sherman Jot Enterprises Inc. and Sony/ATV Songs LLC
The Drifters4.52:10
21What’d I Say, Parts 1 & 2
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
baritone saxophone [baritone sax]:
Bennie "Hank" Crawford (on 1959-02-18)
bass:
Edgar Willis (bass) (on 1959-02-18)
drums (drum set):
Milt Turner (on 1959-02-18)
electric piano:
Ray Charles (soul musician, singer and songwriter) (on 1959-02-18)
tenor saxophone [tenor sax]:
David “Fathead” Newman (American jazz saxophonist) (on 1959-02-18)
trumpet:
Marcus Belgrave (on 1959-02-18)
background vocals:
The Raelettes (on 1959-02-18)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1959-02-18)
arranger:
Ray Charles (soul musician, singer and songwriter)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 10) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 80)
recording of:
What’d I Say (on 1959-02-18)
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Ray Charles3.56:29
22Mack the Knife
producer:
Ahmet Ertegun (US American Songwriter, producer), Nesuhi Ertegun and Jerry Wexler
vocals:
Bobby Darin
conductor:
Richard Wess
arranger:
Richard Wess
part of:
Grammy Award: Record of the Year nominees (number: 1960 winner), Billboard: Greatest of All Time Hot 100 Songs (number: 4), Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 40) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 251)
cover recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Bobby Darin43:06
23Giant Steps
recording engineer:
Tom Dowd (on 1959-05-05) and Phil Iehle (on 1959-05-05)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-05-05)
drums (drum set):
Art Taylor (on 1959-05-05)
piano:
Tommy Flanagan (on 1959-05-05)
tenor saxophone:
John Coltrane (on 1959-05-05)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-05-05)
recording of:
Giant Steps (on 1959-05-05)
composer:
John Coltrane
publisher:
Jowcol Music
part of:
The Real Book (compilation of jazz standards, Volume I)
John Coltrane3.354:45
24Lonely Woman
recorded in:
Los Angeles, California, United States (on 1959-05-22)
producer:
Nesuhi Ertegun
alto saxophone:
Ornette Coleman (US jazz saxophonist, trumpeter, violinist, and composer) (on 1959-05-22)
cornet:
Don Cherry (jazz trumpeter) (on 1959-05-22)
double bass:
Charlie Haden (American jazz bassist) (on 1959-05-22)
drums (drum set) [drums]:
Billy Higgins (US jazz drummer) (on 1959-05-22)
recording of:
Lonely Woman (instrumental) (on 1959-05-22)
composer:
Ornette Coleman (US jazz saxophonist, trumpeter, violinist, and composer)
publisher:
MJQ Music
Ornette Coleman4:57
2▶CD: 1960-1967
3▶CD: 1967-1970
4▶CD: 1970-1973
5▶CD: 1974-1978
6▶CD: 1978-1983
7▶CD: 1983-1990
8▶CD: 1990-2001
9▶CD: 2001-2009