Complete Recordings on Archiv Produktion

~ Release by Reinhard Goebel, Musica Antiqua Köln (see all versions of this release, 1 available)

Annotation

A 75-CD collection of Reinhard Goebel's Archiv recordings with Musica Anitqua Köln. Includes a 200-page booklet and original album covers.

Annotation last modified on 2022-11-21 10:51 UTC.

Tracklist

1▶CD: J. S. Bach: Brandenburg Concertos nos. 1-5
2▶CD: J. S. Bach: Brandenburg Concerto no. 6 / Orchestral Suites (Overtures) nos. 1 & 2 / Concerto for Flute, Violin & Harpsichord
3▶CD: J. S. Bach: Orchestral Suites (Overtures) nos. 3 & 4 / Orchestral Suite, BWV 1070
4▶CD: J. S. Bach: Musikalisches Opfer
5▶CD: J. S. Bach: Die Kunst der Fuge (I)
6▶CD: J. S. Bach: Die Kunst der Fuge (II) / Canone
7▶CD: J. S. Bach: Trio Sonatas
8▶CD: J. S. Bach: Violin Sonatas nos. 1-5
9▶CD: J. S. Bach: Violin Sonata no. 6 / Violin Sonatas, Fugue & Suite
10▶CD: J. S. Bach: Violin Sonatas / Gamba Sonatas nos. 1 & 2
11▶CD: J. S. Bach: Gamba Sonata no. 3 / Violin Sonata, BWV 1019a / Flute Sonatas
12▶CD: J. S. Bach: Flute Sonatas & Partita
13▶CD: J. S. Bach: Secular Cantatas (I)
14▶CD: J. S. Bach: Secular Cantatas (II)
15▼CD: J. S. Bach: Wedding Cantatas
#TitleArtistRatingLength
1“O holder Tag, erwünschte Zeit”, BWV 210: 1. Recitative: “O holder Tag, erwünschte Zeit”
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
performer:
Christine Schäfer (soprano) (in 1999-01)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01) and Sendesaal, DeutschlandRadio in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": I. Recitativo (Sopran) "O holder Tag, erwünschte Zeit" (in 1999-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach0:56
2“O holder Tag, erwünschte Zeit”, BWV 210: 2. Aria: “Spielet, ihr beseelten Lieder”
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
performer:
Christine Schäfer (soprano) (in 1999-01)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01) and Sendesaal, DeutschlandRadio in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": II. Aria (Sopran) "Spielet, ihr beseelten Lieder" (in 1999-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach6:15
3“O holder Tag, erwünschte Zeit”, BWV 210: 3. Recitative: “Doch, haltet ein”
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
performer:
Christine Schäfer (soprano) (in 1999-01)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01) and Sendesaal, DeutschlandRadio in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": III. Recitativo (Sopran) "Doch, haltet ein, ihr muntern Saiten" (in 1999-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach1:01
4“O holder Tag, erwünschte Zeit”, BWV 210: 4. Aria: “Ruhet hie, matte Töne”
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
performer:
Christine Schäfer (soprano) (in 1999-01)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01) and Sendesaal, DeutschlandRadio in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": IV. Aria (Sopran) "Ruhet hie, matte Töne" (in 1999-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach4:59
5“O holder Tag, erwünschte Zeit”, BWV 210: 5. Recitative: “Si glaubt man denn, dass die Musik verführe”
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
performer:
Christine Schäfer (soprano) (in 1999-01)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01) and Sendesaal, DeutschlandRadio in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": V. Recitativo (Sopran) "So glaubt man denn, daß die Musik verführe" (in 1999-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach2:04
6“O holder Tag, erwünschte Zeit”, BWV 210: 6. Aria: “Schweigt, ihr Flöten, schweigt, ihr Töne”
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
performer:
Christine Schäfer (soprano) (in 1999-01)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01) and Sendesaal, DeutschlandRadio in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": VI. Aria (Sopran) "Schweigt, ihr Flöten, schweigt, ihr Töne" (in 1999-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach3:47
7“O holder Tag, erwünschte Zeit”, BWV 210: 7. Recitative: “Was Luft? Was Grab?”
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
performer:
Christine Schäfer (soprano) (in 1999-01)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01) and Sendesaal, DeutschlandRadio in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": VII. Recitativo (Sopran) "Was Luft? was Grab?" (in 1999-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach1:35
8“O holder Tag, erwünschte Zeit”, BWV 210: 8. Aria: “Großer Gönner, dein Vergnügen”
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
performer:
Christine Schäfer (soprano) (in 1999-01)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01) and Sendesaal, DeutschlandRadio in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": VIII. Aria (Sopran) "Großer Gönner, dein Vergnügen" (in 1999-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach3:16
9“O holder Tag, erwünschte Zeit”, BWV 210: 9. Recitative: “Hochteurer Mann, so fahre ferner fort”
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
performer:
Christine Schäfer (soprano) (in 1999-01)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01) and Sendesaal, DeutschlandRadio in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": IX. Recitativo (Sopran) "Hochteurer Mann, so fahre ferner fort" (in 1999-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach1:19
10“O holder Tag, erwünschte Zeit”, BWV 210: 10. Aria: “Seid beglückt, edle beide”
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
performer:
Christine Schäfer (soprano) (in 1999-01)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01) and Sendesaal, DeutschlandRadio in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": X. Aria (Sopran) "Seid beglückt, edle beide" (in 1999-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach4:48
11“Weichet nur, betrübte Schatten”, BWV 202: 1. Adagio - Andante - Adagio da capo: “Weichet nur, betrübte Schatten”
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
performer:
Christine Schäfer (soprano) (in 1999-01)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01) and Sendesaal, DeutschlandRadio in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": I. Aria "Weichet nur, betrübte Schatten" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach4:42
12“Weichet nur, betrübte Schatten”, BWV 202: 2. Recitative: “Die Welt wird wieder neu”
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
performer:
Christine Schäfer (soprano) (in 1999-01)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01) and Sendesaal, DeutschlandRadio in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": II. Recitativo "Die Welt wird wieder neu" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:27
13“Weichet nur, betrübte Schatten”, BWV 202: 3. Aria: “Phoebus eilt mit schnellen Pferden”
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
performer:
Christine Schäfer (soprano) (in 1999-01)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01) and Sendesaal, DeutschlandRadio in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": III. Aria "Phoebus eilt mit schnellen Pferden" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach2:55
14“Weichet nur, betrübte Schatten”, BWV 202: 4. Recitative: “Drum sucht auch Amor sein Vergnügen”
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
performer:
Christine Schäfer (soprano) (in 1999-01)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01) and Sendesaal, DeutschlandRadio in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": IV. Recitativo "Drum sucht auch Amor sein Vergnügen" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:42
15“Weichet nur, betrübte Schatten”, BWV 202: 5. Aria: “Wenn die Frühlingslüfte streichen”
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
performer:
Christine Schäfer (soprano) (in 1999-01)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01) and Sendesaal, DeutschlandRadio in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": V. Aria "Wenn die Frühlingslüfte streichen" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach2:21
16“Weichet nur, betrübte Schatten”, BWV 202: 6. Recitative: “Und dieses ist das Glücke”
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
performer:
Christine Schäfer (soprano) (in 1999-01)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01) and Sendesaal, DeutschlandRadio in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VI. Recitativo "Und dieses ist das Glücke" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:45
17“Weichet nur, betrübte Schatten”, BWV 202: 7. Aria: “Sich üben im Lieben”
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
performer:
Christine Schäfer (soprano) (in 1999-01)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01) and Sendesaal, DeutschlandRadio in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VII. Aria "Sich üben im Lieben" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach3:57
18“Weichet nur, betrübte Schatten”, BWV 202: 8. Recitative: “So sei das Band der keuschen Liebe”
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
performer:
Christine Schäfer (soprano) (in 1999-01)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01) and Sendesaal, DeutschlandRadio in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VIII. Recitativo "So sei das Band der keuschen Liebe" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:24
19“Weichet nur, betrübte Schatten”, BWV 202: 9. Aria (Gavotte): “Sehet in Zufriedenheit”
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
performer:
Christine Schäfer (soprano) (in 1999-01)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01) and Sendesaal, DeutschlandRadio in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": IX. Gavotte "Sehet in Zufriedenheit" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach1:31
20“Jauchzet Gott in allen Landen”, BWV 51: 1. Aria: “Jauchzet Gott in allen Landen”
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
performer:
Christine Schäfer (soprano) (in 1999-01)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01) and Sendesaal, DeutschlandRadio in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": I. Aria "Jauchzet Gott in allen Landen" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach3:53
21“Jauchzet Gott in allen Landen”, BWV 51: 2. Recitative: “Wir beten zu dem Tempel an”
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
performer:
Christine Schäfer (soprano) (in 1999-01)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01) and Sendesaal, DeutschlandRadio in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": II. Recitativo "Wir beten zu dem Tempel an" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach2:08
22“Jauchzet Gott in allen Landen”, BWV 51: 3. Aria: “Höchster, mache deine Güte”
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
performer:
Christine Schäfer (soprano) (in 1999-01)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01) and Sendesaal, DeutschlandRadio in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": III. Aria "Höchster, mache deine Güte" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach3:11
23“Jauchzet Gott in allen Landen”, BWV 51: 4. Chorale: “Sei Lob und Preis mit Ehren” -
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
performer:
Christine Schäfer (soprano) (in 1999-01)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01) and Sendesaal, DeutschlandRadio in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": IV. Chorale "Sei Lob und Preis mit Ehren" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach3:12
24“Jauchzet Gott in allen Landen”, BWV 51: “Alleluja”
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
performer:
Christine Schäfer (soprano) (in 1999-01)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01) and Sendesaal, DeutschlandRadio in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": V. "Alleluja" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach2:13
16▶CD: C. P. E. Bach, W. F. Bach: Concertos for 2 Harpsichords
17▶CD: Bachiana: Music by the Bach Family
18▶CD: Bachiana: Double Concertos
19▶CD: Cantatas by the Bach Family Before Johan Sebastian (I)
20▶CD: Cantatas by the Bach Family Before Johan Sebastian (II)
21▶CD: Lamento: Arias and Cantatas by the Bach Family
22▶CD: Biber: Mensa sonora / Sonata representativa
23▶CD: Biber: Harmonia artificiosa (I)
24▶CD: Biber: Harmonia artificiosa (II)
25▶CD: Biber: Rosenkranz Sonatas (I)
26▶CD: Biber: Rosenkranz Sonatas (II) / Passacaglia
27▶CD: Biber: Missa Salisburgensis
28▶CD: Charpentier: Musiques sacrée
29▶CD: Clérambault: Orphée / Médée
30▶CD: Couperin: Les Nations (I)
31▶CD: Couperin: Les Nations (II)
32▶CD: Gilles: Requiem
33▶CD: Handel: Marian Cantatas & Arias
34▶CD: Hasse: Salve Regina
35▶CD: Haydn: Concerti, concertini & divertimenti (I)
36▶CD: Haydn: Concerti, concertini & divertimenti (II)
37▶CD: Heinichen: Dresden Concerti (I)
38▶CD: Heinichen: Dresden Concerti (II)
39▶CD: Heinichen: Lamentationes - Passionsmusik (I)
40▶CD: Lamentationes - Passionsmusik (II)
41▶CD: Leclair: Musique de chambre - Late Works
42▶CD: Le roi danse - Original Motion Picture Soundtrack
43▶CD: Monteverdi: Combattimento di Tancredi e Clorinda / Lamento d'Arianna
44▶CD: Telemann: Tafelmusik (I)
45▶CD: Telemann: Tafelmusik (II)
46▶CD: Telemann: Tafelmusik (III)
47▶CD: Telemann: Tafelmusik (IV)
48▶CD: Telemann: Wassermusik / 3 Concertos
49▶CD: Telemann: Wind Concertos
50▶CD: Telemann: String Concertos (I)
51▶CD: Telemann: Sinfonia spirituosa / String Concertos (II)
52▶CD: Telemann: Chamber Concertos
53▶CD: Telemann: Flute Quartets
54▶CD: Telemann: Overture / Ino
55▶CD: Veracini: 5 Overtures
56▶CD: Vivaldi: Concerti da camera
57▶CD: Concerti per flauto: Mancini, Sarri, Barbella, Valentine
58▶CD: Le Parnasse français: Marais, Rebel, Couperin
59▶CD: Early Italian Violin Music: Gabrieli, Rossi, Fontana, Marini, Farina, Buonamente
60▶CD: German Chamber Music Before Bach (I): Reincken, J. S. Bach
61▶CD: German Chamber Music Before Bach (II): Buxtehude, Pachelbel
62▶CD: German Chamber Music Before Bach (III): Rosenmülkler, Schenck, Westhoff
63▶CD: Conversation Galante: Philidor, Francœur, Guillemain, Quentin
64▶CD: French Baroque Concertos: Blavet, Boismortier, Buffardin, Corrette, Quentin
65▶CD: Pachelbel: Canon & Gigue / J. S. Bach, Handel, Vivaldi
66▶CD: De profundis: Schütz, Tunder, Bruhns, Weckmann, Strungk
67▶CD: Scherzi Musicali: Biber, Schmelzer, Walther
68▶CD: Concerti: Torelli, Mossi, Valentini, Locatelli, Leo
69▶CD: Rebel: Les Élémens / Gluck: Alessandro
70▶CD: Concerti “per L'orchestra di Dresda”
71▶CD: Chaconne: Blow, Corelli, Muffat, Pezel, Purcell
72▶CD: Sonata pro tabula: Biber, Schmelzer, Bertali, Pezel, Valentini
73▶CD: Lamenti: Monteverdi, Vivaldi, Purcell, Bertali, Legrenzi
74▶CD: Musica Baltica
75▶CD: Reinhard Goebel in Gespräch: Interviews with music examples - J. S. Bach, Gilles, Handel, Mozart, Ockeghem etc.