The Great Choral Masterpieces

~ Release by Johann Sebastian Bach; (see all versions of this release, 2 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Christmas Oratorio, BWV 248: Part One "For the first Day of Christmas": No. 1 Chorus: "Jauchzet, frohlocket"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach7:37
2Christmas Oratorio, BWV 248: Part One "For the first Day of Christmas": No. 2 Evangelist: "Es begab sich aber zu der Zeit"
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, II. Recitativo „Es begab sich aber zu der Zeit“ (Evangelista) (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:23
3Christmas Oratorio, BWV 248: Part One "For the first Day of Christmas": No. 3 Rezitativ (Alt): "Nun wird mein liebster Bräutigam"
alto vocals:
Marjana Lipovšek (mezzo soprano) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, III. Recitativo (Alto) „Nun wird mein liebster Bräutigam“ (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:02
4Christmas Oratorio, BWV 248: Part One "For the first Day of Christmas": No. 4 Aria (Alto): " Bereite dich, Zion"
alto vocals:
Marjana Lipovšek (mezzo soprano) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:32
5Christmas Oratorio, BWV 248: Part One "For the first Day of Christmas": No. 5 Choral: "Wie soll ich dich empfangen"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, V. Choral „Wie soll ich dich empfangen“ (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Wie soll ich dich empfangen
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:17
6Christmas Oratorio, BWV 248: Part One "For the first Day of Christmas": No. 6 Evangelist, No. 7 Choral
bass vocals:
Robert Holl (bass‐baritone) (from 1986-11 until 1987-01)
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
soprano vocals:
Helen Donath (soprano) (from 1986-11 until 1987-01)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VI. Recitativo „Und sie gebar ihren ersten Sohn“ (Evangelista) (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VII. Choral (Soprano) con Recitativo (Basso) „Er ist auf Erden kommen arm“ (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:37
7Christmas Oratorio, BWV 248: Part One "For the first Day of Christmas": No. 8 Aria (Baß): "Großer Herr, o starker König"
bass vocals:
Robert Holl (bass‐baritone) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) „Großer Herr, o starker König“ (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:42
8Christmas Oratorio, BWV 248: Part One "For the first Day of Christmas": No. 9 Choral: "Ach mein herzliebes Jesulein"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IX. Choral „Ach mein herzliebes Jesulein“ (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:15
9Christmas Oratorio, BWV 248: Part Two "For the second Day of Christmas": No. 10 Sinfonia
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach6:25
10Christmas Oratorio, BWV 248: Part Two "For the second Day of Christmas": No. 11 Evangelist: "Und es waren Hirten in derselben Gegend"
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XI. Recitativo „Und es waren Hirten in derselben Gegend“ (Evangelista) (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:51
11Christmas Oratorio, BWV 248: Part Two "For the second Day of Christmas": No. 12 Chorale: "Brich an, o schönes Morgenlicht"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XII. Choral „Brich an, o schönes Morgenlicht“ (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Johann von Rist (in 1641)
part of:
Breitkopf 389 Choralgesänge (number: 80)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:08
12Christmas Oratorio, BWV 248: Part Two "For the second Day of Christmas": No. 13 Evangelist, Engel: "Und der Engel sprach zu Ihnen"
soprano vocals [Angel]:
Helen Donath (soprano) (from 1986-11 until 1987-01)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIII. Recitativo „Und der Engel sprach zu ihnen“ (Evangelista, Angelus) (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:50
13Christmas Oratorio, BWV 248: Part Two "For the second Day of Christmas": No. 14 Rezitativ (Baß): "Was Gott dem Abraham Verheißen"
bass vocals:
Robert Holl (bass‐baritone) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIV. Recitativo (Basso) „Was Gott dem Abraham verheißen“ (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:38
14Christmas Oratorio, BWV 248: Part Two "For the second Day of Christmas": No. 15 Aria (Tenor): "Frohe Hirten, eilt, ach eilet"
tenor vocals:
Eberhard Büchner (tenor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) „Frohe Hirten, eilt, ach eilet“ (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:35
15Christmas Oratorio, BWV 248: Part Two "For the second Day of Christmas": No. 16 Evangelist: "Und das habt zum Zeichen"
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVI. Recitativo „Und das habt zum Zeichen“ (Evangelista) (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:23
16Christmas Oratorio, BWV 248: Part Two "For the second Day of Christmas": No. 17 Chorale: "Schaut hin, dort liegt im finstern Stall"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVII. Choral „Schaut hin, dort liegt im finstern Stall“ (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 323)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:38
17Christmas Oratorio, BWV 248: Part Two "For the second Day of Christmas": No. 18 Rezitativ (Baß): "So geht denn hin, ihr Hirten, geht"
bass vocals:
Robert Holl (bass‐baritone) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVIII. Recitativo (Basso) „So geht denn hin“ (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:59
18Christmas Oratorio, BWV 248: Part Two "For the second Day of Christmas": No. 19 Aria (Alto): "Schlafe, mein Liebster, geniesse der Ruh"
alto vocals:
Marjana Lipovšek (mezzo soprano) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIX. Aria (Alto) „Schlafe, mein Liebster“ (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach9:01
19Christmas Oratorio, BWV 248: Part Two "For the second Day of Christmas": No. 20 Evangelist: "Und alsbald war da bei dem Engel"
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XX. Recitativo „Und alsobald war da bei dem Engel“ (Evangelista) (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:16
20Christmas Oratorio, BWV 248: Part Two "For the second Day of Christmas": No. 21 Chor: "Ehre sei Gott in der Höhe"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXI. Coro „Ehre sei Gott in der Höhe“ (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:46
21Christmas Oratorio, BWV 248: Part Two "For the second Day of Christmas": No. 22 Rezitativ (Baß): "So recht, ihr Engel, jauchzt und singet"
bass vocals:
Robert Holl (bass‐baritone) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXII. Recitativo (Basso) „So recht, ihr Engel“ (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:22
22Christmas Oratorio, BWV 248: Part Two "For the second Day of Christmas": No. 23 Chorale: "Wir singen dir in deinem Heer"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXIII. Choral „Wir singen dir in deinem Heer“ (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:20
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