The Great Choral Masterpieces

~ Release by Johann Sebastian Bach; (see all versions of this release, 2 available)

Tracklist

1▶Digital Media
2▼Digital Media
#TitleArtistRatingLength
1Christmas Oratorio, BWV 248: Part Three "For the third Day of Christmas": No. 24 Chor: "Herrscher des Himmels, erhöre das Lallen"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro „Herrscher des Himmels, erhöre das Lallen“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:49
2Christmas Oratorio, BWV 248: Part Three "For the third Day of Christmas": No. 25 Evangelist, No. 26 Chor, No. 27 Rezitativ (Baß)
bass vocals:
Robert Holl (bass‐baritone) (from 1986-11 until 1987-01)
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-01 until 1987-01)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXV. Recitativo „Und da die Engel“ (Evangelista) (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVI. Coro „Lasset uns nun gehen“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVII. Recitativo (Basso) „Er hat sein Volk getröst“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:40
3Christmas Oratorio, BWV 248: Part Three "For the third Day of Christmas": No. 28 Choral: "Dies hat er alles uns getan"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVIII. Choral „Dies hat er alles uns getan“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 110)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:47
4Christmas Oratorio, BWV 248: Part Three "For the third Day of Christmas": No. 29 Duett (Sopran, Baß): "Herr, dein Mitleid, dein Erbarmen"
bass vocals:
Robert Holl (bass‐baritone) (from 1986-11 until 1987-01)
soprano vocals:
Helen Donath (soprano) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIX. Aria duetto (Soprano, Basso) „Herr, dein Mitleid“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach8:17
5Christmas Oratorio, BWV 248: Part Three "For the third Day of Christmas": No. 30 Evangelist: "Und sie kamen eilend"
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXX. Recitativo „Und sie kamen eilend“ (Evangelista) (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:23
6Christmas Oratorio, BWV 248: Part Three "For the third Day of Christmas": No. 31 Aria (Alt): "Schließe, mein Herze, dies selige Wunder"
alto vocals:
Marjana Lipovšek (mezzo soprano) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXI. Aria (Alto) „Schließe, mein Herze“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:40
7Christmas Oratorio, BWV 248: Part Three "For the third Day of Christmas": No. 32 Recitativ (Alt): "Ja, ja, mein Herz soll es bewahren"
alto vocals:
Marjana Lipovšek (mezzo soprano) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXII. Recitativo (Alto) „Ja, ja, mein Herz soll es bewahren“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:28
8Christmas Oratorio, BWV 248: Part Three "For the third Day of Christmas": No. 33 Choral: "Ich will dich mit Fleiß bewahren"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIII. Choral „Ich will dich mit Fleiß bewahren“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 335)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:57
9Christmas Oratorio, BWV 248: Part Three "For the third Day of Christmas": No. 34 Evangelist: "Und die Hirten kehrten wieder um"
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIV. Recitativo „Und die Hirten kehrten wieder um“ (Evangelista) (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:22
10Christmas Oratorio, BWV 248: Part Three "For the third Day of Christmas": No. 35 Choral: "Seid froh dieweil"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXV. Choral "Seid froh dieweil" (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 381)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:55
11Christmas Oratorio, BWV 248: Part Three "For the third Day of Christmas": No. 24 Chor (da capo): "Herrscher des Himmels, erhöre das Lallen"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro „Herrscher des Himmels, erhöre das Lallen“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:47
12Christmas Oratorio, BWV 248: Part Four "For New Year's Day": No. 36 Chor: "Fallt mit Danken, fallt mit Loben"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVI. Coro „Fallt mit Danken, fallt mit Loben“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:26
13Christmas Oratorio, BWV 248: Part Four "For New Year's Day": No. 37 Evangelist: "Und da acht Tage um waren"
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVII. Recitativo „Und da acht Tage um waren“ (Evangelista) (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:34
14Christmas Oratorio, BWV 248: Part Four "For New Year's Day": No. 38 Rezitativ (Baß): "Immanuel, o süßes Wort" Arioso (Chor-Sopran, Baß): "Jesu, du mein liebstes Leben"-"Komm ich will dich mit Lust umfassen"
bass vocals:
Robert Holl (bass‐baritone) (from 1986-11 until 1987-01)
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
soprano vocals:
Helen Donath (soprano) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVIII. Recitativo (Basso) con Chorale (Soprano) „Immanuel, o süßes Wort“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:50
15Christmas Oratorio, BWV 248: Part Four "For New Year's Day": No. 39 Aria (Soprano, Echo-soprano): "Flösst, mein Heiland, flösst dein Namen"
soprano vocals:
Helen Donath (soprano) (from 1986-11 until 1987-01) and Andrea Ihle (soprano) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXIX. (Soprano) „Flößt, mein Heiland, flößt dein Namen“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:37
16Christmas Oratorio, BWV 248: Part Four "For New Year's Day": No. 40 Rezitativ (Baß): "Wohlan, dein Name soll allein" Arioso (Chor-Sopran): "Jesu mein Freud und Wonne"
bass vocals:
Robert Holl (bass‐baritone) (from 1986-11 until 1987-01)
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
soprano vocals:
Helen Donath (soprano) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XL. Recitativo (Basso) con Chorale (Soprano) „Wohlan, dein Name soll allein“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:37
17Christmas Oratorio, BWV 248: Part Four "For New Year's Day": No. 41 Aria (Tenor): "Ich will nur dir zu Ehren leben"
tenor vocals:
Eberhard Büchner (tenor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLI. Aria (Tenore) „Ich will nur dir zu Ehren leben“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:59
18Christmas Oratorio, BWV 248: Part Four "For New Year's Day": No. 42 Choral: "Jesus richte mein Beginnen"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLII. Choral „Jesus richte mein Beginnen“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:01
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