La Nilsson: Complete Decca, Philips & Deutsche Grammophon Recordings

~ Release by Birgit Nilsson (see all versions of this release, 1 available)

Tracklist

1▶CD: Wagner: Tristan und Isolde (Solti) - 1
2▶CD: Wagner: Tristan und Isolde (Solti) - 2
3▶CD: Wagner: Tristan und Isolde (Solti) - 3
4▶CD: John Culshaw, Sir Georg Solti - Sailor's Song Rehearsal - Tristan und Isolde
5▶CD: Wagner: Tristan und Isolde, excerpts (Knappertsbusch)
6▶CD: Wagner: Die Walküre (Erich Leinsdorf) - 1
7▶CD: Wagner: Die Walküre (Erich Leinsdorf) - 2
8▶CD: Wagner: Die Walküre (Erich Leinsdorf) - 3
9▶CD: Wagner: Das Rheingold (Solti) - 1
10▶CD: Wagner: Das Rheingold (Solti) - 2
11▶CD: Wagner: Die Walküre (Solti) - 1
12▶CD: Wagner: Die Walküre (Solti) - 2
13▶CD: Wagner: Die Walküre (Solti) - 3
14▶CD: Wagner: Die Walküre (Solti) - 4
15▶CD: Wagner: Siegfried (Solti) - 1
16▶CD: Wagner: Siegfried (Solti) - 2
17▶CD: Wagner: Siegfried (Solti) - 3
18▶CD: Wagner: Götterdämmerung (Solti) - 1
19▶CD: Wagner: Götterdämmerung (Solti) - 2
20▶CD: Wagner: Götterdämmerung (Solti) - 3
21▶CD: Wagner: Götterdämmerung (Solti) - 4
22▶CD: Strauss: Salome (Solti) - 1
23▶CD: Strauss: Salome (Solti) - 2
24▶CD: Strauss: Elektra (Solti) - 1
25▶CD: Strauss: Elektra (Solti) - 2
26▶CD: Mozart: Don Giovanni (Leinsdorf) - 1
27▶CD: Mozart: Don Giovanni (Leinsdorf) - 2
28▶CD: Mozart: Don Giovanni (Leinsdorf) - 3
29▶CD: Beethoven: Fidelio (Maazel) - 1
30▶CD: Beethoven: Fidelio (Maazel) - 2
31▶CD: Verdi: Un ballo in maschera (Solti) - 1
32▶CD: Verdi: Un ballo in maschera (Solti) - 2
33▶CD: Verdi: Macbeth (Thomas Schippers) - 1
34▶CD: Verdi: Macbeth (Thomas Schippers) - 2
35▶CD: Verdi: Aida, excerpts (John Pritchard)
36▶CD: Verdi: Arias (Argeo Quadri)
37▶CD: Puccini: Tosca (Maazel) - 1
38▼CD: Puccini: Tosca (Maazel) - 2
#TitleArtistRatingLength
1Tosca: Act II. “Tosca è un buon falco!” (Scarpia, Sciarrone)
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Scarpia]:
Dietrich Fischer‐Dieskau (baritone) (in 1966-06)
bass vocals [Sciarrone]:
Dino Mantovani (bass vocalist) (in 1966-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1966-06)
conductor:
Lorin Maazel (conductor) (in 1966-06)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1966-06)
recording of:
Tosca: Atto II. “Tosca è un buon falco!” … “Ella verrà” (Scarpia, Sciarrone) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:08
2Tosca: Act II. “Ha più forte sapore” (Scarpia, Sciarrone)
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Scarpia]:
Dietrich Fischer‐Dieskau (baritone) (in 1966-06)
bass vocals [Sciarrone]:
Dino Mantovani (bass vocalist) (in 1966-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1966-06)
conductor:
Lorin Maazel (conductor) (in 1966-06)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1966-06)
recording of:
Tosca: Atto II. “Ha più forte sapore” (Scarpia, Sciarrone) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini1:22
3Tosca: Act II. “O galantuomo, come andò la caccia?” (Scarpia, Spoletta, Cavaradossi, Tosca)
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Scarpia]:
Dietrich Fischer‐Dieskau (baritone) (in 1966-06)
soprano vocals [Tosca]:
Birgit Nilsson (soprano) (in 1966-06)
tenor vocals [Cavaradossi]:
Franco Corelli (tenor) (in 1966-06)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (in 1966-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1966-06)
conductor:
Lorin Maazel (conductor) (in 1966-06)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1966-06)
recording of:
Tosca: Atto II. “Meno male!” – “Egli è là” – “Tal violenza” (Scarpia, Spoletta, Cavaradossi) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “O galantuomo, come andò la caccia?” (Scarpia, Spoletta) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:18
4Tosca: Act II. “Ov’è Angelotti?” (Scarpia, Cavaradossi, Spoletta, Tosca)
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Scarpia]:
Dietrich Fischer‐Dieskau (baritone) (in 1966-06)
soprano vocals [Tosca]:
Birgit Nilsson (soprano) (in 1966-06)
tenor vocals [Cavaradossi]:
Franco Corelli (tenor) (in 1966-06)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (in 1966-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1966-06)
conductor:
Lorin Maazel (conductor) (in 1966-06)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1966-06)
recording of:
Tosca: Atto II. “Ed or fra noi parliam da buoni amici” (Scarpia, Tosca) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Ov’è Angelotti?” (Scarpia, Cavaradossi, Spoletta, Tosca) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:46
5Tosca: Act II. “Sciarrone, che dice il Cavalier?” (Scarpia, Sciarrone, Tosca, Cavaradossi)
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Scarpia]:
Dietrich Fischer‐Dieskau (baritone) (in 1966-06)
bass vocals [Sciarrone]:
Dino Mantovani (bass vocalist) (in 1966-06)
soprano vocals [Tosca]:
Birgit Nilsson (soprano) (in 1966-06)
tenor vocals [Cavaradossi]:
Franco Corelli (tenor) (in 1966-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1966-06)
conductor:
Lorin Maazel (conductor) (in 1966-06)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1966-06)
recording of:
Tosca: Atto II. “Sciarrone, che dice il Cavalier?” (Scarpia, Sciarrone, Tosca, Cavaradossi) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini2:48
6Tosca: Act II. “Orsù, Tosca, parlate” (Scarpia, Tosca, Cavaradossi, Spoletta, Sciarrone)
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Scarpia]:
Dietrich Fischer‐Dieskau (baritone) (in 1966-06)
bass vocals [Sciarrone]:
Dino Mantovani (bass vocalist) (in 1966-06)
soprano vocals [Tosca]:
Birgit Nilsson (soprano) (in 1966-06)
tenor vocals [Cavaradossi]:
Franco Corelli (tenor) (in 1966-06)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (in 1966-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1966-06)
conductor:
Lorin Maazel (conductor) (in 1966-06)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1966-06)
recording of:
Tosca: Atto II. “Orsù, Tosca, parlate” … “Basta, Roberti” (Scarpia, Tosca, Cavaradossi, Spoletta, Sciarrone) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:35
7Tosca: Act II. “Floria” … “Amore” (Cavaradossi, Tosca, Scarpia, Sciarrone)
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Scarpia]:
Dietrich Fischer‐Dieskau (baritone) (in 1966-06)
bass vocals [Sciarrone]:
Dino Mantovani (bass vocalist) (in 1966-06)
soprano vocals [Tosca]:
Birgit Nilsson (soprano) (in 1966-06)
tenor vocals [Cavaradossi]:
Franco Corelli (tenor) (in 1966-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1966-06)
conductor:
Lorin Maazel (conductor) (in 1966-06)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1966-06)
recording of:
Tosca: Atto II. “Floria!” … “Amore” (Cavaradossi, Tosca) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Nel pozzo del giardino! Va, Spoletta!” (Tosca, Scarpia, Sciarrone, Cavaradossi) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini1:28
8Tosca: Act II. “Vittoria! Vittoria!” (Cavaradossi, Tosca, Scarpia)
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Scarpia]:
Dietrich Fischer‐Dieskau (baritone) (in 1966-06)
soprano vocals [Tosca]:
Birgit Nilsson (soprano) (in 1966-06)
tenor vocals [Cavaradossi]:
Franco Corelli (tenor) (in 1966-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1966-06)
conductor:
Lorin Maazel (conductor) (in 1966-06)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1966-06)
recording of:
Tosca: Atto II. “Vittoria! Vittoria! L’alba vindice appar” (Cavaradossi, Tosca, Scarpia) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini2:41
9Tosca: Act II. “Quanto?” (Tosca, Scarpia)
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Scarpia]:
Dietrich Fischer‐Dieskau (baritone) (in 1966-06)
soprano vocals [Tosca]:
Birgit Nilsson (soprano) (in 1966-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1966-06)
conductor:
Lorin Maazel (conductor) (in 1966-06)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1966-06)
recording of:
Tosca: Atto II. “Quanto?” (Tosca, Scarpia) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Se la giurata fede debbo tradir” (Scarpia, Tosca) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini4:25
10Tosca: Act II. “Vissi d’arte” (Tosca, Scarpia)
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Scarpia]:
Dietrich Fischer‐Dieskau (baritone) (in 1966-06)
soprano vocals [Tosca]:
Birgit Nilsson (soprano) (in 1966-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1966-06)
conductor:
Lorin Maazel (conductor) (in 1966-06)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1966-06)
recording of:
Tosca: Atto II. “Vedi, le man giunte io stendo a te!” (Tosca, Scarpia) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini4:21
11Tosca: Act II. “Chi è la?” (Scarpia, Spoletta, Tosca)
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Scarpia]:
Dietrich Fischer‐Dieskau (baritone) (in 1966-06)
soprano vocals [Tosca]:
Birgit Nilsson (soprano) (in 1966-06)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (in 1966-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1966-06)
conductor:
Lorin Maazel (conductor) (in 1966-06)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1966-06)
recording of:
Tosca: Atto II. “Chi è là?” (Scarpia, Spoletta, Tosca) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini1:56
12Tosca: Act II. “Io tenni la promessa” (Scarpia, Tosca)
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Scarpia]:
Dietrich Fischer‐Dieskau (baritone) (in 1966-06)
soprano vocals [Tosca]:
Birgit Nilsson (soprano) (in 1966-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1966-06)
conductor:
Lorin Maazel (conductor) (in 1966-06)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1966-06)
recording of:
Tosca: Atto II. “E qual via scegliete?” – “Tosca, finalmente mia” (Scarpia, Tosca) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Io tenni la promessa” (Scarpia, Tosca) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini6:41
13Tosca: Act III. “Io de’ sospiri” (Un pastore)
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
alto vocals [Un pastore]:
Patrizio Veronelli (in 1966-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1966-06)
conductor:
Lorin Maazel (conductor) (in 1966-06)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1966-06)
recording of:
Tosca: Atto III. Preludio “Io de’ sospiri” (Un pastore) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini5:28
14Tosca: Act III. “Mario Cavaradossi?” (Carceriere, Cavaradossi)
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Carceriere]:
Libero Arbace (in 1966-06)
tenor vocals [Cavaradossi]:
Franco Corelli (tenor) (in 1966-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1966-06)
conductor:
Lorin Maazel (conductor) (in 1966-06)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1966-06)
recording of:
Tosca: Atto III. “Mario Cavaradossi? A voi” (Carceriere, Cavaradossi) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini4:25
15Tosca: Act III. “E lucevan le stelle” (Cavaradossi)
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
tenor vocals [Cavaradossi]:
Franco Corelli (tenor) (in 1966-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1966-06)
conductor:
Lorin Maazel (conductor) (in 1966-06)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1966-06)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (in 1966-06)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini3:02
16Tosca: Act III. “Ah! Franchigia a Floria Tosca” (Cavaradossi, Tosca)
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
soprano vocals [Tosca]:
Birgit Nilsson (soprano) (in 1966-06)
tenor vocals [Cavaradossi]:
Franco Corelli (tenor) (in 1966-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1966-06)
conductor:
Lorin Maazel (conductor) (in 1966-06)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1966-06)
recording of:
Tosca: Atto III. “Franchigia a Floria Tosca” (Cavaradossi, Tosca) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:42
17Tosca: Act III. “O dolci mani” (Cavaradossi, Tosca, Carceriere)
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Carceriere]:
Libero Arbace (in 1966-06)
soprano vocals [Tosca]:
Birgit Nilsson (soprano) (in 1966-06)
tenor vocals [Cavaradossi]:
Franco Corelli (tenor) (in 1966-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1966-06)
conductor:
Lorin Maazel (conductor) (in 1966-06)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1966-06)
recording of:
Tosca: Atto III. “E non giungono” (Cavaradossi, Tosca) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
recording of:
Tosca: Atto III. “L’ora!” (Carceriere, Cavaradossi, Tosca) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto III (Tosca: Act III)
recording of:
Tosca: Atto III. “O dolci mani” (Cavaradossi, Tosca) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
recording of:
Tosca: Atto III. “Amaro sol per te m’era il morire” (Cavaradossi, Tosca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini8:24
18Tosca: Act III. “Presto, su! Mario! Mario!” (Tosca, Sciarrone, Spoleta)
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Sciarrone]:
Dino Mantovani (bass vocalist) (in 1966-06)
soprano vocals [Tosca]:
Birgit Nilsson (soprano) (in 1966-06)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (in 1966-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1966-06)
conductor:
Lorin Maazel (conductor) (in 1966-06)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1966-06)
recording of:
Tosca: Atto III. “Com’è lunga l’attesa!” (Tosca) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
recording of:
Tosca: Atto III. “Presto, su! Mario! Mario!” (Tosca, Voci confuse, Sciarrone, Spoletta) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:11
19Tosca: Act III. “Come è lunga l’attesa!” (Tosca)
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Sciarrone]:
Dino Mantovani (bass vocalist) (in 1966-06)
soprano vocals [Tosca]:
Birgit Nilsson (soprano) (in 1966-06)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (in 1966-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1966-06)
conductor:
Lorin Maazel (conductor) (in 1966-06)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1966-06)
recording of:
Tosca: Atto III. “Com’è lunga l’attesa!” (Tosca) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
recording of:
Tosca: Atto III. “Presto, su! Mario! Mario!” (Tosca, Voci confuse, Sciarrone, Spoletta) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini1:21
39▶CD: Wagner, Weber, Beethoven Arias
40▶CD: Land of the Midnight Sun
41▶CD: Wagner: Das Rheingold (Böhm) - 1
42▶CD: Wagner: Das Rheingold (Böhm) - 2
43▶CD: Wagner: Die Walküre (Böhm) - 1
44▶CD: Wagner: Die Walküre (Böhm) - 2
45▶CD: Wagner: Die Walküre (Böhm) - 3
46▶CD: Wagner: Siegfried (Böhm) - 1
47▶CD: Wagner: Siegfried (Böhm) - 2
48▶CD: Wagner: Siegfried (Böhm) - 3
49▶CD: Wagner: Götterdammerung (Böhm) - 1
50▶CD: Wagner: Götterdammerung (Böhm) - 2
51▶CD: Wagner: Götterdammerung (Böhm) - 3
52▶CD: Wagner: Götterdammerung (Böhm) - 4
53▶CD: Wagner: Duets
54▶CD: Wagner: Wesendonck-Lieder and other Arias
55▶CD: Wagner: Tristan und Isolde (Böhm) - 1
56▶CD: Wagner: Tristan und Isolde (Böhm) - 2
57▶CD: Wagner: Tristan und Isolde (Böhm) - 3
58▶CD: Wagner: Tannhäuser (Otto Gerdes) - 1
59▶CD: Wagner: Tannhäuser (Otto Gerdes) - 2
60▶CD: Wagner: Tannhäuser (Otto Gerdes) - 3
61▶CD: Mozart: Don Giovanni (Böhm) - 1
62▶CD: Mozart: Don Giovanni (Böhm) - 2
63▶CD: Mozart: Don Giovanni (Böhm) - 3
64▶CD: Weber: Oberon (Kubelik) - 1
65▶CD: Weber: Oberon (Kubelik) - 2
66▶CD: Strauss: Die Frau ohne Schatten (Böhm) - 1
67▶CD: Strauss: Die Frau ohne Schatten (Böhm) - 2
68▶CD: Strauss: Die Frau ohne Schatten (Böhm) - 3
69▶CD: Recital: Beethoven & Strauss
70▶CD: Puccini: Turandot (Molinari-Pradelli) - 1
71▶CD: Puccini: Turandot (Molinari-Pradelli) - 2
72▶CD: Verdi: Aida (Zubin Mehta) - 1
73▶CD: Verdi: Aida (Zubin Mehta) - 2
74▶CD: Puccini: La fanciulla del West (Lovro von Matačić) - 1
75▶CD: Puccini: La fanciulla del West (Lovro von Matačić) - 2
76▶CD: Weber: Der Freischütz (Robert Heger) - 1
77▶CD: Weber: Der Freischütz (Robert Heger) - 2
78▶CD: Puccini: Turandot (Leinsdorf) - 1
79▶CD: Puccini: Turandot (Leinsdorf) - 2
80▶DVD: Met Production Of Elektra
81▶DVD: The Golden Ring Documentary Of The Making Of The Solti Ring