Mujer de todos, mujer de nadie

This song is more or less an involuntary plagiary of Mariposa traicionera. Horacio Palencia probably used the same chord progression, and Andaluz Music had not been critical enough with the final arrangement because the instrumentation was completely different. The discussion was probably settled through a private convention between Eden Muñoz, Horacio Palencia and Fher Olvera.