| # | Title | Artist | Rating | Length |
|---|
| 1 | Mass in B minor, BWV 232: III. (a) Credo: Credo in unum Deum | Johann Sebastian Bach | | 2:02 |
| 2 | Mass in B minor, BWV 232: III. (b) Credo: Patrem omnipotentem, factorem coeli et terrae, visibilium omnium et invisibilium- engineer and producer:
- Vittorio Negri
- choir vocals:
- Academy of St Martin in the Fields Chorus (in 1977-11)
- orchestra:
- Academy of St Martin in the Fields (in 1977-11)
- conductor:
- Sir Neville Marriner (in 1977-11)
- chorus master:
- László Heltay (in 1977-11)
- recorded at:
- St John’s, Smith Square in London , England, United Kingdom (in 1977-11)
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (in 1977-11)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 1:52 |
| 3 | Mass in B minor, BWV 232: III. (c) Credo: Et in unum Dominum, Jesum christum, Filum Dei Unigentum | Johann Sebastian Bach | | 5:08 |
| 4 | Mass in B minor, BWV 232: III. (d) Credo: Et incarnatus est de Spiritu Sacto ex Maria virgine, et homo factus est. | Johann Sebastian Bach | | 3:47 |
| 5 | Mass in B minor, BWV 232: III. (e) Credo: Crucifixus etiam pro nobis sub Pontio Pilato, passus et sepultus est.- engineer and producer:
- Vittorio Negri
- choir vocals:
- Academy of St Martin in the Fields Chorus (in 1977-11)
- orchestra:
- Academy of St Martin in the Fields (in 1977-11)
- conductor:
- Sir Neville Marriner (in 1977-11)
- chorus master:
- László Heltay (in 1977-11)
- recorded at:
- St John’s, Smith Square in London , England, United Kingdom (in 1977-11)
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (in 1977-11)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 3:43 |
| 6 | Mass in B minor, BWV 232: III. (f) Credo: Et ressurrexit tertia die secundum scripturas | Johann Sebastian Bach | | 4:09 |
| 7 | Mass in B minor, BWV 232: III. (g) Credo: Et in Spiritum Sactum, Dominum et vivificantem | Johann Sebastian Bach | | 5:47 |
| 8 | Mass in B minor, BWV 232: III. (h) Credo: Confiteor unum baptisma in remissionem peccatorum | Johann Sebastian Bach | | 3:05 |
| 9 | Mass in B minor, BWV 232: III. (i) Credo: Et exspecto resurrectionem, mortuorum et vitam venturi saeculi. Amen- engineer and producer:
- Vittorio Negri
- choir vocals:
- Academy of St Martin in the Fields Chorus (in 1977-11)
- orchestra:
- Academy of St Martin in the Fields (in 1977-11)
- conductor:
- Sir Neville Marriner (in 1977-11)
- chorus master:
- László Heltay (in 1977-11)
- recorded at:
- St John’s, Smith Square in London , England, United Kingdom (in 1977-11)
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (in 1977-11)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 4:12 |
| 10 | Mass in B minor, BWV 232: IV. (a) Sanctus: Sanctus, sanctus, sanctus, Dominus Deus Sabaoth | Johann Sebastian Bach | | 6:00 |
| 11 | Mass in B minor, BWV 232: IV. (b) Sanctus: Osanna in excelsis- engineer and producer:
- Vittorio Negri
- choir vocals:
- Academy of St Martin in the Fields Chorus (in 1977-11)
- orchestra:
- Academy of St Martin in the Fields (in 1977-11)
- conductor:
- Sir Neville Marriner (in 1977-11)
- chorus master:
- László Heltay (in 1977-11)
- recorded at:
- St John’s, Smith Square in London , England, United Kingdom (in 1977-11)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (in 1977-11)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:44 |
| 12 | Mass in B minor, BWV 232: IV. (c) Sanctus: Benedictus qui venit in nomine Domini- engineer and producer:
- Vittorio Negri
- solo tenor vocals and tenor vocals:
- Robert Tear (in 1977-11)
- orchestra:
- Academy of St Martin in the Fields (in 1977-11)
- conductor:
- Sir Neville Marriner (in 1977-11)
- recorded at:
- St John’s, Smith Square in London , England, United Kingdom (in 1977-11)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (in 1977-11)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 5:12 |
| 13 | Mass in B minor, BWV 232: IV. (d) Sanctus: Osanna in excelsis- engineer and producer:
- Vittorio Negri
- choir vocals:
- Academy of St Martin in the Fields Chorus (in 1977-11)
- orchestra:
- Academy of St Martin in the Fields (in 1977-11)
- conductor:
- Sir Neville Marriner (in 1977-11)
- chorus master:
- László Heltay (in 1977-11)
- recorded at:
- St John’s, Smith Square in London , England, United Kingdom (in 1977-11)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (in 1977-11)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:44 |
| 14 | Mass in B minor, BWV 232: V. (a) Agnus Dei: Agnus Dei, qui tollis peccata mundi, miserere nobis- engineer and producer:
- Vittorio Negri
- mezzo-soprano vocals and solo alto vocals:
- Dame Janet Baker (in 1977-11)
- orchestra:
- Academy of St Martin in the Fields (in 1977-11)
- conductor:
- Sir Neville Marriner (in 1977-11)
- recorded at:
- St John’s, Smith Square in London , England, United Kingdom (in 1977-11)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (in 1977-11)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 6:32 |
| 15 | Mass in B minor, BWV 232: V. (b) Agnus Dei: Dona nobis pacem- engineer and producer:
- Vittorio Negri
- choir vocals:
- Academy of St Martin in the Fields Chorus (in 1977-11)
- orchestra:
- Academy of St Martin in the Fields (in 1977-11)
- conductor:
- Sir Neville Marriner (in 1977-11)
- chorus master:
- László Heltay (in 1977-11)
- recorded at:
- St John’s, Smith Square in London , England, United Kingdom (in 1977-11)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (in 1977-11)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Dona nobis pacem
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 3:08 |
Play on ListenBrainz