| # | Title | Artist | Rating | Length |
|---|
| 1 | What a Fool Believes | The Doobie Brothers | 4 | 3:40 |
| 2 | Ride Like the Wind- assistant engineer:
- Stuart Gitlin
- engineer and mixer:
- Chet Himes
- producer:
- Michael Omartian
- acoustic guitar, electric guitar, solo guitar and lead vocals:
- Christopher Cross
- bass guitar:
- Andy Salmon
- drums (drum set):
- Tommy Taylor
- electric piano and piano:
- Michael Omartian
- percussion:
- Lenny Castro
- synthesizer:
- Rob Meurer
- background vocals:
- Christopher Cross and Michael McDonald
- arranger:
- Christopher Cross , Rob Meurer and Michael Omartian
- phonographic copyright (℗) by:
- Warner Bros. (in 1979) and Warner Bros. Records Inc. (in 1979)
- produced for:
- Free Flow Productions
- recorded at:
- Pecan Street Studios in Austin, Texas, United States and Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- mixed at:
- Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- recording of:
- Ride Like the Wind
- lyricist and composer:
- Christopher Cross
- publisher:
- BMG Songs, Inc., Pop ’n’ Roll Music and Universal Music–MGB Songs
- sub-publisher:
- Shinko Music Entertainment Co., Ltd. and Universal Music Publishing, Synch Division
| Christopher Cross | 4.1 | 4:36 |
| 3 | I Keep Forgettin’ (Every Time You’re Near) | Michael McDonald | 4.2 | 3:42 |
| 4 | Waiting for a Girl Like You- assistant engineer:
- Edwin Hobgood and Michael Sauvage
- engineer:
- Tony Platt , Brad Samuelsohn and Dave Wittman
- producer:
- Mick Jones and Robert John “Mutt” Lange
- bass guitar:
- Rick Wills
- drums (drum set):
- Dennis Elliott
- electric guitar [lead guitar]:
- Mick Jones
- keyboard:
- Mick Jones and Bob Mayo
- synthesizer:
- Thomas Dolby
- background vocals:
- Dennis Elliott, Mick Jones , Robert John “Mutt” Lange , Ian Lloyd , Mark Rivera and Rick Wills
- lead vocals:
- Lou Gramm
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1981, in 2002), WEA International Inc. (in 1981) and Rhino Entertainment Company (in 2009)
- recorded at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- recording of:
- Waiting for a Girl Like You
- writer:
- Lou Gramm and Mick Jones
- publisher:
- Universal Music Publishing Pty Ltd. , フジパシフィック音楽出版 (until 2014-12-31), Evansongs Ltd. (in 1981), Somerset Songs Publishing Inc. (in 1981) and フジパシフィックミュージック (from 2015-01-01 to present)
| Foreigner | 3.35 | 4:52 |
| 5 | The Best | Tina Turner | 4 | 5:30 |
| 6 | Nothing’s Gonna Stop Us Now- performer:
- Starship (in 1987)
- phonographic copyright (℗) by:
- BMG Music (in 1985, in 1987), BMG Entertainment (in 1987) and Sony Music Entertainment (in 1987)
- recording of:
- Nothing’s Gonna Stop Us Now (in 1987)
- writer:
- Albert Hammond and Diane Warren
- arranger:
- Narada Michael Walden
- publisher:
- BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control , EMI Music Publishing Ltd. , Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. , WB Music Corp. and Windswept Pacific Music Ltd.
- part of:
- The 60th Academy Award for Best Original Song (number: 2)
| Starship | 4 | 4:30 |
| 7 | Glory of Love- engineer and mixer:
- Terry Christian and John Guess
- producer:
- Michael Omartian
- guest background vocals:
- Kenny Cetera
- lead vocals:
- Peter Cetera
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1986) and Warner Music International (in 1986)
- recorded at and mixed at:
- Lion Share Studios in Los Angeles, California, United States
- recording of:
- Glory of Love
- writer:
- Peter Cetera, David Foster and Diane Nini
- publisher:
- EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Rondor Music Publishing, Universal Music–MGB Songs, Warner Chappell Music Ltd. , シンコーミュージック・エンタテイメント , ピアーミュージック , ユニバーサル・ミュージック・パブリッシング Synch事業部 , コンソーシアム音楽出版 C・F事業部 (until 2021-06-30), Air Bear Music (in 1986), Fall Line Orange Music (in 1986), Warner–Tamerlane Publishing Corp. (in 1986), ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present) and ソニー・ミュージックパブリッシング CMP外国事業部 (from 2021-07-01 to present)
- part of:
- The 59th Academy Award for Best Original Song (number: 2)
| Peter Cetera | 4.2 | 4:18 |
| 8 | I.G.Y. | Donald Fagen | | 6:03 |
| 9 | She’s Gone | Daryl Hall & John Oates | 3.65 | 5:15 |
| 10 | Have I Told You Lately | Rod Stewart | | 4:02 |
| 11 | Walking in Memphis | Marc Cohn | 4 | 4:13 |
| 12 | You Might Need Somebody | Turley Richards | | 3:37 |
| 13 | Just When I Needed You Most | Randy VanWarmer | | 4:02 |
| 14 | Lotta Love | Nicolette Larson | 5 | 3:06 |
| 15 | First Time | Michael Sembello | | 3:03 |
| 16 | Dance With Me | Orleans | | 3:21 |
| 17 | Lonely Boy | Andrew Gold | 4 | 4:25 |
| 18 | Marina Del Rey | Marc Jordan | | 3:12 |
| 19 | Baby What a Big Surprise- assistant recording engineer and recording engineer:
- Armin Steiner (strings)
- assistant engineer:
- Tom Likes
- engineer:
- Wayne Tarnowski
- producer:
- James William Guercio
- acoustic guitar and bass:
- James William Guercio (in 1977)
- additional background vocals:
- Tim Cetera (in 1977) and Carl Wilson (in 1977)
- orchestrator:
- Peter Cetera, Dominic Frontiere and James William Guercio
- phonographic copyright (℗) by:
- CBS, Inc. (in 1977, in 1978), Chicago Records Inc. (in 1977) and Rhino Entertainment Company (in 2002, in 2007)
- recorded at:
- Caribou Ranch Recording Studio in Nederland, Colorado, United States and Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (strings)
- mixed at:
- Caribou Ranch Recording Studio in Nederland, Colorado, United States
- recording of:
- Baby, What a Big Surprise (in 1977)
- orchestrator:
- Dominic Frontiere
- lyricist and composer:
- Peter Cetera (in 1977)
- publisher:
- BMG Music Publishing Ltd., BMG Songs, Inc., Island Music Ltd. and Universal Music Publishing MGB Ltd.
| Chicago | 3 | 3:06 |
| 20 | Drive- recording engineer:
- Nigel Green
- producer:
- The Cars and Robert John “Mutt” Lange
- mixer:
- Mike Shipley
- bass:
- Benjamin Orr
- drums (drum set):
- David Robinson
- guitar:
- Elliot Easton and Ric Ocasek
- keyboard:
- Greg Hawkes
- vocals:
- Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr
- phonographic copyright (℗) by:
- Elektra/Asylum Records (in 1984) and WEA International Inc. (in 1984)
- recorded at:
- Battery Studios in London , England, United Kingdom
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- music videos:
- Drive by The Cars
- recording of:
- Drive
- publisher:
- Ric Ocasek (in 1983)
- lyricist and composer:
- Ric Ocasek
- publisher:
- Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. , Universal‐MCA Music Publishing and Warner/Chappell Music Ltd.
| The Cars | 4 | 3:54 |
| 21 | Gotta Get Back to Love | Bill Champlin | | 3:31 |
| 22 | Why I Came to California | Leon Ware | | 4:09 |
| 23 | Long Hot Summer Nights | Wendy Waldman | | 4:13 |
| 24 | Summer Breeze | Seals & Crofts | 4.35 | 3:26 |
| 25 | Ventura Highway | America | 4 | 3:32 |
| 26 | Dismal Day | Bread | | 2:16 |
| 27 | I’d Love You to Want Me | Lobo | 2.5 | 4:04 |
| 28 | Hello It’s Me | Todd Rundgren | 5 | 3:52 |
| 29 | Dream Weaver | Gary Wright | 4 | 4:16 |
| 30 | Two Eyes | Brenda Russell | | 3:18 |
| 31 | Goodbye Girl | David Gates | | 2:49 |
| 32 | Believe It or Not (from “Greatest American Hero”) | Joey Scarbury | 4 | 3:15 |
| 33 | The Best of Me- recorded in:
- Los Angeles, California, United States (from 1985 until 1986)
- engineer and mixer:
- Humberto Gatica
- producer:
- David Foster and Humberto Gatica
- guitar:
- Michael Landau (from 1985 until 1986)
- keyboard:
- David Foster (from 1985 until 1986)
- vocals:
- Olivia Newton‐John (from 1985 until 1986)
- performer:
- David Foster
- arranger:
- David Foster
- phonographic copyright (℗) by:
- Atlantic Recording Corporation
- recorded at:
- The Lighthouse in North Hollywood, Los Angeles, California, United States (from 1985 until 1986)
- recording of:
- The Best of Me (from 1985 until 1986)
- lyricist:
- Richard Marx
- composer:
- David Foster , Jeremy Lubbock and Richard Marx
- publisher:
- AF Encore Fund LLC, BMG Monarch, Bravo and Encore Music, Foster Frees Music Inc., Hollysongs, Peermusic III, Ltd. , Sony Music Publishing (Japan) Inc. , Warner/Chappell Music, Inc., ピアーミュージック and フジパシフィックミュージック BMG事業部
| David Foster & Olivia Newton‐John | | 4:06 |
| 34 | It’s Only Love | Stephen Bishop | | 2:54 |