You Must Believe in Spring

~ Release by Bill Evans (see all versions of this release, 13 available)

Tracklist

1▼CD
#TitleRatingLength
1B Minor Waltz (For Ellaine)
recording engineer:
Al Schmitt (from 1977-08-23 until 1977-08-25)
producer:
Helen Keane and Tommy LiPuma
mixer:
Al Schmitt
bass and double bass:
Eddie Gomez (jazz double bassist) (from 1977-08-23 until 1977-08-25)
drums (drum set):
Eliot Zigmund (from 1977-08-23 until 1977-08-25)
piano:
Bill Evans (pianist) (from 1977-08-23 until 1977-08-25)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1977-08-23 until 1977-08-25)
recording of:
B minor Waltz (For Ellaine) (from 1977-08-23 until 1977-08-25)
composer:
Bill Evans (pianist)
publisher:
Teneten Music, Inc.
3:18
2You Must Believe in Spring
recording engineer:
Al Schmitt (from 1977-08-23 until 1977-08-25)
producer:
Helen Keane and Tommy LiPuma
mixer:
Al Schmitt
additional editor:
Frank Laico
bass and double bass:
Eddie Gomez (jazz double bassist) (from 1977-08-23 until 1977-08-25)
drums (drum set):
Eliot Zigmund (from 1977-08-23 until 1977-08-25)
piano:
Bill Evans (pianist) (from 1977-08-23 until 1977-08-25)
additional remixer:
Frank Laico
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1977-08-23 until 1977-08-25)
instrumental recording of:
You Must Believe in Spring (from 1977-08-23 until 1977-08-25)
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Michel Legrand
publisher:
N.S. Beaujolais Music Inc. (ended) and EMI U Catalog Inc. (publisher; do NOT use as release label)
translated version of:
Chanson de Maxence
35:46
3Gary's Theme
recording engineer:
Al Schmitt (from 1977-08-23 until 1977-08-25)
producer:
Helen Keane and Tommy LiPuma
mixer:
Al Schmitt
bass and double bass:
Eddie Gomez (jazz double bassist) (from 1977-08-23 until 1977-08-25)
drums (drum set):
Eliot Zigmund (from 1977-08-23 until 1977-08-25)
piano:
Bill Evans (pianist) (from 1977-08-23 until 1977-08-25)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1977-08-23 until 1977-08-25)
recording of:
Gary’s Theme (from 1977-08-23 until 1977-08-25)
composer:
Gary McFarland
publisher:
Parkland Music and Parklands Music Company
4:23
4We Will Meet Again (For Harry)
recording engineer:
Al Schmitt (from 1977-08-23 until 1977-08-25)
producer:
Helen Keane and Tommy LiPuma
mixer:
Al Schmitt
bass and double bass:
Eddie Gomez (jazz double bassist) (from 1977-08-23 until 1977-08-25)
drums (drum set):
Eliot Zigmund (from 1977-08-23 until 1977-08-25)
piano:
Bill Evans (pianist) (from 1977-08-23 until 1977-08-25)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1977-08-23 until 1977-08-25)
recording of:
We Will Meet Again (from 1977-08-23 until 1977-08-25)
composer:
Bill Evans (pianist)
publisher:
Teneten Music, Inc. and TRO-Ludlow Music, Inc.
4:05
5The Peacocks
recording engineer:
Al Schmitt (from 1977-08-23 until 1977-08-25)
producer:
Helen Keane and Tommy LiPuma
mixer:
Al Schmitt
bass and double bass:
Eddie Gomez (jazz double bassist) (from 1977-08-23 until 1977-08-25)
drums (drum set):
Eliot Zigmund (from 1977-08-23 until 1977-08-25)
piano:
Bill Evans (pianist) (from 1977-08-23 until 1977-08-25)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1977-08-23 until 1977-08-25)
recording of:
The Peacocks (from 1977-08-23 until 1977-08-25)
composer:
Jimmy Rowles
publisher:
Kudu Music Co.
6:04
6Sometime Ago
recording engineer:
Al Schmitt (from 1977-08-23 until 1977-08-25)
producer:
Helen Keane and Tommy LiPuma
mixer:
Al Schmitt
bass and double bass:
Eddie Gomez (jazz double bassist) (from 1977-08-23 until 1977-08-25)
drums (drum set):
Eliot Zigmund (from 1977-08-23 until 1977-08-25)
piano:
Bill Evans (pianist) (from 1977-08-23 until 1977-08-25)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1977-08-23 until 1977-08-25)
recording of:
Sometime Ago (from 1977-08-23 until 1977-08-25)
composer:
Sergio Mihanovich
publisher:
Kayak Music Inc.
4:40
7Theme from M*A*S*H (aka Suicide is Painless)
recording engineer:
Al Schmitt (from 1977-08-23 until 1977-08-25)
producer:
Helen Keane and Tommy LiPuma
mixer:
Al Schmitt
bass and double bass:
Eddie Gomez (jazz double bassist) (from 1977-08-23 until 1977-08-25)
drums (drum set):
Eliot Zigmund (from 1977-08-23 until 1977-08-25)
piano:
Bill Evans (pianist) (from 1977-08-23 until 1977-08-25)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1977-08-23 until 1977-08-25)
instrumental cover recording of:
Suicide Is Painless (from 1977-08-23 until 1977-08-25)
lyricist:
Mike Altman
composer:
Johnny Mandel (American composer and arranger)
publisher:
Chappell Music Ltd., Twentieth Century Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
6:03
8Without a Song
recording engineer:
Al Schmitt (from 1977-08-23 until 1977-08-25)
producer:
Helen Keane
mixer:
David Donnelly and Jeff Magid
double bass:
Eddie Gomez (jazz double bassist) (from 1977-08-23 until 1977-08-25)
drums (drum set):
Eliot Zigmund (from 1977-08-23 until 1977-08-25)
electric piano and piano:
Bill Evans (pianist) (from 1977-08-23 until 1977-08-25)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1977-08-23 until 1977-08-25)
instrumental recording of:
Without a Song (from 1977-08-23 until 1977-08-25)
lyricist:
Edward Eliscu and Billy Rose (lyricist and Broadway producer)
composer:
Vincent Youmans
publisher:
Anne-Rachel Music Corp., CBS Miller Catalog, Inc., Chappell & Co., EMI Miller Catalog, Inc., Johnny Mathis Music, Inc., LSQ Music Co., Miller Music Corp., The Songwriters Guild and WB Music Corp. (1929–2019)
part of:
Great Day!
8:10
9Freddie Freeloader
recording engineer:
Al Schmitt (from 1977-08-23 until 1977-08-25)
producer:
Helen Keane
mixer:
David Donnelly and Jeff Magid
double bass:
Eddie Gomez (jazz double bassist) (from 1977-08-23 until 1977-08-25)
drums (drum set):
Eliot Zigmund (from 1977-08-23 until 1977-08-25)
electric piano and piano:
Bill Evans (pianist) (from 1977-08-23 until 1977-08-25)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1977-08-23 until 1977-08-25)
recording of:
Freddie Freeloader (original Miles Davis instrumental version) (from 1977-08-23 until 1977-08-25)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music Corporation
part of:
The Real Book (compilation of jazz standards, Volume I)
7:38
10All of You
recording engineer:
Al Schmitt (from 1977-08-23 until 1977-08-25)
producer:
Helen Keane
mixer:
David Donnelly and Jeff Magid
double bass:
Eddie Gomez (jazz double bassist) (from 1977-08-23 until 1977-08-25)
drums (drum set):
Eliot Zigmund (from 1977-08-23 until 1977-08-25)
piano:
Bill Evans (pianist) (from 1977-08-23 until 1977-08-25)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1977-08-23 until 1977-08-25)
instrumental recording of:
All of You (Silk Stockings musical) (from 1977-08-23 until 1977-08-25)
lyricist and composer:
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Chappell Music (UK)
part of:
Silk Stockings (1957 musical film)
8:10

Credits

Release

manufactured in:Germany
manufactured by:Warner Music Manufacturing Europe (manufacturing company; not for release label use!)
Warner Strategic Marketing
phonographic copyright (℗) by:WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981, in 2003)
marketed by:Warner Strategic Marketing
remaster of:You Must Believe in Spring
Discogs:https://www.discogs.com/release/3052717 [info]
https://www.discogs.com/release/28722073 [info]
ASIN:US: B0000C24KC [info]