Bach 333: Sacred Cantatas IV

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

1▼CD: Cantatas 168, 137, 164, 79, 110 (1725)
#TitleRatingLength
1"Tue Rechnung! Donnerwort", BWV 168: 1. Aria: "Tue Rechnung! Donnerwort:"
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals:
Peter Harvey (bass-baritone) (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": I. Aria (Bass) "Tue Rechnung, Donnerwort" (on 2000-08-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
3:11
2"Tue Rechnung! Donnerwort", BWV 168: 2. Recitative: "Es ist nur fremdes Gut"
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
tenor vocals:
James Gilchrist (British tenor) (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": II. Recitativo (Tenor) "Es ist nur fremdes Gut" (on 2000-08-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
1:38
3"Tue Rechnung! Donnerwort", BWV 168: 3. Aria: "Kapital und Interessen"
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
tenor vocals:
James Gilchrist (British tenor) (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": III. Aria (Tenor) "Kapital und Interessen" (on 2000-08-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
3:04
4"Tue Rechnung! Donnerwort", BWV 168: 4. Recitative: "Jedoch, erschocknes Herz, leb und verzage nicht!"
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals:
Peter Harvey (bass-baritone) (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": IV. Recitativo (Bass) "Jedoch, erschrocknes Herz" (on 2000-08-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
1:54
5"Tue Rechnung! Donnerwort", BWV 168: 5. Aria: "Herz, zerreiß des Mammons Kette"
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
countertenor vocals [alto]:
Daniel Taylor (Canadian countertenor) (on 2000-08-19)
soprano vocals:
Katherine Fuge (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": V. Aria (Sopran, Alt) "Herz, zerreiß des Mammons Kette" (on 2000-08-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
2:09
6"Tue Rechnung! Donnerwort", BWV 168: 6. Chorale: "Stärk mich mit Deinem Freudengeist"
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": VI. Choral "Stärk mich mit deinem Freudengeist" (on 2000-08-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Bartholomäus Ringwaldt (in 1588)
part of:
Breitkopf 389 Choralgesänge (number: 143)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
1:11
7"Lobe den Herren, den mächtigen König der Ehren", BWV 137: 1. Chorus Versus 1: "Lobe den Herren, den mächtigen König der Ehren"
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-09-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-09-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-09-10)
recorded at:
Jakobskirche in Köthen, Sachsen-Anhalt (Saxony-Anhalt), Germany (on 2000-09-10)
live recording of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren": I. Coro "Lobe den Herren, den mächtigen König der Ehren" (on 2000-09-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Joachim Neander (in 1680)
part of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren"
3:12
8"Lobe den Herren, den mächtigen König der Ehren", BWV 137: 2. Aria Versus 2: "Lobe den Herren, der alles so herrlich regieret"
alto vocals:
Robin Tyson (on 2000-09-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-09-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-09-10)
recorded at:
Jakobskirche in Köthen, Sachsen-Anhalt (Saxony-Anhalt), Germany (on 2000-09-10)
live recording of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren": II. Aria (Alt) "Lobe den Herren, den mächtigen König der Ehren" (on 2000-09-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Joachim Neander (in 1680)
part of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren"
3:05
9"Lobe den Herren, den mächtigen König der Ehren", BWV 137: 3. Aria Versus 3: "Lobe den Herren, der künstlich und fein dich bereitet"
bass vocals:
Peter Harvey (bass-baritone) (on 2000-09-10)
soprano vocals:
Katherine Fuge (on 2000-09-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-09-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-09-10)
recorded at:
Jakobskirche in Köthen, Sachsen-Anhalt (Saxony-Anhalt), Germany (on 2000-09-10)
live recording of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren": III. Aria (Sopran, Bass) "Lobe den Herren, den mächtigen König der Ehren" (on 2000-09-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Joachim Neander (in 1680)
part of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren"
2:53
10"Lobe den Herren, den mächtigen König der Ehren", BWV 137: 4. Aria Versus 4: "Lobe den Herren, der deinen Stand sichtbar gesegnet"
tenor vocals:
Christoph Genz (tenor) (on 2000-09-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-09-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-09-10)
recorded at:
Jakobskirche in Köthen, Sachsen-Anhalt (Saxony-Anhalt), Germany (on 2000-09-10)
live recording of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren": IV. Aria (Tenor) "Lobe den Herren, den mächtigen König der Ehren" (on 2000-09-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Joachim Neander (in 1680)
part of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren"
2:34
11"Lobe den Herren, den mächtigen König der Ehren", BWV 137: 5. Chorale Versus 5: "Lobe den Herren, was in mir ist, lobe den Namen!"
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-09-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-09-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-09-10)
recorded at:
Jakobskirche in Köthen, Sachsen-Anhalt (Saxony-Anhalt), Germany (on 2000-09-10)
live recording of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren": V. Choral "Lobe den Herren, den mächtigen König der Ehren" (on 2000-09-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Joachim Neander (in 1680)
part of:
Breitkopf 389 Choralgesänge (number: 230)
part of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren"
0:40
12"Ihr, die ihr euch von Christo nennet", BWV 164: 1. [Aria:] "Ihr, die ihr euch von Christo nennet"
sound engineer:
Matthias Spitzbarth (in 2007-06)
producer:
Hans Kipfer
tenor vocals:
Makoto Sakurada (in 2007-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-06)
performer:
Bach Collegium Japan (in 2007-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2007-06)
recording of:
Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet": I. Aria (Tenor) "Ihr, die ihr euch von Christo nennet" (in 2007-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet"
4:15
13"Ihr, die ihr euch von Christo nennet", BWV 164: 2. Recitative: "Wir hören zwar, was selbst die Liebe spricht"
sound engineer:
Matthias Spitzbarth (in 2007-06)
producer:
Hans Kipfer
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 2007-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-06)
performer:
Bach Collegium Japan (in 2007-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2007-06)
recording of:
Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet": II. Recitativo (Bass) "Wir hören zwar, was selbst die Liebe spricht" (in 2007-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet"
1:47
14"Ihr, die ihr euch von Christo nennet", BWV 164: 3. Aria: "Nur durch Lieb und durch Erbarmen"
sound engineer:
Matthias Spitzbarth (in 2007-06)
producer:
Hans Kipfer
countertenor vocals:
Robin Blaze (countertenor) (in 2007-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-06)
performer:
Bach Collegium Japan (in 2007-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2007-06)
recording of:
Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet": III. Aria (Alt) "Nur durch Lieb und durch Erbarmen" (in 2007-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet"
4:19
15"Ihr, die ihr euch von Christo nennet", BWV 164: 4. Recitative: "Ach, schmelze doch durch deinen Liebesstrahl"
sound engineer:
Matthias Spitzbarth (in 2007-06)
producer:
Hans Kipfer
tenor vocals:
Makoto Sakurada (in 2007-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-06)
performer:
Bach Collegium Japan (in 2007-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2007-06)
recording of:
Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet": IV. Recitativo (Tenor) "Ach, schmelze doch dein Liebesstrahl" (in 2007-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet"
1:29
16"Ihr, die ihr euch von Christo nennet", BWV 164: 5. Aria: "Händen, die sich nicht verschließen"
sound engineer:
Matthias Spitzbarth (in 2007-06)
producer:
Hans Kipfer
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 2007-06)
soprano vocals:
Yukari Nonoshita (in 2007-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-06)
performer:
Bach Collegium Japan (in 2007-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2007-06)
recording of:
Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet": V. Aria (Duetto Sopran, Bass) "Händen, die sich nicht verschließen" (in 2007-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet"
3:47
17"Ihr, die ihr euch von Christo nennet", BWV 164: 6. Chorale: "Ertöt uns durch dein Güte"
sound engineer:
Matthias Spitzbarth (in 2007-06)
producer:
Hans Kipfer
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-06)
performer:
Bach Collegium Japan (in 2007-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2007-06)
recording of:
Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet": VI. Choral "Ertöt uns durch deine Güte" (in 2007-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Elisabeth Creuziger (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 127)
part of:
Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet"
0:58
18"Gott der Herr ist Sonn und Schild", BWV 79: 1. [Chorus:] "Gott der Herr ist Sonn und Schild"
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-10-31)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-10-31)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-10-31)
recorded at:
Schlosskirche in Wittenberg, Sachsen-Anhalt (Saxony-Anhalt), Germany (on 2000-10-31)
live recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": I. Coro "Gott der Herr ist Sonn und Schild" (on 2000-10-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
4:54
19"Gott der Herr ist Sonn und Schild", BWV 79: 2. Aria: "Gott ist unser Sonn und Schild!"
alto vocals:
William Towers (Countertenor) (on 2000-10-31)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-10-31)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-10-31)
recorded at:
Schlosskirche in Wittenberg, Sachsen-Anhalt (Saxony-Anhalt), Germany (on 2000-10-31)
live recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": II. Aria (Alt) "Gott ist unser Sonn und Schild!" (on 2000-10-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
3:18
20"Gott der Herr ist Sonn und Schild", BWV 79: 3. Chorale: "Nun danket alle Gott"
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-10-31)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-10-31)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-10-31)
recorded at:
Schlosskirche in Wittenberg, Sachsen-Anhalt (Saxony-Anhalt), Germany (on 2000-10-31)
live recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": III. Choral "Nun danket alle gott'" (on 2000-10-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Martin Rinckart (German poet) (in 1636)
part of:
Breitkopf 389 Choralgesänge (number: 259)
is based on:
Nun danket alle Gott (Lutheran choral)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
2:03
21"Gott der Herr ist Sonn und Schild", BWV 79: 4. Recitative: "Gottlob, wir wissen"
bass vocals:
Peter Harvey (bass-baritone) (on 2000-10-31)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-10-31)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-10-31)
recorded at:
Schlosskirche in Wittenberg, Sachsen-Anhalt (Saxony-Anhalt), Germany (on 2000-10-31)
live recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": IV. Recitativo (Bass) "Gottlob, wir wissen den rechten Weg" (on 2000-10-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
0:56
22"Gott der Herr ist Sonn und Schild", BWV 79: 5. Aria: "Gott, ach Gott, verlass die Deinen nimmermehr!"
bass vocals:
Peter Harvey (bass-baritone) (on 2000-10-31)
soprano vocals:
Joanne Lunn (British soprano vocalist) (on 2000-10-31)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-10-31)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-10-31)
recorded at:
Schlosskirche in Wittenberg, Sachsen-Anhalt (Saxony-Anhalt), Germany (on 2000-10-31)
live recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": V. Aria (Duetto Sopran, Bass) "Gott, ach Gott, verlaß die Deinen" (on 2000-10-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
2:57
23"Gott der Herr ist Sonn und Schild", BWV 79: 6. Chorale: "Erhalt uns in der Wahrheit"
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-10-31)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-10-31)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-10-31)
recorded at:
Schlosskirche in Wittenberg, Sachsen-Anhalt (Saxony-Anhalt), Germany (on 2000-10-31)
live recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": VI. Choral "Erhalt uns in der Wahrheit" (on 2000-10-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Ludwig Helmbold (in 1575)
part of:
Breitkopf 389 Choralgesänge (number: 267)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
0:54
24"Unser Mund sei voll Lachens", BWV 110: 1. [Chorus:] "Unser Mund sei voll Lachens"
producer:
Isabella de Sabata
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-12-25)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-12-25)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-12-25)
recorded at:
St. Bartholomew’s Church (Manhattan) in New York, New York, United States (on 2000-12-25)
live recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": I. Coro "Unser Mund sei voll Lachens" (on 2000-12-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
is based on:
Orchestersuite Nr. 4 D-Dur, BWV 1069: I. Ouverture
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
6:22
25"Unser Mund sei voll Lachens", BWV 110: 2. Aria: "Ihr Gedanken und ihr Sinnen"
producer:
Isabella de Sabata
tenor vocals:
James Gilchrist (British tenor) (on 2000-12-25)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-12-25)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-12-25)
recorded at:
St. Bartholomew’s Church (Manhattan) in New York, New York, United States (on 2000-12-25)
live recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": II. Aria (Tenor) "Ihr Gedanken und ihr Sinnen" (on 2000-12-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
3:34
26"Unser Mund sei voll Lachens", BWV 110: 3. [Recitative:] "Dir, Herr, ist niemand gleich"
producer:
Isabella de Sabata
bass vocals:
Peter Harvey (bass-baritone) (on 2000-12-25)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-12-25)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-12-25)
recorded at:
St. Bartholomew’s Church (Manhattan) in New York, New York, United States (on 2000-12-25)
live recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": III. Recitativo (Bass) "Dir, Herr, ist niemand gleich" (on 2000-12-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
0:32
27"Unser Mund sei voll Lachens", BWV 110: 4. Aria: "Ach Herr, was ist ein Menschenkind"
producer:
Isabella de Sabata
alto vocals:
William Towers (Countertenor) (on 2000-12-25)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-12-25)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-12-25)
recorded at:
St. Bartholomew’s Church (Manhattan) in New York, New York, United States (on 2000-12-25)
live recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": IV. Aria (Tenor) "Ach Herr, was ist ein Menschenkind" (on 2000-12-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
3:55
28"Unser Mund sei voll Lachens", BWV 110: 5. Duet: "Ehre sei Gott in der Höhe"
producer:
Isabella de Sabata
soprano vocals:
Joanne Lunn (British soprano vocalist) (on 2000-12-25)
tenor vocals:
James Gilchrist (British tenor) (on 2000-12-25)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-12-25)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-12-25)
recorded at:
St. Bartholomew’s Church (Manhattan) in New York, New York, United States (on 2000-12-25)
live recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": V. Duetto (Sopran, Tenor) "Ehre sei Gott in der Höhe" (on 2000-12-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
is based on:
Magnificat Es-Dur, BWV 243a: IXb. Aria (Sopran, Bass) "Virga Jesse floruit"
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
3:27
29"Unser Mund sei voll Lachens", BWV 110: 6. Aria: "Wacht auf, ihr Adern und ihr Glieder"
producer:
Isabella de Sabata
bass vocals:
Peter Harvey (bass-baritone) (on 2000-12-25)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-12-25)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-12-25)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-12-25)
recorded at:
St. Bartholomew’s Church (Manhattan) in New York, New York, United States (on 2000-12-25)
live recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": VI. Aria (Bass) "Wacht auf, ihr Adern und ihr Glieder" (on 2000-12-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
3:45
30"Unser Mund sei voll Lachens", BWV 110: 7. Chorale: "Halleluja! Gelobt sei Gott"
producer:
Isabella de Sabata
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-12-25)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-12-25)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-12-25)
recorded at:
St. Bartholomew’s Church (Manhattan) in New York, New York, United States (on 2000-12-25)
live recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": VII. Choral "Alleluja! Gelobt sei Gott" (on 2000-12-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Kaspar Füger (16th century hymnwriter) (in 1592)
part of:
Breitkopf 389 Choralgesänge (number: 380)
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
0:48
2▶CD: Cantatas 57, 151, 28, 16 (1725-1726)
3▶CD: Cantatas 32, 13, 72, 43 (1726)
4▶CD: Cantatas 146, 129, 39 (1726)
5▶CD: Cantatas 88, 170, 187, 45 (1726)
6▶CD: Cantatas 102, 35, 17, 19 (1726)
7▶CD: Cantatas 27, 47, 169, 56 (1726)
8▶CD: Cantatas 49, 98, 55, 52, 58 (1726-1727)
9▶CD: Cantatas 82, 157, 84 (1727)
10▶CD: Cantatas 34, 193, 117, 188 (1727-1728)
11▶CD: Cantatas 171, 156, 159, 120a (1729)
12▶CD: Cantatas 174, 149, 51, 192, 112 (1729-1731)
13▶CD: Cantatas 29, 140, 36 (1731)
14▶CD: Cantatas 177, 9, 97, 14 (1732-1735)
15▶CD: Cantatas 100, 195, 197, 197a (c. 1728-1736)
16▶CD: Cantatas 30, 80b, 80, 120 (c. 1737-c. 1742)
17▶CD: Cantatas 191, 69 (1745-1748) / 4 Spurious Cantatas

Credits

Release group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]