1960's Classic Hits

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1Good Vibrations
tecnico di registrazione:
Bruce Botnick (dal 1966-02 al 1966-06), Chuck Britz (dal 1966-02 al 1966-06) e Larry Levine (dal 1966-02 al 1966-06)
tecnico:
Chuck Britz e Jim Lockert (Enginear)
produttore:
The Beach Boys (American rock band) e Brian Wilson (Beach Boys co‐founder)
tecnico di missaggio:
Derry FitzGerald
voce:
Mike Love (Beach Boys) (dal 1966-02 al 1966-06)
voce principale:
Mike Love (Beach Boys) (dal 1966-02 al 1966-06) e Carl Wilson (Beach Boys) (dal 1966-02 al 1966-06)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1966)
registrata presso:
Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06), Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06) e Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 53)
registrazione di:
Good Vibrations (Love/Wilson lyrics, common version) (dal 1966-02 al 1966-06)
paroliere:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) e Universal Music Publishing (use ONLY if no country‐specific information is available)
versione di:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.23:38
2The Letter
produttore:
Dan Penn (songwriter, soul singer)
diritti fonografici (℗) detenuti da:
Arista Records (not an imprint, use “Arista” for release labels) (nel 1967), Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1967), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1967) e Atoll Music (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 357) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 364)
registrazione di:
The Letter (nel 1967)
paroliere e compositore:
Wayne Carson Thompson
editore:
Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Lovolar Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e Warner Chappell Music (publisher as Warner/Chappell Music)
The Box Tops4.31:54
3Summer in the City
registrazione di:
Summer in the City
autore:
Steve Boone, John Sebastian e Mark Sebastian
editore:
Alley Music Corp., Beechwood Music Corp., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Gallo Music Publishing, Mark Sebastian Music, Robbins Music Corp., Robbins Music Corp. Ltd., Trio Music (publisher) e Trio Music Co., Inc.
The Lovin’ Spoonful2:40
4Spooky
produttore:
Buddy Buie
registrazione di:
Spooky
paroliere:
Buddy Buie e J. R. Cobb
compositore:
Harry Middlebrooks e Mike Shapiro (saxophonist, composer of Spooky)
editore:
Bike Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Songs LLC
si basa su:
Spooky (instrumental)
Classics IV52:53
5Happy Together
diritti fonografici (℗) detenuti da:
White Whale (late 60s/early 70s California) (nel 1967)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 257)
registrazione di:
Happy Together (nel 1967)
autore:
Garry Bonner e Alan Gordon (American songwriter who co-wrote The Turtles' hit "Happy Together")
editore:
Alley Music Corp., EMI Music Publishing (do not use as a release label!), The Hudson Bay Music Co. (publisher) e Trio Music Co., Inc.
parte di:
Freaky Friday (2003)
The Turtles4.452:55
6Walk Away Renee
tecnico:
Steve Jerome (US songwriter & producer, member of Hot Butter)
produttore:
Bill Jerome, Steve Jerome (US songwriter & producer, member of Hot Butter) e Harry Lookofsky
archi :
Harry Lookofsky (nel 1966)
basso :
John Abbott (member of Hot Butter) (nel 1966)
batteria :
Al Rogers (drummer) (nel 1966)
chitarra :
George "Fluffer" Hirsh (nel 1966)
clavicembalo :
Michael Brown (American singer-songwriter) (nel 1966)
flauto [flute solo played in the middle by] solista :
Jackie Kelso
voce di accompagnamento [harmony vocal]:
George Cameron (nel 1966) e Tom Finn (nel 1966)
voce principale:
Steve Martin-Caro (US singer, member of Left Banke) (nel 1966)
arrangiatore:
John Abbott (member of Hot Butter)
registrata presso:
World United Studios in Manhattan, New York, New York, Stati Uniti (nel 1966)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 220)
registrazione di:
Walk Away Renée (nel 1966)
autore:
Michael Brown (American singer-songwriter), Bob Calilli e Tony Sansone
editore:
Alley Music Corp., Trio Music Company, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e Twin Tone (publisher) (nel 1967)
The Left Banke42:44
7Gimme Some Lovin'
produttore:
Chris Blackwell (Island Records) e Jimmy Miller (producer for Rolling Stones/Nirvana etc)
diritti fonografici (℗) detenuti da:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1966)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 244)
registrazione di:
Gimme Some Lovin’
autore:
Spencer Davis, Muff Winwood (bass player, songwriter, producer) e Steve Winwood
editore:
Kobalt Music Publishing Ltd. (UK), Shinko Music Entertainment Co., Ltd., Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Publishing, Synch Division, Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Warner Chappell Music Ltd. (no slash; used 1988–1996), Yamaha Music EH(CM) e Island Music Ltd. (dal 1966 al ????)
The Spencer Davis Group4.152:58
8Tuesday Afternoon
tecnico:
Derek Varnals
produttore:
Tony Clarke (UK producer/guitarist) (incarico: realisation) e Michael Dacre-Barclay (British producer) (incarico: realisation)
produttore esecutivo:
Hugh Mendl
orchestra:
London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople)
direttore d'orchestra:
Peter Knight (British arranger, conductor and composer)
registrata presso:
Decca Studios in West Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
Tuesday Afternoon
paroliere e compositore:
Justin Hayward (of the Moody Blues)
editore:
Essex Music International, Inc., The Richmond Organization e TRO Essex Music International, Inc.
The Moody Blues44:50
9Green Tambourine
diritti fonografici (℗) detenuti da:
Buddha Records (1998–2002, formerly known as Buddah Records) (nel 1967)
registrazione di:
Green Tambourine
autore:
Paul Leka e Shelley Pinz
editore:
BMG Music Publishing Ltd. e Dominion Music Co. Ltd.
The Lemon Pipers3.652:27
10You've Made Me So Very Happy
tecnico:
Fred Catero e Roy Halee
produttore:
James William Guercio
basso :
Jim Fielder (Bassist with Blood, Sweat & Tears)
batteria e percussione :
Bobby Colomby
chitarra e armonica (a bocca) :
Steve Katz (guitarist for Blood, Sweat & Tears)
flauto dolce e trombone :
Jerry Hyman (trombone player)
flauto, organo, pianoforte e trombone :
Dick Halligan
flicorno soprano e tromba :
Lew Soloff e Chuck Winfield
sassofono contralto e pianoforte :
Fred Lipsius
voce:
Bobby Colomby, Dick Halligan e Steve Katz (guitarist for Blood, Sweat & Tears)
voce principale:
David Clayton‐Thomas
arrangiatore:
Blood, Sweat & Tears, Al Kooper e Fred Lipsius
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1969)
registrazione cover di:
You’ve Made Me So Very Happy
autore:
Berry Gordy, Jr., Brenda Holloway Davis, Patrice Yvonne Holloway e Frank Wilson (Motown singer/songwriter)
editore:
Stone Agate Music Division
registrazione di:
You’ve Made Me So Very Happy
autore:
Berry Gordy, Jr., Brenda Holloway Davis, Patrice Yvonne Holloway e Frank Wilson (Motown singer/songwriter)
editore:
Stone Agate Music Division
Blood, Sweat & Tears54:16
11Magic Carpet Ride
produttore:
Gabriel Mekler
registrazione di:
Magic Carpet Ride
autore:
John Kay (lead singer of Steppenwolf) e Rushton Moreve
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI), The Music Pool, Inc., Trousdale Music Publishers, Inc., Universal Duchess Music Corp. e Universal/MCA Music Publishing Pty Ltd
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.454:21
12Abraham, Martin & John
registrazione cover di:
Abraham, Martin and John
paroliere e arrangiatore:
Dick Holler
compositore:
Dick Holler (nel 1968)
editore:
Regent Music (BMI) e TJ Musicservice GmbH
Dion3:20