1917–2017: 100th Anniversary of Jazz

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD: Jazz Originals
#TitleArtistRatingLength
1Don’t Know Why
assistant engineer:
Mark Birkey
engineer:
Jay Newland (producer, engineer and mixer)
additional producer:
Arif Mardin
producer:
Norah Jones and Jay Newland (producer, engineer and mixer)
mixer:
Arif Mardin and Jay Newland (producer, engineer and mixer)
acoustic guitar and electric guitar:
Jesse Harris (in 2000-10)
bass guitar:
Lee Alexander (US bassist, songwriter & producer) (in 2000-10)
drums (drum set):
Dan Rieser (in 2000-10)
piano and lead vocals:
Norah Jones (in 2000-10)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
recorded at:
Allaire Studios in Bearsville, New York, United States (in 2000-10) and Sorcerer Sound in New York, New York, United States (in 2000-10)
mixed at:
Sear Sound in New York, New York, United States
cover recording of:
Don’t Know Why (in 2000-10)
lyricist and composer:
Jesse Harris
publisher:
Beanly Songs, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Songs LLC and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Norah Jones3.453:07
2Misty
Erroll Garner2:50
3Maiden Voyage
recording engineer:
Rudy van Gelder (on 1965-03-17)
producer:
Alfred Lion and Michael Cuscuna (in 1999: task: Reissue produced by)
bass:
Ron Carter (US jazz double-bassist) (on 1965-03-17)
drums (drum set):
Tony Williams (American jazz drummer) (on 1965-03-17)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1965-03-17)
tenor saxophone:
George Coleman (US jazz saxophonist) (on 1965-03-17)
trumpet:
Freddie Hubbard (on 1965-03-17)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1965-03-17)
recording of:
Maiden Voyage (on 1965-03-17)
composer:
Herbert J. Hancock (US jazz pianist, keyboardist, bandleader and composer)
publisher:
Hancock Music Co.
Herbie Hancock7:56
4Waltz for Debby
recording of:
Waltz for Debby (instrumental)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp., Folkways Music Publishers Inc. and Kensington Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
Bill Evans7:00
5St. Thomas
recording engineer:
Rudy van Gelder (on 1956-06-22)
double bass:
Doug Watkins (on 1956-06-22)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-06-22)
piano:
Tommy Flanagan (on 1956-06-22)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-06-22)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-06-22)
recording of:
St. Thomas (on 1956-06-22)
composer:
Sonny Rollins (American saxophonist)
publisher:
Prestige Music Co. (US, affiliated with BMI)
instrumental recording of:
St. Thomas
composer:
Sonny Rollins (American saxophonist)
publisher:
Prestige Music Co. (US, affiliated with BMI)
Sonny Rollins46:48
6Moanin’
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass:
Jymie Merritt (on 1958-10-30)
drums (drum set):
Art Blakey (on 1958-10-30)
piano:
Bobby Timmons (on 1958-10-30)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1958-10-30)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1958-10-30)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-10-30)
recording of:
Moanin’ (on 1958-10-30)
composer:
Bobby Timmons
publisher:
Orphum Music Inc.
Art Blakey & The Jazz Messengers49:35
7Now’s the Time
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1953-07-30)
double bass:
Percy Heath (on 1953-07-30)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1953-07-30)
piano:
Al Haig (on 1953-07-30)
recorded at:
Fulton Street Studio (on 1953-07-30)
recording of:
Now’s the Time (on 1953-07-30)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
publisher:
Atlantic Music Corp. (BMI)
Charlie Parker3:03
8Cleopatra’s Dream
double bass:
Paul Chambers (US jazz bassist) (on 1958-12-28)
drums (drum set):
Art Taylor (on 1958-12-28)
piano:
Bud Powell (on 1958-12-28)
recording of:
Cleopatra’s Dream (on 1958-12-28)
composer:
Bud Powell
Bud Powell4:26
9The Sidewinder
recording engineer:
Rudy van Gelder (on 1963-12-21)
producer:
Alfred Lion
double bass:
Bob Cranshaw (on 1963-12-21)
drums (drum set):
Billy Higgins (US jazz drummer) (on 1963-12-21)
piano:
Barry Harris (Jazz pianist) (on 1963-12-21)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (on 1963-12-21)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1963-12-21)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1963-12-21)
recording of:
The Sidewinder (on 1963-12-21)
composer:
Lee Morgan (jazz trumpeter / composer)
publisher:
Windswept Pacific Music Ltd.
Lee Morgan10:27
10Spain
engineer:
Hugh Jones (UK producer) and Richard Manwaring (Producer)
producer:
Chick Corea (jazz pianist)
bass:
Stanley Clarke (in 1972-10)
drums (drum set):
Airto Moreira (percussionist) (in 1972-10)
electric piano:
Chick Corea (jazz pianist) (in 1972-10)
flute:
Joe Farrell (in 1972-10)
vocals:
Flora Purim (in 1972-10)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1973)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (in 1972-10)
recording of:
Spain (in 1972-10)
composer:
Chick Corea (jazz pianist)
publisher:
Litha Music Co. (in 1972)
is based on:
Concierto de Aranjuez: II. Adagio
Chick Corea and Return to Forever49:51
11The Girl From Ipanema
recording engineer:
Phil Ramone
producer:
Creed Taylor
bass guitar:
Tommy Williams (jazz bassist) (from 1963-03-18 until 1963-03-19)
double bass [bass]:
Tommy Williams (jazz bassist) (in 1963-03)
drums (drum set):
Milton Banana (from 1963-03-18 until 1963-03-19)
drums (drum set) [drums]:
Milton Banana (in 1963-03)
guest piano and piano:
Antônio Carlos Jobim (from 1963-03-18 until 1963-03-19)
guitar:
João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (from 1963-03-18 until 1963-03-19)
tenor saxophone:
Stan Getz (from 1963-03-18 until 1963-03-19)
vocals:
Astrud Gilberto (from 1963-03-18 until 1963-03-19) and João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (from 1963-03-18 until 1963-03-19)
performer:
João Gilberto (Brazilian bossa nova guitarist, singer, and composer) and Antônio Carlos Jobim
recorded at:
A&R Recording Studio (original studio, 1958–1967) in New York, New York, United States (from 1963-03-18 until 1963-03-19)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 461)
recording of:
The Girl From Ipanema (from 1963-03-18 until 1963-03-19)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. and Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
translated version of:
Garota de Ipanema
part of:
The Real Book (compilation of jazz standards, Volume I)
Stan Getz & João Gilberto3.655:24
2▶CD: Jazz Standards

Credits

Release

ASIN:JP: B01MU9DYW0 [info]