The Time-Life Treasury of Christmas (disc 2)

~ Release by Various Artists (see all versions of this release, 5 available)

Annotation

A different track listing than http://musicbrainz.org/showalbum.html?albumid=171594

This album is something of a mystery. It is not catalog # TCD-107 described at http://www.bsnpubs.com/warner/time-life/49misc/49misc.html, and I can find no match on any sites except for simple track listings - no catalog numbers or release year.

Annotation last modified on 2009-03-08 20:23 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Ding Dong Merrily on High
phonographic copyright (℗) by:
BMG Entertainment (in 1984)
cover recording of:
Ding Dong! Merrily on High
lyricist:
George Ratcliffe Woodward
additional composer:
Charles Wood (Irish composer)
composer:
Thoinot Arbeau (Artist name of Jehan Tabourot (“Orchesographie”))
is based on:
Branle de l’official
Roger Whittaker4:48
2If Every Day Were Like Christmas
engineer:
Jim Malloy
drums (drum set):
D.J. Fontana (on 1966-06-10) and Buddy Harman (Session drummer and songwriter) (on 1966-06-10)
guitar:
Harold Bradley (on 1966-06-10), Scotty Moore (American guitarist and recording engineer) (on 1966-06-10) and Chip Young (American session guitarist, bassist, producer in the genre of country) (on 1966-06-10)
organ:
Henry Slaughter (on 1966-06-10)
piano:
David Briggs (English organist and composer) (on 1966-06-10)
saxophone:
Rufus Long (on 1966-06-10)
steel guitar:
Pete Drake (steel guitar player) (on 1966-06-10)
timpani:
Buddy Harman (Session drummer and songwriter) (on 1966-06-10)
background vocals:
Dolores Edgin (from 1966-06-10 until 1966-06-12), The Jordanaires (southern gospel group) (from 1966-06-10 until 1966-06-12), Millie Kirkham (from 1966-06-10 until 1966-06-12), June Page (from 1966-06-10 until 1966-06-12) and The Imperials Quartet (gospel/CCM group) (from 1966-06-10 until 1966-06-12)
lead vocals:
Elvis Presley (“The King of Rock and Roll”)
vocals:
Dolores Edgin (on 1966-06-10), The Imperials (gospel/CCM group) (on 1966-06-10), The Jordanaires (southern gospel group) (on 1966-06-10), Millie Kirkham (on 1966-06-10), June Page (on 1966-06-10) and Elvis Presley (“The King of Rock and Roll”) (on 1966-06-12)
phonographic copyright (℗) by:
BMG Music (in 1966)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1966-06-10, from 1966-06-10 until 1966-06-12, on 1966-06-12)
cover recording of:
If Every Day Was Like Christmas (from 1966-06-10 until 1966-06-12)
lyricist and composer:
Red West
publisher:
Atlantic Music Corp. (BMI)
Elvis Presley3.52:57
3Frosty the Snowman
recording of:
Frosty the Snow Man
writer:
Steve Nelson (US songwriter who co-wrote “Frosty the Snowman”) and Walter E. Rollins (songwriter)
publisher:
Carlin Music Corporation, J. Albert & Son Pty. Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Chappell & Co. (in 1950) and Hill and Range Songs, Inc. (publisher) (on 1950-06-02)
Brenda Lee2:23
4Santa Claus Is Coming to Town
recording engineer:
Bob Simpson (US jazz engineer/producer) (from 1959-07-13 until 1959-07-15)
producer:
Charles Grean and Lee Schapiro
choir vocals:
The Ray Charles Singers (from 1959-07-13 until 1959-07-15)
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (from 1959-07-13 until 1959-07-15)
orchestra:
Mitchell Ayres and His Orchestra (from 1959-07-13 until 1959-07-15)
recorded at:
Webster Hall in East Village, New York, New York, United States (from 1959-07-13 until 1959-07-15)
recording of:
Santa Claus Is Coming to Town (from 1959-07-13 until 1959-07-15)
lyricist:
Haven Gillespie (in 1932)
composer:
J. Fred Coots (in 1932)
publisher:
EMI Allans Music Australia Pty Ltd, EMI Feist Catalog Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI United Partnership Ltd., Francis, Day & Hunter Ltd., Haven Gillespie Music Publishing, Jobete Music Co., Inc., Leo Feist Ltd, Leo Feist, Inc., SBK United Partnership and The Songwriters Guild
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Perry Como2:46
5Jingle Bells
cover recording of:
Jingle Bells
lyricist and composer:
James Lord Pierpont (in 1850)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
composed at and lyrics written at:
Simpson Tavern in Medford, Massachusetts, United States (in 1850)
Jim Reeves31:52
6What Child Is This
André Previn3:10
7Adeste Fideles
recording engineer:
John Dunkerley (engineer) and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
choir vocals:
London Voices (in 1976-01)
tenor vocals:
Luciano Pavarotti (tenor) (in 1976-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
chorus master:
Terry Edwards (British choir director) (in 1976-01)
arranger:
Douglas Gamley (film composer)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1976-01)
recording of:
Adeste fideles (original latin version) (in 1976-01)
lyricist and composer:
John Francis Wade (from 1740 until 1743)
Luciano Pavarotti3:33
8I'll Be Home for Christmas
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (on 1946-08-06)
recording of:
I’ll Be Home for Christmas (on 1946-08-06)
lyricist:
Kim Gannon
additional writer:
Buck Ram
composer:
Walter Kent
publisher:
Chappell Music Ltd., Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gannon and Kent Music Co., Piedmont Music Company, Warner Chappell and Warner Chappell Music (publisher as Warner/Chappell Music)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Perry Como2:55
9Christmas in Dixie
engineer:
Gene Rice
recorded at and mixed at:
Music Mill in Nashville, Tennessee, United States
recording of:
Christmas in Dixie (in 1982-07)
writer:
Jeff Cook (US country vocalist/guitarist/fiddler, member of Alabama), Teddy Gentry, Mark Herndon and Randy Owen
publisher:
Maypop Music (in 1982)
Alabama33:42
10Do You Hear What I Hear
recording of:
Do You Hear What I Hear?
lyricist:
Noël Regney (in 1962)
writer:
Noël Regney and Gloria Shayne Baker
composer:
Gloria Shayne Baker (in 1962)
publisher:
Blue Ribbon Music Ltd., Campbell Connelly and Jewel Music Publishing Co., Inc. (publisher; do NOT use as release label)
Bing Crosby52:46
11Joy to the World
Robert Shaw Chorale3:20
12Blue Christmas
Glen Campbell2:35
13It Came Upon a Midnight Clear
choir vocals:
The Philadelphia Chorus
orchestra:
The Philadelphia Orchestra
conductor:
Robert Page (conductor/choir master)
recording of:
It Came Upon the Midnight Clear (carol version)
lyricist:
Edmund Sears (American church author)
composer:
Richard Storrs Willis
part of:
The New English Hymnal (hymn book) (number: 29)
is based on:
CAROL (hymn tune)
is based on:
It Came Upon the Midnight Clear (poem)
The Philadelphia Orchestra3:22
14Have Yourself a Merry Little Christmas
recorded in:
Hollywood, Los Angeles, California, United States (on 1944-04-20) and Los Angeles, California, United States (on 1944-04-20)
vocals:
Judy Garland (on 1944-04-20)
orchestra:
MGM Studio Orchestra and George Stoll’s Orchestra (on 1944-04-20)
conductor:
Georgie Stoll
recording of:
Have Yourself a Merry Little Christmas (on 1943-12-04)
lyricist:
Ralph Blane (in 1943)
composer:
Hugh Martin (in 1943)
publisher:
EMI April Music Inc., EMI Feist Catalog Inc., EMI Music Publishing (do not use as a release label!), EMI Publishing, EMI United Partnership Ltd., J. Albert & Son, J. Albert & Son Pty. Ltd., Loew’s Incorporated (in 1943, in 1944) and Leo Feist, Inc. (in 1971, in 1972)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
part of:
Meet Me in St. Louis (1944 film)
Judy Garland4.52:48
15Mary's Boy Child
vocals:
Harry Belafonte
recording of:
Mary’s Boy Child (on 1956-07-20)
lyricist and composer:
Jester Hairston
publisher:
Bourne Music Ltd. and J. Albert & Son Pty. Ltd.
Harry Belafonte54:26
16Rocking
Roger Whittaker3:10
17Let It Snow, Let It Snow, Let It Snow
cover recording of:
Let It Snow! Let It Snow! Let It Snow!
lyricist:
Sammy Cahn (in 1945-07)
composer:
Jule Styne (in 1945-07)
publisher:
Cahn Music Company, Chappell & Co., Chappell/Morris Ltd., Cherry Lane Music Ltd., Imagen Music, J. Albert & Son Pty. Ltd., Producers Music Publishing Co., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America and WB Music Corp. (1929–2019)
Lena Horne2:23
18The First Noel
Sergio Franchi3:18
19Silver Bells
recording of:
Silver Bells (Christmas song)
lyricist and composer:
Ray Evans (American songwriter) and Jay Livingston
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13), Jay Livingston Music Inc., Paramount Music Corporation, Sony/ATV Music Publishing Australia Pty Ltd. and Sony/ATV Harmony (in 1950)
sub-publisher:
Sony/ATV Harmony Canada and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Kate Smith2:40
20Holly Jolly Christmas
lead vocals:
Burl Ives
chorus master:
Owen Bradley
instruments arranger:
Owen Bradley
part of:
Billboard Hot 100: 2026-01-03 (number: 12), Billboard Hot 100: 2025-12-20 (number: 15), Billboard Hot 100: 2025-12-13 (number: 16), Billboard Hot 100: 2025-12-27 (number: 16), Billboard Hot 100: 2025-12-06 (number: 24), Billboard Hot 100: 2025-11-29 (number: 40), Billboard Year-End Hot 100 singles of 2023 (number: 71), Billboard Year-End Hot 100 singles of 2022 (number: 89) and Billboard Year-End Hot 100 singles of 2024 (number: 94)
recording of:
A Holly Jolly Christmas
lyricist and composer:
Johnny Marks (American songwriter)
publisher:
Audiam Publishing, Warner Chappell (Warner/Chappell Music, Inc.) and St. Nicholas Music Inc. (in 1964)
Burl Ives42:17
21It's Beginning to Look Like Christmas
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1963)
part of:
Billboard Hot 100: 2026-01-03 (number: 18), Billboard Hot 100: 2025-12-20 (number: 22), Billboard Hot 100: 2025-12-27 (number: 23), Billboard Hot 100: 2025-12-13 (number: 24) and Billboard Hot 100: 2025-12-06 (number: 38)
recording of:
It’s Beginning to Look a Lot Like Christmas (on 1951-09-10)
lyricist and composer:
Meredith Willson (in 1951)
publisher:
Frank Music Corp., Kobalt Music Publishing Australia Pty Ltd, Meredith Willson Music LLC, MPL Communications Australia and MPL Music Publishing
Perry Como32:41
22We Wish You a Merry Christmas
choir vocals:
The Philadelphia Singers (from 1971 until 1972)
orchestra:
The Philadelphia Orchestra (from 1971 until 1972)
conductor:
Eugene Ormandy (conductor) (from 1971 until 1972)
phonographic copyright (℗) by:
BMG Entertainment (in 1972)
recording of:
We Wish You a Merry Christmas (from 1971 until 1972)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 230)
The Philadelphia Orchestra2:03

Credits

Release group

included in:The Time‐Life Treasury of Christmas (4 CD set from 1987)
part of:The Time‐Life Treasury of Christmas (Time Life Music) (order: 2)
Discogs:https://www.discogs.com/master/231660 [info]
Wikidata:Q7769417 [info]