Friday Office Music

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

℗ & © «2019 UMG Recordings, Inc.»
℗ «FP»

Countries where available (Spotify + Deezer)

(As of 2020-03-17).

  • Northern America: 🇨🇦 Canada (ca) 🇲🇽 Mexico (mx) 🇺🇸 United States (us)
  • Central America: 🇨🇷 Costa Rica (cr) 🇬🇹 Guatemala (gt) 🇭🇳 Honduras (hn) 🇳🇮 Nicaragua (ni) 🇵🇦 Panama (pa) 🇸🇻 El Salvador (sv)
  • South America: 🇦🇷 Argentina (ar) 🇧🇴 Bolivia (bo) 🇧🇷 Brazil (br) 🇨🇱 Chile (cl) 🇨🇴 Colombia (co) 🇪🇨 Ecuador (ec) 🇵🇪 Peru (pe) 🇵🇾 Paraguay (py) 🇺🇾 Uruguay (uy)
  • Western Europe: 🇦🇹 Austria (at) 🇨🇭 Switzerland (ch) 🇩🇪 Germany (de) 🇫🇷 France (fr)
  • Northern Europe: 🇩🇰 Denmark (dk) 🇫🇮 Finland (fi) 🇬🇧 United Kingdom (gb) 🇳🇴 Norway (no) 🇸🇪 Sweden (se)
  • Southern Europe: 🇪🇸 Spain (es)
  • Eastern Asia: 🇰🇷 Korea (kr)
  • Oceania: 🇦🇺 Australia (au)
Annotation last modified on 2020-03-17 22:05 UTC.

Tracklist

1Digital Media
#TitleArtistRatingLength
1Karma Chameleon
engineer:
Simon Humphrey, Gordon Milne (engineer) and Mike Ross‐Trevor (engineer)
producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist) (in 1983)
drums (drum set) and percussion:
Jon Moss (in 1983)
electric sitar, guitar, keyboard, piano and sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
guest keyboard:
Phil Pickett (songwriter, producer, keyboard player) (in 1983)
harmonica:
Judd Lander (in 1983)
background vocals:
Helen Terry (UK singer) (in 1983)
lead vocals:
Boy George (in 1983)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2003)
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (in 1983) and Red Bus Studios in London (Greater London), England, United Kingdom (in 1983)
music videos:
Karma Chameleon by Culture Club (English pop group)
recording of:
Karma Chameleon (in 1983)
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss and Phil Pickett (songwriter, producer, keyboard player)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and BMG VM Music Ltd. (from 2013-05 to present)
Culture Club3.754:02
2Don’t You Want Me
assistant programming:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) (in 1981)
programming:
Martin Rushent (in 1981)
assistant engineer:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
producer:
The Human League and Martin Rushent
synthesizer:
Ian Burden (in 1981), Jo Callis (in 1981) and Philip Oakey (in 1981)
background vocals:
Joanne Catherall (in 1981) and Susan Ann Sulley (in 1981)
lead vocals:
Philip Oakey (in 1981) and Susan Ann Sulley (in 1981)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only)
recorded at:
Genetic Studios in West Berkshire, England, United Kingdom (in 1981)
music videos:
Don’t You Want Me by The Human League
part of:
TV Cream: Real 100 Best Singles Ever (number: 1), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 79) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 82)
recording of:
Don’t You Want Me (Human League song) (in 1981)
lyricist:
Philip Oakey
composer:
Jo Callis, Philip Oakey and Philip Adrian Wright (Human League)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Human League3.854:01
3The Way I Are
recording engineer:
Demacio "Demo" Castellon
co-producer:
Danja (US producer Nate Hills)
producer:
Timbaland
mixer:
Marcella "Ms. Lago" Araica (American songwriter, recording and mixing engineer)
editor:
Ron Taylor (audio editing)
keyboard:
Danja (US producer Nate Hills)
membranophone:
Danja (US producer Nate Hills) and Timbaland
guest vocals:
Keri Hilson
vocals:
D.O.E. (US rapper)
guest performer:
D.O.E. (US rapper) and Keri Hilson
recorded at:
Thomas Crown Studio in Virginia Beach, Virginia, United States
mixed at:
Pacifique Recording Studios (Burbank) in North Hollywood, Los Angeles, California, United States
recording of:
The Way I Are
writer:
Garland Mosley (US rapper Garland Mosley, brother of Timbaland), Keri Hilson, John Maultsby (US rapper), Balewa Muhammad, Nate Hills (US producer Nate Hills), Candice Nelson and Timothy Mosley
publisher:
Boootleggerstop, Danjahandz Muzik, Jerry Lee Publishing, Keriokey Music, Universal Music Publishing (Belgium), Virginia Beach Music and Warner Chappell Publishing
Timbaland feat. Keri Hilson & D.O.E.4.252:59
4Promiscuous
additional recording engineer:
Marcella "Ms. Lago" Araica (American songwriter, recording and mixing engineer)
recording engineer and mixer:
Demacio "Demo" Castellon
additional programming:
Demacio "Demo" Castellon
engineer:
Vadim Chislov, Demacio "Demo" Castellon, Ben Jost (engineer), James Roach (engineer) and Kobla Tetey
producer:
Jim Beanz (lead vocals), Danja (US producer Nate Hills) and Timbaland
drums (drum set) [drums] and keyboard [keyboards]:
Danja (US producer Nate Hills) and Timbaland
additional background vocals:
Jim Beanz
background vocals:
Nelly Furtado
guest vocals:
Timbaland
phonographic copyright (℗) by:
Mosley Music Group LLC (Do not use as a release company, use Mosley Music Group instead) and Geffen Records (in 2006)
mixed for:
Storm Circle Entertainment
produced for:
Danja Handz Productions, Pettaway Music, Sunset Entertainment and Timbaland Productions
recorded at:
The Hit Factory Miami in Miami, Florida, United States
mixed at:
Thomas Crown Studios Virginia Beach in Virginia Beach, Virginia, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 456)
recording of:
Promiscuous
lyricist:
Attitude (US rapper/producer Tim Clayton), Nelly Furtado and Timbaland
composer:
Timothy Clayton, Nelly Furtado, Nate Hills (US producer Nate Hills) and Timothy Mosley
Nelly Furtado feat. Timbaland3.854:02
5Lights Out, Words Gone
engineer:
Ian Dowling
producer:
Jim Abbiss, Craig Silvey and Jack Steadman (London-based musician, Bombay Bicycle Club frontman)
assistant mixer:
Bryan Wilson (mixer)
mixer:
Craig Silvey
bass guitar:
Ed Nash
drums (drum set):
Suren de Saram
guitar:
Jamie MacColl and Jack Steadman (London-based musician, Bombay Bicycle Club frontman)
vocals:
Jack Steadman (London-based musician, Bombay Bicycle Club frontman)
phonographic copyright (℗) by:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25)
recording of:
Lights Out, Words Gone
writer:
Jack Steadman (London-based musician, Bombay Bicycle Club frontman)
Bombay Bicycle Club5:01
6Master Blaster (Jammin’)
assistant engineer:
Bob Harlan
engineer and mixer:
Gary Olazabal
producer:
Stevie Wonder
bass:
Nathan Watts
clavinet and Rhodes piano:
Stevie Wonder
drums (drum set):
Dennis Davis (drummer)
guitar:
Ben Bridges and Rick Zunigar
organ:
Isaiah Sanders
percussion:
Earl DeRouen (percussionist, composer)
saxophone:
Hank Redd
trumpet:
Larry Gittens
background vocals:
Shirley Brewer, Alex Brown (US soul vocalist, member of Raelets), Marva Holcolm and Angela Winbush
arranger:
Stevie Wonder
recorded at and mixed at:
Wonderland Studios in Los Angeles, California, United States
recording of:
Master Blaster (Jammin’)
composer:
Stevie Wonder
publisher:
Black Bull Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) and Jobete Music Co., Inc.
Stevie Wonder4.755:08
7Chelsea Dagger
engineer:
Todd Burke and Tony Hoffer
producer and mixer:
Tony Hoffer
recording of:
Chelsea Dagger
composer:
The Fratellis (Scottish rock band)
The Fratellis4.153:35
8Easy
producer:
James Anthony Carmichael and Commodores (US funk/soul band with Lionel Richie)
arranger:
James Anthony Carmichael and Commodores (US funk/soul band with Lionel Richie)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1977), Motown Record Corporation (company credits only; do NOT use as release label) (in 1977), Motown Records (not for label use; use “Motown” instead) (in 1977) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 2009)
recording of:
Easy
lyricist and composer:
Lionel Richie
publisher:
Brenda Richie Publishing, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc. and Libren Music
Commodores3.754:16
9Peg
executive engineer:
Roger Nichols (US mastering, recording engineer and producer)
producer:
Gary Katz
bass guitar:
Chuck Rainey (American bassist)
clavinet:
Don Grolnick
drums (drum set):
Rick Marotta (US drummer/percussionist)
electric piano and Rhodes piano [Fender Rhodes]:
Paul Griffin (American pianist, session musician)
guitar:
Steve Kahn and Steve Khan
Lyricon:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
percussion:
Gary Coleman (US percussionist) and Victor Feldman (jazz musician)
solo guitar:
Jay Graydon
background vocals:
Paul Griffin (American pianist, session musician) and Michael McDonald (R&B & soul singer)
lead vocals:
Donald Fagen
phonographic copyright (℗) by:
ABC Records, Inc (in 1977), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1977) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1977)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 62)
recording of:
Peg
lyricist and composer:
Walter Becker and Donald Fagen
publisher:
MCA Music Ltd., Universal/MCA Music Ltd. (not for release label use!), ABC/Dunhill Music, Inc. (in 1977) and Anchor Music Ltd. (in 1977)
Steely Dan4.354:00
10I Want You Back
producer:
The Corporation (Motown songwriters)
bass guitar:
Wilton Felder (in 1969-07)
drums (drum set):
Gene Pello and Johnny Jackson (drummer for Jackson 5) (in 1969-07)
guitar:
Donald Peake, David T. Walker and Tito Jackson (in 1969-07)
guitar [lead guitar]:
Louis Shelton (in 1969-07)
keyboard:
Clarence McDonald and Ronnie Rancifer (in 1969-07)
percussion:
Sandra Crouch and Marlon Jackson (in 1969-07)
piano:
Fonce Mizell, Freddie Perren, Joe Sample and Ronnie Rancifer (in 1969-07)
background vocals:
Jackie Jackson (member of the Jackson 5), Michael Jackson (“King of Pop”), Keith Washington, Jermaine Jackson (soul/pop singer, of Jackson 5) (in 1969-07), Marlon Jackson (in 1969-07) and Tito Jackson (in 1969-07)
lead vocals:
Michael Jackson (“King of Pop”) (in 1969-07)
vocals:
Jackie Jackson (member of the Jackson 5) (in 1969-07)
arranger:
The Corporation (Motown songwriters)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1969)
recorded at:
The Sound Factory West in West Hollywood, California, United States (in 1969-07, from 1969-07 until 1969-09)
music videos:
I Want You Back by The Jackson 5 (The Jacksons, formerly “The Jackson 5”)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 23), Billboard Year-End Hot 100 singles of 1970 (number: 28), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 104) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 120)
recording of:
I Want You Back (in 1969-07)
lyricist and composer:
The Corporation (Motown songwriters)
publisher:
EMI April Music Inc., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
part of:
MJ: The Musical
The Jackson 54.152:58
11Escape (The Piña Colada Song)
engineer and mixer:
Jim Boyer (producer/engineer)
producer:
Jim Boyer (producer/engineer) and Rupert Holmes
bass [electric bass]:
Frank Gravis
drums (drum set):
Leo Adamian
phonographic copyright (℗) by:
Geffen Records, Infinity Records Inc. and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1979)
recorded at:
Plaza Sound Studios in New York, New York, United States
mixed at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States
recording of:
Escape (The Piña Colada Song)
lyricist and composer:
Rupert Holmes
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), The Holmes Line of Music, Inc., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Rupert Holmes3.74:36
12Ain’t No Mountain High Enough (mono version)
vocals:
Marvin Gaye and Tammi Terrell
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 37)
recording of:
Ain’t No Mountain High Enough
writer:
Nickolas Ashford and Valerie Simpson
publisher:
EMI Music Publishing (do not use as a release label!), EMI Songs, EMI Songs Australia Pty. Ltd., Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc. and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye & Tammi Terrell4.652:32
13Everybody Wants to Rule the World
engineer:
David Bascombe
producer:
Chris Hughes (producer, aka “Merrick”)
mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar:
Curt Smith (in 1984)
drums (drum set):
Manny Elias (in 1984)
guitar and solo guitar:
Neil Taylor (guitarist) (in 1984)
keyboard:
Ian Stanley (in 1984)
background vocals:
Roland Orzabal (UK musician, songwriter and producer) (in 1984)
lead vocals:
Curt Smith
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1985, in 2014) and Phonogram Ltd. (not for release label use!) (in 1985)
music videos:
Everybody Wants to Rule the World by Tears for Fears
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 28) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 319)
recording of:
Everybody Wants to Rule the World (in 1984)
writer:
Christopher Merrick Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) and Ian Stanley
publisher:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Virgin Music (Publishers) Ltd.
sub-publisher:
フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Tears for Fears3.94:11
14Walking on Sunshine
recorded in:
England, United Kingdom
assistant engineer:
Jon Goldberger (engineer)
engineer and mixer:
Scott Litt (producer and engineer)
additional producer:
Scott Litt (producer and engineer)
producer:
Pat Collier and Katrina and the Waves (British‐American rock band)
bass guitar:
Vince de la Cruz
drums (drum set) and percussion:
Alex Cooper (drummer, member of “Katrina and the Waves”)
guest brass [Rumour Brass Section]:
Ray Beavis, Dick Hanson and John "Irish" Earl
guest organ:
Nick Glennie‐Smith
guitar [lead guitar]:
Kimberley Rew
guitar [rhythm guitar] and lead vocals:
Katrina Leskanich
background vocals:
Alex Cooper (drummer, member of “Katrina and the Waves”), Vince de la Cruz and Kimberley Rew
brass arranger:
Eamon Fitzpatrick
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1985)
recorded at:
Alaska Studios in London (Greater London), England, United Kingdom and Greenhouse Studio (London) in London (Greater London), England, United Kingdom
mixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1984-12 until 1985-03)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 91) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 378)
recording of:
Walking on Sunshine
lyricist:
Kimberley Rew (in 1983)
composer:
Kimberley Rew
publisher:
EMI Music Publishing (do not use as a release label!), Kyboside Music, Megasongs Limited, Pondwater Music and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina and the Waves3.954:01
15Sweet Home Alabama
miscellaneous support:
Ronnie Van Zant
engineer and producer:
Al Kooper
drums (drum set):
Bob Burns (Lynyrd Skynyrd drummer) (in 1973-07)
electric bass guitar:
Leon Wilkeson (in 1973-07)
electric guitar:
Allen Collins (in 1973-07), Ed King (US guitarist, bassist & songwriter) (in 1973-07) and Gary Rossington (in 1973-07)
keyboard:
Billy Powell (in 1973-07)
background vocals:
Merry Clayton (in 1973-07) and Clydie King (in 1973-07)
lead vocals:
Ronnie Van Zant (in 1973-07)
phonographic copyright (℗) by:
Geffen Records (in 1974), MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1974), MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1974), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974) and Universal Music (plain logo: “Universal Music”) (in 1974)
produced for:
Sounds of the South Productions
recorded at:
Studio One (Doraville, GA) in Doraville, Georgia, United States (in 1973-07)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 398)
recording of:
Sweet Home Alabama (in 1973-07)
miscellaneous support:
Ronnie Van Zant
writer:
Ed King (US guitarist, bassist & songwriter), Gary Rossington and Ronnie Van Zant
publisher:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH and Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd4.154:44
16Superstition (single version)
Moog programming and associate producer:
Malcolm Cecil and Robert Margouleff
engineer:
Malcolm Cecil and Robert Margouleff
producer:
Stevie Wonder
lead vocals:
Stevie Wonder
recording of:
Superstition
lyricist and composer:
Stevie Wonder
publisher:
Black Bull Music, 大洋音楽 (Taiyō Music), Jobete Music Co., Inc. (in 1972) and Stein & Van Stock, Inc. (in 1972)
Stevie Wonder4.54:01
17Red Red Wine (7″ version)
producer:
Ray “Pablo” Falconer and UB40
arranger:
UB40
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982, in 1983) and DEP International (UB40) (in 1983)
cover recording of:
Red Red Wine
lyricist and composer:
Neil Diamond (in 1967)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label) and Bang Records (Bert Berns label) (in 1968)
UB403.83:04
18Every Breath You Take
engineer:
Hugh Padgham
producer:
Hugh Padgham and The Police (British rock band)
drums (drum set):
Stewart Copeland (in 1983)
electric bass guitar and lead vocals:
Sting (singer, songwriter & member of The Police) (in 1983)
electric guitar:
Andy Summers (in 1983)
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1981, in 2003), A&M Records (in 1983, in 2016), A&M Records Limited (in 1983), Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (in 1983) and A&M Records, Inc. (in 1997)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1983) and Le Studio in Morin‐Heights, Québec (Quebec), Canada (in 1983)
music videos:
Every Breath You Take by The Police (British rock band)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 35), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 84), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 287) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 305)
recording of:
Every Breath You Take (in 1983)
lyricist and composer:
Sting (singer, songwriter & member of The Police)
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), GM Sumner, Magnetic Publishing Ltd., Songs of Universal, Inc. (BMI) and Virgin Music (Publishers) Ltd.
sub-publisher:
Universal Music Publishing France (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
The Police4.14:14
19Tainted Love
engineer:
Paul Hardiman
producer:
Mike Thorne (UK producer & keyboardist)
mixer:
Harvey Goldberg
electronic instruments and other instruments:
Dave Ball (UK electronic musician, part of Soft Cell)
background vocals:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographic copyright (℗) by:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
recorded at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom
music videos:
Tainted Love by Soft Cell (1980s English synth‐pop duo)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 5), Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 8), New York Post: 100 Greatest Covers (2007) (number: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 33) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 46)
cover recording of:
Tainted Love
lyricist and composer:
Ed Cobb
publisher:
Burlington Music Co., Ltd. and Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.92:34
20Pump It
drum machine programming:
will.i.am (American rapper and producer)
engineer:
Tal Herzberg, Jason "Ill-Aroma" Villaroman and will.i.am (American rapper and producer)
producer:
will.i.am (American rapper and producer)
mixer:
Mark “Spike” Stent (producer, engineer)
bass and Moog:
will.i.am (American rapper and producer)
guitar:
George Pajon, Jr.
vocals:
apl.de.ap, Fergie (American singer), Taboo (member of Black Eyed Peas) and will.i.am (American rapper and producer)
samples:
Misirlou Twist by Dick Dale and His Del‐Tones
music videos:
Pump It (video) by The Black Eyed Peas (US pop/hip hop group)
recording of:
Pump It
writer:
apl.de.ap, Fergie (American singer), Thomas van Musser, Nicholas Roubanis (Greek American musician) and will.i.am (American rapper and producer)
is based on:
Miserlou
The Black Eyed Peas3.93:33
21All Night Long (All Night) (single version)
producer:
James Anthony Carmichael and Lionel Richie
brass [horn] arranger and strings [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael and Lionel Richie
vocals arranger:
Lionel Richie
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1983) and Motown Records (not for label use; use “Motown” instead) (in 1983)
recording of:
All Night Long (All Night)
lyricist and composer:
Lionel Richie
publisher:
Brenda Richie Publishing, Brockman Music and Rondor Music (Australia) Pty Ltd
Lionel Richie3.44:20
22Get Down on It (single version)
phonographic copyright (℗) by:
De-Lite Recorded Sound Corp. (not for release) (in 1981)
recording of:
Get Down on It
writer:
Ronald Bell, Kool & the Gang and James “J.T.” Taylor (US R&B vocalist for Kool & the Gang)
publisher:
Delightful Music Publishing Ltd., Double F Music Co., Planetary Nom (London) Ltd., Second Decade Music Co., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and WB Music Corp. (1929–2019)
Kool & the Gang53:35
23No Diggity
programming and producer:
Teddy Riley (US R&B singer & producer) and William "Skylz" Stewart (US hip-hop producer)
instruments:
Teddy Riley (US R&B singer & producer) and William "Skylz" Stewart (US hip-hop producer)
guest performer:
Dr. Dre (Andre Young, rap producer) and Queen Pen
performer:
Blackstreet
arranger:
Teddy Riley (US R&B singer & producer) and William "Skylz" Stewart (US hip-hop producer)
samples:
Grandma’s Hands by Bill Withers
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 91) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 424)
recording of:
No Diggity
writer:
Andre Young (Andre Young, rap producer), Chauncey Hannibal, Lynise Walters, Richard Vick, Teddy Riley (US R&B singer & producer), William "Skylz" Stewart (US hip-hop producer) and Bill Withers
publisher:
Ain't Nothin' Goin' But F...n' (aka Ain’t Nothin’ but F****n’ and other variations), Chauncey Black Music for Smokin' Sounds, City Housing Publishing, Donril Music, Interior Music Corp., Queen Pen Music (ASCAP), Sony Songs Inc., Universal Z Songs and Zomba Enterprises Inc.
Blackstreet feat. Dr. Dre4.755:05
24Video Killed the Radio Star
music videos:
Video Killed the Radio Star by Buggles and Video Killed the Radio Star by Buggles
part of:
TV Cream: Real 100 Best Singles Ever (number: 56)
recording of:
Video Killed the Radio Star
writer:
Geoff Downes, Trevor Horn and Bruce Woolley
publisher:
Ackee Music, Inc., BMG Gold Songs, Carbert Music Inc., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Music Ltd., Round Hill Compositions, Unforgettable Songs Ltd., Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) and Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Buggles4.64:14
25Summer of ’69
assistant engineer:
Mike Fraser (Canadian record producer, engineer and mixer), Bruce Lampcov and Michael Sauvage
engineer:
Bob Clearmountain (from 1984-03-27 until 1984-09-22)
associate producer:
Jim Vallance
producer:
Bryan Adams (Canadian singer/songwriter) and Bob Clearmountain
mixer:
Bob Clearmountain (on 1984-09-22)
drums (drum set) [drums]:
Pat (from 1984-03-27 until 1984-09-22)
electric bass guitar [bass]:
Dave (Bass player (Bryan Adams) and engineer) (from 1984-03-27 until 1984-09-22)
guitar [lead guitar]:
Keith (Canadian guitarist) (from 1984-03-27 until 1984-09-22)
guitar [rhythm guitar] and background vocals [harmony vocal]:
BA (Canadian singer/songwriter) (from 1984-03-27 until 1984-09-22)
percussion:
Jim (from 1984-03-27 until 1984-09-22)
lead vocals:
Bryan Adams (Canadian singer/songwriter) (from 1984-03-27 until 1984-09-22)
phonographic copyright (℗) by:
A&M Records (in 1984), A&M Records, Inc. (in 1984, in 1999) and Badman Ltd. (Bryan Adams’ own publishing company, for copyrights use) (in 1999)
recorded at:
Little Mountain Sound in Vancouver, British Columbia, Canada (from 1984-03-27 until 1984-09-22)
mixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (on 1984-09-22)
part of:
SWR1 Hitparade 2004 der Frauen (Baden-Württemberg) (number: 1), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (number: 3), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (number: 3), SWR1 Hitparade 2007 (Baden-Württemberg) (number: 5), SWR1 Hitparade 2008 (Baden-Württemberg) (number: 8), Huffington Post: 100 Best Canadian Songs Ever (number: 9), SWR1 Hitparade 2009 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (number: 10) and The Downloader’s Music Source Book (number: 179)
recording of:
Summer of ’69 (from 1984-03-27 until 1984-09-22)
written in:
Vancouver, British Columbia, Canada (on 1984-01-25)
writer:
Bryan Adams (Canadian singer/songwriter) (on 1984-01-25) and Jim Vallance (on 1984-01-25)
publisher:
Adams Communications Inc. (in 1984), Almo Music Corp. (USA, affiliated with ASCAP) (in 1984), Calypso Toonz (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984) and Testatyme Music (in 1984)
Bryan Adams4.43:36
26All Star
artist & repertoire support:
Tom Whalley
assistant engineer:
Trevor Adkinson (engineer for Smash Mouth)
engineer, producer and mixer:
Eric Valentine (Eric Dodd, producer and instrumentalist)
additional editor:
Jacquire King
additional keyboard:
Eric Valentine (Eric Dodd, producer and instrumentalist)
bass guitar:
Paul De Lisle
drums (drum set):
Kevin Coleman
electronic instruments:
Mark Camp (Smash Mouth collaborator) and Chris Racine
guitar:
Greg Camp
keyboard:
Michael Klooster
background vocals:
Greg Camp and Paul De Lisle
lead vocals:
Steve Harwell
music videos:
All Star by Smash Mouth (US rock band from San Jose, CA)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 339)
recording of:
All Star
lyricist and composer:
Greg Camp
publisher:
Songs by Greg Camp, Spirit One Music, Squish Moth Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
Smash Mouth4.753:20
27Stuck in the Middle With You
recording engineer:
Geoff Emerick (British recording engineer) (in 1972) and John Mills (recording/mix engineer) (in 1972)
producer:
Jerry Leiber and Mike Stoller
drums (drum set):
Rod Coombes (in 1972)
electric bass guitar:
Tony Williams (bass) (in 1972)
guitar:
Paul Pilnick (in 1972) and Gerry Rafferty (in 1972)
keyboard:
Joe Egan (Scottish singer-songwriter) (in 1972)
vocals:
Joe Egan (Scottish singer-songwriter) (in 1972) and Gerry Rafferty (in 1972)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1972) and A&M Records, Ltd. (in 1972)
music videos:
Stuck in the Middle With You by Stealers Wheel
recording of:
Stuck in the Middle With You (in 1972)
lyricist and composer:
Gerald Rafferty and Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. and Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel43:24
28I’m Coming Out
producer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
conductor:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
remixer:
Russ Terrana
arranger:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
phonographic copyright (℗) by:
Motown Records (not for label use; use “Motown” instead) (in 1980)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 385) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 436)
recording of:
I’m Coming Out
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs and Tommy Jymi Inc.
Diana Ross3.95:23
29Could You Be Loved
assistant engineer:
Chiao Ng (engineer)
engineer:
Errol Brown (Jamaican engineer and dub producer)
executive producer:
Chris Blackwell (Island Records)
producer:
Bob Marley & The Wailers
mixer:
Chris Blackwell (Island Records) and The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
bass guitar [1972 Fender Jazz Bass] and piano [Hamburg Steinway Piano]:
Aston “Family Man” Barrett
claves, cuíca, percussion, shakers and tambourine:
Alvin “Seeco” Patterson
clavinet [Hohner D6] and Hammond organ [B-3]:
Earl “Wya” Lindo
drums (drum set) [1979 Yamaha 9000]:
Carlton “Carly” Barrett
electric guitar [1973 Gibson Les Paul Special] and lead vocals:
Bob Marley (Jamaican reggae artist)
electric guitar [1977 Gibson Les Paul Standard]:
Al Anderson (Bob Marley & The Wailers guitarist)
electric guitar [1978 Gibson Les Paul Custom]:
Junior Marvin
instruments:
Bob Marley & The Wailers
background vocals:
Tyrone Downie, Marcia Griffiths (reggae singer from Jamaica), Rita Marley, Junior Marvin and Judy Mowatt
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1980)
recorded at and mixed at:
Tuff Gong Studios in Kingston (Kingston Parish), Jamaica
part of:
BILLIONS CLUB and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 363)
recording of:
Could You Be Loved
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Gallo Music Publishers, Rondor Music (London) Ltd., Blue Mountain Music (in 1980), Bob Marley Music Inc. (in 1980), Fifty Six Hope Road Music Limited (in 1980) and Odnil Music Ltd. (in 1980)
Bob Marley & The Wailers4.153:57
30It Wasn’t Me
recording engineer, producer and mixer:
Shaun Pizzonia
brass:
Kevin Bachelor and Jerry Johnson (saxophonist with roots reggae band Steel Pulse)
guitar:
R. Zapata
keyboard:
Nigel Staff
percussion [drums]:
Shaun Pizzonia
violin:
Gwen Laster
background vocals:
Brian & Tony Gold and Shaun Pizzonia
lead vocals:
Ricardo Ducent and Shaggy (Orville Richard Burrell, dancehall and reggae singer)
phonographic copyright (℗) by:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2000, in 2001)
produced for:
Big Yard Music Group
recorded at and mixed at:
Ranch Recording Studio in New York, United States
music videos:
It Wasn't Me by Shaggy (Orville Richard Burrell, dancehall and reggae singer) featuring Ricardo “RikRok” Ducent
part of:
My VH1 Music Awards – Your Song Kicked Ass but Was Played Too Damn Much Nominees (2001) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 273)
recording of:
It Wasn’t Me
writer:
Brian Thompson, Orville Burrell (Orville Richard Burrell, dancehall and reggae singer), Shaun Pizzonia and Ricardo Ducent
publisher:
Livingsting Music
is based on:
Smile Happy
Shaggy43:48
31Blurred Lines (physical version)
producer:
Pharrell Williams
samples:
Got to Give It Up by Marvin Gaye
music videos:
Blurred Lines by Robin Thicke feat. T.I. (Atlanta US rapper & producer Clifford Harris) & Pharrell Williams
part of:
Billboard Year-End Hot 100 singles of 2013 (number: 2), Grammy Award: Best Pop Duo/Group Performance nominees (number: 2014) and Billboard Year-End Hot 100 singles of 2014 (number: 83)
recording of:
Blurred Lines
writer:
Marvin Gaye, T.I. (Atlanta US rapper & producer Clifford Harris), Robin Thicke and Pharrell Williams
publisher:
Deyjah’s Daddy Muzik (ended), EMI April Music, Inc., I Like ’em Thicke Music and More Water From Nazareth
Robin Thicke feat. T.I. & Pharrell2.54:24
32Ride Wit Me
producer:
City Spud
guest vocals:
City Spud
vocals:
City Spud and Nelly (US rapper)
phonographic copyright (℗) by:
Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 2000)
recording of:
Ride Wit Me
writer:
Cornell Haynes, Jr. (US rapper), Eldra DeBarge (El DeBarge), Etterlene Jordan (R&B/soul singer/songwriter, a/k/a Etterlene Jordan), Jason Epperson, Levell Webb and William DeBarge
publisher:
D2 Pro Publishing, Dynacom Publishing, Hipgnosis SFH I Limited, Jay E’s Basement, Jobete Music Co., Inc., Kobalt Songs Music Publishing (USA, ASCAP affiliated), Songs of Universal, Inc. (BMI), Universal Music Corp. (USA, affiliated with ASCAP) and Universal Music–MGB Songs
Nelly feat. City Spud3.94:52
33Roxanne
engineer:
Chris Gray (UK engineer) and Nigel Gray (UK producer)
producer:
The Police (British rock band)
drums (drum set):
Stewart Copeland
electric bass guitar:
Sting (singer, songwriter & member of The Police)
electric guitar:
Andy Summers
vocals:
Sting (singer, songwriter & member of The Police)
arranger:
The Police (British rock band)
phonographic copyright (℗) by:
A&M Records (in 1978), Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (in 1978), A&M Records, Inc. (in 1997) and A&M Records, Ltd. (in 2003)
recorded at:
Surrey Sound Studios in Leatherhead, Surrey, England, United Kingdom
music videos:
Roxanne (Music video) by The Police (British rock band)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 388)
recording of:
Roxanne
lyricist and composer:
Sting (singer, songwriter & member of The Police)
publisher:
Mushroom Music (Mushroom label’s publishing company) and Virgin Music (publisher and label, only for releases with Virgin MUSIC logo)
The Police4.33:12
34I Got You (I Feel Good) (1966 version)
recorded in:
Miami, Florida, United States (on 1965-05-06)
producer:
James Brown (The Godfather of Soul)
alto saxophone:
Nat Jones (Saxophonist and organist, worked with James Brown) (on 1965-05-06) and Maceo Parker (US funk/jazz saxophonist) (on 1965-05-06)
bass:
Bernard Odum (on 1965-05-06)
drums (drum set):
Melvin Parker (on 1965-05-06)
guitar:
Alphonso "Country" Kellum (on 1965-05-06) and Jimmy Nolen (on 1965-05-06)
organ:
Nat Jones (Saxophonist and organist, worked with James Brown) (on 1965-05-06)
tenor saxophone:
Al "Brisco" Clark (on 1965-05-06), St. Clair Pinckney (on 1965-05-06) and Eldee Williams (on 1965-05-06)
trombone:
Levi Rasbury (on 1965-05-06)
trumpet:
Joe Dupars (on 1965-05-06), Mike Ridley (on 1965-05-06) and Ron Tooley (American trumpeter) (on 1965-05-06)
lead vocals:
James Brown (The Godfather of Soul) (on 1965-05-06)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1965) and PolyGram Inc. (1978–1990) (in 1988)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1965-05-06)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 78) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 359)
cover recording of:
I Found You (a.k.a. I Got You (I Feel Good)) (on 1965-05-06)
lyricist and composer:
James Brown (The Godfather of Soul)
publisher:
Fort Knox Music Co, Hudson Bay Music Inc., J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. and Try Me Inc.
James Brown4.72:47
35Learning to Fly
engineer:
Richard Dodd (mastering engineer, producer and engineer)
producer:
Mike Campbell (Tom Petty and the Heartbreakers guitarist), Jeff Lynne and Tom Petty
bass, guitar and keyboard and background vocals:
Jeff Lynne (in 1991)
guitar, percussion and background vocals and lead vocals:
Tom Petty (in 1991)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1991) and Geffen Records (in 2014)
recorded at:
Rumbo Recorders in Canoga Park, Los Angeles, California, United States (in 1991)
recording of:
Learning to Fly (in 1991)
writer:
Jeff Lynne and Tom Petty
publisher:
EMI April Music Inc. and Gone Gator Music (ASCAP affiliated)
Tom Petty and the Heartbreakers4.54:02