Essential

~ Release by Tracy Huang (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleRatingLength
1There’s a Kind of Hush
cover recording of:
There’s a Kind of Hush
lyricist and composer:
Les Reed and Geoff Stephens
publisher:
Donna Music Ltd. (publisher), Glenwood Music Corp., Peermusic (UK) Limited, Songs of Peer, Ltd. (ASCAP), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
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2Mississippi
phonographic copyright (℗) by:
EMI (Singapore) Pte. Ltd. (EMI (Singapore) Private Limited) (in 1977)
cover recording of:
Mississippi
lyricist and composer:
Werner Theunissen
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) and EMI Music Publishing Australia Pty Ltd (not for release label use!)
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3Fernando
phonographic copyright (℗) by:
EMI (Singapore) Pte. Ltd. (EMI (Singapore) Private Limited) (in 1977)
cover recording of:
Fernando (English version)
writer:
Stig Anderson (Stikkan), Benny Andersson (ABBA) and Björn Ulvaeus
publisher:
Polar Music AB (ended), Bocu Music Ltd., Union Songs Music, EMI Waterford Music (from 1976 to present), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (from 1976 to present) and Universal/Union Songs Musikförlag AB (from 1976 to present)
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4Feelings
cover recording of:
Feelings
lyricist:
Morris Albert
composer:
Louis Gasté
publisher:
Bucks Music Ltd, Fermata International Melodies, Inc., Peter Maurice Music Co. Ltd. and United Artists (publisher)
version of:
Pour toi
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5Sometimes When We Touch
phonographic copyright (℗) by:
EMI (Singapore) Pte. Ltd. (EMI (Singapore) Private Limited) (in 1978)
cover recording of:
Sometimes When We Touch
lyricist:
Dan Hill (Canadian singer/songwriter)
composer:
Barry Mann
publisher:
Anthem Entertainment A (work publisher), Dyad Music Ltd., Mann and Weil Songs, Inc., McCauley Music Ltd., Ole Media Management LP II, Sony/ATV Music Publishing Australia Pty Ltd., Sony/ATV Songs LLC, Sony/ATV Tunes LLC (ASCAP), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and フジパシフィックミュージック (Fujipacific Music, Inc.)
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6Sailing
cover recording of:
I Don’t Want to Talk About It
lyricist and composer:
Danny Whitten
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Crazy Horse Music and Rondor Music
cover recording of:
Sailing
lyricist and composer:
Christopher Cross (US singer‐songwriter)
publisher:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher), Universal Music Corp. (USA, affiliated with ASCAP) and Universal Music–MGB Songs
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
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7Hopelessly Devoted to You
cover recording of:
Hopelessly Devoted to You (Grease, 1978 film)
lyricist and composer:
John Farrar
part of:
The 51st Academy Award for Best Original Song (number: 2)
part of:
Grease (1978 film)
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8I Don’t Like to Sleep Alone
phonographic copyright (℗) by:
EMI (Singapore) Pte. Ltd. (EMI (Singapore) Private Limited) (in 1977)
cover recording of:
I Don’t Like to Sleep Alone
lyricist and composer:
Paul Anka (Canadian singer, songwriter and actor)
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9Here, There and Everywhere
phonographic copyright (℗) by:
EMI (Singapore) Pte. Ltd. (EMI (Singapore) Private Limited) (in 1977)
cover recording of:
Here, There and Everywhere
written in:
Weybridge, Surrey, England, United Kingdom (in 1966-06)
writer:
John Lennon (The Beatles) (in 1966-06) and Paul McCartney (The Beatles) (in 1966-06)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Northern Songs and Sony/ATV Music Publishing LLC (1995–2020)
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10Love Me Tender
cover recording of:
Love Me Tender
lyricist:
Ken Darby (in 1956)
additional writer:
Vera Matson (in 1956) and Elvis Presley (“The King of Rock and Roll”) (in 1956)
composer:
George R. Poulton (in 1861)
publisher:
Aberbach Musikverlag (German publisher), ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company and Elvis Presley Music (from 1956 to present)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and 日音 Synch事業部 (NICHION, INC. Synch Division)
is based on:
Aura Lea
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11Woman in Love
cover recording of:
Woman in Love (Life is a moment in space... When the dream is gone)
writer:
Barry Gibb and Robin Gibb
publisher:
BMG Music, Crompton Songs, Gibb Brothers Music, R.S.O. Publishing Ltd. and Warner Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
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12This Girl Has Turned Into a Woman
phonographic copyright (℗) by:
EMI (Singapore) Pte. Ltd. (EMI (Singapore) Private Limited) (in 1977)
cover recording of:
This Girl (Has Turned Into a Woman)
lyricist:
Mary MacGregor and Peter Yarrow
composer:
Peter Yarrow
publisher:
Silver Dawn Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and 大洋音楽 (Taiyō Music)
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13Sad Eyes
cover recording of:
Sad Eyes
lyricist and composer:
Robert John (US singer‐songwriter)
publisher:
BMG Music Publishing, Inc., Careers–BMG Music Publishing, Inc., Chappell & Co., Chappell & Co., Inc. (USA), Six Continents Music Publishing Inc., Unichappell Music, Unichappell Music, Inc., Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
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14End of the World
cover recording of:
The End of the World
lyricist:
Sylvia Dee (American lyricist)
composer:
Arthur Kent
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Summit Music Corp, (ASCAP-affiliated)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
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15I Love How You Love Me
cover recording of:
I Love How You Love Me
writer:
Larry Kolber and Barry Mann
publisher:
Robert Mellin Ltd. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
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16It Doesn’t Matter Anymore
phonographic copyright (℗) by:
EMI (Singapore) Pte. Ltd. (EMI (Singapore) Private Limited) (in 1977)
cover recording of:
It Doesn’t Matter Anymore
lyricist and composer:
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) and Robert Mellin Ltd.
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