BD Music Presents Toppi’s Ladies

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Wild Is the Wind (live at Town Hall, New York, September 12, 1959)
live cover recording of:
Wild Is the Wind (theme song from the Paramount movie “Wild Is the Wind”) (on 1959-09-12)
lyricist:
Ned Washington
composer:
Dimitri Tiomkin
publisher:
BMG Music Publishing Ltd., Carlin Music Corporation, Shapiro, Bernstein & Co., Inc., Universal Music Publishing MGB Ltd., Anne-Rachel Music Corp. (in 1957, in 1985), Catharine Hinen Music (in 1957, in 1985), Chappell & Co., Inc. (USA) (in 1957), Largo Music Inc. (in 1957, in 1985) and Patti Washington Music (in 1957, in 1985)
part of:
The 30th Academy Award for Best Original Song (number: 2)
Nina Simone3:30
2The Jazz in You
recording of:
The Jazz in You
writer:
Luther Dixon and Chris Towns (songwriter, arranger and producer)
Gloria Lynne2:23
3If Dreams Come True
cover recording of:
If Dreams Come True
lyricist:
Irving Mills
composer:
Edgar M. Sampson and Benny Goodman (clarinetist and bandleader)
Nancy Wilson1:50
4You Took Advantage of Me
Annie Ross3:54
5Something to Live For
cover recording of:
Something to Live For (1938 Billy Strayhorn jazz composition)
lyricist and composer:
Billy Strayhorn
Chris Connor3:17
6How Deep Is the Ocean
cover recording of:
How Deep Is the Ocean?
lyricist and composer:
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. and Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Etta Jones3:34
7He Don’t Love Me Anymore
Helen Humes2:52
8Doodlin’
baritone saxophone:
Charlie Fowlkes (on 1958-01-05)
bass:
Richard Davis (American jazz bassist)
double bass:
Richard Davis (American jazz bassist) (on 1958-01-05)
drums (drum set):
Sonny Payne (on 1958-01-05)
guitar:
Freddie Green (on 1958-01-05)
piano:
Ronnell Bright (on 1958-01-05)
reeds:
Marshall Royal (on 1958-01-05)
saxophone:
Frank Foster (saxophonist), Charlie Fowlkes, Billy Mitchell (US jazz saxophonist), Marshall Royal and Frank Wess
tenor saxophone:
Frank Foster (saxophonist) (on 1958-01-05) and Billy Mitchell (US jazz saxophonist) (on 1958-01-05)
trombone:
Henry Coker (on 1958-01-05), Al Grey (trombone) (on 1958-01-05) and Benny Powell (on 1958-01-05)
trumpet:
Wendell Culley (on 1958-01-05), Eugene Young (on 1958-01-05) and Thad Jones (American jazz trumpeter) (on 1958-01-05)
woodwind:
Frank Wess (on 1958-01-05)
vocals:
Sarah Vaughan (on 1958-01-05)
cover recording of:
Doodlin’ (vocal version, lyrics by Jon Hendricks) (on 1958-01-05)
lyricist:
Jon Hendricks
composer:
Horace Silver
publisher:
Silhouette Music Corp.
version of:
Doodlin’ (original instrumental version)
Sarah Vaughan4:35
9God Bless the Child
recorded in:
New York, New York, United States (on 1962-05-11)
producer:
Robert Mersey
conductor:
Robert Mersey (on 1962-05-11)
arranger:
Robert Mersey
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1962)
cover recording of:
God Bless the Child (on 1962-05-11)
lyricist:
Billie Holiday
composer:
Arthur Herzog, Jr.
publisher:
Basart Editions (ended) and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
Aretha Franklin43:04
10Oooh‐Wee
Dolores Hawkins3:05
11Lazy Afternoon
engineer:
Johnny Cue
vocals:
Ernestine Anderson (in 1960)
orchestra:
Ernie Wilkins Orchestra (in 1960)
recording of:
Lazy Afternoon (The Golden Apple, 1954) (in 1960)
orchestrator and composer:
Jerome Moross (American composer and conductor)
lyricist:
John Latouche
publisher:
Chappell & Co., Inc. (USA), Sony/ATV Tunes LLC (ASCAP) and Warner Chappell Music, Inc.
part of:
The Golden Apple (musical)
Ernestine Anderson2:48
12Love for Sale
Shirley Horn3:54
13Misery
Carmen McRae3:52
14No Moon at All
Anita O’Day2:30
15Love Me or Leave Me
cover recording of:
Love Me or Leave Me
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
Peggy Lee2:09
16Blues in the Night
recording of:
Blues in the Night (My Mama Done Tol’ Me)
lyricist:
Johnny Mercer (in 1941)
composer:
Harold Arlen (in 1941)
publisher:
Warner Bros., Inc. (not for release label use!) and WB Music Corp. (1929–2019)
part of:
The 14th Academy Award for Best Original Song (number: 2)
Dinah Shore3:46
17Is You Is or Is You Ain’t My Baby
vocals:
Dinah Washington (in 1956)
cover recording of:
Is You Is or Is You Ain’t My Baby?
writer:
Bill Austin (in 1944) and Louis Jordan (US jazz, blues and r&b musician and songwriter) (in 1944)
publisher:
Universal‐MCA Music Publishing (US)
part of:
The Real Book (compilation of jazz standards, Volume I)
Dinah Washington3:00
18I’m Glad There Is You
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
vocals:
Julie London (in 1955-08)
cover recording of:
I’m Glad There Is You (in 1955-08)
writer:
Jimmy Dorsey and Paul Madeira (Paul Madeira Mertz)
publisher:
Chappell/Morris Ltd. and Mayfair Music Corp.
Julie London42:29
19The Other Woman (live at Town Hall, New York, September 12, 1959)
live cover recording of:
The Other Woman (on 1959-09-12)
lyricist and composer:
Jessie Mae Robinson
publisher:
Thandewye Music (publisher; do NOT use as release label)
Nina Simone3:03
20I’m a Fool to Want You
cover recording of:
I’m a Fool to Want You
writer:
Joel Herron (in 1951), Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (in 1951) and Jack Wolf (in 1951)
publisher:
Barton Music Corp., Integrity Music Corp., Sergeant Music Co., The International Music Network and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Helen Merrill4:10
21It Don’t Mean a Thing If It Ain’t Got That Swing
alto saxophone:
Johnny Hodges (on 1956-01-27)
alto saxophone and clarinet:
Russell Procope (on 1956-01-27)
baritone saxophone:
Harry Carney (on 1956-01-27)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1956-01-27)
double bass:
Jimmy Woode (on 1956-01-27)
drums (drum set):
Sam Woodyard (on 1956-01-27)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1956-01-27)
tenor saxophone:
Paul Gonsalves (on 1956-01-27)
trombone:
Quentin Jackson (on 1956-01-27) and Britt Woodman (on 1956-01-27)
trumpet:
William “Cat” Anderson (on 1956-01-27), Willie Cook (US jazz trumpeter) (on 1956-01-27), Ray Nance (on 1956-01-27) and Cootie Williams (on 1956-01-27)
valve trombone:
John Sanders (US jazz trombonist) (on 1956-01-27)
lead vocals:
Rosemary Clooney (on 1956-01-27)
recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (on 1956-01-27)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, Volume I)
Rosemary Clooney2:52
22Almost Like Being in Love
Beverly Kenney2:11
23Like Young
Linda Lawson2:58
24Afro‐Blue
cover recording of:
Afro Blue
composer:
Mongo Santamaría (Cuban jazz percussionist)
publisher:
Mongo Music
Abbey Lincoln3:18
2▶Digital Media

Credits