| # | Title | Artist | Rating | Length |
|---|
| 1 | Run to the Hills | Iron Maiden | 4.15 | 3:54 |
| 2 | Modern Girl | Meat Loaf | 4 | 4:24 |
| 3 | Day After Day | Pretenders | | 4:02 |
| 4 | Human Touch | Rick Springfield | | 3:51 |
| 5 | The Lucky One | Laura Branigan | | 4:11 |
| 6 | Hard Habit to Break- engineer and mixer:
- Humberto Gatica
- producer:
- David Foster
- assistant mixer:
- Larry Fergusson
- lead vocals:
- Peter Cetera (in 1984) and Bill Champlin (in 1984)
- instruments arranger:
- Jeremy Lubbock
- arranger:
- David Foster
- phonographic copyright (℗) by:
- Warner Bros. Records , WEA International Inc. (in 1983, in 1984) and Warner Bros. Records Inc. (in 1984, in 2010)
- recorded at:
- Sunset Sound in Hollywood, Los Angeles, California, United States (in 1984), The Lighthouse in North Hollywood, Los Angeles, California, United States (in 1984) and The Record Plant in Hollywood, Los Angeles, California, United States (in 1984)
- mixed at:
- Lion Share Recording Studios in Los Angeles, California, United States
- recording of:
- Hard Habit to Break (in 1984)
- writer:
- Steve Kipner (in 1984) and John Lewis Parker (in 1984)
- publisher:
- Bocu Music Ltd., EMI April Music Inc., EMI Music Publishing Australia Pty Ltd , EMI Songs Ltd., MCA Music Ltd., Music Corporation of America, Inc. , Songs of Universal, Inc. , Universal/MCA Music Ltd. , Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント , ユニバーサル・ミュージック・パブリッシング Synch事業部 , イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30), April Music Inc. (in 1984), Parker Songs (in 1984), Stephen A. Kipner Music (in 1984) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| Chicago | 4 | 4:45 |
| 7 | Say It Isn’t So | Daryl Hall & John Oates | 3 | 4:16 |
| 8 | Better Be Good to Me | Tina Turner | 2.65 | 3:36 |
| 9 | One Thing Leads to Another | The Fixx | 4.35 | 3:16 |
| 10 | Grey Day | Madness | 3 | 3:39 |
| 11 | Cherry Oh Baby | UB40 | 3.4 | 3:17 |
| 12 | A Solid Bond in Your Heart | The Style Council | | 3:17 |
| 13 | Just Got Lucky | JoBoxers | | 3:40 |
| 14 | We Got the Beat- additional assistant recording engineer:
- James Ball, Eric Kortee and Darroll Gustamachio
- assistant recording engineer:
- Ted Blechta and John Terelle
- recording engineer and mixer:
- Rob Freeman
- producer:
- Rob Freeman and Richard Gottehrer
- assistant mixer:
- Gray Russell
- bass guitar and guitar:
- Kathy Valentine
- drums (drum set) and percussion:
- Gina Schock
- guitar [lead guitar] and keyboard:
- Charlotte Caffey
- guitar [rhythm guitar]:
- Jane Wiedlin
- lead vocals:
- Belinda Carlisle
- vocals:
- Charlotte Caffey and Jane Wiedlin
- phonographic copyright (℗) by:
- I.R.S., Inc. (in 1981)
- additionally recorded at:
- Sound Mixers Studio in New York, New York, United States and The Record Plant in Midtown Manhattan, New York, New York, United States
- recorded at:
- Pennylane Studios in New York, New York, United States
- mixed at:
- Sound Mixers Studio in New York, New York, United States
- recording of:
- We Got the Beat
- lyricist and composer:
- Charlotte Caffey
- writer:
- Go‐Go’s
- publisher:
- Daddy-Oh Music and Universal Music–MGB Songs
| The Go‐Go’s | 4.4 | 2:31 |
| 15 | D-Days | Hazel O’Connor | | 2:49 |
| 16 | Miss the Girl | The Creatures | | 2:36 |
| 17 | Just Who Is the 5 O'Clock Hero? | The Jam | 4 | 2:13 |
| 18 | 11 O'Clock Tick Tock | U2 | | 3:47 |
| 19 | Everything’s Gone Green | New Order | | 4:19 |
| 20 | Silver | Echo & the Bunnymen | 4 | 3:19 |
| 21 | 18 Carat Love Affair | The Associates | | 3:39 |
| 22 | Cantonese Boy | Japan | 5 | 3:49 |