| # | Title | Artist | Rating | Length |
|---|
| 1 | Come to My Window | Melissa Etheridge | 5 | 3:54 |
| 2 | We Built This City- phonographic copyright (℗) by:
- BMG Entertainment (in 1985) and Sony BMG Music Entertainment (in 1985)
- recording of:
- We Built This City
- writer:
- Dennis Lambert, Martin Page, Bernie Taupin and Peter Wolf
- publisher:
- BMG Music, BMG Songs, Inc., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Concord Copyrights London Limited, Copyright Control , Little Mole Music, Petwolf Music, Tuneworks Music Co., Universal Music Careers, Universal Music Publishing Pty Ltd. , Universal Music–MGB Songs, Warner/Chappell Music Ltd. , Zomba Enterprises and Zomba Enterprises, Inc.
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Starship | 4.2 | 4:35 |
| 3 | We Belong to the Night | Ellen Foley | 1 | 5:21 |
| 4 | I’ll Stand by You | The Pretenders | 3.55 | 3:57 |
| 5 | Nutbush City Limits- recording of:
- Nutbush City Limits
- lyricist and composer:
- Tina Turner
- publisher:
- Copyright Control , EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing , EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music and Valley Spring Music Corp.
| Tina Turner | | 3:20 |
| 6 | Sunset Runaways | Girl Called Johnny | | 3:49 |
| 7 | If I Could Turn Back Time- recording engineer and mixer:
- Frank Wolf
- additional engineer:
- Guy Roche
- assistant engineer:
- Ken Allardyce, Mario Luccy, Craig Porteils and Duane Seykora
- producer:
- Guy Roche and Diane Warren
- additional guitar:
- Gene Black and Glenn Sciurba
- bass guitar:
- John Pierce
- drums (drum set) and tambourine:
- Mark T. Williams
- guitar:
- Steve Lukather
- keyboard:
- Alan Pasqua and Guy Roche
- background vocals:
- Michael Anthony , Robin Beck, Desmond Child, Jimmy Demers, Jean McClain and Maria Vidal
- lead vocals:
- Cher
- phonographic copyright (℗) by:
- Geffen Records (in 1989) and The David Geffen Company (in 1989)
- recorded at:
- Bill Schnee Studios in North Hollywood, Los Angeles, California, United States and Criterion Studios in Los Angeles, California, United States
- mixed at:
- The Complex Studios in Los Angeles, California, United States
- part of:
- Billboard: The 500 Best Pop Songs (number: 386)
- recording of:
- If I Could Turn Back Time
- lyricist and composer:
- Diane Warren
- publisher:
- EMI Music Publishing and Realsongs (in 1989)
| Cher | 3.75 | 4:00 |
| 8 | Right Beside You | Sophie B. Hawkins | | 4:49 |
| 9 | Beast of Burden | Bette Midler | 4 | 3:47 |
| 10 | Your Ghost | Kristin Hersh | 3.5 | 3:18 |
| 11 | Back on My Feet Again | Jan James | | 3:07 |
| 12 | Bette Davis Eyes- recording engineer:
- Val Garay (in 1981-01)
- producer:
- Val Garay
- electric guitar:
- Waddy Wachtel (in 1981-01)
- lead vocals:
- Kim Carnes (in 1981-01)
- phonographic copyright (℗) by:
- Capitol Records, LLC , Capitol Records (in 1981), Capitol Records, Inc. (in 1981), Chrysalis Records (in 1981), EMI America Records, Inc. (in 1981), EMI Records Ltd. (in 1981), EMI Records USA (in 1981), EMI USA (in 1981) and EMI–Manhattan Records (in 1981)
- recorded at:
- Record One in Sherman Oaks, Los Angeles, California, United States (in 1981-01)
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 18) and Billboard: The 500 Best Pop Songs (number: 425)
- cover recording of:
- Bette Davis Eyes (in 1981-01)
- writer:
- Jackie DeShannon and Donna Weiss
- publisher:
- Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. and Warner/Chappell Music Ltd.
| Kim Carnes | 3.95 | 3:45 |
| 13 | Love Is a Battlefield- assistant engineer:
- Dave Hernandez
- producer and mixer:
- Pete Coleman and Neil Giraldo
- assistant mixer:
- Murray Dvorkin and Bino Espinoza
- bass guitar:
- Roger Capps and Donnie Nossov
- drums (drum set):
- Myron Grombacher
- guitar and harmonica:
- Neil Giraldo
- keyboard:
- Charles Giordano
- percussion:
- Charles Giordano , Neil Giraldo and Myron Grombacher
- lead vocals:
- Pat Benatar
- mixed at:
- Soundcastle in Santa Monica, California, United States and The Complex Studios in Los Angeles, California, United States
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 30)
- recording of:
- Love Is a Battlefield
- writer:
- Mike Chapman and Holly Knight
- publisher:
- BMG Gold Songs, BMG Music, BMG Music Pbl. Ltd., Copyright Control , EMI Music Publishing Ltd. , Island Music Ltd., Universal Music–MGB Songs, Warner Chappell, Warner/Chappell Music Ltd. , Zomba Music Publishers Ltd. and Zomba Music Publishing Ltd.
| Pat Benatar | 3.65 | 5:22 |
| 14 | Denis- engineer:
- Rob Freeman
- producer:
- Richard Gottehrer
- bass guitar:
- Frank Infante (from 1977-06 until 1977-07) and Chris Stein (from 1977-06 until 1977-07)
- drums (drum set):
- Clem Burke (from 1977-06 until 1977-07)
- electric guitar [lead guitar] and vibraphone:
- Chris Stein (from 1977-06 until 1977-07)
- electric guitar [rhythm guitar]:
- Frank Infante (from 1977-06 until 1977-07)
- farfisa, grand piano, strings, synthesizer [Polymoog] and synthesizer [Roland]:
- Jimmy Destri (from 1977-06 until 1977-07)
- background vocals:
- Clem Burke (from 1977-06 until 1977-07) and Jimmy Destri (from 1977-06 until 1977-07)
- lead vocals:
- Deborah Harry (from 1977-06 until 1977-07)
- phonographic copyright (℗) by:
- Chrysalis Records (in 1977), Chrysalis Records, Inc. (in 1977, in 2001) and Chrysalis Records Ltd. (in 1978)
- recorded at:
- Plaza Sound Studios in New York, New York, United States (from 1977-06 until 1977-07)
- cover recording of:
- Denise (from 1977-06 until 1977-07)
- lyricist and composer:
- Neil Levenson
- publisher:
- Bright Tunes Music Corp., EMI Music Publishing Ltd. , Minder Music Ltd. and Taking Care of Business Music Inc.
| Blondie | 3.55 | 2:17 |
| 15 | Sexreligion | Ellen ten Damme | | 3:31 |
| 16 | High Road Easy- assistant mixer:
- Liz Sroka
- mixer:
- Michael Wagener
- bass:
- Tony Reyes
- drums (drum set):
- Brian Tichy
- Hammond organ [Hammond B3]:
- Rei Atsumi
- percussion:
- טל ברגמן
- background vocals:
- Richie Kotzen, Tony Reyes , Sass and Stevie
- phonographic copyright (℗) by:
- Aquarius Records Ltd. (in 1994)
- mixed for:
- Double Trouble Prods., Inc.
- mixed at:
- Scream Studios in Studio City, Los Angeles, California, United States
- recording of:
- High Road Easy
- writer:
- Sass Jordan and Stevie Salas
- publisher:
- Cat Sass Music, Green Lantern Music, Salidified Songs, Songs of PolyGram International, Inc. and WB Music Corp.
| Sass Jordan | 5 | 4:01 |
| 17 | Total Eclipse of the Heart | Bonnie Tyler | 4.15 | 4:28 |
| 18 | Mercedes Benz- recorded in:
- Los Angeles, California, United States (on 1970-10-01)
- engineer:
- Phil Macy
- producer:
- Paul A. Rothchild
- bass guitar:
- Brad Campbell (on 1970-10-01)
- drums (drum set):
- Clark Pierson (on 1970-10-01)
- guest bongos and guest congas:
- Bobbye Hall
- guest bongos and congas:
- Bobbye Hall (on 1970-10-01)
- guest tambourine:
- Sandra Crouch (on 1970-10-01)
- guitar:
- John Till (on 1970-10-01)
- organ:
- Ken Pearson (on 1970-10-01)
- piano:
- Richard Bell (on 1970-10-01)
- background vocals:
- Phil Badella (on 1970-10-01), Richard Bell (on 1970-10-01), Brad Campbell (on 1970-10-01), John Cooke (on 1970-10-01), Janis Joplin (on 1970-10-01), Vince Mitchell (on 1970-10-01), Ken Pearson (on 1970-10-01), Clark Pierson (on 1970-10-01) and John Till (on 1970-10-01)
- lead vocals:
- Janis Joplin (on 1970-10-01)
- performer:
- Full Tilt Boogie (on 1970-10-01)
- recorded at:
- Sunset Sound in Hollywood, Los Angeles, California, United States (on 1970-10-01)
- recording of:
- Mercedes Benz (on 1970-10-01)
- writer:
- Janis Joplin, Michael McClure and Bob Neuwirth
| Janis Joplin | 3.55 | 1:48 |
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