Rogue One: A Star Wars Story

~ Release by Michael Giacchino (see all versions of this release, 13 available)

Tracklist

1▼CD
#TitleRatingLength
1He’s Here for Us
recording engineer:
Adam Michalak (US film score engineer)
engineer:
Vincent Cirilli and Greg Loskorn (American sound engineer)
producer:
Michael Giacchino (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Joel Iwataki
editor:
Warren Brown (editor, engineer), Stephen M. Davis and John Finklea (Music Editor)
conductor:
Tim Simonec
orchestrator:
Bill Ross (composer, orchestrator, arranger, conductor), Brad Dechter, Jeff Kryka (orchestrator), Tim Simonec and Chris Tilton
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2016)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
He’s Here for Us
composer:
Michael Giacchino (American score composer)
publisher:
Wampa Tauntaun Music
part of:
Rogue One: A Star Wars Story
23:20
2A Long Ride Ahead
recording engineer:
Adam Michalak (US film score engineer)
engineer:
Vincent Cirilli and Greg Loskorn (American sound engineer)
producer:
Michael Giacchino (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Joel Iwataki
editor:
Warren Brown (editor, engineer), Stephen M. Davis and John Finklea (Music Editor)
conductor:
Tim Simonec
orchestrator:
Bill Ross (composer, orchestrator, arranger, conductor), Brad Dechter, Jeff Kryka (orchestrator), Tim Simonec and Chris Tilton
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2016)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
A Long Ride Ahead
composer:
Michael Giacchino (American score composer)
publisher:
Wampa Tauntaun Music
part of:
Rogue One: A Star Wars Story
1.53:56
3Wobani Imperial Labor Camp
recording engineer:
Adam Michalak (US film score engineer)
engineer:
Vincent Cirilli and Greg Loskorn (American sound engineer)
producer:
Michael Giacchino (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Joel Iwataki
editor:
Warren Brown (editor, engineer), Stephen M. Davis and John Finklea (Music Editor)
conductor:
Tim Simonec
orchestrator:
Bill Ross (composer, orchestrator, arranger, conductor), Brad Dechter, Jeff Kryka (orchestrator), Tim Simonec and Chris Tilton
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2016)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Wobani Imperial Labor Camp
composer:
Michael Giacchino (American score composer)
publisher:
Wampa Tauntaun Music
part of:
Rogue One: A Star Wars Story
20:55
4Trust Goes Both Ways
recording engineer:
Adam Michalak (US film score engineer)
engineer:
Vincent Cirilli and Greg Loskorn (American sound engineer)
producer:
Michael Giacchino (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Joel Iwataki
editor:
Warren Brown (editor, engineer), Stephen M. Davis and John Finklea (Music Editor)
conductor:
Tim Simonec
orchestrator:
Bill Ross (composer, orchestrator, arranger, conductor), Brad Dechter, Jeff Kryka (orchestrator), Tim Simonec and Chris Tilton
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2016)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Trust Goes Both Ways
composer:
Michael Giacchino (American score composer)
publisher:
Bantha Music, Wampa Tauntaun Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
quotes music from:
Binary Sunset (Star Wars, Episode IV: A New Hope)
part of:
Rogue One: A Star Wars Story
22:45
5When Has Become Now
recording engineer:
Adam Michalak (US film score engineer)
engineer:
Vincent Cirilli and Greg Loskorn (American sound engineer)
producer:
Michael Giacchino (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Joel Iwataki
editor:
Warren Brown (editor, engineer), Stephen M. Davis and John Finklea (Music Editor)
conductor:
Tim Simonec
orchestrator:
Bill Ross (composer, orchestrator, arranger, conductor), Brad Dechter, Jeff Kryka (orchestrator), Tim Simonec and Chris Tilton
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2016)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
When Has Become Now
composer:
Michael Giacchino (American score composer)
publisher:
Wampa Tauntaun Music
part of:
Rogue One: A Star Wars Story
1.51:59
6Jedha Arrival
recording engineer:
Adam Michalak (US film score engineer)
engineer:
Vincent Cirilli and Greg Loskorn (American sound engineer)
producer:
Michael Giacchino (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Joel Iwataki
editor:
Warren Brown (editor, engineer), Stephen M. Davis and John Finklea (Music Editor)
conductor:
Tim Simonec
orchestrator:
Bill Ross (composer, orchestrator, arranger, conductor), Brad Dechter, Jeff Kryka (orchestrator), Tim Simonec and Chris Tilton
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2016)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Jedha Arrival
composer:
Michael Giacchino (American score composer)
publisher:
Wampa Tauntaun Music
part of:
Rogue One: A Star Wars Story
1.52:48
7Jedha City Ambush
recording engineer:
Adam Michalak (US film score engineer)
engineer:
Vincent Cirilli and Greg Loskorn (American sound engineer)
producer:
Michael Giacchino (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Joel Iwataki
editor:
Warren Brown (editor, engineer), Stephen M. Davis and John Finklea (Music Editor)
conductor:
Tim Simonec
orchestrator:
Bill Ross (composer, orchestrator, arranger, conductor), Brad Dechter, Jeff Kryka (orchestrator), Tim Simonec and Chris Tilton
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2016)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Jedha City Ambush
composer:
Michael Giacchino (American score composer)
publisher:
Wampa Tauntaun Music
part of:
Rogue One: A Star Wars Story
1.52:19
8Star‐Dust
recording engineer:
Adam Michalak (US film score engineer)
engineer:
Vincent Cirilli and Greg Loskorn (American sound engineer)
producer:
Michael Giacchino (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Joel Iwataki
editor:
Warren Brown (editor, engineer), Stephen M. Davis and John Finklea (Music Editor)
conductor:
Tim Simonec
orchestrator:
Bill Ross (composer, orchestrator, arranger, conductor), Brad Dechter, Jeff Kryka (orchestrator), Tim Simonec and Chris Tilton
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2016)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Star‐Dust
composer:
Michael Giacchino (American score composer)
publisher:
Wampa Tauntaun Music
part of:
Rogue One: A Star Wars Story
1.53:47
9Confrontation on Eadu
recording engineer:
Adam Michalak (US film score engineer)
engineer:
Vincent Cirilli and Greg Loskorn (American sound engineer)
producer:
Michael Giacchino (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Joel Iwataki
editor:
Warren Brown (editor, engineer), Stephen M. Davis and John Finklea (Music Editor)
conductor:
Tim Simonec
orchestrator:
Bill Ross (composer, orchestrator, arranger, conductor), Brad Dechter, Jeff Kryka (orchestrator), Tim Simonec and Chris Tilton
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2016)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Confrontation on Eadu
composer:
Michael Giacchino (American score composer)
publisher:
Wampa Tauntaun Music
part of:
Rogue One: A Star Wars Story
1.58:06
10Krennic’s Aspirations
recording engineer:
Adam Michalak (US film score engineer)
engineer:
Vincent Cirilli and Greg Loskorn (American sound engineer)
producer:
Michael Giacchino (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Joel Iwataki
editor:
Warren Brown (editor, engineer), Stephen M. Davis and John Finklea (Music Editor)
conductor:
Tim Simonec
orchestrator:
Bill Ross (composer, orchestrator, arranger, conductor), Brad Dechter, Jeff Kryka (orchestrator), Tim Simonec and Chris Tilton
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2016)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Krennic’s Aspirations
composer:
Michael Giacchino (American score composer)
publisher:
Bantha Music, Wampa Tauntaun Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
quotes music from:
The Imperial March (Star Wars, Episode V: The Empire Strikes Back, Darth Vader’s Theme)
part of:
Rogue One: A Star Wars Story
1.54:16
11Rebellions Are Built on Hope
recording engineer:
Adam Michalak (US film score engineer)
engineer:
Vincent Cirilli and Greg Loskorn (American sound engineer)
producer:
Michael Giacchino (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Joel Iwataki
editor:
Warren Brown (editor, engineer), Stephen M. Davis and John Finklea (Music Editor)
conductor:
Tim Simonec
orchestrator:
Bill Ross (composer, orchestrator, arranger, conductor), Brad Dechter, Jeff Kryka (orchestrator), Tim Simonec and Chris Tilton
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2016)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Rebellions Are Built on Hope
composer:
Michael Giacchino (American score composer)
publisher:
Wampa Tauntaun Music
part of:
Rogue One: A Star Wars Story
1.52:56
12Rogue One
recording engineer:
Adam Michalak (US film score engineer)
engineer:
Vincent Cirilli and Greg Loskorn (American sound engineer)
producer:
Michael Giacchino (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Joel Iwataki
editor:
Warren Brown (editor, engineer), Stephen M. Davis and John Finklea (Music Editor)
conductor:
Tim Simonec
orchestrator:
Bill Ross (composer, orchestrator, arranger, conductor), Brad Dechter, Jeff Kryka (orchestrator), Tim Simonec and Chris Tilton
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2016)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Rogue One
composer:
Michael Giacchino (American score composer)
publisher:
Bantha Music, Wampa Tauntaun Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Rogue One: A Star Wars Story
22:05
13Cargo Shuttle SW‐0608
recording engineer:
Adam Michalak (US film score engineer)
engineer:
Vincent Cirilli and Greg Loskorn (American sound engineer)
producer:
Michael Giacchino (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Joel Iwataki
editor:
Warren Brown (editor, engineer), Stephen M. Davis and John Finklea (Music Editor)
conductor:
Tim Simonec
orchestrator:
Bill Ross (composer, orchestrator, arranger, conductor), Brad Dechter, Jeff Kryka (orchestrator), Tim Simonec and Chris Tilton
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2016)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Cargo Shuttle SW‐0608
composer:
Michael Giacchino (American score composer)
publisher:
Wampa Tauntaun Music
part of:
Rogue One: A Star Wars Story
1.54:00
14Scrambling the Rebel Fleet
recording engineer:
Adam Michalak (US film score engineer)
engineer:
Vincent Cirilli and Greg Loskorn (American sound engineer)
producer:
Michael Giacchino (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Joel Iwataki
editor:
Warren Brown (editor, engineer), Stephen M. Davis and John Finklea (Music Editor)
conductor:
Tim Simonec
orchestrator:
Bill Ross (composer, orchestrator, arranger, conductor), Brad Dechter, Jeff Kryka (orchestrator), Tim Simonec and Chris Tilton
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2016)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Scrambling the Rebel Fleet
composer:
Michael Giacchino (American score composer)
publisher:
Bantha Music, Wampa Tauntaun Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Rogue One: A Star Wars Story
1.51:33
15AT‐ACT Assault
recording engineer:
Adam Michalak (US film score engineer)
engineer:
Vincent Cirilli and Greg Loskorn (American sound engineer)
producer:
Michael Giacchino (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Joel Iwataki
editor:
Warren Brown (editor, engineer), Stephen M. Davis and John Finklea (Music Editor)
conductor:
Tim Simonec
orchestrator:
Bill Ross (composer, orchestrator, arranger, conductor), Brad Dechter, Jeff Kryka (orchestrator), Tim Simonec and Chris Tilton
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2016)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
AT‐ACT Assault
composer:
Michael Giacchino (American score composer)
publisher:
Bantha Music, Wampa Tauntaun Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Rogue One: A Star Wars Story
1.52:55
16The Master Switch
recording engineer:
Adam Michalak (US film score engineer)
engineer:
Vincent Cirilli and Greg Loskorn (American sound engineer)
producer:
Michael Giacchino (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Joel Iwataki
editor:
Warren Brown (editor, engineer), Stephen M. Davis and John Finklea (Music Editor)
conductor:
Tim Simonec
orchestrator:
Bill Ross (composer, orchestrator, arranger, conductor), Brad Dechter, Jeff Kryka (orchestrator), Tim Simonec and Chris Tilton
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2016)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
The Master Switch
composer:
Michael Giacchino (American score composer)
publisher:
Bantha Music, Wampa Tauntaun Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Rogue One: A Star Wars Story
1.54:03
17Your Father Would Be Proud
recording engineer:
Adam Michalak (US film score engineer)
engineer:
Vincent Cirilli and Greg Loskorn (American sound engineer)
producer:
Michael Giacchino (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Joel Iwataki
editor:
Warren Brown (editor, engineer), Stephen M. Davis and John Finklea (Music Editor)
conductor:
Tim Simonec
orchestrator:
Bill Ross (composer, orchestrator, arranger, conductor), Brad Dechter, Jeff Kryka (orchestrator), Tim Simonec and Chris Tilton
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2016)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Your Father Would Be Proud
composer:
Michael Giacchino (American score composer)
publisher:
Wampa Tauntaun Music
part of:
Rogue One: A Star Wars Story
1.54:52
18Hope
recording engineer:
Adam Michalak (US film score engineer)
engineer:
Vincent Cirilli and Greg Loskorn (American sound engineer)
producer:
Michael Giacchino (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Joel Iwataki
editor:
Warren Brown (editor, engineer), Stephen M. Davis and John Finklea (Music Editor)
conductor:
Tim Simonec
orchestrator:
Bill Ross (composer, orchestrator, arranger, conductor), Brad Dechter, Jeff Kryka (orchestrator), Tim Simonec and Chris Tilton
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2016)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Hope
composer:
Michael Giacchino (American score composer)
publisher:
Bantha Music, Wampa Tauntaun Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Rogue One: A Star Wars Story
1.51:38
19Jyn Erso & Hope Suite
recording engineer:
Adam Michalak (US film score engineer)
engineer:
Vincent Cirilli and Greg Loskorn (American sound engineer)
producer:
Michael Giacchino (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Joel Iwataki
editor:
Warren Brown (editor, engineer), Stephen M. Davis and John Finklea (Music Editor)
conductor:
Tim Simonec
orchestrator:
Bill Ross (composer, orchestrator, arranger, conductor), Brad Dechter, Jeff Kryka (orchestrator), Tim Simonec and Chris Tilton
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2016)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Jyn Erso & Hope Suite
composer:
Michael Giacchino (American score composer)
publisher:
Wampa Tauntaun Music
part of:
Rogue One: A Star Wars Story
1.55:52
20The Imperial Suite
recording engineer:
Adam Michalak (US film score engineer)
engineer:
Vincent Cirilli and Greg Loskorn (American sound engineer)
producer:
Michael Giacchino (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Joel Iwataki
editor:
Warren Brown (editor, engineer), Stephen M. Davis and John Finklea (Music Editor)
conductor:
Tim Simonec
orchestrator:
Bill Ross (composer, orchestrator, arranger, conductor), Brad Dechter, Jeff Kryka (orchestrator), Tim Simonec and Chris Tilton
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2016)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
The Imperial Suite
composer:
Michael Giacchino (American score composer)
publisher:
Wampa Tauntaun Music
part of:
Rogue One: A Star Wars Story
22:30
21Guardians of the Whills Suite
recording engineer:
Adam Michalak (US film score engineer)
engineer:
Vincent Cirilli and Greg Loskorn (American sound engineer)
producer:
Michael Giacchino (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Joel Iwataki
editor:
Warren Brown (editor, engineer), Stephen M. Davis and John Finklea (Music Editor)
conductor:
Tim Simonec
orchestrator:
Bill Ross (composer, orchestrator, arranger, conductor), Brad Dechter, Jeff Kryka (orchestrator), Tim Simonec and Chris Tilton
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2016)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Guardians of the Whills Suite
composer:
Michael Giacchino (American score composer)
publisher:
Bantha Music, Wampa Tauntaun Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Rogue One: A Star Wars Story
1.52:53