Madama Butterfly

~ Release by Puccini; Tebaldi, Bergonzi, Cossotto (see all versions of this release, 9 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Madama Butterfly: Atto I. “E soffito e pareti…”
tenor vocals [Goro]:
Angelo Mercuriali (tenor) (in 1958-07)
tenor vocals [Pinkerton]:
Carlo Bergonzi (tenor) (in 1958-07)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1958-07)
conductor:
Tullio Serafin (conductor) (in 1958-07)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1958)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1958-07)
recording of:
Madama Butterfly: Atto I. “E soffitto… e pareti…” (Pinkerton, Goro) (in 1958-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini3:16
2Madama Butterfly: Atto I. “Sorride Vostro Onore?”
baritone vocals [Sharpless]:
Enzo Sordello (baritone) (in 1958-07)
mezzo-soprano vocals [Suzuki]:
Fiorenza Cossotto (mezzo-soprano) (in 1958-07)
tenor vocals [Goro]:
Angelo Mercuriali (tenor) (in 1958-07)
tenor vocals [Pinkerton]:
Carlo Bergonzi (tenor) (in 1958-07)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1958-07)
conductor:
Tullio Serafin (conductor) (in 1958-07)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1958)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1958-07)
recording of:
Madama Butterfly: Atto I. “Sorride Vostro Onore?” … “Qui verran” … “Quanto alla discendenza” (Suzuki, Goro, Pinkerton, Sharpless) (in 1958-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini3:33
3Madama Butterfly: Atto I. “Dovunque al mondo”
baritone vocals [Sharpless]:
Enzo Sordello (baritone) (in 1958-07)
tenor vocals [Pinkerton]:
Carlo Bergonzi (tenor) (in 1958-07)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1958-07)
conductor:
Tullio Serafin (conductor) (in 1958-07)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1958)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1958-07)
recording of:
Madama Butterfly: Atto I. “Dovunque al mondo” (Pinkerton, Sharpless) (in 1958-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini2:55
4Madama Butterfly: Atto I. “America for ever”
baritone vocals [Sharpless]:
Enzo Sordello (baritone) (in 1958-07)
tenor vocals [Goro]:
Angelo Mercuriali (tenor) (in 1958-07)
tenor vocals [Pinkerton]:
Carlo Bergonzi (tenor) (in 1958-07)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1958-07)
conductor:
Tullio Serafin (conductor) (in 1958-07)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1958)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1958-07)
partial recording of:
Madama Butterfly: Atto I. “Ed è bella la sposa?” … “Quale smania vi prende!” … “Amore o grillo” (Sharpless, Goro, Pinkerton) (in 1958-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini2:34
5Madama Butterfly: Atto I. “Ier l’altro il Consolato”
baritone vocals [Sharpless]:
Enzo Sordello (baritone) (in 1958-07)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1958-07)
conductor:
Tullio Serafin (conductor) (in 1958-07)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1958)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1958-07)
recording of:
Madama Butterfly: Atto I. “Ier l’altro, il Consolato” (Sharpless) (in 1958-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini2:00
6Madama Butterfly: Atto I. “Ecco. Son giunte al sommo del pendio”
baritone vocals [Sharpless]:
Enzo Sordello (baritone) (in 1958-07)
mezzo-soprano vocals [Suzuki]:
Fiorenza Cossotto (mezzo-soprano) (in 1958-07)
soprano vocals:
Renata Tebaldi (soprano) (in 1958-07)
tenor vocals [Goro]:
Angelo Mercuriali (tenor) (in 1958-07)
tenor vocals [Pinkerton]:
Carlo Bergonzi (tenor) (in 1958-07)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1958-07)
conductor:
Tullio Serafin (conductor) (in 1958-07)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1958)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1958-07)
recording of:
Madama Butterfly: Atto I. “Sorride Vostro Onore?” … “Qui verran” … “Quanto alla discendenza” (Suzuki, Goro, Pinkerton, Sharpless) (in 1958-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini3:49
7Madama Butterfly: Atto I. “Gran ventura”
baritone vocals [Sharpless]:
Enzo Sordello (baritone) (in 1958-07)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1958-07)
soprano vocals [Butterfly]:
Renata Tebaldi (soprano) (in 1958-07)
tenor vocals [Goro]:
Angelo Mercuriali (tenor) (in 1958-07)
tenor vocals [Pinkerton]:
Carlo Bergonzi (tenor) (in 1958-07)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1958-07)
conductor:
Tullio Serafin (conductor) (in 1958-07)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1958)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1958-07)
recording of:
Madama Butterfly: Atto I. “Gran ventura” … “Quanti anni avete?” (Butterfly, Amiche, Pinkerton, Sharpless, Goro) (in 1958-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini3:59
8Madama Butterfly: Atto I. “L’Imperial Commissario”
baritone vocals [Sharpless]:
Enzo Sordello (baritone) (in 1958-07)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1958-07)
soprano vocals [Butterfly]:
Renata Tebaldi (soprano) (in 1958-07)
tenor vocals and tenor vocals [Goro]:
Angelo Mercuriali (tenor) (in 1958-07)
tenor vocals [Pinkerton]:
Carlo Bergonzi (tenor) (in 1958-07)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1958-07)
conductor:
Tullio Serafin (conductor) (in 1958-07)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1958)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1958-07)
recording of:
Madama Butterfly: Atto I. “L’Imperial Commissario” … “Che burletta” … “O amico fortunato” … “Mi pare un re” (Goro, Pinkerton, coro, Butterfly, Cugina, Madre, Yakusidè, Zia, Sharpless) (in 1958-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
quotes music from:
君が代
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini3:19
9Madama Butterfly: Atto I. “Vieni, amor mio!”
soprano vocals [Butterfly]:
Renata Tebaldi (soprano) (in 1958-07)
tenor vocals [Goro]:
Angelo Mercuriali (tenor) (in 1958-07)
tenor vocals [Pinkerton]:
Carlo Bergonzi (tenor) (in 1958-07)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1958-07)
conductor:
Tullio Serafin (conductor) (in 1958-07)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1958)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1958-07)
recording of:
Madama Butterfly: Atto I. “Vieni, amor mio!” (Pinkerton, Butterfly, Goro) (in 1958-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini2:48
10Madama Butterfly: Atto I. “leri son salita tutta sola in segreto alla Missione”
soprano vocals [Butterfly]:
Renata Tebaldi (soprano) (in 1958-07)
tenor vocals [Pinkerton]:
Carlo Bergonzi (tenor) (in 1958-07)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1958-07)
conductor:
Tullio Serafin (conductor) (in 1958-07)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1958)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1958-07)
recording of:
Madama Butterfly: Atto I. “Ieri son salita tutta sola” (Butterfly, Pinkerton) (in 1958-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini2:11
11Madama Butterfly: Atto I. “Tutti zitti!”
tenor vocals [Goro]:
Angelo Mercuriali (tenor) (in 1958-07)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1958-07)
conductor:
Tullio Serafin (conductor) (in 1958-07)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1958)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1958-07)
recording of:
Madama Butterfly: Atto I. “Tutti zitti!” (Goro, Il Commissario Imperiale) (in 1958-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini3:05
12Madama Butterfly: Atto I. “O Kami! O Kami!”
bass vocals [Bonzo]:
Paolo Washington (operatic bass) (in 1958-07)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1958-07)
tenor vocals [Goro]:
Angelo Mercuriali (tenor) (in 1958-07)
tenor vocals [Pinkerton]:
Carlo Bergonzi (tenor) (in 1958-07)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1958-07)
conductor:
Tullio Serafin (conductor) (in 1958-07)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1958)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1958-07)
partial recording of:
Madama Butterfly: Atto I. “O Kami! O Kami!” … “Cio‐Cio‐San! Abbominazione!” (Bonzo, Goro, Pinkerton, parenti, amiche) (in 1958-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini0:37
13Madama Butterfly: Atto I. “Cio‐cio‐san! Cio‐cio‐san!”
bass vocals [Bonzo]:
Paolo Washington (operatic bass) (in 1958-07)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1958-07)
tenor vocals [Goro]:
Angelo Mercuriali (tenor) (in 1958-07)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1958-07)
conductor:
Tullio Serafin (conductor) (in 1958-07)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1958)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1958-07)
recording of:
Madama Butterfly: Atto I. “O Kami! O Kami!” … “Cio‐Cio‐San! Abbominazione!” (Bonzo, Goro, Pinkerton, parenti, amiche) (in 1958-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini2:44
14Madama Butterfly: Atto I. “Bimba, bimba, non piangere”
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1958-07)
mezzo-soprano vocals [Suzuki]:
Fiorenza Cossotto (mezzo-soprano) (in 1958-07)
soprano vocals [Butterfly]:
Renata Tebaldi (soprano) (in 1958-07)
tenor vocals [Pinkerton]:
Carlo Bergonzi (tenor) (in 1958-07)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1958-07)
conductor:
Tullio Serafin (conductor) (in 1958-07)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1958)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1958-07)
recording of:
Madama Butterfly: Atto I. “Bimba, bimba, non piangere” (Pinkerton, coro, Butterfly, Suzuki) (in 1958-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini2:01
15Madama Butterfly: Atto I. “Viene la sera”
mezzo-soprano vocals [Suzuki]:
Fiorenza Cossotto (mezzo-soprano) (in 1958-07)
soprano vocals [Butterfly]:
Renata Tebaldi (soprano) (in 1958-07)
tenor vocals [Pinkerton]:
Carlo Bergonzi (tenor) (in 1958-07)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1958-07)
conductor:
Tullio Serafin (conductor) (in 1958-07)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1958)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1958-07)
compilation of:
Madama Butterfly: Atto I. “Viene la sera” by Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia), Tullio Serafin (conductor) and Madama Butterfly: Atto I. “Bimba dagli occhi pieni di malia” by Renata Tebaldi (soprano), Carlo Bergonzi (tenor), Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia), Tullio Serafin (conductor)
recording of:
Madama Butterfly: Atto I. “Viene la sera” (Pinkerton, Butterfly, Suzuki) (in 1958-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini7:59
16Madama Butterfly: Atto I. “Vogliatemi bene”
recorded in:
Roma (Rome), Roma, Lazio, Italy (in 1958-07)
choir vocals:
Coro dell’Accademia di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
soprano vocals [Butterfly]:
Renata Tebaldi (soprano) (in 1958-07)
tenor vocals [Pinkerton]:
Carlo Bergonzi (tenor) (in 1958-07)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1958-07)
conductor:
Tullio Serafin (conductor) (in 1958-07)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1958) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1958)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1958-07)
recording of:
Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” … “Un pò'di vero c'è” … “Oh quanti occhi fisi” (Butterfly, Pinkerton) (Love Duet) (in 1958-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini8:10
17Madama Butterfly: Atto II, parte prima. “E lzaghi ed lzanami”
mezzo-soprano vocals [Suzuki]:
Fiorenza Cossotto (mezzo-soprano) (in 1958-07)
soprano vocals [Butterfly]:
Renata Tebaldi (soprano) (in 1958-07)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1958-07)
conductor:
Tullio Serafin (conductor) (in 1958-07)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1958)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1958-07)
recording of:
Madama Butterfly: Atto II. “E Izaghi ed Izanami” (Suzuki, Butterfly) (in 1958-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini7:44
18Madama Butterfly: Atto II, parte prima. “Un bel di vedremo”
producer:
Christopher Raeburn (producer) and James Walker (ballet/opera conductor, classical recordings producer for Decca)
soprano vocals [Butterfly]:
Renata Tebaldi (soprano) (in 1958-07)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1958-07)
conductor:
Tullio Serafin (conductor) (in 1958-07)
performer:
Renata Tebaldi (soprano)
balance engineer:
Kenneth Wilkinson (engineer) (in 1958-07)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1958) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1958)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1958-07)
recording of:
Madama Butterfly: Atto II. “Che tua madre dovrà” (Butterfly) (in 1958-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (in 1958-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:48
19Madama Butterfly: Atto II, parte prima. “C’è. Entrate”
baritone vocals [Sharpless]:
Enzo Sordello (baritone) (in 1958-07)
mezzo-soprano vocals [Suzuki]:
Fiorenza Cossotto (mezzo-soprano) (in 1958-07)
soprano vocals [Butterfly]:
Renata Tebaldi (soprano) (in 1958-07)
tenor vocals [Goro]:
Angelo Mercuriali (tenor) (in 1958-07)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1958-07)
conductor:
Tullio Serafin (conductor) (in 1958-07)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1958)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1958-07)
recording of:
Madama Butterfly: Atto II. “C’è. Entrate” (Goro, Sharpless, Butterfly, Suzuki, Yamadori) (in 1958-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini3:52
2▶CD