Cantatas, Volume 47

~ Release by Johann Sebastian Bach; Bach Collegium Japan, Masaaki Suzuki (see all versions of this release, 1 available)

Tracklist

1Hybrid SACD
#TitleArtistRatingLength
1Schwingt freudig euch empor, BWV 36: I. Chorus "Schwingt freudig euch empor zu den erhabnen Sternen"
sound engineer:
Andreas Ruge (in 2010-02)
producer:
Rita Hermeyer
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-02)
performer:
Bach Collegium Japan (in 2010-02)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-02)
recording of:
Kantate, BWV 36 "Schwingt freudig euch empor": I. Coro "Schwingt freudig euch empor" (in 2010-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
part of:
Kantate, BWV 36 "Schwingt freudig euch empor"
Johann Sebastian Bach3:58
2Schwingt freudig euch empor, BWV 36: II. Choral "Nun komm, der Heiden Heiland" (Soprano, Alto)
sound engineer:
Andreas Ruge (in 2010-02)
producer:
Rita Hermeyer
countertenor vocals:
Robin Blaze (countertenor) (in 2010-02)
soprano vocals:
Hana Blažíková (in 2010-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-02)
performer:
Bach Collegium Japan (in 2010-02)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-02)
recording of:
Kantate, BWV 36 "Schwingt freudig euch empor": II. Choral "Nun komm, der Heiden Heiland" (in 2010-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 36 "Schwingt freudig euch empor"
Johann Sebastian Bach3:30
3Schwingt freudig euch empor, BWV 36: III. Aria "Die Liebe zieht mit sanften Schritten" (Tenore)
sound engineer:
Andreas Ruge (in 2010-02)
producer:
Rita Hermeyer
tenor vocals:
Satoshi Mizukoshi (in 2010-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-02)
performer:
Bach Collegium Japan (in 2010-02)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-02)
recording of:
Kantate, BWV 36 "Schwingt freudig euch empor": III. Aria (Tenore) "Die Liebe zieht mit sanften Schritten" (in 2010-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
part of:
Kantate, BWV 36 "Schwingt freudig euch empor"
Johann Sebastian Bach5:49
4Schwingt freudig euch empor, BWV 36: IV. Chorale "Zwingt die Saiten in Cythara"
sound engineer:
Andreas Ruge (in 2010-02)
producer:
Rita Hermeyer
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-02)
performer:
Bach Collegium Japan (in 2010-02)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-02)
recording of:
Kantate, BWV 36 "Schwingt freudig euch empor": IV. Choral "Zwingt die Saiten in Cythara" (in 2010-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
Philipp Nicolai (in 1599)
part of:
Breitkopf 389 Choralgesänge (number: 377)
part of:
Kantate, BWV 36 "Schwingt freudig euch empor"
Johann Sebastian Bach1:15
5Schwingt freudig euch empor, BWV 36: V. Aria "Willkommen, werter Schatz!" (Basso)
sound engineer:
Andreas Ruge (in 2010-02)
producer:
Rita Hermeyer
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 2010-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-02)
performer:
Bach Collegium Japan (in 2010-02)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-02)
recording of:
Kantate, BWV 36 "Schwingt freudig euch empor": V. Aria (Basso) "Willkommen, werter Schatz!" (in 2010-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
part of:
Kantate, BWV 36 "Schwingt freudig euch empor"
Johann Sebastian Bach3:26
6Schwingt freudig euch empor, BWV 36: VI. Chorale "Der du bist dem Vater gleich" (Tenore)
sound engineer:
Andreas Ruge (in 2010-02)
producer:
Rita Hermeyer
tenor vocals:
Satoshi Mizukoshi (in 2010-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-02)
performer:
Bach Collegium Japan (in 2010-02)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-02)
recording of:
Kantate, BWV 36 "Schwingt freudig euch empor": VI. Choral (Tenore) "Der du bist dem Vater gleich" (in 2010-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 36 "Schwingt freudig euch empor"
Johann Sebastian Bach1:40
7Schwingt freudig euch empor, BWV 36: VII. Aria "Auch mit gedämpften, schwachen Stimmen" (Soprano)
sound engineer:
Andreas Ruge (in 2010-02)
producer:
Rita Hermeyer
soprano vocals:
Hana Blažíková (in 2010-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-02)
performer:
Bach Collegium Japan (in 2010-02)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-02)
recording of:
Kantate, BWV 36 "Schwingt freudig euch empor": VII. Aria (Soprano) "Auch mit gedämpften, schwachen Stimmen" (in 2010-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
part of:
Kantate, BWV 36 "Schwingt freudig euch empor"
Johann Sebastian Bach8:04
8Schwingt freudig euch empor, BWV 36: VIII. Chorale "Lob sei Gott, dem Vater, ton"
sound engineer:
Andreas Ruge (in 2010-02)
producer:
Rita Hermeyer
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-02)
performer:
Bach Collegium Japan (in 2010-02)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-02)
recording of:
Kantate, BWV 36 "Schwingt freudig euch empor": VIII. Choral "Lob sei Gott, dem Vater g'ton" (in 2010-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 264)
part of:
Kantate, BWV 36 "Schwingt freudig euch empor"
Johann Sebastian Bach0:51
9Wer sich selbst erhöhet, der soll erniedriget werden, BWV 47: I. [Chorus] "Wer sich selbst erhöhet"
sound engineer:
Andreas Ruge (in 2010-02)
producer:
Rita Hermeyer
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-02)
performer:
Bach Collegium Japan (in 2010-02)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-02)
recording of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden": I. Coro "Wer sich selbst erhöhet, der soll erniedriget werden" (in 2010-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden"
Johann Sebastian Bach5:33
10Wer sich selbst erhöhet, der soll erniedriget werden, BWV 47: II. Aria "Wer ein wahrer Christ will heißen" (Soprano)
sound engineer:
Andreas Ruge (in 2010-02)
producer:
Rita Hermeyer
soprano vocals:
Hana Blažíková (in 2010-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-02)
performer:
Bach Collegium Japan (in 2010-02)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-02)
recording of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden": II. Aria (Soprano) "Wer ein wahrer Christ will heißen" (in 2010-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Friedrich Helbig (in 1720)
part of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden"
Johann Sebastian Bach8:30
11Wer sich selbst erhöhet, der soll erniedriget werden, BWV 47: III. Recitativo "Der Mensch ist Kot, Staub, Asch und Erde" (Basso)
sound engineer:
Andreas Ruge (in 2010-02)
producer:
Rita Hermeyer
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 2010-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-02)
performer:
Bach Collegium Japan (in 2010-02)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-02)
recording of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden": III. Recitativo (Basso) "Der Mensch ist Kot, Stank, Asch und Erde" (in 2010-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Friedrich Helbig (in 1720)
part of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden"
Johann Sebastian Bach1:44
12Wer sich selbst erhöhet, der soll erniedriget werden, BWV 47: IV. Aria "Jesu, beuge doch mein Herze" (Basso)
sound engineer:
Andreas Ruge (in 2010-02)
producer:
Rita Hermeyer
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 2010-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-02)
performer:
Bach Collegium Japan (in 2010-02)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-02)
recording of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden": IV. Aria (Basso) "Jesu, beuge doch mein Herze" (in 2010-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Friedrich Helbig (in 1720)
part of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden"
Johann Sebastian Bach3:50
13Wer sich selbst erhöhet, der soll erniedriget werden, BWV 47: V. Choral "Der zeitlichen Ehrn will ich gern entbehrn"
sound engineer:
Andreas Ruge (in 2010-02)
producer:
Rita Hermeyer
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-02)
performer:
Bach Collegium Japan (in 2010-02)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-02)
recording of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden": V. Choral "Der zeitlichen Ehrn will ich gern entbehrn" (in 2010-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist) (in 1557)
part of:
Breitkopf 389 Choralgesänge (number: 333)
part of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden"
Johann Sebastian Bach1:01
14Wer weiß, wie nahe mir mein Ende, BWV 27: I. [Choral e Recitativi] "Wer weiß, wie nahe mir mein Ende?" (Soprano, Alto, Tenore)
sound engineer:
Andreas Ruge (in 2010-02)
producer:
Rita Hermeyer
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 2010-02)
countertenor vocals:
Robin Blaze (countertenor) (in 2010-02)
soprano vocals:
Hana Blažíková (in 2010-02)
tenor vocals:
Satoshi Mizukoshi (in 2010-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-02)
performer:
Bach Collegium Japan (in 2010-02)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-02)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": I. Choral e Recitativi (Soprano, Alto, Tenore, Basso) "Wer weiß, wie nahe mir mein Ende?" (in 2010-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Ämilie Juliane von Schwarzburg-Rudolstadt (in 1695)
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
Johann Sebastian Bach4:29
15Wer weiß, wie nahe mir mein Ende, BWV 27: II. Recitativo "Mein Leben hat kein ander Ziel" (Tenore)
sound engineer:
Andreas Ruge (in 2010-02)
producer:
Rita Hermeyer
tenor vocals:
Satoshi Mizukoshi (in 2010-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-02)
performer:
Bach Collegium Japan (in 2010-02)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-02)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": II. Recitativo (Tenore) "Mein Leben hat kein ander Ziel" (in 2010-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
Johann Sebastian Bach0:56
16Wer weiß, wie nahe mir mein Ende, BWV 27: III. Aria "Willkommen! will ich sagen" (Alto)
sound engineer:
Andreas Ruge (in 2010-02)
producer:
Rita Hermeyer
countertenor vocals:
Robin Blaze (countertenor) (in 2010-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-02)
performer:
Bach Collegium Japan (in 2010-02)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-02)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": III. Aria (Alto) "Willkommen! will ich sagen" (in 2010-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Erdmann Neumeister
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
Johann Sebastian Bach3:50
17Wer weiß, wie nahe mir mein Ende, BWV 27: IV. Recitativo "Ach, wer doch schon im Himmel wär!" (Soprano)
sound engineer:
Andreas Ruge (in 2010-02)
producer:
Rita Hermeyer
soprano vocals:
Hana Blažíková (in 2010-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-02)
performer:
Bach Collegium Japan (in 2010-02)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-02)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": IV. Recitativo (Soprano) "Ach, wer doch schon im Himmel wär!" (in 2010-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
Johann Sebastian Bach0:47
18Wer weiß, wie nahe mir mein Ende, BWV 27: V. Aria "Gute Nacht, du Weltgetümmel!" (Basso)
sound engineer:
Andreas Ruge (in 2010-02)
producer:
Rita Hermeyer
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 2010-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-02)
performer:
Bach Collegium Japan (in 2010-02)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-02)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": V. Aria (Basso) "Gute Nacht, du Weltgetümmel!" (in 2010-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
Johann Sebastian Bach3:22
19Wer weiß, wie nahe mir mein Ende, BWV 27: VI. Choral "Welt, ade! ich bin dein müde"
sound engineer:
Andreas Ruge (in 2010-02)
producer:
Rita Hermeyer
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-02)
performer:
Bach Collegium Japan (in 2010-02)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-02)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": VI. Choral "Welt, ade! ich bin dein müde" (in 2010-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Georg Albinus (in 1649)
part of:
Breitkopf 389 Choralgesänge (number: 350)
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
Johann Sebastian Bach1:23
20Wer weiß, wie nahe mir mein Ende, BWV 27: III. Aria "Willkommen! will ich sagen" (Alto) (Organ version)
sound engineer:
Andreas Ruge (in 2010-02)
producer:
Rita Hermeyer
countertenor vocals:
Robin Blaze (countertenor) (in 2010-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-02)
performer:
Bach Collegium Japan (in 2010-02)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-02)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": III. Aria (Alto) "Willkommen! will ich sagen" (organ version) (in 2010-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Erdmann Neumeister
arrangement of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": III. Aria (Alto) "Willkommen! will ich sagen"
Johann Sebastian Bach4:25

Credits

Release

executive producer:Robert von Bahr
part of:Cantatas (J.S. Bach) (BIS / Masaaki Suzuki) (number: 47) (order: 47)
ASIN:UK: B0041IIVSA [info]
discography entry:http://bis.se/index.php?op=album&aID=BIS-SACD-1861 [info]