Matthäus Passion

~ Release by Johann Sebastian Bach; Ton Koopman, Amsterdam Baroque Orchestra, De Nederlandse Bachvereniging & Sacramentskoor Breda (see all versions of this release, 3 available)

Tracklist

1▶CD
2▶CD
3▼CD
#TitleRatingLength
150a. Sie Schrieen Aber Noch Mehr
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
0:07
250b. Laß Ihn Kreuzigen
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, Lb. "Laß ihn kreuzigen" (Chori) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
0:17
350c. Da Aber Pilatus Sahe
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
0:26
450d. Sein Blut Komme Über Uns
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, Ld. "Sein Blut komme über uns" (Chori) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
0:35
550e. Da Gab Er Ihnen Barrabam Los
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, Le. "Da gab er ihnen Barrabam los" (Evangelista) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
0:24
651. Erbarm Es Gott! Hier Steht Der Heiland
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
alto vocals:
Kai Wessel (countertenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
0:50
752. Können Tränen Meiner Wangen
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
alto vocals:
Kai Wessel (countertenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
5:59
853a. Da Nahmen Die Kriegsknechte
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista)
0:35
953b. Gegrüßet Seist Du, Jüdenkönig
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIb. "Gegrüßet seist du, Jüdenkönig" (Chori) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista)
0:12
1053c. Und Speieten Ihn An
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIc. "Und speieten ihn an" (Evangelista) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista)
0:15
1154. O Haupt Voll Blut Und Wunden
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (on 1992-06-04)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
2:14
1255. Und Da Sie Ihn Verspottet Hatten
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LV. "Und da sie ihn verspottet hatten" (Evangelista) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
0:53
1356. Ja Freilich Will In Uns Das Fleisch Und Blut
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo (Basso) "Ja freilich will in uns das Fleisch und Blut" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
0:38
1457. Komm, Süßes Kreuz, So Will Ich Sagen
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süßes Kreuz, so will ich sagen" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
5:53
1558a. Und Da Sie An Die Stätte Kamen
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie and die Stätte kamen" (Evangelista) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
1:37
1658b. Der Du Den Tempel Gottes Zerbrichst
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIb. "Der du den Tempel Gottes zerbrichst" (Chori) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
0:24
1758c. Desgleichen Auch Die Hohenpriester
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIc. "Desgleichen auch die Hohenpriester" (Evangelista) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
0:08
1858d. Andern Hat Er Geholfen
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIId. "Andern hat er geholfen" (Chori) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
0:42
1958e. Desgleichen Schmäheten Ihn Auch Die Mörder
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIe. "Desgleichen schmäheten ihn auch die Mörder" (Evangelista) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
0:16
2059. Ach Golgatha!
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
alto vocals:
Kai Wessel (countertenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
1:31
2160. Sehet, Jesus Hat Die Hand
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
alto vocals:
Kai Wessel (countertenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LX. Aria (Alto) "Sehet, Jesus hat die Hand", Coro "Wohin?" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
3:17
2261. Und Von Der Sechsten Stunde An / Der Rufet Dem Elias / Und Bald Lief Einer Unter Ihnen / Halt, Laß Sehen / Aber Jesus Schriee Abermal
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
alto vocals:
Kai Wessel (countertenor) (on 1992-06-04)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (on 1992-06-04)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
soprano vocals:
Barbara Schlick (soprano) (on 1992-06-04)
tenor vocals:
Christoph Prégardien (tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
2:05
2362. Wenn Ich Einmal Soll Scheiden
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXII. Choral "Wenn ich einmal soll scheiden" (on 1992-06-04)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 164)
part of:
Matthäus-Passion, BWV 244: Teil II
1:15
2463a. Und Siehe Da, Der Vorhang Zerriß
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriß" (Evangelista) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista)
1:05
2563b. Wahrlich, Dieser Ist Gottes Sohn Gewesen
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIb. "Wahrlich, dieser ist Gottes Sohn gewesen" (Chori in unisono) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista)
0:20
2663c. Und Es Waren Viel Weiber Da
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIc. "Und es waren viel Weiber da" (Evangelista) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista)
1:05
2764. Am Abend, Wenn Es Kühle War
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
2:18
2865. Mache Dich, Mein Herze, Rein
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
6:41
2966a. Und Josef Nahm Den Leib
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus)
0:53
3066b. Herr, Wir Haben Gedacht
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIb. "Herr, wir haben gedacht" (Chori) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus)
0:47
3166c. Pilatus Sprach Zu Ihnen
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus)
0:34
3267. Nun Ist Der Herr Zur Ruh' Gebracht
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
alto vocals:
Kai Wessel (countertenor) (on 1992-06-04)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (on 1992-06-04)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
soprano vocals:
Barbara Schlick (soprano) (on 1992-06-04)
tenor vocals:
Christoph Prégardien (tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
2:11
3368. Wir Setzen Uns Mit Tränen Nieder
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
6:02

Credits

Release group

excerpts:Matthäus Passion (excerpts) by Johann Sebastian Bach (German Baroque period composer & musician), Amsterdam Baroque Orchestra, Ton Koopman (conductor, organist and harpsichordist), Guy de Mey (Belgian operatic tenor), Peter Kooij (Peter Kooy, baritone), Barbara Schlick (soprano), Kai Wessel (countertenor), Christoph Prégardien (tenor) & Klaus Mertens (classical singer, bass‐baritone)
Discogs:https://www.discogs.com/master/1408682 [info]