The Complete Sony Recordings

~ Release by Tafelmusik (see all versions of this release, 4 available)

Annotation

A 47-CD collection of Tafelmusik's recordings for Sony Classical.

Annotation last modified on 2022-08-12 10:03 UTC.

Tracklist

1CD: Johann Sebastian Bach: Brandenburg Concertos nos. 1-3, BWV 1046-1048
2CD: Johann Sebastian Bach: Brandenburg Concertos nos. 4-6, BWV 1049-1051
3CD: Johann Sebastian Bach: Violin Concerto in A minor, BWV 1041 / Concerto for 2 Violins in D minor, BWV 1043 / Violin Concerto in E major, BWV 1042 / Concerto for 3 Violins in D major, BWV 1064R
4CD: Wilhelm Friedemann Bach: Sinfonia in D major, F. 64 / Sinfonia in D minor, F. 65 / Suite (Overture) in G minor (BWV 1070) / Harpsichord Concerto in D major, F. 41 / Sinfonia in F major, F. 67
5CD: Ludwig van Beethoven: Piano Concerto no. 1 in C major, op. 15 / Piano Concerto no. 2 in B-flat major, op. 19
6CD: Ludwig van Beethoven: Piano Concerto no. 3 in C minor, op. 37 / Piano Concerto no. 4 in G major, op. 58
7CD: Ludwig van Beethoven: Piano Concerto no. 5 in E-flat major, op. 73 “Emperor” / Violin Concerto in D major, op. 61
8CD: Heinrich Ignaz Franz Biber: Harmonia artificioso-ariosa
9CD: Luigi Boccherini: Cello Concerto in G major, G. 480 / Sinfonia in B-flat major, G. 497 / Cello Concerto in D major, G. 483 / Sinfonia in D minor, G. 506
10CD: Luigi Boccherini: Overture (Sinfonia) in D major, G. 521 / Cello Concerto in D major, G. 476 / Octet (Notturno) in G major, G. 470 / Cello Concerto in C major, G. 573 / Sinfonia in C minor, G. 519
11CD: Arcangelo Corelli: Concerti grossi op. 6
12CD: Giuseppe Gazzaniga: Don Giovanni o sia Il Convitato di Pietra
13CD: Francesco Geminiani: 6 Concerti grossi op. 2 / Concerti grossi after Corelli op. 5 nos. 3 & 5
14CD: Christoph Willibald Gluck: Orfeo ed Euridice (Atto I-II)
15CD: Christoph Willibald Gluck: Orfeo ed Euridice (Atto III)
16CD: Christoph Willibald Gluck: Don Juan ou Le Festin de pierre / Sémiramis
17CD: George Frideric Handel: 6 Concerti grossi op. 3
18CD: George Frideric Handel: Music for the Royal Fireworks / Concerto a due cori
19CD: George Frideric Handel: Water Music / Suite from Il pastor fido
20CD: Joseph Haydn: Symphonies nos. 41, 42 & 43 “Mercury”
21CD: Joseph Haydn: Symphonies nos. 44 “Mourning”, 51 & 52
22CD: Joseph Haydn: Symphonies nos. 45 “Farewell”, 46 & 47
23CD: Joseph Haydn: Symphonies nos. 50, 64 “Tempora mutantur” & 65
24CD: Joseph Haydn: Symphonies nos. 82 “The Bear”, 83 “The Hen” & 84
25CD: Joseph Haydn: Symphonies nos. 85 “The Queen”, 86 & 87
26CD: Joseph Haydn: Symphonies nos. 88, 89 & 90
27CD: Joseph Haydn: Missa in tempore belli “Paukenmesse” / Salve Regina, Hob. XXIIIb:2 / Motetto “O coelitum beati”
28CD: Joseph Haydn: Missa Sancti Bernardi de Offida “Heiligmesse” / Mare Clausum (fragment) / Motetto “Insanae et vanae curae” / Motetti de Venerabili Sacramento / Te Deum for the Empress Marie Therese
29CD: Joseph Haydn: Missa in B-flat major “Theresa Mass” / Missa in Angustiis in D minor “Nelson Mass”
30CD: Joseph Haydn: Missa “Sunt bona mixta malis” (fragment) / Offertorium “Non nobis, Domine” / Ave Regina, Hob. XXIIIb:3 / Responsoria de Venerabili / Responsorium ad absolutionem “Libera me” / Salve Regina, Hob. XXIIIb:1 / Missa brevis Sancti Joannis de Deo “Little Organ Mass”
31CD: Joseph Haydn: Die Schöpfung (Part I, Part II)
#TitleArtistRatingLength
1Die Schöpfung, Hob. XXI:2: Part I. No. 1 Overture
recording engineer and editor:
Peter Laenger (engineer/producer) and Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
producer:
Wolf Erichson (engineer/producer)
orchestra:
Tafelmusik (Canadian Baroque orchestra) (from 1993-08-31 until 1993-09-04)
conductor:
Bruno Weil (conductor) (from 1993-08-31 until 1993-09-04)
concertmaster:
Jeanne Lamon (conductor/violinist) (from 1993-08-31 until 1993-09-04)
recorded at:
Stadtpfarrkirche Mariä Himmelfahrt in Bad Tölz, Bayern (Bavaria), Germany (from 1993-08-31 until 1993-09-04)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 1. Orchestervorspiel Die Vorstellung der Chaos (from 1993-08-31 until 1993-09-04)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn4:42
2Die Schöpfung, Hob. XXI:2: Part I. No. 2 “Im Anfange schuf Gott Himmel und Erde” (Raphael, Chor, Uriel)
recording engineer and editor:
Peter Laenger (engineer/producer) and Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Raphael]:
Harry van der Kamp (operatic bass) (from 1993-08-31 until 1993-09-04)
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1993-08-31 until 1993-09-04)
tenor vocals [Uriel]:
Jörg Hering (tenor) (from 1993-08-31 until 1993-09-04)
orchestra:
Tafelmusik (Canadian Baroque orchestra) (from 1993-08-31 until 1993-09-04)
conductor:
Bruno Weil (conductor) (from 1993-08-31 until 1993-09-04)
concertmaster:
Jeanne Lamon (conductor/violinist) (from 1993-08-31 until 1993-09-04)
recorded at:
Stadtpfarrkirche Mariä Himmelfahrt in Bad Tölz, Bayern (Bavaria), Germany (from 1993-08-31 until 1993-09-04)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 2. Rezitativ und Chor "Im Anfange schuf Gott Himmel und Erde" (Raphael, Chor, Uriel) (from 1993-08-31 until 1993-09-04)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn1:58
3Die Schöpfung, Hob. XXI:2: Part I. No. 3 “Nun schwanden” (Uriel, Chor)
recording engineer and editor:
Peter Laenger (engineer/producer) and Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1993-08-31 until 1993-09-04)
tenor vocals [Uriel]:
Jörg Hering (tenor) (from 1993-08-31 until 1993-09-04)
orchestra:
Tafelmusik (Canadian Baroque orchestra) (from 1993-08-31 until 1993-09-04)
conductor:
Bruno Weil (conductor) (from 1993-08-31 until 1993-09-04)
concertmaster:
Jeanne Lamon (conductor/violinist) (from 1993-08-31 until 1993-09-04)
recorded at:
Stadtpfarrkirche Mariä Himmelfahrt in Bad Tölz, Bayern (Bavaria), Germany (from 1993-08-31 until 1993-09-04)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 3. Arie und Chor "Nun schwanden vor dem heiligen Strahle" (Uriel, Chor) (from 1993-08-31 until 1993-09-04)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn3:39
4Die Schöpfung, Hob. XXI:2: Part I. No. 4 “Und Gott machte das Firmament” (Raphael)
recording engineer and editor:
Peter Laenger (engineer/producer) and Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Raphael]:
Harry van der Kamp (operatic bass) (from 1993-08-31 until 1993-09-04)
orchestra:
Tafelmusik (Canadian Baroque orchestra) (from 1993-08-31 until 1993-09-04)
conductor:
Bruno Weil (conductor) (from 1993-08-31 until 1993-09-04)
concertmaster:
Jeanne Lamon (conductor/violinist) (from 1993-08-31 until 1993-09-04)
recorded at:
Stadtpfarrkirche Mariä Himmelfahrt in Bad Tölz, Bayern (Bavaria), Germany (from 1993-08-31 until 1993-09-04)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 4. Rezitativ "Und Gott machte das Firmament" (Raphael) (from 1993-08-31 until 1993-09-04)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn1:37
5Die Schöpfung, Hob. XXI:2: Part I. No. 5 “Mit Staunen sieht das Wunderwerk” (Gabriel, Chor)
recording engineer and editor:
Peter Laenger (engineer/producer) and Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1993-08-31 until 1993-09-04)
soprano vocals [Gabriel]:
Ann Monoyios (soprano) (from 1993-08-31 until 1993-09-04)
orchestra:
Tafelmusik (Canadian Baroque orchestra) (from 1993-08-31 until 1993-09-04)
conductor:
Bruno Weil (conductor) (from 1993-08-31 until 1993-09-04)
concertmaster:
Jeanne Lamon (conductor/violinist) (from 1993-08-31 until 1993-09-04)
recorded at:
Stadtpfarrkirche Mariä Himmelfahrt in Bad Tölz, Bayern (Bavaria), Germany (from 1993-08-31 until 1993-09-04)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 5. Sopransolo mit Chor "Mit Staunen sieht das Wunderwerk" (Gabriel, Chor) (from 1993-08-31 until 1993-09-04)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn2:00
6Die Schöpfung, Hob. XXI:2: Part I. No. 6 “Und Gott sprach: Es sammle sich das Wasser” (Raphael)
recording engineer and editor:
Peter Laenger (engineer/producer) and Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Raphael]:
Harry van der Kamp (operatic bass) (from 1993-08-31 until 1993-09-04)
orchestra:
Tafelmusik (Canadian Baroque orchestra) (from 1993-08-31 until 1993-09-04)
conductor:
Bruno Weil (conductor) (from 1993-08-31 until 1993-09-04)
concertmaster:
Jeanne Lamon (conductor/violinist) (from 1993-08-31 until 1993-09-04)
recorded at:
Stadtpfarrkirche Mariä Himmelfahrt in Bad Tölz, Bayern (Bavaria), Germany (from 1993-08-31 until 1993-09-04)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 6. Rezitativ "Und Gott sprach: Es sammle sich das Wasser" (Raphael) (from 1993-08-31 until 1993-09-04)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn0:39
7Die Schöpfung, Hob. XXI:2: Part I. No. 7 “Rollend in schäumenden Wellen” (Raphael)
recording engineer and editor:
Peter Laenger (engineer/producer) and Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Raphael]:
Harry van der Kamp (operatic bass) (from 1993-08-31 until 1993-09-04)
orchestra:
Tafelmusik (Canadian Baroque orchestra) (from 1993-08-31 until 1993-09-04)
conductor:
Bruno Weil (conductor) (from 1993-08-31 until 1993-09-04)
concertmaster:
Jeanne Lamon (conductor/violinist) (from 1993-08-31 until 1993-09-04)
recorded at:
Stadtpfarrkirche Mariä Himmelfahrt in Bad Tölz, Bayern (Bavaria), Germany (from 1993-08-31 until 1993-09-04)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 7. Arie "Rollend in schäumenden Wellen" (Raphael) (from 1993-08-31 until 1993-09-04)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn3:36
8Die Schöpfung, Hob. XXI:2: Part I. No. 8 “Und Gott sprach: Es bringe die Erde Gras hervor” (Gabriel)
recording engineer and editor:
Peter Laenger (engineer/producer) and Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
producer:
Wolf Erichson (engineer/producer)
soprano vocals [Gabriel]:
Ann Monoyios (soprano) (from 1993-08-31 until 1993-09-04)
orchestra:
Tafelmusik (Canadian Baroque orchestra) (from 1993-08-31 until 1993-09-04)
conductor:
Bruno Weil (conductor) (from 1993-08-31 until 1993-09-04)
concertmaster:
Jeanne Lamon (conductor/violinist) (from 1993-08-31 until 1993-09-04)
recorded at:
Stadtpfarrkirche Mariä Himmelfahrt in Bad Tölz, Bayern (Bavaria), Germany (from 1993-08-31 until 1993-09-04)
recording of:
Die Schöpfung, Hob XXI:2: Part I: VIII. Rezitativ: Und Gott sprach: Es bringe die Erde Gras hervor (from 1993-08-31 until 1993-09-04)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn0:30
9Die Schöpfung, Hob. XXI:2: Part I. No. 9 “Nun beut die Flur das frische Grün” (Gabriel)
recording engineer and editor:
Peter Laenger (engineer/producer) and Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
producer:
Wolf Erichson (engineer/producer)
soprano vocals [Gabriel]:
Ann Monoyios (soprano) (from 1993-08-31 until 1993-09-04)
orchestra:
Tafelmusik (Canadian Baroque orchestra) (from 1993-08-31 until 1993-09-04)
conductor:
Bruno Weil (conductor) (from 1993-08-31 until 1993-09-04)
concertmaster:
Jeanne Lamon (conductor/violinist) (from 1993-08-31 until 1993-09-04)
recorded at:
Stadtpfarrkirche Mariä Himmelfahrt in Bad Tölz, Bayern (Bavaria), Germany (from 1993-08-31 until 1993-09-04)
recording of:
Die Schöpfung, Hob XXI:2: Part I: IX. Arie: Nun beut die Flur das frische Grün (from 1993-08-31 until 1993-09-04)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn4:39
10Die Schöpfung, Hob. XXI:2: Part I. No. 10 “Und die himmlischen Heerscharen” (Uriel)
recording engineer and editor:
Peter Laenger (engineer/producer) and Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Uriel]:
Jörg Hering (tenor) (from 1993-08-31 until 1993-09-04)
orchestra:
Tafelmusik (Canadian Baroque orchestra) (from 1993-08-31 until 1993-09-04)
conductor:
Bruno Weil (conductor) (from 1993-08-31 until 1993-09-04)
concertmaster:
Jeanne Lamon (conductor/violinist) (from 1993-08-31 until 1993-09-04)
recorded at:
Stadtpfarrkirche Mariä Himmelfahrt in Bad Tölz, Bayern (Bavaria), Germany (from 1993-08-31 until 1993-09-04)
recording of:
Die Schöpfung, Hob XXI:2: Part I: X. Rezitativ: Und die himmlischen Heerscharen verkündigten (from 1993-08-31 until 1993-09-04)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn0:11
11Die Schöpfung, Hob. XXI:2: Part I. No. 11 “Stimmt an die Saiten” (Chor)
recording engineer and editor:
Peter Laenger (engineer/producer) and Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1993-08-31 until 1993-09-04)
orchestra:
Tafelmusik (Canadian Baroque orchestra) (from 1993-08-31 until 1993-09-04)
conductor:
Bruno Weil (conductor) (from 1993-08-31 until 1993-09-04)
concertmaster:
Jeanne Lamon (conductor/violinist) (from 1993-08-31 until 1993-09-04)
recorded at:
Stadtpfarrkirche Mariä Himmelfahrt in Bad Tölz, Bayern (Bavaria), Germany (from 1993-08-31 until 1993-09-04)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XI. Chor: Stimmt an die Saiten (from 1993-08-31 until 1993-09-04)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn2:08
12Die Schöpfung, Hob. XXI:2: Part I. No. 12 “Und Gott sprach: Es sei'n Lichter” (Uriel)
recording engineer and editor:
Peter Laenger (engineer/producer) and Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Uriel]:
Jörg Hering (tenor) (from 1993-08-31 until 1993-09-04)
orchestra:
Tafelmusik (Canadian Baroque orchestra) (from 1993-08-31 until 1993-09-04)
conductor:
Bruno Weil (conductor) (from 1993-08-31 until 1993-09-04)
concertmaster:
Jeanne Lamon (conductor/violinist) (from 1993-08-31 until 1993-09-04)
recorded at:
Stadtpfarrkirche Mariä Himmelfahrt in Bad Tölz, Bayern (Bavaria), Germany (from 1993-08-31 until 1993-09-04)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XII. Rezitativ: Und Gott sprach: Es sei'n Lichter an der Feste des Himmels (from 1993-08-31 until 1993-09-04)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn0:31
13Die Schöpfung, Hob. XXI:2: Part I. No. 13 “In vollem Glanze steiget jetzt” (Uriel)
recording engineer and editor:
Peter Laenger (engineer/producer) and Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Uriel]:
Jörg Hering (tenor) (from 1993-08-31 until 1993-09-04)
orchestra:
Tafelmusik (Canadian Baroque orchestra) (from 1993-08-31 until 1993-09-04)
conductor:
Bruno Weil (conductor) (from 1993-08-31 until 1993-09-04)
concertmaster:
Jeanne Lamon (conductor/violinist) (from 1993-08-31 until 1993-09-04)
recorded at:
Stadtpfarrkirche Mariä Himmelfahrt in Bad Tölz, Bayern (Bavaria), Germany (from 1993-08-31 until 1993-09-04)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIII. Accompagnato-Rezitativ: In vollem Glanze steiget jetzt (from 1993-08-31 until 1993-09-04)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn1:56
14Die Schöpfung, Hob. XXI:2: Part I. No. 14 “Die Himmel erzählen die Ehre Gottes” (Chor, Gabriel, Uriel, Raphael)
recording engineer and editor:
Peter Laenger (engineer/producer) and Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Raphael]:
Harry van der Kamp (operatic bass) (from 1993-08-31 until 1993-09-04)
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1993-08-31 until 1993-09-04)
soprano vocals [Gabriel]:
Ann Monoyios (soprano) (from 1993-08-31 until 1993-09-04)
tenor vocals [Uriel]:
Jörg Hering (tenor) (from 1993-08-31 until 1993-09-04)
orchestra:
Tafelmusik (Canadian Baroque orchestra) (from 1993-08-31 until 1993-09-04)
conductor:
Bruno Weil (conductor) (from 1993-08-31 until 1993-09-04)
concertmaster:
Jeanne Lamon (conductor/violinist) (from 1993-08-31 until 1993-09-04)
recorded at:
Stadtpfarrkirche Mariä Himmelfahrt in Bad Tölz, Bayern (Bavaria), Germany (from 1993-08-31 until 1993-09-04)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIV. Chor und Terzett: Die Himmel erzählen die Ehre Gottes (from 1993-08-31 until 1993-09-04)
composer:
Joseph Haydn (composer)
publisher:
Oxford University Press
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn3:29
15Die Schöpfung, Hob. XXI:2: Part 2. No. 15 “Und Gott sprach: Es bringe das Wasser” (Gabriel)
recording engineer and editor:
Peter Laenger (engineer/producer) and Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
producer:
Wolf Erichson (engineer/producer)
soprano vocals [Gabriel]:
Ann Monoyios (soprano) (from 1993-08-31 until 1993-09-04)
orchestra:
Tafelmusik (Canadian Baroque orchestra) (from 1993-08-31 until 1993-09-04)
conductor:
Bruno Weil (conductor) (from 1993-08-31 until 1993-09-04)
concertmaster:
Jeanne Lamon (conductor/violinist) (from 1993-08-31 until 1993-09-04)
recorded at:
Stadtpfarrkirche Mariä Himmelfahrt in Bad Tölz, Bayern (Bavaria), Germany (from 1993-08-31 until 1993-09-04)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XV. Rezitativ: Und Gott sprach: Es bringe das Wasser in der Fülle hervor (from 1993-08-31 until 1993-09-04)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn0:22
16Die Schöpfung, Hob. XXI:2: Part 2. No. 16 “Auf starkem Fittiche schwinger” (Gabriel)
recording engineer and editor:
Peter Laenger (engineer/producer) and Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
producer:
Wolf Erichson (engineer/producer)
soprano vocals [Gabriel]:
Ann Monoyios (soprano) (from 1993-08-31 until 1993-09-04)
orchestra:
Tafelmusik (Canadian Baroque orchestra) (from 1993-08-31 until 1993-09-04)
conductor:
Bruno Weil (conductor) (from 1993-08-31 until 1993-09-04)
concertmaster:
Jeanne Lamon (conductor/violinist) (from 1993-08-31 until 1993-09-04)
recorded at:
Stadtpfarrkirche Mariä Himmelfahrt in Bad Tölz, Bayern (Bavaria), Germany (from 1993-08-31 until 1993-09-04)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XVI. Arie: Auf starkem Fittiche schwinget sich der Adler stolz (from 1993-08-31 until 1993-09-04)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn6:39
17Die Schöpfung, Hob. XXI:2: Part 2. No. 17 “Und Gott schuf große Walfische” (Raphael)
recording engineer and editor:
Peter Laenger (engineer/producer) and Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Raphael]:
Harry van der Kamp (operatic bass) (from 1993-08-31 until 1993-09-04)
orchestra:
Tafelmusik (Canadian Baroque orchestra) (from 1993-08-31 until 1993-09-04)
conductor:
Bruno Weil (conductor) (from 1993-08-31 until 1993-09-04)
concertmaster:
Jeanne Lamon (conductor/violinist) (from 1993-08-31 until 1993-09-04)
recorded at:
Stadtpfarrkirche Mariä Himmelfahrt in Bad Tölz, Bayern (Bavaria), Germany (from 1993-08-31 until 1993-09-04)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XVII. Accompagnato-Rezitativ: Und Gott schuf große Walfische (from 1993-08-31 until 1993-09-04)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn1:48
18Die Schöpfung, Hob. XXI:2: Part 2. No. 18 “Und die Engel rührten” (Raphael)
recording engineer and editor:
Peter Laenger (engineer/producer) and Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Raphael]:
Harry van der Kamp (operatic bass) (from 1993-08-31 until 1993-09-04)
orchestra:
Tafelmusik (Canadian Baroque orchestra) (from 1993-08-31 until 1993-09-04)
conductor:
Bruno Weil (conductor) (from 1993-08-31 until 1993-09-04)
concertmaster:
Jeanne Lamon (conductor/violinist) (from 1993-08-31 until 1993-09-04)
recorded at:
Stadtpfarrkirche Mariä Himmelfahrt in Bad Tölz, Bayern (Bavaria), Germany (from 1993-08-31 until 1993-09-04)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XVIII. Rezitativ: Und die engel rührten ihr' unsterblichen Harfen (from 1993-08-31 until 1993-09-04)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn0:20
19Die Schöpfung, Hob. XXI:2: Part 2. No. 19a “In holder Anmut steh'n” (Gabriel, Uriel, Raphael)
recording engineer and editor:
Peter Laenger (engineer/producer) and Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Raphael]:
Harry van der Kamp (operatic bass) (from 1993-08-31 until 1993-09-04)
soprano vocals [Gabriel]:
Ann Monoyios (soprano) (from 1993-08-31 until 1993-09-04)
tenor vocals [Uriel]:
Jörg Hering (tenor) (from 1993-08-31 until 1993-09-04)
orchestra:
Tafelmusik (Canadian Baroque orchestra) (from 1993-08-31 until 1993-09-04)
conductor:
Bruno Weil (conductor) (from 1993-08-31 until 1993-09-04)
concertmaster:
Jeanne Lamon (conductor/violinist) (from 1993-08-31 until 1993-09-04)
recorded at:
Stadtpfarrkirche Mariä Himmelfahrt in Bad Tölz, Bayern (Bavaria), Germany (from 1993-08-31 until 1993-09-04)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XIXa. Terzett: In holder Anmut stehn (from 1993-08-31 until 1993-09-04)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob XXI:2: Part II: XIX. Terzett und Chor: In holder Anmut stehn
Joseph Haydn4:23
20Die Schöpfung, Hob. XXI:2: Part 2. No. 19b “Der Herr ist groß in seiner Macht” (Gabriel, Uriel, Raphael, Chor)
recording engineer and editor:
Peter Laenger (engineer/producer) and Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Raphael]:
Harry van der Kamp (operatic bass) (from 1993-08-31 until 1993-09-04)
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1993-08-31 until 1993-09-04)
soprano vocals [Gabriel]:
Ann Monoyios (soprano) (from 1993-08-31 until 1993-09-04)
tenor vocals [Uriel]:
Jörg Hering (tenor) (from 1993-08-31 until 1993-09-04)
orchestra:
Tafelmusik (Canadian Baroque orchestra) (from 1993-08-31 until 1993-09-04)
conductor:
Bruno Weil (conductor) (from 1993-08-31 until 1993-09-04)
concertmaster:
Jeanne Lamon (conductor/violinist) (from 1993-08-31 until 1993-09-04)
recorded at:
Stadtpfarrkirche Mariä Himmelfahrt in Bad Tölz, Bayern (Bavaria), Germany (from 1993-08-31 until 1993-09-04)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XIXb. Terzett und Chor: Der Herr ist groß (from 1993-08-31 until 1993-09-04)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob XXI:2: Part II: XIX. Terzett und Chor: In holder Anmut stehn
Joseph Haydn2:15
32CD: Joseph Haydn: Die Schöpfung (Part II cont., Part III)
33CD: Joseph Haydn: Cello Concerto in C major, Hob. VIIb:1 / Cello Concerto in D major, Hob. VIIb:2 / Anton Kraft: Cello Concerto in C major, op. 4
34CD: Wolfgang Amadeus Mozart: Symphonies after Serenades: Symphonies K. 100, K. 203, K. 250 (“Haffner” Serenade)
35CD: Wolfgang Amadeus Mozart: Symphonies after Serenades: Symphonies K. 185, K. 204, K. 320 (“Posthorn” Serenade)
36CD: Wolfgang Amadeus Mozart: Overtures: Idomeneo / Die Entführung aus dem Serail / Der Schauspieldirektor / Le nozze di Figaro / Don Giovanni / Così fan tutte / La clemenza di Tito / Die Zauberflöte / Eine kleine Nachtmusik
37CD: Wolfgang Amadeus Mozart: 6 deutsche Tänze, K. 509 / 6 deutsche Tänze, K. 536 / 6 deutsche Tänze, K. 567 / 6 deutsche Tänze, K. 571 / 12 deutsche Tänze, K. 586
38CD: Wolfgang Amadeus Mozart: Rondo for Horn and Orchestra, K. 371 / Concertos for Horn and Orchestra, K. 417 / 447 / 495 / 412 (386b)
39CD: Wolfgang Amadeus Mozart: Requiem in D minor, K. 626
40CD: Henry Purcell: Ayres for the Theatre: Instrumental Music from Dioclesian, King Arthur, The Fairy Queen, The Indian Queen
41CD: Johann Heinrich Schmelzer: Sonatas / Balletti francesi / Ciaccona
42CD: Antonio Vivaldi: Le quattro stagioni / Sinfonia in B minor “Al Santo Sepolcro” / Concerto for 4 Violins & Cello in B minor
43CD: Antonio Vivaldi: Concertos for Strings RV 418, 117, 143, 547, 575, 549, 413, 134, 159
44CD: Antonio Vivaldi: Concertos RV 157, 403, 152, 424, 127, 564, 535, 419, 409, 557, 151 “alla rustica”
45CD: Jan Dismas Zelenka: Missa Dei Filii, ZWV 20 / Litaniae Lauretanae “Salus infirmorum”, ZWV 152
46CD: Carl Stamitz, Franz Xaver Richter, Johann Stamitz, Joseph Haydn, Christoph Willibald Gluck: Flute Concertos
47CD: Alessandro Stradella, Heinrich Ignaz Franz Biber, Antonio Vivaldi, Tomaso Albioni, Georg Philipp Telemann, George Frideric Handel: Music for Trumpet & Orchestra