Opera for People Who Hate Opera

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD: CH 1213B
Nr.TitelKünstlerBewertungLänge
1Light Cavalry Overture
Orchester:
Utah Symphony Orchestra
recording of:
Leichte Kavallerie: Ouvertüre (Light Cavalry: Overture)
Komponist(in):
Franz von Suppé (Franz von Suppè, composer)
Teil von:
Leichte Kavallerie (Light Cavalry)
Franz von Suppé7:04
2Rigoletto: "Questo o quella"
Chorgesang:
Chor der Staatsoper München (Alfred Scholz related)
Tenor-Gesang [Duca]:
Juan Perez (Peruvian tenor)
Orchester:
Nürnberger Symphoniker (Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym) und Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym)
recording of:
Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (von 1850 bis 1851-03-11)
Librettist:
Francesco Maria Piave (von 1850 bis 1851-03-11)
Teil von:
Rigoletto: Atto I
Giuseppe Verdi1:47
3Madame Butterfly: "Un bel dì"
Soprangesang:
Vanda Gerlovič (soprano)
Orchester:
Slavonic Philharmonic Orchestra (Alfred Scholz pseudonym)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:22
4La bohème: "Che gelida manina"
Tenor-Gesang [Rodolfo]:
José Perez (Peruvian tenor)
Orchester:
Nuremberg Symphony Orchestra (Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1896)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini3:57
5La Belle Hélène: Ouverture
Orchester:
Utah Symphony
recording of:
La Belle Hélène: Ouverture
Komponist(in):
Jacques Offenbach (German-French composer, cellist and impresario)
Librettist:
Ludovic Halévy (French librettist) und Henri Meilhac
Teil von:
Die schöne Helena
Teil von:
La Belle Hélène
Teil von:
La Belle Hélène (English lyrics)
Jacques Offenbach8:32
6Martha: "Ach so fromm…"
Tenor-Gesang [Lyonel]:
José Perez (Peruvian tenor)
recording of:
Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel)
Komponist(in):
Friedrich von Flotow (composer)
Librettist:
Friedrich Wilhelm Riese
Teil von:
Martha: Akt III
Friedrich von Flotow2:59
7Overture and Prelude to The Meistersingers of Nuremberg
Orchester:
Ljubljana Radio Symphony Orchestra (name used by Alfred Scholz, may be incorrect)
recording of:
Die Meistersinger von Nürnberg, WWV 96: Vorspiel
Komponist(in):
Richard Wagner (composer) (von 1863 bis 1867)
Teil von:
Die Meistersinger von Nürnberg, WWV 96
Richard Wagner12:26
8Tosca: "Vissi d'arte"
Soprangesang:
Leontyne Price (soprano)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:32
9Aida: Atto I, scena 1. “Celeste Aida”
Chorgesang:
Chorus of the Munich State Opera (Chorus of the Bavarian State Opera)
Soprangesang [Aida]:
Eva Illes (operatic soprano)
Tenor-Gesang [Radamès]:
Juan Perez (Peruvian tenor)
Orchester:
Milan Opera Orchestra, Nürnberger Symphoniker (Alfred Scholz pseudonym) und Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym)
teilweise recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1871)
Librettist:
Antonio Ghislanzoni (in 1870)
Teil von:
Aida: Atto I
Giuseppe Verdi3:26
10Aida: Triumphal March
Orchester:
Nuremberg Symphony Orchestra (Alfred Scholz pseudonym)
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Ghislanzoni
Teil von:
Aida: Atto II
Giuseppe Verdi1:31
11Aida: Ballet Music
Orchester:
Nuremberg Symphony Orchestra (Alfred Scholz pseudonym)
recording of:
Aida: Atto II, scena 2. Ballabile (orchestra)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Ghislanzoni
Teil von:
Aida: Akt II
Teil von:
Aida: Atto II
Giuseppe Verdi6:57
12The Viennese Musical Clock
Orchester:
Dallas Symphony Orchestra
recording of:
Háry János Suite: II. Viennese Musical Clock: Allegretto
Komponist(in):
Kodály Zoltán (Zoltán Kodály, Hungarian composer)
Teil von:
Háry János Suite (Suite from the opera)
Zoltán Kodály2:07
13Overture to Die Fledermaus
Orchester:
London Symphony Orchestra
recording of:
Die Fledermaus: Ouvertüre
Komponist(in):
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
Teil von:
Die Fledermaus
Teil von:
Die Fledermaus (English version, lyrics by Mandel/Sachs)
Teil von:
Die Fledermaus (English version, lyrics by Dietz)
Teil von:
Die Fledermaus (english; unknown version)
Johann Strauss II8:18
14H.M.S. Pinafore: "We sail the ocean blue"
Chorgesang:
Rochester Philharmonic Orchestra Chorus
Orchester:
Rochester Philharmonic Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.)
recording of:
H.M.S. Pinafore: Act I, no. 1, Chorus, “We Sail the Ocean Blue” (Sailors)
Texter:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
Komponist(in):
Arthur Sullivan (Sir Arthur Sullivan, composer)
Teil von:
H.M.S. Pinafore: Act I
Gilbert & Sullivan2:14
15H.M.S. Pinafore: "I'm called Little Buttercup"
Chorgesang:
Rochester Philharmonic Orchestra Chorus
Orchester:
Rochester Philharmonic Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.)
recording of:
H.M.S. Pinafore: Act I, Recitative and Song “Hail! Men-o’-War’s Men” / “I’m Called Little Buttercup” (Buttercup, Boatswain)
Texter:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
Komponist(in):
Arthur Sullivan (Sir Arthur Sullivan, composer)
Teil von:
H.M.S. Pinafore: Act I
Gilbert & Sullivan2:42
16H.M.S. Pinafore: "When I was a lad"
Chorgesang:
Rochester Philharmonic Orchestra Chorus
Orchester:
Rochester Philharmonic Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.)
recording of:
H.M.S. Pinafore: Act I, no. 9, “When I Was a Lad” (Sir Joseph)
Texter:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
Komponist(in):
Arthur Sullivan (Sir Arthur Sullivan, composer)
Teil von:
H.M.S. Pinafore: Act I
Gilbert & Sullivan2:51
17H.M.S. Pinafore: "Never mind the why and wherefore"
Chorgesang:
Rochester Philharmonic Orchestra Chorus
Orchester:
Rochester Philharmonic Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.)
recording of:
H.M.S. Pinafore: Act II, no. 16 “Never Mind the Why and Wherefore” (Josephine, Captain, Sir Joseph)
Texter:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
Komponist(in):
Arthur Sullivan (Sir Arthur Sullivan, composer)
Teil von:
H.M.S. Pinafore: Act II
Gilbert & Sullivan2:47
3▶CD: CH 1213C
4▶CD

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Veröffentlichung

hergestellt von und vertrieben von:Intersound Inc.
urheberrechtlich geschützt (©) von:Intersound Inc. (in 1994)
phonographisches Urheberrecht (℗) von:Musikförderung (for copyrights use only) (in 1994)
ASIN:US: B000003QWI [Info]