Hohe Messe in H-Moll, BWV 232

~ Release by Johann Sebastian Bach; Dresdner Kammerchor, Kölner Kammerorchester, Helmut Müller‐Brühl (see all versions of this release, 1 available)

Tracklist

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1Hohe Messe in H-Moll, BWV 232: IIIa. Coro "Credo in unum Deum"
choir vocals:
Dresdner Kammerchor (Dresden Chamber Choir)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (in 2003-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:51
2Hohe Messe in H-Moll, BWV 232: IIIb. Coro "Patrem omnipotentem"
choir vocals:
Dresdner Kammerchor (Dresden Chamber Choir)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (in 2003-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:04
3Hohe Messe in H-Moll, BWV 232: IIIc. Duetto (Soprano I, Alto) "Et in unum Dominum"
alto vocals:
Ann Hallenberg (mezzo-soprano)
soprano vocals [Sop I]:
Sunhae Im (soprano)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (in 2003-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:07
4Hohe Messe in H-Moll, BWV 232: IIId. Coro "Et incarnatus est"
choir vocals:
Dresdner Kammerchor (Dresden Chamber Choir)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (in 2003-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:54
5Hohe Messe in H-Moll, BWV 232: IIIe. Coro "Crucifixus"
choir vocals:
Dresdner Kammerchor (Dresden Chamber Choir)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (in 2003-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:32
6Hohe Messe in H-Moll, BWV 232: IIIf. Coro "Et resurrexit"
choir vocals:
Dresdner Kammerchor (Dresden Chamber Choir)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (in 2003-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:58
7Hohe Messe in H-Moll, BWV 232: IIIg. Aria (Basso) "Et in Spiritum Sanctum"
bass vocals:
Hanno Müller‐Brachmann (bass-baritone)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (in 2003-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:50
8Hohe Messe in H-Moll, BWV 232: IIIh. Coro "Confiteor unum baptisma"
choir vocals:
Dresdner Kammerchor (Dresden Chamber Choir)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (in 2003-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:50
9Hohe Messe in H-Moll, BWV 232: IIIi. Coro "Et expecto"
choir vocals:
Dresdner Kammerchor (Dresden Chamber Choir)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (in 2003-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:11
10Hohe Messe in H-Moll, BWV 232: IVa. Coro "Sanctus"
choir vocals:
Dresdner Kammerchor (Dresden Chamber Choir)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (in 2003-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:47
11Hohe Messe in H-Moll, BWV 232: IVb. Coro "Hosanna"
choir vocals:
Dresdner Kammerchor (Dresden Chamber Choir)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (in 2003-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:44
12Hohe Messe in H-Moll, BWV 232: IVc. Aria (Tenore) "Benedictus"
tenor vocals:
Markus Schäfer (tenor)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (in 2003-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:30
13Hohe Messe in H-Moll, BWV 232: IVd. Coro "Hosanna"
choir vocals:
Dresdner Kammerchor (Dresden Chamber Choir)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (in 2003-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:45
14Hohe Messe in H-Moll, BWV 232: IVe. Aria (Alto) "Agnus Dei"
alto vocals:
Ann Hallenberg (mezzo-soprano)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (in 2003-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:01
15Hohe Messe in H-Moll, BWV 232: IVf. Coro "Dona nobis pacem"
choir vocals:
Dresdner Kammerchor (Dresden Chamber Choir)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (in 2003-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:39

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ASIN:UK: B0007ORDWM [info]