| # | Title | Rating | Length |
|---|
| 1 | Fidelio: 1. Aufzug: "O welche Lust" (Prisoners)- recording engineer:
- David Frost and Tony Griffiths
- assistant producer:
- Michael Haas
- producer:
- Ray Minshull
- choir vocals:
- Chicago Symphony Chorus (in 1979-05)
- solo bass vocals [Second Prisoner]:
- Philip Kraus (in 1979-05)
- solo tenor vocals [First Prisoner]:
- Robert Johnson (in 1979-05)
- orchestra:
- Chicago Symphony Orchestra (in 1979-05)
- conductor:
- Sir Georg Solti (in 1979-05)
- balance engineer:
- James Lock and Kenneth Wilkinson
- recorded at:
- Medinah Temple in Chicago, Illinois, United States (in 1979-05)
- recording of:
- Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus „O welche Lust, in freier Luft“ (Chor, 1st Prisoner, 2nd Prisoner) (in 1979-05)
- composer:
- Ludwig van Beethoven (in 1805, in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
| | 8:19 |
| 2 | Fidelio: 1. Aufzug: "Nun sprecht, wie ging's?" (Leonore) | | 4:49 |
| 3 | Fidelio: 1. Aufzug: "Ach! Vater, Vater eilt!" (Marzelline)- recording engineer:
- David Frost , Tony Griffiths and James Lock
- assistant producer:
- Michael Haas
- producer:
- Ray Minshull
- solo bass vocals [Don Pizarro]:
- Theo Adam (in 1979-05)
- solo bass vocals [Rocco]:
- Hans Sotin (in 1979-05)
- solo soprano vocals [Leonore]:
- Hildegard Behrens (in 1979-05)
- solo soprano vocals [Marzelline]:
- Sona Ghazarian (in 1979-05)
- solo tenor vocals [Jaquino]:
- David Kuebler (in 1979-05)
- orchestra:
- Chicago Symphony Orchestra (in 1979-05)
- conductor:
- Sir Georg Solti (in 1979-05)
- recorded at:
- Medinah Temple in Chicago, Illinois, United States (in 1979-05)
- recording of:
- Fidelio, op. 72: Act I, Scene II, no. 10c. Quintet "Ach, Vater, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro) (in 1979-05)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
- recording of:
- Fidelio, op. 72: Act I, Scene II, no. 10d. "Verwegner Alter!" (Pizarro, Rocco) (in 1979-05)
- composer:
- Ludwig van Beethoven (in 1814)
- part of:
- Fidelio, op. 72: Akt I
| | 2:23 |
| 4 | Fidelio: 1. Aufzug: "Leb wohl, du warmes Sonnenlicht" (Prisoners)- recording engineer:
- David Frost , Tony Griffiths and James Lock
- assistant producer:
- Michael Haas
- producer:
- Ray Minshull
- choir vocals:
- Chicago Symphony Chorus (in 1979-05)
- solo bass vocals [Don Pizarro]:
- Theo Adam (in 1979-05)
- solo bass vocals [Rocco]:
- Hans Sotin (in 1979-05)
- solo soprano vocals [Leonore]:
- Hildegard Behrens (in 1979-05)
- solo soprano vocals [Marzelline]:
- Sona Ghazarian (in 1979-05)
- solo tenor vocals [Jaquino]:
- David Kuebler (in 1979-05)
- orchestra:
- Chicago Symphony Orchestra (in 1979-05)
- conductor:
- Sir Georg Solti (in 1979-05)
- recorded at:
- Medinah Temple in Chicago, Illinois, United States (in 1979-05)
- recording of:
- Fidelio, op. 72: Act I, Scene II, no. 10e. "Leb wohl, du warmes Sonnenlicht" (Chor, Marzelline, Leonore, Jaquino, Pizarro, Rocco) (in 1979-05)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
| | 3:51 |
| 5 | Fidelio: 2. Aufzug: Introduction ... "Gott! Welch' Dunkel hier!" (Florestan) | | 5:46 |
| 6 | Fidelio: 2. Aufzug: "In des Lebens Frühlingstagen" (Florestan) | | 5:21 |
| 7 | Fidelio: 2. Aufzug: "Wie kalt ist es in diesem unterirdischen Gewölbe!" (Leonore) | | 1:53 |
| 8 | Fidelio: 2. Aufzug: "Nur hurtig fort, nur frisch gegraben" (Rocco) | | 5:41 |
| 9 | Fidelio: 2. Aufzug: "Euch werde Lohn in bessern Welten" (Florestan)- recording engineer:
- David Frost , Tony Griffiths and James Lock
- assistant producer:
- Michael Haas
- producer:
- Ray Minshull
- solo bass vocals [Don Pizarro]:
- Theo Adam (in 1979-05)
- solo bass vocals [Rocco]:
- Hans Sotin (in 1979-05)
- solo soprano vocals [Leonore]:
- Hildegard Behrens (in 1979-05)
- solo tenor vocals [Florestan]:
- Peter Hofmann (in 1979-05)
- orchestra:
- Chicago Symphony Orchestra (in 1979-05)
- conductor:
- Sir Georg Solti (in 1979-05)
- recorded at:
- Medinah Temple in Chicago, Illinois, United States (in 1979-05)
- recording of:
- Fidelio, op. 72: Act II, Scene I, no. 13a. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) (in 1979-05)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt II
- recording of:
- Fidelio, op. 72: Act II, Scene I, no. 13b. Dialog "Alles ist bereit" (Rocco, Leonore, Florestan, Pizarro) (in 1979-05)
- additional librettist:
- Georg Friedrich Treitschke
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt II
| | 6:56 |
| 10 | Fidelio: 2. Aufzug: "Er sterbe!" (Pizarro)- recording engineer:
- David Frost , Tony Griffiths and James Lock
- assistant producer:
- Michael Haas
- producer:
- Ray Minshull
- solo bass vocals [Don Pizarro]:
- Theo Adam (in 1979-05)
- solo bass vocals [Rocco]:
- Hans Sotin (in 1979-05)
- solo soprano vocals [Leonore]:
- Hildegard Behrens (in 1979-05)
- solo tenor vocals [Florestan]:
- Peter Hofmann (in 1979-05)
- solo tenor vocals [Jaquino]:
- David Kuebler (in 1979-05)
- orchestra:
- Chicago Symphony Orchestra (in 1979-05)
- conductor:
- Sir Georg Solti (in 1979-05)
- recorded at:
- Medinah Temple in Chicago, Illinois, United States (in 1979-05)
- recording of:
- Fidelio, op. 72: Act II, Scene I, no. 14a. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) (in 1979-05)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt II
- recording of:
- Fidelio, op. 72: Act II, Scene I, no. 14b. "Vater Rocco! Der Herr Minister ist angekommen" (Jaquino, Rocco) (in 1979-05)
- composer:
- Ludwig van Beethoven (in 1814)
- part of:
- Fidelio, op. 72: Akt II
- recording of:
- Fidelio, op. 72: Act II, Scene I, no. 14c. "Es schlägt der Rache Stunde!" (Leonore, Florestan, Pizarro, Rocco)
- composer:
- Ludwig van Beethoven
- part of:
- Fidelio, op. 72: Akt II
| | 4:51 |
| 11 | Fidelio: 2. Aufzug: "O namenlose Freude!" (Leonore, Florestan) | | 2:45 |
| 12 | Fidelio: 2. Aufzug: "Heil! Heil! Heil sei dem Tag" (Townspeople)- recording engineer:
- David Frost , Tony Griffiths and James Lock
- assistant producer:
- Michael Haas
- producer:
- Ray Minshull
- choir vocals:
- Chicago Symphony Chorus (in 1979-05)
- solo bass vocals [Don Pizarro]:
- Theo Adam (in 1979-05)
- solo bass vocals [Rocco]:
- Hans Sotin (in 1979-05)
- solo bass-baritone vocals [Don Fernando]:
- Gwynne Howell (in 1979-05)
- solo soprano vocals [Leonore]:
- Hildegard Behrens (in 1979-05)
- solo soprano vocals [Marzelline]:
- Sona Ghazarian (in 1979-05)
- orchestra:
- Chicago Symphony Orchestra (in 1979-05)
- conductor:
- Sir Georg Solti (in 1979-05)
- recorded at:
- Medinah Temple in Chicago, Illinois, United States (in 1979-05)
- recording of:
- Fidelio, op. 72: Act II, Scene II, no. 16a. "Heil sei dem Tag" (Chor) (in 1979-05)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino)
| | 2:00 |
| 13 | Fidelio: 2. Aufzug: "Des besten Königs Wink und Wille" (Don Fernando)- recording engineer:
- David Frost , Tony Griffiths and James Lock
- assistant producer:
- Michael Haas
- producer:
- Ray Minshull
- choir vocals:
- Chicago Symphony Chorus (in 1979-05)
- solo bass vocals [Don Pizarro]:
- Theo Adam (in 1979-05)
- solo bass vocals [Rocco]:
- Hans Sotin (in 1979-05)
- solo bass-baritone vocals [Don Fernando]:
- Gwynne Howell (in 1979-05)
- solo soprano vocals [Leonore]:
- Hildegard Behrens (in 1979-05)
- solo soprano vocals [Marzelline]:
- Sona Ghazarian (in 1979-05)
- solo tenor vocals [Florestan]:
- Peter Hofmann (in 1979-05)
- orchestra:
- Chicago Symphony Orchestra (in 1979-05)
- conductor:
- Sir Georg Solti (in 1979-05)
- recorded at:
- Medinah Temple in Chicago, Illinois, United States (in 1979-05)
- recording of:
- Fidelio, op. 72: Act II, Scene II, no. 16b. "Des besten Königs Wink und Wille" (Don Fernando, Chorus, Rocco, Pizarro, Leonore, Marzelline) (in 1979-05)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino)
- recording of:
- Fidelio, op. 72: Act II, Scene II, no. 16c. "Bestrafet sei der Bösewicht" (Chorus & Don Fernando) (in 1979-05)
- composer:
- Ludwig van Beethoven (in 1814)
- part of:
- Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino)
- recording of:
- Fidelio, op. 72: Act II, Scene II, no. 16d. "Du schlossest auf des Edlen Grab (Don Fernando) (in 1979-05)
- composer:
- Ludwig van Beethoven (in 1814)
- part of:
- Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino)
- recording of:
- Fidelio, op. 72: Act II, Scene II, no. 16e. "O Gott! O welch ein Augenblick!" (Chor, Leonore, Marzelline, Florestan, Don Fernando, Rocco) (in 1979-05)
- composer:
- Ludwig van Beethoven (in 1814)
- part of:
- Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino)
| | 8:09 |
| 14 | Fidelio: 2. Aufzug: "Wer ein holdes Weib errungen" (Townspeople, Prisoners)- recording engineer:
- David Frost , Tony Griffiths and James Lock
- assistant producer:
- Michael Haas
- producer:
- Ray Minshull
- solo bass vocals [Don Pizarro]:
- Theo Adam (in 1979-05)
- solo bass vocals [Rocco]:
- Hans Sotin (in 1979-05)
- solo bass-baritone vocals [Don Fernando]:
- Gwynne Howell (in 1979-05)
- solo soprano vocals [Leonore]:
- Hildegard Behrens (in 1979-05)
- solo soprano vocals [Marzelline]:
- Sona Ghazarian (in 1979-05)
- solo tenor vocals [Florestan]:
- Peter Hofmann (in 1979-05)
- solo tenor vocals [Jaquino]:
- David Kuebler (in 1979-05)
- orchestra:
- Chicago Symphony Orchestra (in 1979-05)
- conductor:
- Sir Georg Solti (in 1979-05)
- recorded at:
- Medinah Temple in Chicago, Illinois, United States (in 1979-05)
- recording of:
- Fidelio, op. 72: Act II, Scene II, no. 16f. "Wer ein holdes Weib errungen" (Don Fernando, Florestan, Leonore, Marzelline, Rocco, Jaquino) (in 1979-05)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino)
| | 3:43 |
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