The No.1 DJ Collection: 70s (Digital Collection)

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1Digitales Medium: 70s Volume 1: Number Ones 281 > 299
2Digitales Medium: 70s Volume 2: Number Ones 300 > 318
3Digitales Medium: 70s Volume 3: Number Ones 319 > 337
4Digitales Medium: 70s Volume 4: Number Ones 338 > 357
5Digitales Medium: 70s Volume 5: Number Ones 358 > 376
6Digitales Medium: 70s Volume 6: Number Ones 377 > 394
7Digitales Medium: 70s Volume 7: Number Ones 395 > 413
Nr.TitelKünstlerBewertungLänge
1Mississippi
phonographisches Urheberrecht (℗) von:
EMI Music Netherlands BV (EMI Group subsidiary 2000–2012, today under UMG, don't use as label) (in 1975)
recording of:
Mississippi
Texter und Komponist(in):
Werner Theunissen
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) und EMI Music Publishing Australia Pty Ltd (not for release label use!)
Pussycat34:34
2If You Leave Me Now
recording engineer:
Armin Steiner (von 1976-03 bis 1976-04: Saiteninstrumente)
assistierende(r) Techniker(in):
Tom Likes
Techniker(in):
Wayne Tarnowski
Produzent(in):
James William Guercio
Akustikgitarre und Bass:
James William Guercio (von 1976-03 bis 1976-04)
Sologesang:
Peter Cetera (von 1976-03 bis 1976-04)
Saiteninstrumente arranger und Waldhorn arranger:
Jimmie Haskell
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Rhino Entertainment Company (not for release label use!) (in 1976, in 2002), Warner Strategic Marketing Inc. (in 1976) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1976)
aufgenommen bei:
Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (Saiteninstrumente) und Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten (von 1976-03 bis 1976-04)
mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten (von 1976-03 bis 1976-04)
recording of:
If You Leave Me Now (von 1976-03 bis 1976-04)
Texter:
Peter Cetera
Komponist(in):
Peter Cetera (in 1976)
publisher:
Big Elk Music, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fairwood Music Ltd., Island Music Ltd., Polish Prince Music und Spirit Music Publishing Ltd.
Chicago4.23:56
3Under the Moon of Love
cover recording of:
Under the Moon of Love
Verfasser(in):
Tommy Boyce (US songwriter of Boyce and Hart) und Curtis Lee (US rock & roll singer, had single "Pretty Little Angel Eyes")
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it)
Showaddywaddy3:16
4When a Child Is Born (Soleado)
recording of:
When a Child Is Born
Texter:
Fred Jay
Komponist(in):
Zacar
arranger:
Dave Arch (pianist, conductor, arranger and composer)
publisher:
Ardmore & Beechwood Music Ltd., Ardmore and Beechwood Ltd., Beechwood Music Corp., EMI Music Publishing (do not use as a release label!) und EMI Music Publishing Australia Pty Ltd (not for release label use!)
Johnny Mathis3:41
5Don’t Give Up on Us
vocals:
David Soul
phonographisches Urheberrecht (℗) von:
David Soul (in 1976)
phonographisches Urheberrecht (℗) von:
David Soul (in 1976), Private Stock Records, Ltd. (not for release label use, for company relationships only) (in 1976) und Private Stock (in 1977)
recording of:
Don’t Give Up on Us (in 1976)
Texter und Komponist(in):
Tony Macaulay
publisher:
Macaulay Music Ltd., PolyGram Music Publishing Ltd. und Universal Music Publishing International Ltd.
David Soul33:35
6Don’t Cry for Me Argentina
Produzent(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre) und Tim Rice
vocals:
Julie Covington (in 1976)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 56)
recording of:
Don’t Cry for Me Argentina (Evita) (in 1976)
Texter:
Tim Rice
Komponist(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Evita Music, Evita Music Ltd., Leeds Music (MCA), Universal Music Corp. (USA, affiliated with ASCAP) und Universal Music Publishing (UK subsidiary of Universal Music Publishing Group)
Teil von:
Evita (Andrew Lloyd Webber musical)
Julie Covington35:24
7When I Need You
recording engineer:
Howard Steele (US producer, sound engineer) (in 1976)
assistierende(r) Techniker(in):
Dana Latham
Produzent(in):
Richard Perry (producer)
Bass:
Willie Weeks (US bass player) (in 1976)
Gitarre:
Dean Parks (American session guitarist) (in 1976)
Hybrid-Piano:
Michael Omartian (in 1976)
Saxophon:
George Palisky, Jr. (in 1976)
Schlagzeug:
Jeff Porcaro (in 1976)
Synthesizer:
James Newton Howard (American score composer) (in 1976)
vocals:
Leo Sayer (in 1976)
Synthesizer arranger:
James Newton Howard (American score composer)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1976), Chrysalis Records, Inc. (not for release label use!) (in 1976), Rhino Records, Inc. (company credits only; not for release label use!) (in 1977), Silverbird Ltd. (in 1977) und Warner Music H.K. Ltd. (in 1997)
cover recording of:
When I Need You (in 1976)
Verfasser(in):
Carole Bayer Sager und Albert Hammond
publisher:
Albert Hammond Enterprises, Inc., April Music, Begonia Melodies Inc., Chappell Music (UK), Chappell Music Ltd., Empire Music Ltd., Leonard Cohen Stranger Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), P and P Songs Limited, R & M Music Inc., R & M Music Productions, Inc., Sis ’n Bro Music Company, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC, Sony/ATV Tree Publishing, Spoiled Rotten Kiddies Publishing, Unichappell Music, Inc., Universal/MCA Music Ltd. (not for release label use!), Warner/Chappell North America, WB Music Corp. (1929–2019), Windswept Music (London) Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
recording of:
When I Need You
Verfasser(in):
Carole Bayer Sager und Albert Hammond
publisher:
Albert Hammond Enterprises, Inc., April Music, Begonia Melodies Inc., Chappell Music (UK), Chappell Music Ltd., Empire Music Ltd., Leonard Cohen Stranger Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), P and P Songs Limited, R & M Music Inc., R & M Music Productions, Inc., Sis ’n Bro Music Company, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC, Sony/ATV Tree Publishing, Spoiled Rotten Kiddies Publishing, Unichappell Music, Inc., Universal/MCA Music Ltd. (not for release label use!), Warner/Chappell North America, WB Music Corp. (1929–2019), Windswept Music (London) Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Leo Sayer44:08
8Chanson d’amour
Produzent(in):
Richard Perry (producer)
accordion:
Steve Paietta
Bass:
Andy Muson (in 1975)
Gitarre:
Ben Benay (in 1975) und Ira Newborn (in 1975)
Klavier:
John Barnes (US soul songwriter, keyboardist, synthesizer & pianist aka LA Jay) (in 1975)
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos) (in 1975)
Solo-Tenorsaxophon:
Jay Migliori (in 1975)
remixer:
Howard Steele (US producer, sound engineer)
arranger:
Ira Newborn
vocals arranger:
Tim Hauser (in 1975) und Janis Siegel (in 1975)
cover recording of:
Chanson d’amour (1958 song) (in 1975)
Texter und Komponist(in):
Wayne Shanklin
Verfasser(in):
Shanklin
publisher:
Carlin Music und Intersong (publisher) (in 1982)
The Manhattan Transfer2:51
9Knowing Me Knowing You
Techniker(in):
Michael B. Tretow
Produzent(in):
Benny Andersson (ABBA) und Björn Ulvaeus
Bassgitarre:
Rutger Gunnarsson (am 1976-03-23)
E-Gitarre:
Lasse Wellander (am 1976-05-24)
Gitarre:
Janne Schaffer (am 1976-03-23) und Björn Ulvaeus (am 1976-03-23)
Keyboard:
Benny Andersson (ABBA) (am 1976-03-23)
Perkussion:
Malando Gassama (am 1976-03-23)
Schlagzeug [drums]:
Ola Brunkert (am 1976-03-23)
Solo vocals:
Frida (Swedish singer and member of ABBA) (am 1976-03-23)
arranger:
Benny Andersson (ABBA) und Björn Ulvaeus
phonographisches Urheberrecht (℗) von:
Polar Music AB (in 1976)
aufgenommen bei:
Metronome Studio in Stockholm, Stockholms län (Stockholm county), Schweden (am 1976-03-23, am 1976-05-24)
recording of:
Knowing Me, Knowing You (in 1976)
Verfasser(in):
Stig Anderson (Stikkan), Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
EMI Grove Park Music, Inc., Union Songs AB (publisher), Union Songs Music, Universal–Songs of PolyGram International, Inc., EMI Waterford Music (vom 1976 bis heute), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (vom 1976 bis heute) und Universal/Union Songs Musikförlag AB (vom 1976 bis heute)
Teil von:
Mamma Mia! (1999 musical)
ABBA3.853:59
10Free
Produzent(in):
Charles Stepney (musician, producer, arranger and songwriter) und Maurice White (Earth, Wind & Fire)
Bearbeitung von:
Free von Deniece Williams (US soul/funk vocalist/songwriter)
recording of:
Free
Verfasser(in):
Susaye Greene, Hank Redd, Nathan Watts und Deniece Williams (US soul/funk vocalist/songwriter)
publisher:
Black Eye Music, Island Music Ltd., Kee‐Drick Music und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Deniece Williams42:51
11I Don’t Want to Talk About It
Produzent(in):
Tom Dowd
cover recording of:
I Don’t Want to Talk About It
Texter und Komponist(in):
Danny Whitten
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Crazy Horse Music und Rondor Music
Rod Stewart4.54:48
12Lucille
Produzent(in):
Larry Butler (US country music producer, songwriter & pianist)
Sologesang:
Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
phonographisches Urheberrecht (℗) von:
Capitol Records Nashville (in 1976), United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1976) und Liberty Records, Inc. (in 1977)
recording of:
Lucille
Verfasser(in):
Roger Bowling und Hal Bynum
publisher:
ATV Music Corp., Sony/ATV Music Publishing Australia Pty Ltd., Andite Invasion (publisher) (in 1976) und Brougham Hall Music Co., Inc. (publisher) (in 1976)
Kenny Rogers43:30
13Show You the Way to Go
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
recording of:
Show You the Way to Go
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Jacksons33:27
14So You Win Again
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977) und RAK (in 1977)
recording of:
So You Win Again
Texter und Komponist(in):
Russ Ballard
publisher:
EMI Virgin Music Publishing Australia Pty Ltd, Sony Music Publishing (worldwide except Japan, ended 1995) und Universal Music–MGB Songs
Hot Chocolate4.254:29
15I Feel Love
recording of:
I Feel Love
Texter:
Pete Bellotte (English lyricist and producer)
Komponist(in):
Pete Bellotte (English lyricist and producer), Giorgio Moroder und Donna Summer (soul/disco diva)
arranger:
Thor Baldursson
publisher:
Budde Music Inc. (US publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rick’s Music (publishing company associated with Casablanca), Rightsong Music Inc., Sweet Summer Night Music und Warner Chappell (Warner/Chappell Music, Inc.)
Donna Summer43:45
16Angelo
recording engineer:
Simon Skolfield
Produzent(in):
Brotherhood of Man und Tony Hiller
künstlerische Leitung:
Lee Sheriden
arranger:
Lee Sheriden
recording of:
Angelo
Verfasser(in):
Tony Hiller, Martin Lee (singer, of UK pop group Brotherhood of Man) und Lee Sheriden
publisher:
ATV Music Ltd., Castle (publisher), E.M.I. Pub. Ltd., EMI Music Publishing Germany GmbH (1967–2001), Tony Hiller Music (publisher) und Tony Hills Music Co. Ltd.
Brotherhood of Man33:16
17Float On
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1977)
Bearbeitung von:
Float On (long version) von Floaters
recording of:
Float On
Verfasser(in):
Arnold Ingram, James Mitchell (Singer, composer and producer, member of Detroit Emeralds) und Marvin Willis (Marvin Lee Willis, member of Detroit Emeralds)
The Floaters54:09
18Way Down
Techniker(in):
Mike Moran (American engineer, associated with RCA)
leitende(r) Produzent(in):
Elvis Presley (“The King of Rock and Roll”)
Bass:
Jerry Scheff (von 1976-10-29 bis 1976-10-30)
Gitarre:
James Burton (guitarist) (von 1976-10-29 bis 1976-10-30), Charlie Hodge (von 1976-10-29 bis 1976-10-30), John Wilkinson (known world-wide as the rhythm guitar player of Elvis Presley) (von 1976-10-29 bis 1976-10-30) und Chip Young (American session guitarist, bassist, producer in the genre of country) (von 1976-10-29 bis 1976-10-30)
Hybrid-Piano:
David Briggs (English organist and composer) (von 1976-10-29 bis 1976-10-30)
Klavier:
Tony Brown (US producer, pianist and keyboardist) (von 1976-10-29 bis 1976-10-30)
Moog:
Shane Keister (von 1976-10-29 bis 1976-10-30)
Schlagzeug:
Ronnie Tutt (drummer) (von 1976-10-29 bis 1976-10-30)
Steel-Gitarre:
Weldon Myrick (von 1976-10-29 bis 1976-10-30)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1976-10-29)
vocals:
Sherrill Nielsen (American tenor singer) (am 1976-10-29, von 1976-10-29 bis 1976-10-30), Myrna Smith (am 1976-10-29, von 1976-10-29 bis 1976-10-30), J.D. Sumner & The Stamps (am 1976-10-29, von 1976-10-29 bis 1976-10-30) und Kathy Westmoreland (am 1976-10-29, von 1976-10-29 bis 1976-10-30)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1977), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1977) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
Graceland in Memphis, Tennessee, Vereinigte Staaten (am 1976-10-29, von 1976-10-29 bis 1976-10-30) und Creative Workshop in Nashville, Tennessee, Vereinigte Staaten (in 1977-01)
recording of:
Way Down (von 1976-10-29 bis 1977-01)
Texter und Komponist(in):
Layng Martine, Jr. (Nashville songwriter)
publisher:
MCS Music Ltd. und Ray Stevens Music
Elvis Presley2.252:35
19Silver Lady
phonographisches Urheberrecht (℗) von:
David Soul (in 1977)
recording of:
Silver Lady (in 1977)
Verfasser(in):
Tony Macaulay und Geoff Stephens
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Macaulay Music Ltd., Polygram International Music Publishing Ltd. und PolyGram Music Publishing
David Soul53:40
8Digitales Medium: 70s Volume 8: Number Ones 414 > 430
9Digitales Medium: 70s Volume 9: Number Ones 431 > 448