Hitchcock: Original Motion Picture Soundtrack

~ Veröffentlichung von Danny Elfman (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

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1Logos
recording engineer:
Nick Wollage
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Fiona Cruickshank
Produzent(in):
Danny Elfman (American singer and score composer)
assistierende(r) Mix:
Greg Hayes (engineer)
Mix:
Dennis Sands (American sound engineer)
Editing:
Shie Rozow und Philip Tallman
conductor:
Rick Wentworth
Orchestrator(in):
Steve Bartek und Edgardo Simone
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Logos
Komponist(in):
Danny Elfman (American singer and score composer)
0:50
2Theme From "Hitchcock"
recording engineer:
Nick Wollage
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Fiona Cruickshank
Produzent(in):
Danny Elfman (American singer and score composer)
assistierende(r) Mix:
Greg Hayes (engineer)
Mix:
Dennis Sands (American sound engineer)
Editing:
Shie Rozow und Philip Tallman
conductor:
Rick Wentworth
Orchestrator(in):
Steve Bartek und Edgardo Simone
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Theme From "Hitchcock"
Komponist(in):
Danny Elfman (American singer and score composer)
1:22
3The Premiere
recording engineer:
Nick Wollage
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Fiona Cruickshank
Produzent(in):
Danny Elfman (American singer and score composer)
assistierende(r) Mix:
Greg Hayes (engineer)
Mix:
Dennis Sands (American sound engineer)
Editing:
Shie Rozow und Philip Tallman
conductor:
Rick Wentworth
Orchestrator(in):
Steve Bartek und Edgardo Simone
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The Premiere
Komponist(in):
Danny Elfman (American singer and score composer)
0:41
4Paramount / Out the Gate
recording engineer:
Nick Wollage
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Fiona Cruickshank
Produzent(in):
Danny Elfman (American singer and score composer)
assistierende(r) Mix:
Greg Hayes (engineer)
Mix:
Dennis Sands (American sound engineer)
Editing:
Shie Rozow und Philip Tallman
conductor:
Rick Wentworth
Orchestrator(in):
Steve Bartek und Edgardo Simone
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Paramount / Out the Gate
Komponist(in):
Danny Elfman (American singer and score composer)
1:57
5Mommy Dearest
recording engineer:
Nick Wollage
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Fiona Cruickshank
Produzent(in):
Danny Elfman (American singer and score composer)
assistierende(r) Mix:
Greg Hayes (engineer)
Mix:
Dennis Sands (American sound engineer)
Editing:
Shie Rozow und Philip Tallman
conductor:
Rick Wentworth
Orchestrator(in):
Steve Bartek und Edgardo Simone
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Mommy Dearest
Komponist(in):
Danny Elfman (American singer and score composer)
0:59
6In Bed
recording engineer:
Nick Wollage
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Fiona Cruickshank
Produzent(in):
Danny Elfman (American singer and score composer)
assistierende(r) Mix:
Greg Hayes (engineer)
Mix:
Dennis Sands (American sound engineer)
Editing:
Shie Rozow und Philip Tallman
conductor:
Rick Wentworth
Orchestrator(in):
Steve Bartek und Edgardo Simone
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
In Bed
Komponist(in):
Danny Elfman (American singer and score composer)
0:37
7Impulses
recording engineer:
Nick Wollage
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Fiona Cruickshank
Produzent(in):
Danny Elfman (American singer and score composer)
assistierende(r) Mix:
Greg Hayes (engineer)
Mix:
Dennis Sands (American sound engineer)
Editing:
Shie Rozow und Philip Tallman
conductor:
Rick Wentworth
Orchestrator(in):
Steve Bartek und Edgardo Simone
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Impulses
Komponist(in):
Danny Elfman (American singer and score composer)
1:30
8The Censor
recording engineer:
Nick Wollage
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Fiona Cruickshank
Produzent(in):
Danny Elfman (American singer and score composer)
assistierende(r) Mix:
Greg Hayes (engineer)
Mix:
Dennis Sands (American sound engineer)
Editing:
Shie Rozow und Philip Tallman
conductor:
Rick Wentworth
Orchestrator(in):
Steve Bartek und Edgardo Simone
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The Censor
Komponist(in):
Danny Elfman (American singer and score composer)
0:59
9The Swim
recording engineer:
Nick Wollage
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Fiona Cruickshank
Produzent(in):
Danny Elfman (American singer and score composer)
assistierende(r) Mix:
Greg Hayes (engineer)
Mix:
Dennis Sands (American sound engineer)
Editing:
Shie Rozow und Philip Tallman
conductor:
Rick Wentworth
Orchestrator(in):
Steve Bartek und Edgardo Simone
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The Swim
Komponist(in):
Danny Elfman (American singer and score composer)
2:03
10Peeping
recording engineer:
Nick Wollage
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Fiona Cruickshank
Produzent(in):
Danny Elfman (American singer and score composer)
assistierende(r) Mix:
Greg Hayes (engineer)
Mix:
Dennis Sands (American sound engineer)
Editing:
Shie Rozow und Philip Tallman
conductor:
Rick Wentworth
Orchestrator(in):
Steve Bartek und Edgardo Simone
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Peeping
Komponist(in):
Danny Elfman (American singer and score composer)
0:36
11Sacrifices
recording engineer:
Nick Wollage
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Fiona Cruickshank
Produzent(in):
Danny Elfman (American singer and score composer)
assistierende(r) Mix:
Greg Hayes (engineer)
Mix:
Dennis Sands (American sound engineer)
Editing:
Shie Rozow und Philip Tallman
conductor:
Rick Wentworth
Orchestrator(in):
Steve Bartek und Edgardo Simone
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Sacrifices
Komponist(in):
Danny Elfman (American singer and score composer)
1:17
12Walk With Hitch
recording engineer:
Nick Wollage
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Fiona Cruickshank
Produzent(in):
Danny Elfman (American singer and score composer)
assistierende(r) Mix:
Greg Hayes (engineer)
Mix:
Dennis Sands (American sound engineer)
Editing:
Shie Rozow und Philip Tallman
conductor:
Rick Wentworth
Orchestrator(in):
Steve Bartek und Edgardo Simone
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Walk With Hitch
Komponist(in):
Danny Elfman (American singer and score composer)
0:57
13Celery
recording engineer:
Nick Wollage
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Fiona Cruickshank
Produzent(in):
Danny Elfman (American singer and score composer)
assistierende(r) Mix:
Greg Hayes (engineer)
Mix:
Dennis Sands (American sound engineer)
Editing:
Shie Rozow und Philip Tallman
conductor:
Rick Wentworth
Orchestrator(in):
Steve Bartek und Edgardo Simone
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Celery
Komponist(in):
Danny Elfman (American singer and score composer)
2:00
14Telephone
recording engineer:
Nick Wollage
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Fiona Cruickshank
Produzent(in):
Danny Elfman (American singer and score composer)
assistierende(r) Mix:
Greg Hayes (engineer)
Mix:
Dennis Sands (American sound engineer)
Editing:
Shie Rozow und Philip Tallman
conductor:
Rick Wentworth
Orchestrator(in):
Steve Bartek und Edgardo Simone
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Telephone
Komponist(in):
Danny Elfman (American singer and score composer)
1:08
15Suspicion
recording engineer:
Nick Wollage
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Fiona Cruickshank
Produzent(in):
Danny Elfman (American singer and score composer)
assistierende(r) Mix:
Greg Hayes (engineer)
Mix:
Dennis Sands (American sound engineer)
Editing:
Shie Rozow und Philip Tallman
conductor:
Rick Wentworth
Orchestrator(in):
Steve Bartek und Edgardo Simone
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Suspicion
Komponist(in):
Danny Elfman (American singer and score composer)
2:30
16Explosion
recording engineer:
Nick Wollage
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Fiona Cruickshank
Produzent(in):
Danny Elfman (American singer and score composer)
assistierende(r) Mix:
Greg Hayes (engineer)
Mix:
Dennis Sands (American sound engineer)
Editing:
Shie Rozow und Philip Tallman
conductor:
Rick Wentworth
Orchestrator(in):
Steve Bartek und Edgardo Simone
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Explosion
Komponist(in):
Danny Elfman (American singer and score composer)
3:11
17Selling Psycho
recording engineer:
Nick Wollage
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Fiona Cruickshank
Produzent(in):
Danny Elfman (American singer and score composer)
assistierende(r) Mix:
Greg Hayes (engineer)
Mix:
Dennis Sands (American sound engineer)
Editing:
Shie Rozow und Philip Tallman
conductor:
Rick Wentworth
Orchestrator(in):
Steve Bartek und Edgardo Simone
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Selling Psycho
Komponist(in):
Danny Elfman (American singer and score composer)
1:38
18Fantasy Smashed
recording engineer:
Nick Wollage
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Fiona Cruickshank
Produzent(in):
Danny Elfman (American singer and score composer)
assistierende(r) Mix:
Greg Hayes (engineer)
Mix:
Dennis Sands (American sound engineer)
Editing:
Shie Rozow und Philip Tallman
conductor:
Rick Wentworth
Orchestrator(in):
Steve Bartek und Edgardo Simone
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Fantasy Smashed
Komponist(in):
Danny Elfman (American singer and score composer)
1:31
19The Sand
recording engineer:
Nick Wollage
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Fiona Cruickshank
Produzent(in):
Danny Elfman (American singer and score composer)
assistierende(r) Mix:
Greg Hayes (engineer)
Mix:
Dennis Sands (American sound engineer)
Editing:
Shie Rozow und Philip Tallman
conductor:
Rick Wentworth
Orchestrator(in):
Steve Bartek und Edgardo Simone
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The Sand
Komponist(in):
Danny Elfman (American singer and score composer)
1:22
20It's a Wrap
recording engineer:
Nick Wollage
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Fiona Cruickshank
Produzent(in):
Danny Elfman (American singer and score composer)
assistierende(r) Mix:
Greg Hayes (engineer)
Mix:
Dennis Sands (American sound engineer)
Editing:
Shie Rozow und Philip Tallman
conductor:
Rick Wentworth
Orchestrator(in):
Steve Bartek und Edgardo Simone
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
It's a Wrap
Komponist(in):
Danny Elfman (American singer and score composer)
1:05
21Busted
recording engineer:
Nick Wollage
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Fiona Cruickshank
Produzent(in):
Danny Elfman (American singer and score composer)
assistierende(r) Mix:
Greg Hayes (engineer)
Mix:
Dennis Sands (American sound engineer)
Editing:
Shie Rozow und Philip Tallman
conductor:
Rick Wentworth
Orchestrator(in):
Steve Bartek und Edgardo Simone
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Busted
Komponist(in):
Danny Elfman (American singer and score composer)
0:58
22Saving the House
recording engineer:
Nick Wollage
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Fiona Cruickshank
Produzent(in):
Danny Elfman (American singer and score composer)
assistierende(r) Mix:
Greg Hayes (engineer)
Mix:
Dennis Sands (American sound engineer)
Editing:
Shie Rozow und Philip Tallman
conductor:
Rick Wentworth
Orchestrator(in):
Steve Bartek und Edgardo Simone
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Saving the House
Komponist(in):
Danny Elfman (American singer and score composer)
1:01
23Finally
recording engineer:
Nick Wollage
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Fiona Cruickshank
Produzent(in):
Danny Elfman (American singer and score composer)
assistierende(r) Mix:
Greg Hayes (engineer)
Mix:
Dennis Sands (American sound engineer)
Editing:
Shie Rozow und Philip Tallman
conductor:
Rick Wentworth
Orchestrator(in):
Steve Bartek und Edgardo Simone
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Finally
Komponist(in):
Danny Elfman (American singer and score composer)
1:47
24Home at Last
recording engineer:
Nick Wollage
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Fiona Cruickshank
Produzent(in):
Danny Elfman (American singer and score composer)
assistierende(r) Mix:
Greg Hayes (engineer)
Mix:
Dennis Sands (American sound engineer)
Editing:
Shie Rozow und Philip Tallman
conductor:
Rick Wentworth
Orchestrator(in):
Steve Bartek und Edgardo Simone
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Home at Last
Komponist(in):
Danny Elfman (American singer and score composer)
1:00
25End Credit #1
recording engineer:
Nick Wollage
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Fiona Cruickshank
Produzent(in):
Danny Elfman (American singer and score composer)
assistierende(r) Mix:
Greg Hayes (engineer)
Mix:
Dennis Sands (American sound engineer)
Editing:
Shie Rozow und Philip Tallman
conductor:
Rick Wentworth
Orchestrator(in):
Steve Bartek und Edgardo Simone
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
End Credit #1
Komponist(in):
Danny Elfman (American singer and score composer)
2:34
26End Credit #2
recording engineer:
Nick Wollage
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Fiona Cruickshank
Produzent(in):
Danny Elfman (American singer and score composer)
assistierende(r) Mix:
Greg Hayes (engineer)
Mix:
Dennis Sands (American sound engineer)
Editing:
Shie Rozow und Philip Tallman
conductor:
Rick Wentworth
Orchestrator(in):
Steve Bartek und Edgardo Simone
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
End Credit #2
Komponist(in):
Danny Elfman (American singer and score composer)
2:29
27Funeral March for a Marionette
recording of:
Marche funèbre d’une marionnette (for orchestra, 1879)
Komponist(in):
Charles Gounod (French composer)
Arrangement von:
Marche funèbre d’une marionnette (Funeral March of a Marionette, original, for piano solo, 1872)
0:54