| # | Title | Artist | Rating | Length |
|---|
| 1 | In the Mood | The Glenn Miller Orchestra | 3.75 | 3:38 |
| 2 | Let There Be Love | Silje Nergaard | | 3:18 |
| 3 | Puttin’ on the Ritz | Fred Astaire | | 2:52 |
| 4 | I’ve Got My Love to Keep Me Warm | Ella Fitzgerald | | 2:58 |
| 5 | Fly Me to the Moon | James Moody | | 4:43 |
| 6 | Love Me or Leave Me | Nina Simone | 4 | 4:06 |
| 7 | Cheek to Cheek- recording engineer:
- Alan Emig
- producer:
- Norman Granz
- alto saxophone:
- Herb Geller (on 1956-06-12) and Bud Shank (on 1956-06-12)
- baritone saxophone:
- Chuck Gentry (on 1956-06-12)
- bass:
- Joe Mondragon (on 1956-06-12)
- cello:
- Edgar Lustgarden (on 1956-06-12)
- drums (drum set):
- Alvin Stoller (on 1956-06-12)
- guitar:
- Barney Kessel (on 1956-06-12)
- piano:
- Paul Smith (on 1956-06-12)
- tenor saxophone:
- Bob Cooper (on 1956-06-12) and Ted Nash (on 1956-06-12)
- trombone:
- Milt Bernhart (on 1956-06-12), Francis Howard (on 1956-06-12), George Roberts (on 1956-06-12), Frank Rosolino (on 1956-06-12) and Lloyd Ulyate (on 1956-06-12)
- trumpet:
- Pete Candoli (on 1956-06-12), Harry “Sweets” Edison (on 1956-06-12), Maynard Ferguson (on 1956-06-12) and Conrad Gozzo (on 1956-06-12)
- viola:
- Virginia Majewski (on 1956-06-12)
- violin:
- Lew Raderman (on 1956-06-12)
- vocals:
- Bing Crosby (on 1956-06-12)
- orchestra:
- Buddy Bregman & Orchestra (on 1956-06-12)
- conductor:
- Buddy Bregman (on 1956-06-12)
- arranger:
- Buddy Bregman
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-06-12)
- cover recording of:
- Cheek to Cheek (on 1956-06-12)
- lyricist and composer:
- Irving Berlin (in 1935)
- publisher:
- Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
- part of:
- Academy Award for Best Original Song (number: 1935 nominee)
- part of:
- Top Hat
| Bing Crosby | | 4:02 |
| 8 | Let’s Face the Music and Dance | Anita O’Day | | 3:17 |
| 9 | Almost Like Being in Love | Lester Young | | 3:33 |
| 10 | I Get a Kick Out of You | Louis Armstrong | | 4:19 |
| 11 | But Not for Me | Dinah Washington | | 2:27 |
| 12 | They Can’t Take That Away From Me- producer:
- Norman Granz (on 1957-01-09)
- double bass:
- Red Mitchell (on 1957-01-09) and Joe Mondragon (on 1957-01-09)
- drums (drum set):
- Larry Bunker (on 1957-01-09)
- electric guitar and guitar:
- Barney Kessel (on 1957-01-09)
- piano:
- Jimmy Rowles (on 1957-01-09)
- tenor saxophone:
- Ben Webster (on 1957-01-09)
- trumpet:
- Harry “Sweets” Edison (on 1957-01-09)
- vocals:
- Billie Holiday (in 1957-01, on 1957-01-09)
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1957-01-09)
- recording of:
- They Can’t Take That Away From Me (on 1957-01-09)
- lyricist:
- Ira Gershwin (in 1937)
- composer:
- George Gershwin (in 1937)
- publisher:
- Chappell & Co., Inc. , Chappell Music , Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited , WB Music Corp. (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
- part of:
- The 10th Academy Award for Best Original Song (number: 2)
- part of:
- An American in Paris
- part of:
- Crazy for You
- part of:
- Shall We Dance
| Billie Holiday | 3.5 | 4:12 |
| 13 | The Days of Wine and Roses- recording engineer:
- Bob Simpson
- engineer:
- Val Valentin
- producer:
- Jim Davis
- double bass:
- Ray Brown (on 1964-10-20)
- drums (drum set):
- Ed Thigpen (on 1964-10-20)
- piano:
- Oscar Peterson (on 1964-10-20)
- recorded at:
- RCA Studios in New York, New York, United States (from 1964-10-19 until 1964-10-20)
- instrumental cover recording of:
- Days of Wine and Roses (on 1964-10-20)
- lyricist:
- Johnny Mercer
- composer:
- Henry Mancini
- publisher:
- Johnny Mercer Music Publishing, Inc., M. Witmark & Sons, Warner Bros. , Warner Bros. Music , Warner Bros., Inc. , Warner Chappell Music Ltd. and WB Music Corp.
- part of:
- The 35th Academy Award for Best Original Song (number: 1), Grammy Award: Song of the Year nominees (number: 1964 winner) and Academy Award for Best Original Song (number: 1962 winner)
| The Oscar Peterson Trio | | 2:42 |
| 14 | Too Darn Hot | Mel Torme | | 2:47 |
| 15 | ’s Wonderful- producer:
- Norman Granz
- alto saxophone:
- Bill Graham (on 1956-05-01)
- bass:
- Eddie Jones (on 1956-05-01)
- drums (drum set):
- Sonny Payne (on 1956-05-01)
- guitar:
- Freddie Green (on 1956-05-01)
- piano:
- Count Basie (on 1956-05-01)
- reeds:
- Charlie Fowlkes (on 1956-05-01), Frank Foster (on 1956-05-01) and Marshall Royal (on 1956-05-01)
- trombone:
- Henry Coker (on 1956-05-01), Bill Hughes (on 1956-05-01) and Benny Powell (on 1956-05-01)
- trumpet:
- Wendell Culley (on 1956-05-01), Reunald Jones (on 1956-05-01), Thad Jones (on 1956-05-01) and Joe Newman (on 1956-05-01)
- woodwind:
- Frank Wess (on 1956-05-01)
- vocals:
- Joe Williams (on 1956-05-01)
- orchestra:
- Count Basie and His Orchestra (on 1956-05-01)
- conductor:
- Buddy Bregman (on 1956-05-01)
- arranger:
- Buddy Bregman
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-05-01)
- recording of:
- ’S Wonderful (on 1956-05-01)
- lyricist:
- Ira Gershwin (in 1927)
- composer:
- George Gershwin (in 1927)
- publisher:
- Chappell & Co., Chappell & Co., Inc. , Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited and WB Music Corp.
- part of:
- An American in Paris
- part of:
- Funny Face
- part of:
- My One and Only
| Joe Williams | | 2:38 |
| 16 | Come Rain or Come Shine | Anita O’Day | | 2:15 |
| 17 | Night and Day- recorded in:
- Los Angeles, California, United States (in 1952-12)
- producer:
- Norman Granz
- bass guitar:
- Ray Brown
- double bass:
- Ray Brown (in 1952-12)
- drums (drum set):
- Alvin Stoller (in 1952-12)
- guitar:
- Barney Kessel (in 1952-12)
- piano:
- Oscar Peterson (in 1952-12)
- tenor saxophone:
- Flip Phillips (in 1952-12)
- trumpet:
- Charlie Shavers (in 1952-12)
- vocals:
- Fred Astaire (in 1952-12)
- recording of:
- Night and Day (in 1952-12)
- lyricist and composer:
- Cole Porter (in 1932)
- publisher:
- Chappell & Co., Inc. , Chappell Music Ltd., Warner Bros. , Warner Bros. Music , Warner Bros., Inc. , Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell , WB Music Corp. (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
- part of:
- Gay Divorce
| Fred Astaire | | 4:59 |
| 18 | I’ve Got You Under My Skin | Bill Evans with Jim Hall | | 3:23 |
| 19 | Corner Pocket | Count Basie | | 5:16 |
| 20 | Between the Devil and the Deep Blue Sea | Ella Fitzgerald | | 2:22 |
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