| # | Title | Artist | Rating | Length |
|---|
| 1 | Despacito (remix) | Luis Fonsi, Daddy Yankee & Justin Bieber | 3.15 | 3:49 |
| 2 | HUMBLE. | Kendrick Lamar | 3.8 | 2:58 |
| 3 | Stay | Zedd & Alessia Cara | 3.75 | 3:31 |
| 4 | Congratulations | Post Malone & Quavo | 3.65 | 3:40 |
| 5 | Believer- engineer and producer:
- Mattman & Robin
- mixer:
- John Hanes
- phonographic copyright (℗) by:
- Interscope Records (in 2017) and KIDinaKORNER (in 2017)
- a cappella versions:
- Believer (Live at Dolby Studios) by Tufts Beelzebubs
- part of:
- Billboard Year-End Hot 100 singles of 2017 (number: 9), Billboard Year-End Hot 100 singles of 2018 (number: 100) and Indie 88: Top 500 Indie Rock Songs (number: 401)
- recording of:
- Believer
- writer:
- Robin Fredriksson , Justin Drew Tranter , Mattias Larsson , Ben McKee , Daniel Platzman, Dan Reynolds and Wayne Sermon
- publisher:
- Imagine Dragons Publishing, Justin’s School for Girls, KIDinaKORNER, Ma-Jay Publishing, Neue Welt Musikverlag GmbH & Co. KG , Universal MCA Music Publishing , Warner Bros., Inc. , Warner Chappell Music Scandinavia, Warner–Tamerlane Music Corp. and Wolf Cousins
| Imagine Dragons | 3.45 | 3:24 |
| 6 | There's Nothing Holdin' Me Back | Shawn Mendes | 4.05 | 3:19 |
| 7 | Issues | Julia Michaels | 3.75 | 2:56 |
| 8 | Strip That Down- engineer:
- Chris Laws , Daniel Pursey and Bill Zimmerman
- producer:
- Steve Mac
- mixer:
- Phil Tan
- drums (drum set):
- Chris Laws
- synthesizer:
- Steve Mac
- phonographic copyright (℗) by:
- Hampton Records Limited (in 2017)
- music videos:
- Strip That Down by Liam Payne
- part of:
- Billboard Year-End Hot 100 singles of 2017 (number: 36)
- recording of:
- Strip That Down
- writer:
- Papa Dee Allen, Brian Thompson, Harold Brown, B.B. Dickerson, Ricardo “Rik Rok” Ducent, Lonnie Jordan, Steve Mac , Charles Miller , Orville Richard Burrell , Lee Oskar, Liam Payne, Shaun Pizzonia, Quavo , Howard E. Scott and Ed Sheeran
- publisher:
- Songs of Kobalt Music Publishing, Sony/ATV Songs LLC and Tenyor Music
- is based on:
- It Wasn’t Me
| Liam Payne & Quavo | 2.8 | 3:25 |
| 9 | 1-800-273-8255 | Logic, Alessia Cara & Khalid | 3 | 4:11 |
| 10 | Mama | Jonas Blue & William Singe | 3 | 3:04 |
| 11 | Let Me Love You | DJ Snake & Justin Bieber | 4 | 3:26 |
| 12 | Chained to the Rhythm- assistant recording engineer:
- Cory Bice and Jeremy Lertola
- programming and producer:
- Max Martin and Ali Payami
- synthesizer programming:
- Ali Payami
- engineer:
- Sam Holland
- mixer:
- Serban Ghenea and John Hanes
- editor:
- Peter Karlsson
- bass guitar, drums (drum set) [drums], handclaps [clapping] and piano:
- Ali Payami
- keyboard:
- Max Martin
- percussion:
- Peter Karlsson and Ali Payami
- background vocals:
- Skip Marley , Max Martin , Katy Perry and Sia
- guest vocals and guest performer:
- Skip Marley
- lead vocals:
- Katy Perry
- performer:
- Katy Perry
- phonographic copyright (℗) by:
- Capitol Records
- recorded at:
- MXM Studios in Los Angeles, California, United States and Wolf Cousins Studios in Stockholm, Stockholms län , Sweden
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- music videos:
- Chained to the Rhythm by Katy Perry feat. Skip Marley
- part of:
- Billboard Year-End Hot 100 singles of 2017 (number: 73)
- recording of:
- Chained to the Rhythm
- writer:
- Max Martin , Ali Payami, Katy Perry, Sia Furler and Skip Marley
- publisher:
- EMI Music Publishing Ltd. , Warner/Chappell Music Scand , Warner/Chappell Music Scandinavia AB, Levi Sky, LLC (in 2017), Mountain Music Ltd. (in 2017), MXM (in 2017), Pineapple Lasagne (in 2017), Sony/ATV Music Publishing Ltd. (in 2017), WB Music Corp. (in 2017), When I’m Rich You’ll Be My Bitch (in 2017) and Wolf Cousins (in 2017)
| Katy Perry & Skip Marley | 2.7 | 3:58 |
| 13 | Don't Wanna Know- recording engineer:
- Josh Gudwin (lead vocals)
- programming:
- The Arcade, benny blanco and Louie Lastic
- assistant engineer:
- Eric Eylands and Phil Seaford
- engineer:
- John Hanes and Noah "Mailbox" Passovoy
- additional producer:
- Jacob “J Kash” Hindlin (lead vocals), Ammar Malik (lead vocals), Noah "Mailbox" Passovoy and John Ryan (lead vocals)
- producer:
- benny blanco for Matza Ball Productions, Inc. , Josh Gudwin (lead vocals), Louie Lastic and The Arcade for Delirious Blacksmith Mgmt Ltd.
- mixer:
- Serban Ghenea
- additional guitar:
- Jesse Carmichael
- additional keyboard [keys]:
- Noah "Mailbox" Passovoy
- drums (drum set) [drums] and percussion:
- Matt Flynn
- guitar [lead guitar]:
- Jesse Carmichael and James Valentine
- keyboard [keyboards]:
- PJ Morton
- vocals:
- Kendrick Lamar and Adam Levine
- instruments arranger:
- The Arcade, benny blanco and Louie Lastic
- phonographic copyright (℗) by:
- Interscope Records (222 Records) (in 2017)
- recorded at:
- Conway Recording Studios (Los Angeles, CA) in Hollywood, Los Angeles, California, United States, Glenwood Place Studios (Burbank. CA) in Burbank, California, United States, INNR CHLD Studios (London, UK) in London , England, United Kingdom and Matzah Ball Studios (New York, NY) in New York, New York, United States
- mixed at:
- MixStar Studios (Virginia Beach, VA) in Virginia Beach, Virginia, United States
- part of:
- BILLIONS CLUB
- recording of:
- Don’t Wanna Know
- writer:
- Alex Ben-Abdallah, Benjamin Levin , Jacob Kasher , Kendrick Lamar, Adam Levine , Ammar Malik, Kurtis McKenzie , Jon Mills and John Ryan
| Maroon 5 & Kendrick Lamar | 3.25 | 3:35 |
| 14 | Sorry Not Sorry | Demi Lovato | 4 | 3:24 |
| 15 | Redbone- recording engineer:
- Riley Mackin and Ruben Rivera
- producer:
- Ludwig Göransson
- additional mixer:
- Ludwig Göransson
- mixer:
- Donald Glover, Ludwig Göransson and Riley Mackin
- banjo [cello banjo], bass guitar [bass], guitar, Rhodes piano [Fender Rhodes], synthesizer [synths] and Wurlitzer electric piano [Wurlitzer]:
- Ludwig Göransson
- drums (drum set) [drums] and glockenspiel:
- Donald Glover
- vocals:
- Donald Glover
- phonographic copyright (℗) by:
- Glassnote Entertainment Group LLC (in 2016) and mcDJ Recording (in 2016)
- recorded at:
- The Factory
- mixed at:
- ELBO Studios in Glendale, California, United States and The Factory
- part of:
- Billboard Year-End Hot 100 singles of 2017 (number: 25), Indie 88: Top 500 Indie Rock Songs (number: 376) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 383)
- recording of:
- Redbone
- lyricist:
- William Earl Collins , Donald McKinley Glover II and Gary Lee Cooper
- composer:
- Donald McKinley Glover II and Ludwig Emil Tomas Göransson
- publisher:
- Childish Industries, Ludovin Music, Mashamug Music Inc., New Spirituality Music, Songs of Roc Nation Music, Songs of Universal, Inc. , Universal Music Works and Warner–Tamerlane Publishing Corp.
- part of:
- Matuschkes Lieblinge (number: 322)
| Childish Gambino | 4.35 | 5:27 |
| 16 | Slow Hands- additional recording engineer:
- Julian Bunetta and Eric Greedy
- recording engineer and producer:
- Julian Bunetta
- programming:
- AfterHrs , Dave Emery and Mark “Spike” Stent
- additional producer:
- AfterHrs and Mark “Spike” Stent
- assistant mixer:
- Michael Freeman
- mixer:
- Mark “Spike” Stent
- guitar:
- Mark Goldenberg, Niall Horan and John Ryan
- keyboard [keyboards]:
- Dave Emery
- organ:
- Tommy King
- synthesizer:
- AfterHrs
- background vocals:
- Julian Bunetta
- vocals:
- Niall Horan
- phonographic copyright (℗) by:
- Neon Haze Music Ltd. (in 2017)
- produced for:
- Family Affairs Productions
- additionally recorded at:
- Wendy House Productions in Hammersmith, Hammersmith and Fulham, London , England, United Kingdom
- recorded at:
- Enemy Dojo in Calabasas, California, United States and Sarm Music Village in Ladbroke Grove, Kensington and Chelsea, London , England, United Kingdom
- mixed at:
- The Mixsuite in Los Angeles, California, United States
- part of:
- Billboard Year-End Hot 100 singles of 2017 (number: 32)
- recording of:
- Slow Hands
- writer:
- Julian Bunetta, Niall Horan, Alexander Izquierdo, Tobias Jesso Jr., Ruth-Anne Cunningham and John Ryan
- publisher:
- AIX Music Publishing, BMG Gold Songs, BMG Platinum Songs, Bob Erotik Music, Dragon Bunny Music , Family Affair Songbook, Music of Big Deal, NJH Publishing Ltd., Songs of Universal, Inc. , The Family Songbook and These Are Songs of Pulse
| Niall Horan | 2.75 | 3:09 |
| 17 | Thunder- programming:
- Alex da Kid
- engineer:
- Travis Ference
- producer:
- Alex da Kid and Jayson DeZuzio
- mixer:
- Manny Marroquin
- phonographic copyright (℗) by:
- Interscope Records (in 2017) and KIDinaKORNER (in 2017)
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States
- part of:
- Billboard Year-End Hot 100 singles of 2018 (number: 22), Grammy Award: Best Pop Duo/Group Performance nominees (number: 2018) and Billboard Year-End Hot 100 singles of 2017 (number: 51)
- recording of:
- Thunder
- publisher:
- Alexander Grant
- writer:
- A. Grant , Jayson Dezuzio, Ben McKee , Daniel Platzman, Dan Reynolds and Wayne Sermon
- publisher:
- Have a Nice Jay, Imagine Dragons Publishing, KIDinaKORNER, Songs of Universal, Inc. , Universal and Universal, Inc.
| Imagine Dragons | 3.5 | 3:08 |
| 18 | Bounce Back | Big Sean | 2.5 | 3:43 |
| 19 | Side to Side | Ariana Grande & Nicki Minaj | 4.3 | 3:46 |
| 20 | rockstar | Post Malone & 21 Savage | 3.25 | 3:39 |
| 21 | Starving | Hailee Steinfeld, Grey & Zedd | | 3:02 |
| 22 | All Night | The Vamps & Matoma | | 3:17 |
| 23 | Bad Things | Machine Gun Kelly & Camila Cabello | 3.2 | 3:59 |
| 24 | Ahora Dice | Chris Jedi, J Balvin & Ozuna | | 4:31 |
| 25 | DNA. | Kendrick Lamar | 3.7 | 3:06 |
| 26 | Body Like a Back Road | Sam Hunt | 3 | 2:45 |
| 27 | Bad Liar | Selena Gomez | 3 | 3:35 |
| 28 | Treat You Better- part of:
- Billboard Year-End Hot 100 singles of 2016 (number: 28) and Billboard Year-End Hot 100 singles of 2017 (number: 92)
- recording of:
- Treat You Better
- writer:
- Teddy Geiger, Scott Harris and Shawn Mendes
- publisher:
- Big Deal Beats, Gerty Tunes, Mendes Music, Rebel One Publishing, Songs of Universal, Inc. , Sony Music Publishing (Japan) Inc. , TG Worldwide Publishing, Words and Music Tunes Canada, ピアーミュージック and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Shawn Mendes | 3.05 | 3:08 |
| 29 | Friends | Justin Bieber & BloodPop® | | 3:10 |
| 30 | Cold- programming:
- Phil Paul
- assistant engineer:
- Eric Eylands and Ben Sedano
- engineer:
- John Hanes , Noah "Mailbox" Passovoy and Phil Paul
- additional producer:
- Noah "Mailbox" Passovoy
- producer:
- Jacob “J Kash” Hindlin , Noah "Mailbox" Passovoy (lead vocals [Adam Levine's vocal]), Noel “Detail” Fisher (other vocals [Future's vocal]), Phil Paul, Phil Paul (lead vocals [Adam Levine's vocal]), John Ryan and John Ryan (lead vocals [Adam Levine's vocal])
- mixer:
- Serban Ghenea
- additional guitar:
- Phil Paul and John Ryan
- additional keyboard [keys]:
- Noah "Mailbox" Passovoy and Phil Paul
- bass:
- Sam Farrar
- drums (drum set) [drums] and percussion:
- Matt Flynn
- guitar [lead guitar]:
- Jesse Carmichael and James Valentine
- keyboard [keyboards]:
- PJ Morton
- additional vocals:
- John Ryan
- vocals:
- Future and Adam Levine
- phonographic copyright (℗) by:
- Interscope Records (222 Records) (in 2017)
- recorded at:
- Conway Recording Studios (Los Angeles, CA) in Hollywood, Los Angeles, California, United States
- mixed at:
- MixStar Studios (Virginia Beach, VA) in Virginia Beach, Virginia, United States
- part of:
- Billboard Year-End Hot 100 singles of 2017 (number: 69)
- recording of:
- Cold
- writer:
- Jacob Kasher Hindlin , Adam Levine , John Ryan , Phil Shaouy and Justin Tranter
| Maroon 5 & Future | | 3:54 |
| 31 | Black Beatles | Rae Sremmurd & Gucci Mane | 4 | 4:52 |
| 32 | Green Light- assistant engineer:
- Greg Eliason and Barry McCready
- engineer:
- Laura Sisk
- executive producer:
- Jack Antonoff and Lorde
- producer:
- Jack Antonoff, Frank Dukes , Kuk Harrell (task: first verse vocal) and Lorde
- additional mixer:
- John Hanes
- mixer:
- Serban Ghenea
- vocals:
- Lorde
- phonographic copyright (℗) by:
- Universal Music New Zealand Limited (in 2017)
- recorded at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States, Rough Customer Studio in Brooklyn Heights, New York, New York, United States and Westlake Recording Studios in West Hollywood, California, United States
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- part of:
- Stereogum: The 200 Best Songs of the 2010s (number: 10) and Rolling Stone: The 100 Best Songs of the 2010s (number: 82)
- recording of:
- Green Light
- lyricist:
- Jack Antonoff and Ella Yelich-O'Connor
- composer:
- Ella Yelich-O'Connor and Joel Little
- publisher:
- Ducky Donath Music, EMI Blackwood Music Inc., Songs Music Publishing and Sony/ATV Songs LLC
- part of:
- APRA Silver Scroll Awards Winners (number: 2017)
| Lorde | 4.25 | 3:55 |
| 33 | Too Good at Goodbyes- assistant recording engineer:
- Tom Archer , Henri Davies, Isabel Grundy Gracefield, Steph Marziano, John Prestage and Will Purton
- recording engineer and mixer:
- Steve Fitzmaurice
- miscellaneous support:
- Lucy Whalley for Isobel Griffiths Ltd (task: String Contract)
- additional drums (drum set) programming:
- Steve Fitzmaurice and Darren Heelis
- engineer:
- Steve Fitzmaurice , Darren Heelis and Gus Pirelli
- producer:
- Jimmy Napes, StarGate and Steve Fitzmaurice for 365 Artists
- bass guitar:
- Jodi Milliner
- drums (drum set):
- EARL HARVIN
- guitar:
- Ben Jones
- organ, piano and Rhodes piano [Rhodes]:
- Reuben James
- percussion:
- EARL HARVIN, Jimmy Napes and StarGate
- strings:
- Ian Burdge , Richard George , Everton Nelson and Bruce White
- background vocals [Backing Vocals]:
- Sam Smith
- choir vocals [Choir]:
- The LJ Singers
- vocals:
- Sam Smith
- conductor:
- Simon Hale
- strings arranger:
- Simon Hale
- choir vocals [Choir Vocal] arranger:
- Mr Lawrence Johnson
- vocals arranger:
- Lawrence Johnson
- phonographic copyright (℗) by:
- Universal Music Operations Ltd. (in 2017)
- additionally recorded at:
- Livingston Studios in Wood Green, Haringey, London , England, United Kingdom (background vocals [Backing Vocals])
- recorded at:
- AIR Studio 1 in Hampstead, Camden , London , England, United Kingdom (choir vocals [Choir]) and RAK Studios in London , England, United Kingdom
- mixed at:
- Pierce Rooms, London in Hammersmith, Hammersmith and Fulham, London , England, United Kingdom
- recording of:
- Too Good at Goodbyes
- writer:
- Tor Erik Hermansen, James Napier, Mikkel S. Eriksen and Sam Smith
- publisher:
- EMI Music Publishing Ltd. , Salli Isaak Songs Ltd. , Sony/ATV Music Publishing (UK) Ltd., Stellar Songs Limited , エイベックス・ミュージック・パブリッシング 第7出版事業部 , ソニー・ミュージックパブリッシング A事業部 , イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| Sam Smith | 2.4 | 3:22 |
| 34 | Without You | Avicii & Sandro Cavazza | 4.1 | 3:02 |
| 35 | All Time Low | Jon Bellion | 4.5 | 3:38 |
| 36 | La Rompe Corazones | Daddy Yankee & Ozuna | | 3:25 |
| 37 | September Song | JP Cooper | 3 | 3:41 |
| 38 | Scars to Your Beautiful- assistant recording engineer:
- Todd Bergman
- recording engineer:
- Oak
- miscellaneous support:
- Tanisha Broadwater and Donnie Meadows
- drum machine programming:
- Pop Wansel
- programming:
- Sebastian Kole, Oak and Pop Wansel
- assistant producer:
- Kevin “Batos” Guardado
- producer:
- @Oakwud , @Pop Wansel and Sebastian Kole
- assistant mixer:
- Daniela Rivera
- mixer:
- Phil Tan
- keyboard:
- Sebastian Kole and Oak
- phonographic copyright (℗) by:
- Def Jam Recordings (in 2016)
- recorded at:
- Glenwood Place Studios in Burbank, California, United States (in 2015)
- mixed at:
- Ninja Beat Club in Atlanta, Georgia, United States (in 2015)
- part of:
- Canada’s Drag Race Lip Sync Performances (number: 6), Billboard Year-End Hot 100 singles of 2017 (number: 30), Billboard Decade End Chart: Adult Contemporary Songs (number: 44) and BILLIONS CLUB
- recording of:
- Scars to Your Beautiful
- writer:
- Alessia Caracciolo, Andrew Wansel, Coleridge Tillman and Warren Felder
| Alessia Cara | 3.75 | 3:51 |
| 39 | Caroline | Aminé | | 3:30 |
| 40 | The Cure | Lady Gaga | 4.15 | 3:31 |
| 41 | Love Yourself | Justin Bieber | 3.9 | 3:54 |
| 42 | Love on the Brain- assistant recording engineer:
- Chad Wilson
- recording engineer:
- Kuk Harrell (lead vocals) and Marcos Tovar (lead vocals)
- producer:
- Fred Ball and Kuk Harrell (lead vocals)
- assistant mixer:
- Chris Galland, Jeff Jackson and Ike Schultz
- mixer:
- Manny Marroquin
- drums (drum set) [drums] and keyboard [keyboards]:
- Joseph Angel and Fred Ball
- arranger:
- Joseph Angel
- phonographic copyright (℗) by:
- Westbury Road Entertainment (in 2016)
- recorded at:
- Windmark Recording in Santa Monica, California, United States
- mixed at:
- Larrabee Studios in North Hollywood, Los Angeles, California, United States
- part of:
- Billboard Year-End Hot 100 singles of 2017 (number: 33)
- recording of:
- Love on the Brain
- writer:
- Joseph Angel, Fred Ball and Robyn Fenty
- publisher:
- Monica Fenty Music Publishing, Pen Therapy, Songs of Roc Nation Music, Sony/ATV Music Publishing LLC and Warner–Tamerlane Publishing Corp.
| Rihanna | 4.25 | 3:44 |
| 43 | Magnolia | Playboi Carti | 3 | 3:02 |
| 44 | Most Girls | Hailee Steinfeld | 3 | 3:24 |
| 45 | By Your Side | Jonas Blue & RAYE | 5 | 3:21 |
| 46 | Traicionera | Sebastián Yatra | | 3:48 |
| 47 | Fetish | Selena Gomez & Gucci Mane | 4 | 3:06 |
| 48 | No Lie- engineer:
- Paul Bailey
- co-producer:
- Philip Kembo
- producer:
- Jamie Sanderson
- mixer:
- James Royo
- phonographic copyright (℗) by:
- SPJ Productions Ltd (in 2016)
- miscellaneous support:
- Island Records (task: under exclusive licence to)
- part of:
- BILLIONS CLUB
- recording of:
- No Lie
- writer:
- Andrew Jackson , Philip Kembo, Jamie Sanderson , Sean Paul Henriques and Emily Warren
- publisher:
- Artist 101 Publishing Group, Artist Publishing Group West, EMI Music Publishing Ltd. , HiFi Music IP Issuer, L.P., Kobalt Music Services America II, Inc. and Where da Kasz At
- sub-publisher:
- Artist Publishing Group LLC, EMI Music Publishing Germany GmbH , Kobalt Music Publishing Ltd. , Kobalt Music Services America Inc. and Prescription Songs, LLC
| Sean Paul & Dua Lipa | 2.5 | 3:42 |
| 49 | Sigo Extrañándote | J Balvin | | 3:21 |
| 50 | Swish Swish- assistant recording engineer:
- Iain Findlay
- recording engineer:
- Aubry "Big Juice" Delaine
- additional programming:
- Noah "Mailbox" Passovoy
- programming and producer:
- Duke Dumont
- assistant engineer:
- Zeke Mishanec
- engineer:
- Aubry "Big Juice" Delaine , Rachael Findlen , John Hanes and Noah "Mailbox" Passovoy
- additional producer:
- Noah "Mailbox" Passovoy and PJ "Promnite" Sledge
- mixer:
- Serban Ghenea and John Hanes
- additional keyboard:
- Noah "Mailbox" Passovoy
- drums (drum set) and synthesizer:
- Duke Dumont
- keyboard:
- PJ "Promnite" Sledge
- guest vocals and guest performer:
- Nicki Minaj
- lead vocals:
- Katy Perry
- performer:
- Roland Clark and Katy Perry
- phonographic copyright (℗) by:
- Capitol Records
- recorded at:
- Blasé Boys Club Studio in New York, New York, United States, Glenwood Place Studios in Burbank, California, United States, Jungle City Studios in New York, New York, United States and UnSub Studios in Los Angeles, California, United States
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- recording of:
- Swish Swish
- writer:
- Brittany Hazzard , Duke Dumont, Sarah Hudson, Onika Miraj and Katy Perry
- publisher:
- Unsub Pub LLC, Adam George Dyment Publishing Designee (in 2017), Central P.E.C. Music (in 2017), Greyhound Music (in 2017), Harajuku Barbie Music (in 2017), Italians Do It Better (in 2017), Paul M. Sledge (in 2017), People Over Planes (in 2017), Prescription Songs (in 2017), Songs of Universal, Inc. (in 2017), These Are Songs of Pulse (in 2017), WB Music Corp. (in 2017) and When I’m Rich You’ll Be My Bitch (in 2017)
| Katy Perry & Nicki Minaj | 3.05 | 4:02 |
Play on ListenBrainz