Movie930

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Love Is All Around
co-producer:
Graeme Duffin
conductor:
Fiachra Trench
strings arranger:
Fiachra Trench
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1994) and Phonogram Ltd. (London) (company name, NOT a label!) (in 1994)
music videos:
Love Is All Around by Wet Wet Wet
cover recording of:
Love Is All Around
lyricist and composer:
Reg Presley
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. and Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
recording of:
Love Is All Around
lyricist and composer:
Reg Presley
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. and Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Wet Wet Wet3.63:59
2When You Say Nothing at All
programming and producer:
Stephen Lipson
engineer and mixer:
Heff Moraes
accordion and whistle:
James McNally
bass:
Stephen Lipson
drums (drum set):
Andy Duncan (UK drummer and producer)
guitar:
Dominic Miller (guitarist)
keyboard:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
background vocals:
Tessa Niles and Miriam Stockley
vocals:
Ronan Keating
phonographic copyright (℗) by:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1999) and Polygram Ireland Ltd. (in 1999)
recorded at:
Metropolis (London) in London (Greater London), England, United Kingdom and The Aquarium (Studio) in London (Greater London), England, United Kingdom
mixed at:
The Aquarium (Studio) in London (Greater London), England, United Kingdom
recording of:
When You Say Nothing at All
writer:
Paul Overstreet (country singer and songwriter) and Don Schlitz
cover recording of:
When You Say Nothing at All
writer:
Paul Overstreet (country singer and songwriter) and Don Schlitz
Ronan Keating2.754:15
3She
recording engineer:
Gareth Cousins and Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
Paul Hicks
producer:
Trevor Jones (South African score composer)
mixer:
Gareth Cousins
bass guitar:
Trevor Barry
drums (drum set):
Paul Clarvis (percussionist)
instruments:
Clem Clempson
piano:
Dave Hartley (pianist)
vibraphone:
Frank Ricotti (percussionist)
vocals:
Elvis Costello
orchestra:
London Symphony Orchestra
conductor:
Geoffrey Alexander
arranger:
Julian Kershaw
phonographic copyright (℗) by:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1999)
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
cover recording of:
She (Seven Faces of Woman)
lyricist:
Herbert Kretzmer
composer:
Charles Aznavour
publisher:
Essex Music International, Inc. and Standard Music Publishing Ltd.
translated version of:
Tous les visages de l’amour
Elvis Costello2.53:09
4Dream a Little Dream
engineer:
John Brough
producer:
Jon Kelly (engineer at Air London Studios) and The Magic Pumpkin (Producer)
mixer:
John Brough, Jon Kelly (engineer at Air London Studios) and The Magic Pumpkin (Producer)
phonographic copyright (℗) by:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1995)
cover recording of:
Dream a Little Dream of Me
lyricist:
Gus Kahn (in 1931)
composer:
Fabian André (in 1931) and Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music, Words & Music, Inc. (US work publisher) and ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
part of:
The Real Book (compilation of jazz standards, Volume I)
The Beautiful South3:35
5Caramel
assistant recording engineer:
Joe Warda
recording engineer and mixer:
Tchad Blake
producer:
Mitchell Froom
assistant mixer:
S. “Husky” Höskulds and John Paterno
bass guitar:
Bruce Thomas
clarinet:
Don Byron
drums (drum set) and percussion:
Jerry Marotta (drummer and composer) and Pete Thomas (drummer)
electric guitar:
Steve Donnelly
flute:
Cecilia Sparacio (flautist)
keyboard:
Mitchell Froom
trumpet:
Dave Douglass
lead vocals:
Suzanne Vega (American singer-songwriter)
brass arranger:
Mitchell Froom
recording of:
Caramel
lyricist and composer:
Suzanne Vega (American singer-songwriter)
Suzanne Vega52:55
6No Matter What
recorded in:
London (Greater London), England, United Kingdom and Los Angeles, California, United States
keyboard programming:
Lee McCutcheon
programming:
Simon Franglen (English score composer)
assistant engineer:
Alex Black (engineer) and Tom (assistant engineeer)
engineer:
Simon Franglen (English score composer), Steve Rinkoff and Robin Sellars (British recording engineer)
additional producer:
Simon Franglen (English score composer) and Lupino
executive producer:
Andrew Lloyd Webber (English composer and impresario of musical theatre) and Jim Steinman
producer:
Andrew Lloyd Webber (English composer and impresario of musical theatre), Jim Steinman and Nigel Wright (British producer, orchestrator and songwriter)
mixer:
Mick Guzauski and Steve Rinkoff
acoustic guitar [acoustic guitars] and electric guitar [electric guitars]:
Michael Thompson (session guitarist)
bass:
Angela Lupino
guitar:
Fridrik Karlsson
keyboard [keyboards]:
Simon Franglen (English score composer) and Nigel Wright (British producer, orchestrator and songwriter)
background vocals [backing vocals]:
Tracy Ackerman and Andy Caine
lead vocals:
Stephen Gately and Ronan Keating
vocals:
Keith Duffy (Member of Boyzone), Mikey Graham and Shane Lynch
arranger:
Simon Franglen (English score composer) and Lupino
phonographic copyright (℗) by:
Polydor Ireland (in 1998)
recorded at:
FLM Studios in Hollywood, Los Angeles, California, United States, Metropolis Studios (London) in London (Greater London), England, United Kingdom, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and Skratch Studios in Surrey, England, United Kingdom
engineered at:
Barking Dog Studios in New York, New York, United States
music videos:
No Matter What by Boyzone
cover recording of:
No Matter What
lyricist:
Jim Steinman
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) (ended), Universal–Songs of PolyGram International, Inc. (ended), Lost Boys Music Inc. (BMI affiliated) and The Really Useful Group Limited (not for release label use!)
part of:
Whistle Down the Wind (Andrew Lloyd Webber musical)
Boyzone24:35
7Someone Like You
cover recording of:
Someone Like You
lyricist and composer:
Van Morrison
publisher:
Essential Music (logo subtitled "The music of your life"), Exile Publishing Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Dina Carroll3.53:23
8All by Myself
cover recording of:
All by Myself
lyricist:
Eric Carmen
composer:
Eric Carmen and Sergei Rachmaninov (Sergei Rachmaninoff, Russian composer)
publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) (ended), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
is based on:
Let’s Pretend
is based on:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Jamie O’Neal4:38
9Turn Back Time
producer and mixer:
Delgado (Karsten Rene Dahlgaard), Johnny Jam, Claus Norreen and Søren Rasted
arranger:
Delgado (Karsten Rene Dahlgaard), Johnny Jam, Claus Norreen and Søren Rasted
phonographic copyright (℗) by:
Universal Music A/S (not for release label use! Danish subsidiary of Universal Music Group)
recording of:
Turn Back Time
writer:
Claus Norreen and Søren Rasted
publisher:
MCA Music Scandinavia AB and Warner/Chappell Music Denmark, A/S (KODA)
Aqua3.554:07
10Lovefool
engineer and producer:
Tore Johansson
bass guitar:
Magnus Sveningsson
drums (drum set) and percussion:
Bengt Lagerberg
guitar:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
keyboard:
Lars-Olof Johansson
background vocals:
Magnus Sveningsson and Peter Svensson (guitarist, composer, producer; member of The Cardigans)
lead vocals:
Nina Persson
phonographic copyright (℗) by:
Stockholm Records and Universal Music AB (Swedish subsidiary of Universal Music Group)
engineered at:
Tambourine Studios in Malmö, Skåne (Skåne county), Sweden
produced at:
Tambourine Studios in Malmö, Skåne (Skåne county), Sweden
music videos:
Lovefool by The Cardigans (Swedish rock band)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 242)
recording of:
Lovefool
lyricist:
Nina Persson and Peter Svensson (guitarist, composer, producer; member of The Cardigans)
composer:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
publisher:
Stockholm Songs and Universal–Songs of PolyGram International, Inc.
The Cardigans3.753:17
11Pretty
additional engineer:
Aiden McGovern
engineer and producer:
Stephen Street (famous producer, songwriter)
acoustic guitar and electric guitar:
Noel Hogan
bass guitar:
Mike Hogan (bassist for The Cranberries)
drums (drum set) and percussion:
Fergal Lawler
background vocals:
Noel Hogan and Mike Mahoney
lead vocals:
Dolores O’Riordan
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1993)
recorded at:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
mixed at:
Maison Rouge in London (Greater London), England, United Kingdom
recording of:
Pretty
lyricist:
Dolores O’Riordan
composer:
Noel Hogan and Dolores O’Riordan
publisher:
Island Music Ltd.
The Cranberries42:19
12The Look of Love
recording of:
The Look of Love
lyricist:
Hal David
writer:
Burt Bacharach and Hal David
composer:
Burt Bacharach
publisher:
Colgems Music Corp., Colgems-EMI Music Inc., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
part of:
The 40th Academy Award for Best Original Song (number: 2)
Dusty Springfield3:44
13Out of Reach
lead vocals:
Gabrielle (British singer-songwriter)
orchestra:
The London Session Orchestra
phonographic copyright (℗) by:
Go! Beat (subsidiary of Go! Discs; folded into UMG) (in 2001)
music videos:
Out of Reach by Gabrielle (British singer-songwriter)
recording of:
Out of Reach (in 2001)
writer:
Louise Gabrielle Bobb (British singer-songwriter) and Jonathan Shorten
publisher:
Perfect Songs (UK publisher, affiliated with BMI)
Gabrielle3.753:18
14How Do I Live
assistant recording engineer:
Glenn Spinner
recording engineer:
Jeff Balding
producer:
Tony Brown (US producer, pianist and keyboardist) and Trisha Yearwood
mixer:
Chuck Ainlay
acoustic guitar:
Larry Byrom
bass guitar:
Michael Rhodes
drums (drum set):
Paul Leim
electric guitar:
Steve Gibson (US country vocalist and guitarist)
keyboard:
Steve Nathan and Matt Rollings (American composer, musician and record producer)
lap steel guitar:
Paul Franklin (steel guitarist)
saxophone:
Jim Horn (saxophonist, hornist, flutist and oboist)
strings:
Nashville String Machine
background vocals [harmony vocals]:
Carrie McDowell and Judson Spence
conductor:
Ronn Huff
strings arranger:
Ronn Huff
phonographic copyright (℗) by:
Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1997)
recorded at:
Ocean Way Studios in Nashville, Tennessee, United States
mixed at:
Sound Kitchen Studios in Franklin, Tennessee, United States
recording of:
How Do I Live
lyricist and composer:
Diane Warren (US songwriter)
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and Realsongs (from 1997 to present)
part of:
The 70th Academy Award for Best Original Song (number: 2)
Trisha Yearwood54:03
15Your Eyes
recording of:
Your Eyes (la boum 2)
lyricist:
Jeff Jordan (Vladimir Cosma)
composer:
Vladimir Cosma (French-Romanian composer, conductor and violinist)
publisher:
Laghetto
Cook Da Books4:43
16Reality
recording of:
Reality
lyricist:
Jeff Jordan (Vladimir Cosma)
composer:
Vladimir Cosma (French-Romanian composer, conductor and violinist)
publisher:
Lam Larghetto Music (from 1980 to present) and Sarabande (Publisher, likely NOT the label you want) (from 1980 to present)
Richard Sanderson4:48
17What a Wonderful World
recorded in:
New York, United States (on 1967-08-16)
engineer:
Eddie Brackett and Bob Simpson (US jazz engineer/producer)
producer:
Bob Thiele (producer & songwriter)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
baritone saxophone:
Raymond Stanfield (on 1967-08-16)
clarinet:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Jerome Richardson (on 1967-08-16)
double bass:
Russ Savakus (on 1967-08-16)
drums (drum set):
Grady Tate (on 1967-08-16)
flute:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16), Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
guitar:
Allen Hanlon (jazz guitarist) (on 1967-08-16), Art Ryerson (on 1967-08-16) and Willard Suyker (on 1967-08-16)
percussion:
Warren Hard (on 1967-08-16)
piano:
Hank Jones (piano) (on 1967-08-16)
tenor saxophone:
Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
trombone:
Urbie Green (on 1967-08-16) and J.J. Johnson (jazz/bop trombonist/session leader) (on 1967-08-16)
trumpet:
Louis Armstrong (on 1967-08-16), Clark Terry (American swing trumpeter) (on 1967-08-16) and Joe Wilder (on 1967-08-16)
lead vocals:
Louis Armstrong (on 1967-08-16)
orchestra:
Louis Armstrong’s Orchestra and Chorus (on 1967-08-16)
conductor and chorus master:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (on 1967-08-16)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 171) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 283)
recording of:
What a Wonderful World (on 1967-08-16)
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
Louis Armstrong42:19
18Ben
producer:
The Corporation (Motown songwriters)
lead vocals:
Michael Jackson (“King of Pop”) (in 1972)
arranger:
The Corporation (Motown songwriters)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label)
recording of:
Ben (in 1972)
lyricist:
Don Black (English lyricist)
composer:
Walter Scharf
publisher:
Jobette Music (in 1972)
part of:
The 45th Academy Award for Best Original Song (number: 2)
Michael Jackson3.852:45
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4▶CD