English Lute Songs

~ Release by Robin Blaze, Elizabeth Kenny (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Full fathom five
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
lute:
Elizabeth Kenny (lutenist) (from 1999-04-21 until 1999-04-23)
countertenor vocals:
Robin Blaze (countertenor) (from 1999-04-21 until 1999-04-23)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1999-04-21 until 1999-04-23)
recording of:
Full Fathom Five Thy Father Lies (from 1999-04-21 until 1999-04-23)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Robert Johnson (English renaissance composer) (in 1611)
Robert Johnson2:28
2Where the bee sucks
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
lute:
Elizabeth Kenny (lutenist) (from 1999-04-21 until 1999-04-23)
countertenor vocals:
Robin Blaze (countertenor) (from 1999-04-21 until 1999-04-23)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1999-04-21 until 1999-04-23)
recording of:
Where the Bee Sucks (from 1999-04-21 until 1999-04-23)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Robert Johnson (English renaissance composer)
Robert Johnson0:53
3The Last of the Queenes Maskes
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
lute:
Elizabeth Kenny (lutenist) (from 1999-04-21 until 1999-04-23)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1999-04-21 until 1999-04-23)
[anonymous]1:15
4Fair, if you expect admiring
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
lute:
Elizabeth Kenny (lutenist) (from 1999-04-21 until 1999-04-23)
countertenor vocals:
Robin Blaze (countertenor) (from 1999-04-21 until 1999-04-23)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1999-04-21 until 1999-04-23)
recording of:
Faire If You Expect Admiring (from 1999-04-21 until 1999-04-23)
composer:
Thomas Campion (English composer, poet & physician, 1567–1620)
Thomas Campion1:38
5In darkness let me dwell
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
lute:
Elizabeth Kenny (lutenist) (from 1999-04-21 until 1999-04-23)
countertenor vocals:
Robin Blaze (countertenor) (from 1999-04-21 until 1999-04-23)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1999-04-21 until 1999-04-23)
recording of:
In Darkness Let Me Dwell (A Musicall Banquet, No. 10: “In Darkness Let Me Dwell”) (from 1999-04-21 until 1999-04-23)
composer:
John Dowland (composer and lutenist) (in 1610)
John Dowland4:19
6Time stands still with gazing on her face
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
lute:
Elizabeth Kenny (lutenist) (from 1999-04-21 until 1999-04-23)
countertenor vocals:
Robin Blaze (countertenor) (from 1999-04-21 until 1999-04-23)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1999-04-21 until 1999-04-23)
recording of:
The Third Booke of Songs or Ayres, No. 2: "Time Stands Still" (from 1999-04-21 until 1999-04-23)
composer:
John Dowland (composer and lutenist) (in 1603)
part of:
The Third Booke of Songs or Ayres
John Dowland3:55
7Why so pale and wan, fond lover?
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
lute:
Elizabeth Kenny (lutenist) (from 1999-04-21 until 1999-04-23)
countertenor vocals:
Robin Blaze (countertenor) (from 1999-04-21 until 1999-04-23)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1999-04-21 until 1999-04-23)
recording of:
Why so pale and wan, fond lover? (from 1999-04-21 until 1999-04-23)
lyricist:
Sir John Suckling
composer:
William Lawes (English composer)
William Lawes0:59
8He that will not love (Persuasions not to Love)
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
lute:
Elizabeth Kenny (lutenist) (from 1999-04-21 until 1999-04-23)
countertenor vocals:
Robin Blaze (countertenor) (from 1999-04-21 until 1999-04-23)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1999-04-21 until 1999-04-23)
recording of:
He that will not love (Persuasions not to Love) (from 1999-04-21 until 1999-04-23)
lyricist:
Robert Herrick (English poet)
composer:
William Lawes (English composer)
William Lawes0:54
9I'm sick of love (To Sycamores)
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
lute:
Elizabeth Kenny (lutenist) (from 1999-04-21 until 1999-04-23)
countertenor vocals:
Robin Blaze (countertenor) (from 1999-04-21 until 1999-04-23)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1999-04-21 until 1999-04-23)
recording of:
I'm sick of love (To Sycamores) (from 1999-04-21 until 1999-04-23)
lyricist:
Robert Herrick (English poet)
composer:
William Lawes (English composer)
William Lawes2:14
10Fantasia
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
lute:
Elizabeth Kenny (lutenist) (from 1999-04-21 until 1999-04-23)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1999-04-21 until 1999-04-23)
Robert Johnson4:13
11Gather ye rosebuds (To the Virgins, to make much of Time)
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
lute:
Elizabeth Kenny (lutenist) (from 1999-04-21 until 1999-04-23)
countertenor vocals:
Robin Blaze (countertenor) (from 1999-04-21 until 1999-04-23)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1999-04-21 until 1999-04-23)
recording of:
Gather Ye Rosebuds (from 1999-04-21 until 1999-04-23)
lyricist:
Robert Herrick (English poet)
composer:
William Lawes (English composer)
William Lawes1:20
12Behold a wonder here
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
lute:
Elizabeth Kenny (lutenist) (from 1999-04-21 until 1999-04-23)
countertenor vocals:
Robin Blaze (countertenor) (from 1999-04-21 until 1999-04-23)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1999-04-21 until 1999-04-23)
recording of:
The Third Booke of Songs or Ayres, No. 3: "Behold a wonder here" (from 1999-04-21 until 1999-04-23)
composer:
John Dowland (composer and lutenist) (in 1603)
part of:
The Third Booke of Songs or Ayres
John Dowland3:35
13Rosa
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
lute:
Elizabeth Kenny (lutenist) (from 1999-04-21 until 1999-04-23)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1999-04-21 until 1999-04-23)
recording of:
Rosa (from 1999-04-21 until 1999-04-23)
composer:
John Danyel
John Danyel5:14
14Can doleful notes?
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
lute:
Elizabeth Kenny (lutenist) (from 1999-04-21 until 1999-04-23)
countertenor vocals:
Robin Blaze (countertenor) (from 1999-04-21 until 1999-04-23)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1999-04-21 until 1999-04-23)
recording of:
Can doleful notes (from 1999-04-21 until 1999-04-23)
composer:
John Danyel
John Danyel7:15
15Rigadoon, Z653
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
lute:
Elizabeth Kenny (lutenist) (from 1999-04-21 until 1999-04-23)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1999-04-21 until 1999-04-23)
recording of:
Riggadoon, Z. 653 (from 1999-04-21 until 1999-04-23)
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 653)
Henry Purcell0:43
16The delights of the bottle
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
lute:
Elizabeth Kenny (lutenist) (from 1999-04-21 until 1999-04-23)
countertenor vocals:
Robin Blaze (countertenor) (from 1999-04-21 until 1999-04-23)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1999-04-21 until 1999-04-23)
recording of:
The Delights of the Bottle (from 1999-04-21 until 1999-04-23)
composer:
Matthew Locke (English Baroque composer, c. 1621-1677)
Matthew Locke1:11
17Arise, ye subterranean Winds
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
lute:
Elizabeth Kenny (lutenist) (from 1999-04-21 until 1999-04-23)
countertenor vocals:
Robin Blaze (countertenor) (from 1999-04-21 until 1999-04-23)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1999-04-21 until 1999-04-23)
recording of:
The Tempest: "Arise, ye subterranean winds" (from 1999-04-21 until 1999-04-23)
composer:
Pietro Reggio (Italian composer & guitarist/lutist, c. 1632-1685) (in 1674)
Pietro Reggio2:20
18Come unto these yellow sands
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
lute:
Elizabeth Kenny (lutenist) (from 1999-04-21 until 1999-04-23)
countertenor vocals:
Robin Blaze (countertenor) (from 1999-04-21 until 1999-04-23)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1999-04-21 until 1999-04-23)
recording of:
Come unto these yellow sands (from 1999-04-21 until 1999-04-23)
composer:
John Banister (17th century composer)
John Banister0:57
19Where the bee sucks
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
lute:
Elizabeth Kenny (lutenist) (from 1999-04-21 until 1999-04-23)
countertenor vocals:
Robin Blaze (countertenor) (from 1999-04-21 until 1999-04-23)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1999-04-21 until 1999-04-23)
recording of:
Where the Bee Sucks (from 1999-04-21 until 1999-04-23)
composer:
Pelham Humfrey (aka 'Humphrey', composer)
Pelham Humfrey1:07
20Dry those eyes which are o'erflowing
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
lute:
Elizabeth Kenny (lutenist) (from 1999-04-21 until 1999-04-23)
countertenor vocals:
Robin Blaze (countertenor) (from 1999-04-21 until 1999-04-23)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1999-04-21 until 1999-04-23)
recording of:
Dry those eyes which are o'erflowing (from 1999-04-21 until 1999-04-23)
composer:
John Banister (17th century composer)
John Banister1:11
21Full fathom five
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
lute:
Elizabeth Kenny (lutenist) (from 1999-04-21 until 1999-04-23)
countertenor vocals:
Robin Blaze (countertenor) (from 1999-04-21 until 1999-04-23)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1999-04-21 until 1999-04-23)
recording of:
Full fathom five (from 1999-04-21 until 1999-04-23)
composer:
John Banister (17th century composer)
John Banister1:43
22Song Tune "Ah! how pleasant 'tis to love", Z353
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
lute:
Elizabeth Kenny (lutenist) (from 1999-04-21 until 1999-04-23)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1999-04-21 until 1999-04-23)
recording of:
Ah! how pleasant 'tis to love, Z. 353 (from 1999-04-21 until 1999-04-23)
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 353)
Henry Purcell0:53
23Lilliburlero, Z646
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
lute:
Elizabeth Kenny (lutenist) (from 1999-04-21 until 1999-04-23)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1999-04-21 until 1999-04-23)
recording of:
A new Irish tune, Z. 646 (from 1999-04-21 until 1999-04-23)
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 646)
Henry Purcell0:49
24'Tis Nature's Voice; thro' all the moving Wood, from Z328
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
lute:
Elizabeth Kenny (lutenist) (from 1999-04-21 until 1999-04-23)
countertenor vocals:
Robin Blaze (countertenor) (from 1999-04-21 until 1999-04-23)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1999-04-21 until 1999-04-23)
recording of:
“Hail! Bright Cecilia”, Z. 328: IV. “’Tis nature’s voice” (from 1999-04-21 until 1999-04-23)
composer:
Henry Purcell (Baroque composer)
librettist:
Nicholas Brady (Irish poet, 1659–1726)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell4:15
25Be welcome then, great Sir, from Z324
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
lute:
Elizabeth Kenny (lutenist) (from 1999-04-21 until 1999-04-23)
countertenor vocals:
Robin Blaze (countertenor) (from 1999-04-21 until 1999-04-23)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1999-04-21 until 1999-04-23)
recording of:
Ode, Z 324 "Fly, bold rebellion": VII. Aria (Alto) - Ritornello " Be welcome then, great Sir" (from 1999-04-21 until 1999-04-23)
composer:
Henry Purcell (Baroque composer) (in 1683)
Henry Purcell3:36
26Give me my lute
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
lute:
Elizabeth Kenny (lutenist) (from 1999-04-21 until 1999-04-23)
countertenor vocals:
Robin Blaze (countertenor) (from 1999-04-21 until 1999-04-23)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1999-04-21 until 1999-04-23)
recording of:
Give me my lute (from 1999-04-21 until 1999-04-23)
composer:
John Banister (17th century composer)
John Banister2:17
27Song Tune "Still I'm wishing", from Z627
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
lute:
Elizabeth Kenny (lutenist) (from 1999-04-21 until 1999-04-23)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1999-04-21 until 1999-04-23)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: "Still I'm wishing" (from 1999-04-21 until 1999-04-23)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell1:43
28Lovely Selina, innocent and free
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
lute:
Elizabeth Kenny (lutenist) (from 1999-04-21 until 1999-04-23)
countertenor vocals:
Robin Blaze (countertenor) (from 1999-04-21 until 1999-04-23)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1999-04-21 until 1999-04-23)
recording of:
Lovely Selina (from 1999-04-21 until 1999-04-23)
composer:
John Blow (English composer)
John Blow2:39
29Sefauchi's Farewell, Z656
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
lute:
Elizabeth Kenny (lutenist) (from 1999-04-21 until 1999-04-23)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1999-04-21 until 1999-04-23)
recording of:
Sefuchi's Farewell, Z. 656 (from 1999-04-21 until 1999-04-23)
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 656)
Henry Purcell2:02
30By beauteous softness, from Z332
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
lute:
Elizabeth Kenny (lutenist) (from 1999-04-21 until 1999-04-23)
countertenor vocals:
Robin Blaze (countertenor) (from 1999-04-21 until 1999-04-23)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1999-04-21 until 1999-04-23)
recording of:
Now does the glorious day appear, Z. 332: "By beauteous softness mixed with majesty" (from 1999-04-21 until 1999-04-23)
composer:
Henry Purcell (Baroque composer) (in 1689)
part of:
Now does the glorious day appear, Z. 332
Henry Purcell2:56

Credits

Release

liner notes:Elizabeth Kenny (lutenist)
liner notes translator:Hyperion (for roles credited to the British label Hyperion)
Bernd Müller (liner notes, German translation)
Anne Steeb (liner notes, German translation)
executive producer:Edward Perry (producer and founder of Hyperion, aka Ted Perry)
Simon Perry (Hyperion classical music producer)
ASIN:UK: B001PLNDPC [info]
discography entry:http://www.hyperion-records.co.uk/dc.asp?dc=D_CDH55249 [info]