Summer of Love (reissue)

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

Tracks 2.16 and 3.16 are different from the original issue.

Shop24Direct-exclusive
LC 00136; possible (stickered?) barcode: (0)600753208649

Anmerkung zuletzt geändert am 2025-06-18 23:31 UTC.

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Mr. Tambourine Man
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1965-01-20)
Produzent(in):
Terry Melcher
Bassgitarre:
Chris Hillman (am 1965-01-20)
Gitarre:
David Crosby (am 1965-01-20)
Schlagzeug:
Michael Clarke (drummer for the 1960s rock group The Byrds) (am 1965-01-20)
Tamburin:
Gene Clark (US singer-songwriter; founder of The Byrds) (am 1965-01-20)
zwölfsaitige Gitarre:
Jim McGuinn (am 1965-01-20)
vocals:
Gene Clark (US singer-songwriter; founder of The Byrds) (am 1965-01-20), David Crosby (am 1965-01-20), Chris Hillman (am 1965-01-20) und Jim McGuinn (am 1965-01-20)
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1965) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1965)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 10), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 79) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 230)
cover recording of:
Mr. Tambourine Man (am 1965-01-20)
Texter und Komponist(in):
Bob Dylan (von 1964-02 bis 1964-04)
publisher:
Blossom Music Ltd., M. Witmark & Sons, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (Warner/Chappell Music, Inc.) (von 1964 bis 1992) und Special Rider Music (vom 1992 bis heute)
The Byrds4.152:20
2Morning of My Life
arranger:
Phil Dennys
phonographisches Urheberrecht (℗) von:
Phonogram GmbH (in 1967), Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1967), Phonogram, Inc. (in 1967), PolyGram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1967), Philips (von 1967 bis 1968) und Phonogram (in 1979)
cover recording of:
In the Morning (aka “Morning of My Life”) (in 1967)
Texter und Komponist(in):
Barry Gibb (in 1965)
publisher:
Bramsdene Music Corporation, Campbell Connelly, Campbell Connelly & Co. Ltd., Careers–BMG Music Publishing, Inc., Connelly Musikverlag, Gibb Brothers Music, Norman Whiteley Ltd., Penjane Music (Australia) Pty. Limited und Plymouth Music Co., Inc.
Esther & Abi Ofarim43:28
3Dream a Little Dream of Me
Produzent(in):
Lou Adler
cover recording of:
Dream a Little Dream of Me
Texter:
Gus Kahn (in 1931)
Komponist(in):
Fabian André (in 1931) und Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music, Words & Music, Inc. (US work publisher) und ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
The Mamas & the Papas3.353:12
4The Air That I Breathe
Techniker(in):
Mike Jarratt (Recording, mixing and lacquer cutting engineer) und Alan Parsons (of The Alan Parsons Project)
Produzent(in):
The Hollies und Ron Richards
vocals:
Allan Clarke (of The Hollies) (von 1973-11-15 bis 1973-11-22), Tony Hicks (von 1973-11-15 bis 1973-11-22) und Terry Sylvester (von 1973-11-15 bis 1973-11-22)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973), The Hollies Ltd. (in 1973, in 1974, in 2008) und Polydor International GmbH (not for release label use!) (in 1974)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1973-11-15 bis 1973-11-22)
cover recording of:
The Air That I Breathe (von 1973-11-15 bis 1973-11-22)
Verfasser(in):
Albert Hammond und Mike Hazlewood
publisher:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Hollies4.54:03
5Bridge Over Troubled Water
recording engineer:
Ted Brosnan (am 1969-11-09)
Techniker(in):
Roy Halee
Produzent(in):
Arthur Garfunkel, Roy Halee und Paul Simon (of Simon & Garfunkel)
Bassgitarre:
Joe Osborn (American bass guitar player, session musician and songwriter) (am 1969-11-09)
Gitarre:
Fred Carter, Jr. (am 1969-11-09) und Paul Simon (of Simon & Garfunkel) (am 1969-11-09)
Keyboard:
Larry Knechtel (am 1969-11-09)
Saiteninstrumente:
Ernie Freeman (am 1969-11-09) und Jimmie Haskell (am 1969-11-09)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist) (am 1969-11-09)
vocals:
Art Garfunkel (am 1969-11-09) und Paul Simon (of Simon & Garfunkel) (am 1969-11-09)
phonographisches Urheberrecht (℗) von:
Paul Simon (of Simon & Garfunkel) (in 1969)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 1), The Co-Op: Top 10 British Funeral Songs (Nummer: 9), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 47), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 58) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 66)
recording of:
Bridge Over Troubled Water (am 1969-11-09)
Texter:
Paul Simon (of Simon & Garfunkel)
Komponist(in):
Paul Simon (of Simon & Garfunkel) (in 1969)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Simon & Garfunkel4.054:50
6Streets of London
recording engineer:
Richard Dodd (mastering engineer, producer and engineer) und Peter Swettenham
Techniker(in):
Pete Henderson (engineer)
leitende(r) Produzent(in):
Bruce May
Produzent(in):
Ralph McTell
Mix:
Ralph McTell und Peter Swettenham
Akustikgitarre:
Ralph McTell
Bass:
Rod Clements
Hintergrundgesang:
The Goldrushers
vocals:
Ralph McTell
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich und Nova Sound in London (Greater London), England, Vereinigtes Königreich
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Streets of London (in 1974)
Texter und Komponist(in):
Ralph McTell
publisher:
Essex Music International und ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Ralph McTell54:09
7Where Do You Go To (My Lovely)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recording of:
Where Do You Go To (My Lovely)?
Texter und Komponist(in):
Peter Sarstedt
publisher:
EMI Catalogue Partnership
Peter Sarstedt54:41
8How Can We Hang on to a Dream
Techniker(in):
Val Valentin (Aufgabe: director of engineering)
Produzent(in):
Erik Jacobsen
produced for:
Sweet Reliable Productions
recording of:
How Can We Hang On to a Dream? (in 1966)
Texter und Komponist(in):
Tim Hardin
publisher:
Robbins Music Co. Ltd.
Tim Hardin32:01
9Hiroshima
Produzent(in):
Lou Reizner
phonographisches Urheberrecht (℗) von:
Global Records and Tapes (in 1970) und Global Records (German label) (in 1978)
recording of:
Hiroshima
Texter und Komponist(in):
Dave Morgan (UK rock bassist/vocalist, member of Magnum)
publisher:
Global Musikverlag (Global Musik GmbH & Co. KG)
Wishful Thinking54:52
10One and One Is One
recording of:
One and One Is One
Texter und Komponist(in):
John Fiddler (British singer and guitarist)
publisher:
Biscuit Music Ltd. (publisher) (in 1973)
Medicine Head13:27
11Only One Woman
The Marbles42:41
12Mr. Bojangles
phonographisches Urheberrecht (℗) von:
Capitol Records Nashville (in 1974)
cover recording of:
Mr. Bojangles
Texter und Komponist(in):
Jerry Jeff Walker
publisher:
Gotillion Music (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell Music Australia Pty. Ltd.
Nitty Gritty Dirt Band53:35
13Christine’s Tune
Produzent(in):
Henry Lewy und Larry Marks (US producer/songwriter/executive for Columbia, A&M Records & Warner Bros)
Schlagzeug:
Jon Corneal
recording of:
Christine's Tune
Komponist(in):
Chris Hillman und Gram Parsons
recording of:
Devil in Disguise
Komponist(in):
Chris Hillman und Gram Parsons
The Flying Burrito Brothers3.53:01
14The Carnival Is Over
Produzent(in):
Tom Springfield
Interpret(in):
The Seekers (Australian pop quartet)
recording of:
The Carnival Is Over (in 1965)
Verfasser(in):
[traditional] (special purpose artist), Catherine Courage, Frank Farian und Tom Springfield
publisher:
Warner/Chappell Music Australia Pty. Ltd.
basiert auf:
Из-за острова на стрежень (Stenka Razin)
The Seekers3:09
15The Night They Drove Old Dixie Down
recording of:
The Night They Drove Old Dixie Down
Texter und Komponist(in):
Robbie Robertson
publisher:
Canaan Music Inc, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Joan Baez3:54
16Help the Lonely Child
recording of:
Help the Lonely Child (in 1972)
Verfasser(in):
Anders Koppel und Thomas Koppel
The Savage Rose13:06
17The Sun Ain’t Gonna Shine Anymore
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (not for release label use!) (in 1966) und PolyGram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1966)
cover recording of:
The Sun Ain’t Gonna Shine (Anymore) (in 1966)
Verfasser(in):
Bob Crewe und Bob Gaudio
publisher:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), Seasons Four Music und Warner Chappell Music (publisher as Warner/Chappell Music)
The Walker Brothers3.53:01
18Lady in Black
recording engineer:
Peter Gallen (von 1969 bis 1970-11)
assistierende(r) Techniker(in):
Les Cunningham (studio engineer) und Ashley Howe
Produzent(in):
Gerry Bron
Mix:
Peter Gallen
Bassgitarre:
Paul Newton (UK bassist for Uriah Heep) (von 1970-10 bis 1970-11)
E-Bass:
Paul Newton (UK bassist for Uriah Heep) (von 1969 bis 1970)
E-Gitarre:
Mick Box (von 1970-10 bis 1970-11)
Gitarre:
Mick Box (von 1969 bis 1970)
Orgel:
Ken Hensley (von 1969 bis 1970, von 1970-10 bis 1970-11)
Schlagzeug:
Keith Baker (drummer) (von 1969 bis 1970, von 1970-10 bis 1970-11)
Hintergrundgesang:
Mick Box (von 1970-10 bis 1970-11), Ken Hensley (von 1970-10 bis 1970-11) und Paul Newton (UK bassist for Uriah Heep) (von 1970-10 bis 1970-11)
Sologesang:
David Byron (von 1970-10 bis 1970-11)
vocals:
David Byron (von 1969 bis 1970)
phonographisches Urheberrecht (℗) von:
Bronze Records Ltd. (in 1971), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2016) und Castle Communications PLC (not for label use, copyright holder) (in 1996)
aufgenommen bei:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, Vereinigtes Königreich (von 1969 bis 1970, von 1970-10 bis 1970-11)
recording of:
Lady in Black (von 1969 bis 1970-11)
Texter und Komponist(in):
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music (do not use as release label! this is a music publisher), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing, EMI Publishing Ltd., Fanfare Musikverlag Global Musik GmbH & Co. KG, S. Bron Music Co. Ltd. und Sidney Bron Music (also spelled "Sydney")
Uriah Heep4.354:46
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Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/1437274 [Info]