Putumayo Presents: Jazz

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1My Baby Just Cares for Me
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano and lead vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
edit of:
My Baby Just Cares for Me (special extended version) by Nina Simone
cover recording of:
My Baby Just Cares for Me (in 1957-12)
lyricist and composer:
Walter Donaldson and Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild and Tobago Music Co.
Nina Simone3.853:38
2'Deed I Do
recorded in:
New York, New York, United States (on 1950-03-09)
bongos and congas:
Jack Costanzo (on 1950-03-09)
double bass:
Joe Comfort (on 1950-03-09)
guitar:
Irving Ashby (on 1950-03-09)
piano:
Nat King Cole (on 1950-03-09)
vocals:
Nat King Cole (on 1950-03-09)
cover recording of:
’Deed I Do (on 1950-03-09)
lyricist:
Walter Hirsch
composer:
Fred Rose (songwriter)
publisher:
Keith Prowse Music Publishing Co. Ltd.
The Nat King Cole Trio2:16
3Tain't No Use
alto saxophone:
Phil Bodner (Woodwind player) (in 1985-06)
double bass:
Phil Flanigan (in 1985-06)
drums (drum set):
Jackie Williams (American jazz drummer) (in 1985-06)
guitar:
Marty Grosz (in 1985-06)
piano:
Keith Ingham (in 1985-06)
tenor saxophone:
Al Klink (in 1985-06)
trumpet:
Glenn Zottola (trumpet, saxophone) (in 1985-06)
vocals:
Maxine Sullivan (jazz singer) (in 1985-06)
recording of:
T’Ain’t No Use (in 1985-06)
lyricist:
Herb Magidson
composer:
Burton Lane and Herb Magidson
Maxine Sullivan3:46
4I Was Doing All Right
recorded in:
Chicago, Illinois, United States (on 1957-10-14)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-14)
drums (drum set):
Louie Bellson (on 1957-10-14)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-14)
trumpet:
Louis Armstrong (on 1957-10-14)
vocals:
Louis Armstrong (on 1957-10-14)
recording of:
I Was Doing All Right (on 1957-10-14)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1938)
part of:
The Goldwyn Follies
Louis Armstrong & Oscar Peterson3:22
5Someone to Watch Over Me
recorded in:
New York, New York, United States (on 1975-06-06)
double bass [bass]:
George Mraz (jazz bassist) (on 1975-06-06)
drums (drum set):
Grady Tate (on 1975-06-06)
guitar:
Joe Pass (jazz guitarist) (on 1975-06-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1975-06-06)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1975-06-06)
recording of:
Someone to Watch Over Me (Oh, Kay!) (on 1975-06-06)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 until 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
Zoot Sims3:44
6There Will Never Be Another You
producer:
Richard Bock (record producer)
double bass and double bass [Bass]:
Carson Smith (on 1954-02-15)
drums (drum set):
Bob Neel (on 1954-02-15)
piano:
Russ Freeman (pianist) (on 1954-02-15)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1954-02-15)
vocals:
Chet Baker (American jazz trumpeter and vocalist) (on 1954-02-15)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1954-02-15)
cover recording of:
There Will Never Be Another You (on 1954-02-15)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Morley Music Corp.
part of:
The Real Book (compilation of jazz standards, Volume I)
Chet Baker42:59
7It Don't Mean a Thing (If It Ain't Got That Swing)
double bass [Bass]:
Harvey Newmark
drums (drum set):
John Poole (drums)
piano:
Dwight Dickerson
vocals:
Anita O’Day
recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, Volume I)
Anita O’Day3:24
8The Sermon
engineer:
Roy DuNann
producer:
Lester Koenig
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-01-25)
drums (drum set):
Chuck Thompson (1940s–50s US jazz drummer) (on 1956-01-25)
piano:
Hampton Hawes (on 1956-01-25)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1956-01-25)
recording of:
The Sermon (on 1956-01-25)
composer:
Hampton Hawes
arranger:
Ricardo Strobert (saxophonist and flutist)
Hampton Hawes3:42
9They Say It's Spring
double bass [bass]:
Ray Brown (jazz bassist) (from 1957-09-12 until 1957-09-13)
drums (drum set):
Jo Jones (US jazz drummer) (from 1957-09-12 until 1957-09-13)
guitar:
Herb Ellis (jazz guitarist) (from 1957-09-12 until 1957-09-13)
piano:
Blossom Dearie (from 1957-09-12 until 1957-09-13)
vocals:
Blossom Dearie (from 1957-09-12 until 1957-09-13)
recording of:
They Say It’s Spring (from 1957-09-12 until 1957-09-13)
writer:
Marty Clarke and Bob Haymes
Blossom Dearie3:41
10Don't Get Around Much Anymore
recording engineer:
Rudy van Gelder
producer:
Don Schlitten and Bob Weinstock
bass:
Addison Farmer (on 1958-01-24)
drums (drum set):
Nick Stabulas (on 1958-01-24)
piano:
Mose Allison (on 1958-01-24)
vocals:
Mose Allison (on 1958-01-24)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-01-24)
cover recording of:
Don’t Get Around Much Anymore (on 1958-01-24)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. and Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
version of:
Never No Lament
Mose Allison2:48
11Waltz for Debby
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1961-03-13)
double bass:
Percy Heath (on 1961-03-13)
drums (drum set):
Connie Kay (on 1961-03-13)
piano:
Bill Evans (pianist) (on 1961-03-13)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 2006), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2009, in 2011), Dobre Records (in 2009), Entertain Me Ltd. (in 2012), Vantage Music (in 2012) and Count Records (in 2013)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1961-03-13)
recording of:
Waltz for Debby (instrumental) (on 1961-03-13)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp., Folkways Music Publishers Inc. and Kensington Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
Cannonball Adderley with Bill Evans45:15
12Lover, Come Back to Me
double bass [Bass]:
Ray Brown (jazz bassist)
drums (drum set):
Gus Johnson (drums)
instruments:
Oscar Peterson (Canadian jazz pianist and composer)
tenor saxophone:
Paul Quinichette
trumpet:
Joe Newman (US jazz trumpeter)
vocals:
Billie Holiday
recording of:
Lover, Come Back to Me (from "The New Moon") (on 1952-07-27)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
Billie Holiday53:40

Credits

Release

executive producer:Dan Storper (producer, Putumayo related)
ASIN:UK: B004S699HM [info]
discography entry:http://www.putumayo.com/content/jazz [info]

Release group

part of:Putumayo presents (number: 309) (order: 145)