The Very Best of Plácido Domingo

~ Release by Plácido Domingo (see all versions of this release, 3 available)

Tracklist

1CD: The Very Best of Plácido Domingo
2CD: The Very Best of Plácido Domingo
#TitleRatingLength
1Celeste Aida
engineer:
Stuart Eltham (engineer)
producer:
John Mordler (producer)
tenor vocals [Radamès]:
Plácido Domingo (tenor) (from 1974-07-02 until 1974-07-11)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1974-07-02 until 1974-07-11)
conductor:
Riccardo Muti (conductor) (from 1974-07-02 until 1974-07-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1974-07-02 until 1974-07-11)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (from 1974-07-02 until 1974-07-11)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
4:21
2Di' tu se fedele
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1975)
soprano vocals:
Reri Grist (American soprano) (in 1975)
tenor vocals:
Plácido Domingo (tenor) (in 1975)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1975)
conductor:
Riccardo Muti (conductor) (in 1975)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 9b Canzone “Di’ tu se fedele il flutto m’aspetta” (Riccardo, Coro)
composer:
Giuseppe Verdi (Italian opera composer) (in 1859)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
4:04
3Ma se m'è forza perderti
tenor vocals:
Plácido Domingo (tenor) (in 1975)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1975)
conductor:
Riccardo Muti (conductor) (in 1975)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21b. Romanza “Ma se m'è forza perderti” (Riccardo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
5:13
4O, tu che in seno agli angeli
tenor vocals:
Plácido Domingo (tenor) (in 1986)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1986)
conductor:
Riccardo Muti (conductor) (in 1986)
recording of:
La forza del destino: Atto III, scena 1. “O tu che in seno agli angeli” (Alvaro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto III
3:20
5Io la vidi
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971)
tenor vocals:
Plácido Domingo (tenor) (in 1971)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1971)
conductor:
Carlo Maria Giulini (conductor) (in 1971)
recording of:
Carmen : Acte I. No. 3 Marche et chœur des gamins : « Avec la garde montante » (Chœur des gamins, Zuniga)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
5:45
6Niun mi tema
tenor vocals:
Plácido Domingo (tenor) (in 1989)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1989)
conductor:
John Barker (conductor) (in 1989)
recorded at:
Royal Opera House, Covent Garden (“Covent Garden”) in London (Greater London), England, United Kingdom (in 1989)
live recording of:
Otello: Atto IV. “Niun mi tema s'anco armato mi vede” (Otello, Cassio, Lodovico, Montano) (in 1989)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
5:37
7Ach, so herrlich zu schau'n
tenor vocals:
Plácido Domingo (tenor) (in 1986)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra) (in 1986)
conductor:
Plácido Domingo (tenor) (in 1986)
recording of:
Eine Nacht in Venedig: Akt III. "Ach, wie so herrlich zu schau'n" (Caramello)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Eine Nacht in Venedig: Akt III
3:31
8Schenkt man sich Rosen
tenor vocals:
Plácido Domingo (tenor) (in 1986)
orchestra:
English Chamber Orchestra (in 1986)
conductor:
Julius Rudel (conductor) (in 1986)
recording of:
Der Vogelhändler: Akt I. "Schenkt man sich Rosen in Tirol" (Kurfürstin, Adam)
composer:
Carl Zeller
librettist:
Ludwig Held and Moritz West
part of:
Der Vogelhändler: Akt I
3:09
9Gern hab' ich die Frau'n geküßt
solo tenor vocals:
Plácido Domingo (tenor) (in 1986)
orchestra:
English Chamber Orchestra (in 1986)
conductor:
Julius Rudel (conductor) (in 1986)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1986)
recording of:
Paganini: Akt II. Nr. 9 “Gern hab’ ich die Frau’n geküsst” (Paganini)
composer:
Franz Lehár (composer)
librettist:
Béla Jenbach and Paul Knepler (librettist and composer)
part of:
Paganini: Akt II
3:27
10Da geh' ich zu Maxim
tenor vocals:
Plácido Domingo (tenor) (in 1986)
orchestra:
English Chamber Orchestra (in 1986)
conductor:
Julius Rudel (conductor) (in 1986)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1986)
partial recording of:
Die lustige Witwe: Akt I. Dialog: „Also bitte, Njegus, ich bin hier” / Nr. 4 Auftrittslied „O Vaterland, du machst bei Tag” ... „Da geh' ich zu Maxim” (Danilo)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
2:19
11Dein ist mein ganzes Herz!
solo tenor vocals:
Plácido Domingo (tenor) (in 1986)
orchestra:
English Chamber Orchestra (in 1986)
conductor:
Julius Rudel (conductor) (in 1986)
recording of:
Das Land des Lächelns: Akt II. Nr. 11 „Dein ist mein ganzes Herz” (Sou-Chong)
lyricist:
Ludwig Herzer and Fritz Löhner-Beda (librettist, lyricist, writer)
composer:
Franz Lehár (composer)
publisher:
Glocken Verlag
part of:
Das Land des Lächelns: Akt II
3:42
12Mi aldea
tenor vocals:
Plácido Domingo (tenor) (in 1988)
orchestra:
Orquesta sinfónica de Madrid (Madrid Symphony Orchestra) (in 1988)
conductor:
Manuel Moreno-Buendía (in 1988)
recording of:
Los gavilanes: Acto I. Salida de Juan "Mi aldea"
composer:
Jacinto Guerrero (Spanish composer and conductor)
librettist:
José Ramos Martín
part of:
Los gavilanes: Acto I
3:45
13Canción del sembrador
choir vocals:
Coro Titular del teatro Lírico Nacional ‘La Zarzuela’ (in 1988)
tenor vocals:
Plácido Domingo (tenor) (in 1988)
orchestra:
Orquesta sinfónica de Madrid (Madrid Symphony Orchestra) (in 1988)
conductor:
Manuel Moreno-Buendía (in 1988)
performer:
Rondalla Lírica de Madrid (in 1988)
4:07
14No puede ser
recorded in:
Spain (in 1958)
tenor vocals:
Plácido Domingo (tenor) (in 1988)
orchestra:
Orquesta sinfónica de Madrid (Madrid Symphony Orchestra) (in 1988)
conductor:
Manuel Moreno-Buendía (in 1988)
recording of:
La tabernera del puerto: Acto II. Romanza de Leandro "No puede ser"
composer:
Pablo Sorozábal
librettist:
Guillermo Fernández Shaw and Federico Romero Sarachaga
publisher:
Unión Musicale Española
part of:
La tabernera del puerto: Acto II
32:44
15Serenata
choir vocals:
Coro Titular del teatro Lírico Nacional ‘La Zarzuela’ (in 1988)
tenor vocals:
Plácido Domingo (tenor) (in 1988)
orchestra:
Orquesta sinfónica de Madrid (Madrid Symphony Orchestra) (in 1988)
conductor:
Manuel Moreno-Buendía (in 1988)
performer:
Rondalla Lírica de Madrid (in 1988)
partial recording of:
Coplas de ronda
composer:
Francisco Alonso (composer)
librettist:
Carlos Arniches Barreda and José de Lucio
3:28
16Caplillas de Belén
guitar:
Manuel Barrueco (guitarist) (in 1997)
tenor vocals:
Plácido Domingo (tenor) (in 1997)
recording of:
Retablo de Navidad: Villancicos, nº 2: Coplillas de Belén
lyricist:
Victoria Kamhi
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1952)
part of:
Retablo de Navidad: Villancicos
1:27
17Coplas del Pastor enamorado
guitar:
Manuel Barrueco (guitarist) (in 1997)
tenor vocals:
Plácido Domingo (tenor) (in 1997)
recording of:
Coplas del pastor enamorado
lyricist:
Félix Lope de Vega (Spanish playwright/poet)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1935)
3:47
18En Aranjuez con tu amor
guitar:
Peter Horton (in 1989)
tenor vocals:
Plácido Domingo (tenor) (in 1989)
orchestra:
Orchestra ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (in 1989)
conductor:
Eugene Kohn (pianist, conductor) (in 1989)
arranger:
Laszlo Bencker and Boris Jojic (German/Yugoslav composer, arranger and musician)
phonographic copyright (℗) by:
Teviri B.V. (from 1989 to present)
recording of:
En Aranjuez con tu amor (spanish lyrics)
lyricist:
Alfredo García Segura
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1968)
is based on:
Concierto de Aranjuez: II. Adagio
2:48
19Jealousy Tango
tenor vocals:
Plácido Domingo (tenor) (in 1989)
orchestra:
Orchestra ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (in 1989)
conductor:
Eugene Kohn (pianist, conductor) (in 1989)
arranger:
Laszlo Bencker and Boris Jojic (German/Yugoslav composer, arranger and musician)
phonographic copyright (℗) by:
Teviri B.V. (from 1989 to present)
2:46
20La Golondrina
tenor vocals:
Plácido Domingo (tenor) (in 1989)
orchestra:
Orchestra ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (in 1989)
conductor:
Eugene Kohn (pianist, conductor) (in 1989)
arranger:
Laszlo Bencker and Boris Jojic (German/Yugoslav composer, arranger and musician)
phonographic copyright (℗) by:
Teviri B.V. (from 1989 to present)
recording of:
La golondrina
lyricist and composer:
[traditional] (special purpose artist)
3:07