Carmen Suite / L'Arlesienne Suites

~ Release by Georges Bizet (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Carmen - Suite I Les Toréadors - Prelude Act I
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! ») (in 1967-01)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
is based on:
Carmen : Prélude
part of:
Carmen Suite no. 1
4:25
2Carmen - Suite II: Prélude Act IV (Aragonaise)
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
Carmen Suite no. 1: II. Aragonaise. Allegro vivo (based on Carmen: Entr’acte between Acts III and IV) (in 1967-01)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV)
part of:
Carmen Suite no. 1
2:16
3Carmen - Suite III Prélude Act III (Intermezzo)
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III) (in 1967-01)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
part of:
Carmen Suite no. 1
2:25
4Carmen - Suite IV Prélude Act IV II (Les Dragons D'Alcala)
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
Carmen Suite no. 1: V. Les Dragons d’Alcala. Allegro moderato (based on Carmen: Entr’acte between Acts I and II) (in 1967-01)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte I. Entr’acte (intermission between Acts I & II)
part of:
Carmen Suite no. 1
1:39
5Carmen - Suite V Habanera
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
Carmen Suite no. 2: II. Habanera (in 1967-01)
composer:
Georges Bizet (French composer)
arranger:
Ernest Guiraud (French composer)
is based on:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
part of:
Carmen Suite no. 2
2:06
6Carmen - Suite VI La garde montante
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
Carmen Suite no. 2: V. La Garde montante (in 1967-01)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte I. No. 3 Marche et chœur des gamins : « Avec la garde montante » (Chœur des gamins, Zuniga)
part of:
Carmen Suite no. 2
3:40
7Carmen - Suite VII Danse Bohème
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
Carmen Suite no. 2: VI. Danse bohème (in 1967-01)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen)
part of:
Carmen Suite no. 2
4:42
8L'Arlsienne - Suite I Prélude
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
L’Arlésienne Suite no. 1: I. Prélude, Allegro deciso – Andante molto (for orchestra) (in 1967-01)
composer:
Georges Bizet (French composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
8:20
9L'Arlsienne - Suite II Minuetto
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
L’Arlésienne Suite no. 1: II. Minuet, Allegro giocoso (for orchestra) (in 1967-01)
composer:
Georges Bizet (French composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
3:28
10L'Arlsienne - Suite III Adagietto
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
L’Arlésienne Suite no. 1: III. Adagietto (for orchestra) (in 1967-01)
composer:
Georges Bizet (French composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
4:00
11L'Arlsienne - Suite IV Carillon
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
L’Arlésienne Suite no. 1: IV. Carillon, Allegro moderato (for orchestra) (in 1967-01)
composer:
Georges Bizet (French composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
5:06
12L'Arlsienne - Suite V Farandole
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
L’Arlésienne Suite no. 2: IV. Farandole (for orchestra) (in 1967-01)
composer:
Georges Bizet (French composer) (in 1872)
arranger:
Ernest Guiraud (French composer)
part of:
L’Arlésienne Suite no. 2 (for orchestra)
3:35
13La Jolie Fille de Perth - Suite I Prélude
engineer:
Karl Brugger (engineer) (task: mono) and Roy Wallace (recording engineer) (task: stereo)
producer:
Michael Bremner (producer/engineer) (task: mono) and James Walker (ballet/opera conductor, classical recordings producer for Decca) (task: stereo)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1960-10-08 until 1960-11-25)
conductor:
Ernest Ansermet (conductor) (from 1960-10-08 until 1960-11-25)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1960-10-08 until 1960-11-25)
recording of:
Scènes bohémiennes from « La Jolie Fille de Perth » : I. Prélude (from 1960-10-08 until 1960-11-25)
composer:
Georges Bizet (French composer)
part of:
Scènes bohémiennes from « La Jolie Fille de Perth »
3:57
14La Jolie Fille de Perth - Suite II Sérénade
engineer:
Karl Brugger (engineer) (task: mono) and Roy Wallace (recording engineer) (task: stereo)
producer:
Michael Bremner (producer/engineer) (task: mono) and James Walker (ballet/opera conductor, classical recordings producer for Decca) (task: stereo)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1960-10-08 until 1960-11-25)
conductor:
Ernest Ansermet (conductor) (from 1960-10-08 until 1960-11-25)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1960-10-08 until 1960-11-25)
recording of:
Scènes bohémiennes from « La Jolie Fille de Perth » : II. Sérénade (from 1960-10-08 until 1960-11-25)
composer:
Georges Bizet (French composer)
part of:
Scènes bohémiennes from « La Jolie Fille de Perth »
2:07
15La Jolie Fille de Perth - Suite III Marche
engineer:
Karl Brugger (engineer) (task: mono) and Roy Wallace (recording engineer) (task: stereo)
producer:
Michael Bremner (producer/engineer) (task: mono) and James Walker (ballet/opera conductor, classical recordings producer for Decca) (task: stereo)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1960-10-08 until 1960-11-25)
conductor:
Ernest Ansermet (conductor) (from 1960-10-08 until 1960-11-25)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1960-10-08 until 1960-11-25)
recording of:
Scènes bohémiennes from « La Jolie Fille de Perth » : III. Marche (from 1960-10-08 until 1960-11-25)
composer:
Georges Bizet (French composer)
part of:
Scènes bohémiennes from « La Jolie Fille de Perth »
3:09
16La Jolie Fille de Perth - Suite IV Danse bohémienne
engineer:
Karl Brugger (engineer) (task: mono) and Roy Wallace (recording engineer) (task: stereo)
producer:
Michael Bremner (producer/engineer) (task: mono) and James Walker (ballet/opera conductor, classical recordings producer for Decca) (task: stereo)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1960-10-08 until 1960-11-25)
conductor:
Ernest Ansermet (conductor) (from 1960-10-08 until 1960-11-25)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1960-10-08 until 1960-11-25)
recording of:
Scènes bohémiennes from « La Jolie Fille de Perth » : IV. Danse Bohémienne (from 1960-10-08 until 1960-11-25)
composer:
Georges Bizet (French composer)
part of:
Scènes bohémiennes from « La Jolie Fille de Perth »
3:04