| # | Title | Artist | Rating | Length |
|---|
| 1 | Mass in B minor, BWV 232: Kyrie eleison I | Johann Sebastian Bach | | 10:42 |
| 2 | Mass in B minor, BWV 232: Christe eleison | Johann Sebastian Bach | | 5:01 |
| 3 | Mass in B minor, BWV 232: Kyrie eleison II | Johann Sebastian Bach | | 3:42 |
| 4 | Mass in B minor, BWV 232: Gloria in excelsis | Johann Sebastian Bach | | 1:35 |
| 5 | Mass in B minor, BWV 232: Et in terra pax | Johann Sebastian Bach | | 4:23 |
| 6 | Mass in B minor, BWV 232: Laudamus te | Johann Sebastian Bach | | 3:58 |
| 7 | Mass in B minor, BWV 232: Gratias agimus tibi- recording engineer:
- Hein Dekker and C. Jared Sacks
- producer:
- Jos Leussink and C. Jared Sacks
- bass vocals [Ripienist]:
- Matthew Baker (in 2006-12) and Donald Bentvelsen (in 2006-12)
- choir vocals:
- Nederlands Kamerkoor (in 2006-12)
- contralto vocals [Ripienist]:
- Elena Pozhidaeva (in 2006-12)
- soprano vocals [Ripienist]:
- Lauren Armishaw (in 2006-12), Amaryllis Dieltiens (in 2006-12), Marieke Steenhoek (in 2006-12) and Klaartje van Veldhoven (in 2006-12)
- tenor vocals [Ripienist]:
- Immo Schröder (in 2006-12) and Simon Wall (in 2006-12)
- orchestra:
- The Netherlands Bach Society (in 2006-12)
- conductor:
- Jos van Veldhoven (in 2006-12)
- recorded at:
- Waalse Kerk in Amsterdam, Noord-Holland , Netherlands, Kingdom of the Netherlands (in 2006-12)
- recording of:
- h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (in 2006-12)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:41 |
| 8 | Mass in B minor, BWV 232: Domine Deus | Johann Sebastian Bach | | 4:26 |
| 9 | Mass in B minor, BWV 232: Qui tollis peccata mundi- recording engineer:
- Hein Dekker and C. Jared Sacks
- producer:
- Jos Leussink and C. Jared Sacks
- solo bass vocals:
- Peter Harvey (in 2006-12)
- solo countertenor vocals [Alto]:
- Matthew White (in 2006-12)
- solo soprano vocals [Soprano 2]:
- Johannette Zomer (in 2006-12)
- solo tenor vocals:
- Charles Daniels (in 2006-12)
- orchestra:
- The Netherlands Bach Society (in 2006-12)
- conductor:
- Jos van Veldhoven (in 2006-12)
- recorded at:
- Waalse Kerk in Amsterdam, Noord-Holland , Netherlands, Kingdom of the Netherlands (in 2006-12)
- recording of:
- h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (in 2006-12)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 3:06 |
| 10 | Mass in B minor, BWV 232: Qui sedes ad dexteram Patris | Johann Sebastian Bach | | 4:18 |
| 11 | Mass in B minor, BWV 232: Quoniam tu solus Sanctus | Johann Sebastian Bach | | 4:35 |
| 12 | Mass in B minor, BWV 232: Cum Sancto Spiritu | Johann Sebastian Bach | | 3:32 |
| 13 | Mass in B minor, BWV 232: Credo in unum Deum | Johann Sebastian Bach | | 1:55 |
| 14 | Mass in B minor, BWV 232: Patrem omnipotentem- recording engineer:
- Hein Dekker and C. Jared Sacks
- producer:
- Jos Leussink and C. Jared Sacks
- bass vocals [Ripienist]:
- Matthew Baker (in 2006-12) and Donald Bentvelsen (in 2006-12)
- choir vocals:
- Nederlands Kamerkoor (in 2006-12)
- contralto vocals [Ripienist]:
- Elena Pozhidaeva (in 2006-12)
- soprano vocals [Ripienist]:
- Lauren Armishaw (in 2006-12), Amaryllis Dieltiens (in 2006-12), Marieke Steenhoek (in 2006-12) and Klaartje van Veldhoven (in 2006-12)
- tenor vocals [Ripienist]:
- Immo Schröder (in 2006-12) and Simon Wall (in 2006-12)
- orchestra:
- The Netherlands Bach Society (in 2006-12)
- conductor:
- Jos van Veldhoven (in 2006-12)
- recorded at:
- Waalse Kerk in Amsterdam, Noord-Holland , Netherlands, Kingdom of the Netherlands (in 2006-12)
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (in 2006-12)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 1:52 |
| 15 | Mass in B minor, BWV 232: Et in unum Dominum | Johann Sebastian Bach | | 4:39 |
| 16 | Mass in B minor, BWV 232: Et incarnatus est | Johann Sebastian Bach | | 3:03 |
| 17 | Mass in B minor, BWV 232: Crucifixus- recording engineer:
- Hein Dekker and C. Jared Sacks
- producer:
- Jos Leussink and C. Jared Sacks
- solo bass vocals:
- Peter Harvey (in 2006-12)
- solo countertenor vocals [Alto]:
- Matthew White (in 2006-12)
- solo soprano vocals [Soprano 2]:
- Johannette Zomer (in 2006-12)
- solo tenor vocals:
- Charles Daniels (in 2006-12)
- orchestra:
- The Netherlands Bach Society (in 2006-12)
- conductor:
- Jos van Veldhoven (in 2006-12)
- recorded at:
- Waalse Kerk in Amsterdam, Noord-Holland , Netherlands, Kingdom of the Netherlands (in 2006-12)
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (in 2006-12)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 3:21 |
| 18 | Mass in B minor, BWV 232: Et resurrexit | Johann Sebastian Bach | | 3:36 |
| 19 | Mass in B minor, BWV 232: Et in Spiritum Sanctum | Johann Sebastian Bach | | 5:20 |
| 20 | Mass in B minor, BWV 232: Confiteor | Johann Sebastian Bach | | 4:10 |
| 21 | Mass in B minor, BWV 232: Et expecto resurrectionem- recording engineer:
- Hein Dekker and C. Jared Sacks
- producer:
- Jos Leussink and C. Jared Sacks
- bass vocals [Ripienist]:
- Matthew Baker (in 2006-12) and Donald Bentvelsen (in 2006-12)
- choir vocals:
- Nederlands Kamerkoor (in 2006-12)
- contralto vocals [Ripienist]:
- Elena Pozhidaeva (in 2006-12)
- soprano vocals [Ripienist]:
- Lauren Armishaw (in 2006-12), Amaryllis Dieltiens (in 2006-12), Marieke Steenhoek (in 2006-12) and Klaartje van Veldhoven (in 2006-12)
- tenor vocals [Ripienist]:
- Immo Schröder (in 2006-12) and Simon Wall (in 2006-12)
- orchestra:
- The Netherlands Bach Society (in 2006-12)
- conductor:
- Jos van Veldhoven (in 2006-12)
- recorded at:
- Waalse Kerk in Amsterdam, Noord-Holland , Netherlands, Kingdom of the Netherlands (in 2006-12)
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (in 2006-12)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:03 |
| 22 | Mass in B minor, BWV 232: Sanctus | Johann Sebastian Bach | | 4:47 |
| 23 | Mass in B minor, BWV 232: Osanna in excelsis I- recording engineer:
- Hein Dekker and C. Jared Sacks
- producer:
- Jos Leussink and C. Jared Sacks
- bass vocals [Ripienist]:
- Matthew Baker (in 2006-12) and Donald Bentvelsen (in 2006-12)
- choir vocals:
- Nederlands Kamerkoor (in 2006-12)
- contralto vocals [Ripienist]:
- Elena Pozhidaeva (in 2006-12)
- soprano vocals [Ripienist]:
- Lauren Armishaw (in 2006-12), Amaryllis Dieltiens (in 2006-12), Marieke Steenhoek (in 2006-12) and Klaartje van Veldhoven (in 2006-12)
- tenor vocals [Ripienist]:
- Immo Schröder (in 2006-12) and Simon Wall (in 2006-12)
- orchestra:
- The Netherlands Bach Society (in 2006-12)
- conductor:
- Jos van Veldhoven (in 2006-12)
- recorded at:
- Waalse Kerk in Amsterdam, Noord-Holland , Netherlands, Kingdom of the Netherlands (in 2006-12)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (in 2006-12)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:23 |
| 24 | Mass in B minor, BWV 232: Benedictus, qui venit- recording engineer:
- Hein Dekker and C. Jared Sacks
- producer:
- Jos Leussink and C. Jared Sacks
- solo tenor vocals:
- Charles Daniels (in 2006-12)
- orchestra:
- The Netherlands Bach Society (in 2006-12)
- conductor:
- Jos van Veldhoven (in 2006-12)
- recorded at:
- Waalse Kerk in Amsterdam, Noord-Holland , Netherlands, Kingdom of the Netherlands (in 2006-12)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (in 2006-12)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 4:28 |
| 25 | Mass in B minor, BWV 232: Osanna in excelsis II- recording engineer:
- Hein Dekker and C. Jared Sacks
- producer:
- Jos Leussink and C. Jared Sacks
- bass vocals [Ripienist]:
- Matthew Baker (in 2006-12) and Donald Bentvelsen (in 2006-12)
- choir vocals:
- Nederlands Kamerkoor (in 2006-12)
- contralto vocals [Ripienist]:
- Elena Pozhidaeva (in 2006-12)
- soprano vocals [Ripienist]:
- Lauren Armishaw (in 2006-12), Amaryllis Dieltiens (in 2006-12), Marieke Steenhoek (in 2006-12) and Klaartje van Veldhoven (in 2006-12)
- tenor vocals [Ripienist]:
- Immo Schröder (in 2006-12) and Simon Wall (in 2006-12)
- orchestra:
- The Netherlands Bach Society (in 2006-12)
- conductor:
- Jos van Veldhoven (in 2006-12)
- recorded at:
- Waalse Kerk in Amsterdam, Noord-Holland , Netherlands, Kingdom of the Netherlands (in 2006-12)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (in 2006-12)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:25 |
| 26 | Mass in B minor, BWV 232: Agnus Dei- recording engineer:
- Hein Dekker and C. Jared Sacks
- producer:
- Jos Leussink and C. Jared Sacks
- solo countertenor vocals [Alto]:
- Matthew White (in 2006-12)
- orchestra:
- The Netherlands Bach Society (in 2006-12)
- conductor:
- Jos van Veldhoven (in 2006-12)
- recorded at:
- Waalse Kerk in Amsterdam, Noord-Holland , Netherlands, Kingdom of the Netherlands (in 2006-12)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (in 2006-12)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 5:11 |
| 27 | Mass in B minor, BWV 232: Dona nobis pacem- recording engineer:
- Hein Dekker and C. Jared Sacks
- producer:
- Jos Leussink and C. Jared Sacks
- bass vocals [Ripienist]:
- Matthew Baker (in 2006-12) and Donald Bentvelsen (in 2006-12)
- choir vocals:
- Nederlands Kamerkoor (in 2006-12)
- contralto vocals [Ripienist]:
- Elena Pozhidaeva (in 2006-12)
- soprano vocals [Ripienist]:
- Lauren Armishaw (in 2006-12), Amaryllis Dieltiens (in 2006-12), Marieke Steenhoek (in 2006-12) and Klaartje van Veldhoven (in 2006-12)
- tenor vocals [Ripienist]:
- Immo Schröder (in 2006-12) and Simon Wall (in 2006-12)
- orchestra:
- The Netherlands Bach Society (in 2006-12)
- conductor:
- Jos van Veldhoven (in 2006-12)
- recorded at:
- Waalse Kerk in Amsterdam, Noord-Holland , Netherlands, Kingdom of the Netherlands (in 2006-12)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (in 2006-12)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Dona nobis pacem
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 3:10 |