| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
This medium has too many tracks to load at once, so it’s been paginated. |
| 1 | Alive With the Glory of Love | Say Anything | | 4:14 |
| 2 | All My Days | Alexi Murdoch | 4 | 4:54 |
| 3 | All Will Be Fine | Small Sins | | 3:34 |
| 4 | Analyse | Thom Yorke | 3.7 | 4:01 |
| 5 | Atlantic | Keane | 3.5 | 4:08 |
| 6 | Atlantis to Interzone | Klaxons | 4.2 | 3:16 |
| 7 | Awoo | The Hidden Cameras | 5 | 2:42 |
| 8 | Back Again | Boy Kill Boy | | 3:06 |
| 9 | Be Gentle With Me | The Boy Least Likely To | 5 | 3:45 |
| 10 | Bicycle Bicycle, You Are My Bicycle | Be Your Own Pet | 5 | 2:06 |
| 11 | Bisbee Blue | Calexico | | 2:46 |
| 12 | Boy Soprano | Xiu Xiu | | 3:23 |
| 13 | Brainiac’s Daughter | Royal | | 3:19 |
| 14 | Breaking the Ice | Mojave 3 | | 4:04 |
| 15 | Brittlesticks | Fields | | 3:33 |
| 16 | Cast It at the Setting Sail | Danielson | | 3:29 |
| 17 | Chasing Cars- Programmierung und Produzent(in):
- Jacknife Lee
- assistierende(r) Techniker(in):
- Stefano Soffia und Simon Wakeling
- Techniker(in):
- Tom McFall
- zusätzliche(r) Techniker(in):
- Sam Bell
- assistierende(r) Mix:
- Owen Skinner
- Mix:
- Cenzo Townshend
- Bratsche / Viola:
- Timothy Grant , Maxine Moore , Matthew Souter und William Hawkes
- Cello:
- Adrian Bradbury , Caroline Dale , Caroline Dearnley und Zoë Martlew
- Geige / Violine:
- Mia Cooper , Richard George , Ursula Gough, Janice Graham , Rebecca Hirsch , Karin Leishman, Beatrix Lovejoy , Pauline Lowbury, Maya Magub, Richard Milone, Steve Morris , Charles Sewart, Paul Willey und Warren Zielinski
- Keyboard [keys]:
- Jacknife Lee
- Kontrabass:
- Leon Bosch und Ben Russel
- conductor:
- Janice Graham
- Saiteninstrumente arranger:
- James Banbury
- phonographisches Urheberrecht (℗) von:
- Polydor Ltd. (UK) (in 2006)
- produced for:
- Big Life Management
- aufgenommen bei:
- Grouse Lodge Studios in County Westmeath, Leinster, Irland, Parkgate Studios in Battle, East Sussex, England, Vereinigtes Königreich und The Garage in Kent, England, Vereinigtes Königreich
- recording of:
- Chasing Cars
- Texter:
- Gary Lightbody
- Komponist(in):
- Nathan Connolly, Gary Lightbody, Jonny Quinn, Tom Simpson und Paul Wilson
- publisher:
- Big Life Music Ltd. und Universal Music Publishing BL Limited
| Snow Patrol | 3.9 | 4:24 |
| 18 | Cheshire Cat | Milburn | | 2:24 |
| 19 | Cold December | Matt Costa | 3 | 4:13 |
| 20 | Did I Tell You | The Spinto Band | | 3:09 |
| 21 | Do It Alone | Sugarcult | | 3:11 |
| 22 | Dog | El Perro del Mar | | 2:59 |
| 23 | Dolls (Sweet Rock and Roll) | Primal Scream | 5 | 3:58 |
| 24 | Don’t Be Afraid to Run | Greg Graffin | 4 | 4:10 |
| 25 | Dorothy at Forty | Cursive | 4.5 | 3:02 |
| 26 | Downtown | Peaches | 4 | 3:29 |
| 27 | Eddie’s Gun | The Kooks | | 2:11 |
| 28 | Exodus Damage (remix) | John Vanderslice | | 4:58 |
| 29 | Fade Into You (remix) | Run Run Run | | 3:30 |
| 30 | Favours for Favours | The Futureheads | | 2:49 |
| 31 | Feels Like Seven | Barnacle Bill | | 3:37 |
| 32 | Free to Stay | Smoosh | 5 | 2:50 |
| 33 | Gentleman | Prototypes | | 3:06 |
| 34 | Gimme Some Motivation | Delta Spirit | | 3:36 |
| 35 | Glorious | Captain | 4 | 4:27 |
| 36 | God’s Gonna Cut You Down | Johnny Cash | 4.25 | 2:37 |
| 37 | Graduation Day | Head Automatica | | 3:42 |
| 38 | Hands | The Raconteurs | | 4:01 |
| 39 | Hater | Everclear | 4.5 | 4:11 |
| 40 | Heads in Bags | Editors | | 3:07 |
| 41 | Here Comes the Rumour Mill | The Young Knives | | 3:32 |
| 42 | Highways of Our Minds | Alan Singley and Pants Machine | | 2:21 |
| 43 | How to Save a Life | The Fray | 4.2 | 4:21 |
| 44 | I Just Caught a Face | The Basement | | 2:34 |
| 45 | I Love You All the Time | Oh No Oh My | | 2:18 |
| 46 | I Will Follow You Into the Dark | Death Cab for Cutie | 3.3 | 3:09 |
| 47 | Illumination | Broadcast | | 3:12 |
| 48 | In the Key of C | Jim Noir | 3 | 3:25 |
| 49 | In the Morning | Razorlight | | 3:39 |
| 50 | Incinerate | Sonic Youth | | 4:54 |
| 51 | Insistor | Tapes ’n Tapes | | 4:17 |
| 52 | Invincible | OK Go | 3 | 3:30 |
| 53 | Jesus for the Jugular | The Veils | | 4:44 |
| 54 | Knights of Cydonia | Muse | 3 | 4:47 |
| 55 | Lay Down the Law | Switches | | 2:56 |
| 56 | Let’s Make Love and Listen Death From Above | CSS | 4.2 | 3:30 |
| 57 | Love & Communication | Cat Power | | 4:31 |
| 58 | Made Up Lovesong #43 | Guillemots | | 3:32 |
| 59 | Midas | Rubicks | | 4:07 |
| 60 | Misfit Out of Time | SNMNMNM | | 3:23 |
| 61 | Monster- Techniker(in) und Produzent(in):
- Richard Jackson
- Mix:
- Stephen Harris
- aufgenommen bei und engineered at:
- Stir Studios in Cardiff, Wales, Vereinigtes Königreich
- mixed at:
- Pierce Rooms in Hammersmith, Hammersmith and Fulham, London , England, Vereinigtes Königreich
- produced at:
- Stir Studios in Cardiff, Wales, Vereinigtes Königreich
- recording of:
- Monster
- Verfasser(in):
- James Frost , Iwan Griffiths, Robin Hawkins und Alex Pennie
- publisher:
- EMI Music Publishing Ltd.
| The Automatic | 4.2 | 3:40 |
| 62 | My Hero | Paramore | | 3:42 |
| 63 | No Tomorrow | Orson | 3.65 | 2:47 |
| 64 | Nobody Dances Anymore | Brandtson | | 3:24 |
| 65 | Oh Yeah | The Subways | | 2:55 |
| 66 | On the Radio | Regina Spektor | | 3:20 |
| 67 | Painter in Your Pocket | Destroyer | | 4:08 |
| 68 | Paniciss | Ken | | 3:03 |
| 69 | Paul Simon | The Russian Futurists | | 2:50 |
| 70 | Pressure | The Heys | | 2:45 |
| 71 | Pushover | The Long Winters | | 2:35 |
| 72 | Radio Ga Ga | Electric Six | 3.5 | 3:56 |
| 73 | Saeglopur | Sigur Rós | | 7:59 |
| 74 | Satellite | Guster | | 4:32 |
| 75 | Shock & Awe | The Silents | | 3:35 |
| 76 | Silver Ponds | Figurines | | 2:46 |
| 77 | Sing | The Dresden Dolls | 2.5 | 4:40 |
| 78 | Skinny Boy | Amy Millan | | 3:26 |
| 79 | Slow Emotion Replay | Brookville | | 4:07 |
| 80 | Smiley Faces | Gnarls Barkley | 3 | 3:05 |
| 81 | So Far We Are | French Kicks | 3 | 3:45 |
| 82 | Song Song Song | Owen Pallett | | 4:31 |
| 83 | Terra Nova | I Like Trains | 4 | 4:58 |
| 84 | That Old Pair of Jeans | Fatboy Slim | | 2:40 |
| 85 | That’s No Way to Tell a Lie | James Dean Bradfield | | 3:03 |
| 86 | The Compromise | The Format | | 3:25 |
| 87 | The Great Escape | We Are Scientists | 5 | 3:16 |
| 88 | The View From the Afternoon | Arctic Monkeys | 3.75 | 3:37 |
| 89 | The W.A.N.D. | The Flaming Lips | 3.75 | 3:43 |
| 90 | The Worst Taste in Music | The Radio Dept. | | 3:20 |
| 91 | The Zookeeper’s Boy | Mew | | 4:43 |
| 92 | Tokyo I’m on My Way | PUFFY | | 2:41 |
| 93 | Turn Into | Yeah Yeah Yeahs | 3 | 4:04 |
| 94 | Unsatisfied | Nine Black Alps | 5 | 3:10 |
| 95 | Us Ones in Between | Sunset Rubdown | 1 | 4:23 |
| 96 | Van Helsing Boombox | Man Man | | 3:42 |
| 97 | Visit From the Dead Dog | Ed Harcourt | | 3:00 |
| 98 | What’s on Your Radio | The Living End | 3 | 3:02 |
| 99 | White Collar Boy- Assistent recording engineer:
- Jason Mott
- Techniker(in):
- Todd Burke und Tony Hoffer
- assistierendes Audio-Engineering:
- Chris Reynolds
- Mix:
- Tony Hoffer
- aufgenommen bei:
- The Sound Factory in Hollywood, Los Angeles, California , Vereinigte Staaten
- mixed at:
- Sunset Sound in Hollywood, Los Angeles, California , Vereinigte Staaten
- recording of:
- White Collar Boy
- Verfasser(in):
- Richard Colburn, Mick Cooke, Chris Geddes, Stevie Jackson, Bobby Kildea, Sarah Martin und Stuart Murdoch
| Belle and Sebastian | 4.35 | 3:18 |
| 100 | Why Cry | The Panic Channel | 1 | 3:22 |
| This medium has too many tracks to load at once; currently showing 100 out of 107 total. Load all tracks... |
Spiele auf ListenBrainz